narradors i narració

narradors i narració
número 04
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narradors i narració
número 04
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03 Editorial
04 A foc lent
Contar con el cuerpo por William Arunategui (Willo)
10 Un cafè amb...
Cuentos tibetanos. Entrevista con Wangchen
por Helena Cuesta y Susana Tornero
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12 La llista bull per Blai Senabre
14 Es cou a l’ANIN
Terra de contes. Fira Màgica de Santa Susanna
per Xavier Gállego
Marató de COntes solidaris per Guadalupe Blesa
17 Es cou per aquí
Fesival Riu de contes 2009 per Susagna Navó
18 Es cou per allà
FEST: Trobada Europea de Narradors Orals
per Roser Ros
La ruta alemana de los cuentos
23 Açò com m’ho menge? per Silvia Nebot
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25 Directe al microones
Té tota la raó, sr ministre per Carles Alcoy
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28 El secret de la picada
Estratègies per sessions de narració per Sessi Sitjà
29 El correllibres explica
Vicis principals que espatllen
la conversa per Lola Barceló
30 El correllibres proposa
La catalogació de les rondalles catalanes:
el projecte RondCat: Emili Samper Prunera
34 Toc toc
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35 Això era i no era...
Any Amades per Jaume Viladric
36 La cita
03
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04
a foc lent
Contar con el cuerpo
por William Arunategui «Willo»
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a foc lent 05
Deseaba poder contarlas
no sólo a través de la palabra
sino también con el cuerpo.
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el gesto (facial o corporal)
medido y apropiado o un
movimiento (acción, reacción)
de desplazamiento, sorpresa
o suspensión corporal en
el momento justo, entonces
el relato se enriquece.
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Cel_c_[djeo][ijeh[[cfbWpWdZefWbWXhWi«:[iZ[gkƒfWhj[YedjWcei5
Hay historias que nos sugieren
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seguramente nos sugerirán
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Somos de alguna manera
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de quienes hemos heredado
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seguimos experimentando
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a foc lent 09
10
un cafè amb...
Cuentos tibetanos
Entrevista con Wangchen
per Helena Cuesta y Susana Tornero
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29
el correllibres explica
Vicis principals que espatllen la conversa
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PRIMER VICI:
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Xdci^cjVYV‚haVb^aadgbVcZgVfjZjc^c[VciVegZc\j^VeVgVgViZcX^‹^VZciZcYgZ
fjƒh^\c^ÄXVaVeVX^ƒcX^V#
A¼ZmeZg^ƒcX^VYZahXdciZhcd‚hVhh^b^aVWaZVjcVeZaÇa†XjaVYZY^Wj^mdhVc^bVih!
VjcVdWgVYZiZVigZdjcegd\gVbVYZiZaZk^h^‹eZgfjƒ‚hjcVXdbjc^XVX^‹Zc
iZbehgZVaYZeZghdcVVeZghdcVVbWaVedhh^W^a^iViVjiƒci^XVfjZidih^\j^Y^[Z"
gZci^YZÄc^i^j#whXdbaVXdckZghV!jcY^|aZ\dcXVaeVgVgViZcX^‹eZgfjƒh^\j^k^j!
[dciYZeaVZgdejciYZ[dgV#
EZgVegZcYgZVZhXdaiVghZbegZ]^]ViZbeh#8VaeZgŒiZc^g\VcZh^cdidi]dbZc
i‚/XVahZg]dcZhiVbWjcbViZ^m^YZ^mVg"hZZhiVgYZgdbVcdh#8dcÄVgaZhdgZaaZh
VjccVggVYdgdVjc^ciZgadXjidgcdb‚heZa\jhiYZ[Zg"aVeZiVgZchgZ_dkZcZ^m!
eZgfjƒZch[VdWa^YVgZagZaadi\Z!ZaeVhYZaiZbeh^aVcZXZhh^iViYZhZgZÄX^Zcih#
:c Za XVb† YZ a¼VegZcZciVi\Z YZ a¼d‰YV ^ YZa Xdg Zch igdWVgZb VbW cdhVaigZh
bViZ^mdh#EZgedYZgZhXdaiVgWZcZahVaigZh!VWVchZch]ZbY¼]VkZgZhXdaiViVbW
]dcZhiZYVi/cd]ZbYZXdc[dcYgZaVkZjYZaVedgc^aVYZaYZh^\VbWaVYZahdbc^!
VfjZaaVfjZZcheVgaVWZcXaVgfjVcYdgb^b!VfjZaaVfjZXdbY^j?#K#;d^mZch[V
kZjgZ"]^XaVg#whVfjZaaVkZjZacdhigZZ^m!VaaŒb‚hVjiƒci^XfjZiZc^beZgd[Zg^g
ZahVaigZh#:aWdccVggVYdg^ZaWdcXdckZghVYdghVWZcZhXdaiVg"aV#
30
el correllibres proposa
La catalogació de les rondalles catalanes:
el projecte RondCat
per Emili Samper Prunera
Kd_l[hi_jWjHel_hW_L_h]_b_
®GdcY8Vi/gdcYVaaZhXViVaVcZh¯‚hjcegd_ZXiZXgZVi
^Y^g^\^ieZg8VgbZDg^da^?dhZeB#Ej_daXZcigViZca¼ZhijY^
YZaZhgdcYVaaZhXViVaVcZhfjZZhXdggZhedcZcVah®[da`iV"
aZh¯Vc\aZhdh!Vah®XjZcidhedejaVgZh¯ZheVcndahdVah®Kd"
a`hb~gX]Zc¯VaZbVcnh#:aegd_ZXiZi‚eZgig^eaZdW_ZXi^jaV
XViVad\VX^‹!a¼ZhijY^^aVY^[jh^‹YZaZhgdcYVaaZhYZigVY^X^‹
dgVagZXdaa^YZhZcaaZc\jVXViVaVcVZcidiVaVhZkV|gZVa^c"
\“†hi^XV8ViVajcnV!;gVc_VY¼6gV\‹!8ViVajcnVYZaCdgY!6c"
YdggV!BVaadgXV!BZcdgXV!:^k^hhV!;dgbZciZgV!EV†hKVaZcX^|!
Za8VgmZ^a¼6a\jZg#
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IgVY^X^dcVa8ViVaVcVYZa9ZeVgiVbZciYZ8jaijgVYZaV<Z"
cZgVa^iVi YZ 8ViVajcnV V igVk‚h YZ Y^kZghdh XdcigVXiZh YZ
egZhiVX^‹YZhZgkZ^h^eZgaVJc^kZgh^iViGdk^gV^K^g\^a^VigV"
k‚hYZaegd\gVbVYZIƒXc^XhYZHjedgiVaVGZXZgXV^YZaegd"
\gVbVYZY^XViVEgd_ZXiZhY¼>ccdkVX^‹9dXZci#8VgbZDg^da
^?dhZeB#Ej_da!egd[ZhhdghYZaVJc^kZgh^iViGdk^gV^K^g\^a^^
^ciZ\gVcihYZa\gjeYZgZXZgXV®>YZci^iViCVX^dcVa^YZ<ƒ"
cZgZVaVA^iZgVijgV8ViVaVcV¯YZa9ZeVgiVbZciYZ;^adad\^V
8ViVaVcV!h‹cZah^ckZhi^\VYdgheg^cX^eVahYZaegd_ZXiZ!fjZi‚
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gZcX^VYVY^chYZaXdc_jciYZaZhXjaijgZhZjgdeZZh#AViVhXV
YZXViVad\VX^‹YZaZhgdcYVaaZhZhkVgZVa^ioVgY¼VXdgYVbW
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6VgcZ!Xdci^cjVieZacdgY"VbZg^X|Hi^i]I]dbehdc&.+&^
el correllibres proposa 31
gZk^hVi^VXijVa^ioViZa'%%)eZgjcZfj^eY^g^\^ieZa9g#=Vch"
?Žg\Ji]Zg#6fjZhiXVi|aZ\‚hXdcZ\jiZcigZZahZheZX^Va^hiZh
VbWaZhh^\aZh6IJ!ZcgZ[ZgƒcX^VVaZh^c^X^VahYZahXd\cdbh
YZah hZjh Vjidgh 6VgcZ$I]dbehdc$Ji]Zg# 6fjZhi h^hiZbV
i^edaŒ\^XYZXaVhh^ÄXVX^‹_Va¼]Vk^Zcji^a^ioViZah^ckZhi^\VYdgh
YZaegd_ZXiZZcgZXZgfjZhVciZg^dgh#:c?dhZeB#Ej_da_V]Vk^V
XViVad\Vi Zah gZXjaah b‚h ^bedgiVcih YZah [da`adg^hiZh XViV"
aVchZcaVhZkViZh^YZaa^XZcX^VijgV&.-'^ZahZjigZWVaakV
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hZkVWVcYV!]Vk^VZhijY^ViVaViZh^YZaa^XZcX^VijgV&.-)aZh
gdcYVaaZhYZ?dVc6bVYZh^aVhZkVYZeZcYƒcX^VgZheZXiZYZ
[dcihVciZg^dgh#EZgŒaVYZX^h^‹Y¼ZaVWdgVgjcXVi|aZ\XdbeaZi
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YZa&'ƒ8dc\g‚hYZaV>ciZgcVi^dcVaHdX^Zin[dg;da`CVggVi^kZ
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kV ZcXdbVcVg Va egd[Zhhdg Ji]Zg aV iVhXV YZ gZk^h^‹ ^ Vb"
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gdcYVaaZhXViVaVcZh!_VfjZh^ZhegZiZc^VfjZaVgdcYVaa†hi^XV
XViVaVcV [dh XdcZ\jYV ^ciZgcVX^dcVabZci! Za XVi|aZ\ XViV"
a|]Vk^VY¼ZhiVgZcaaZhi^iVWVchfjZÄcVa^ioZhh^caZhiVhfjZh
Y¼VXijVa^ioVX^‹YZaXVi|aZ\^ciZgcVX^dcVa#
:cVfjZhiVeg^bZgV[VhZZhkVY^hhZcnVg^XgZVgaVWVhZ
YZYVYZhGdcY8ViY¼h^ciZgc^h¼]^kV^cigdYj^gaV^c[dgbV"
X^‹W^Wa^d\g|ÄXV!XViVad\g|ÄXV^YZXdci^c\jiXdggZhedcZciV
)#-&.gdcYVaaZh#:ahgZhjaiVihYZaVgZXZgXVYjiVViZgbZkVc
hZg! Zc eg^bZg aadX! aV ejWa^XVX^‹ YZ a¼ÑdZ[nj_feb]_YZ[bW
hedZWbbWYWjWbWdW Dg^da$Ej_da '%%(! ZY^iVi eZa 8ZcigZ YZ
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:aaa^WgZXdci‚*)+®i^ejh¯YZgdcYVaaZh!‚hVY^g!*)+
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aZhigZhiVgdc\Zh¯6IJ)%-djcVaigZ®AVKZciV[dXh¯6IJ
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iVa| VeVgZ^m ^cXadhV h^hiZb|i^XVbZci Zc Za XVi|aZ\ ^ciZgcV"
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gZ[ZgƒcX^ZhXdggZhedcZcihVeV‰hdhYZidiZab‹c#
32
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XViVaVcV Xdb jcV XjaijgV Zicdedƒi^XV ^cYZeZcYZci# EZg V
[Zg"]d!ZhkVgZk^hVg^VXijVa^ioVgaVWVhZYZYVYZhGdcY8Vi
VbWaV^cXajh^‹YZcdjhgZXjaahgdcYVaa†hi^Xh^cdjhi^ejh!Zh
kVegZeVgVgjcVcdkVZY^X^‹ZcVc\aƒhYZa¼>cYZmi^edaŒ\^XYZ
aV gdcYVaaV XViVaVcV ^ Zh kV Y^hhZcnVg Za m[X HedZ9Wj eZg
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VbWidiVaV^c[dgbVX^‹gZXdaa^YV#:ahgZhjaiVihY¼VfjZhiVhZ"
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6XVYZb^VHX^Zci^Vgjb;Zcc^XV#:aaa^WgZ!VeVgiYZakVadgZh"
ig^XiVbZciVXVYƒb^X!ZhegdedhVgZ^k^cY^XVgZaeVeZg^ciZgcV"
X^dcVaYZaVXjaijgVXViVaVcVXdbVXjaijgVZheZX†ÄXV#8dci‚!
V^m†!jcV^cigdYjXX^‹YZhi^cVYVVjceWa^X^ciZgcVX^dcVadc
h¼Zmea^XVa¼|gZVa^c\“†hi^XV^XjaijgVaXViVaVcV^aVgZXZgXVgdc"
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i^ejh gdcYVaa†hi^X! Za cbZgd YZ XViVad\VX^‹ hZ\j^ci a¼†cYZm
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fjZ[VX^a^i^a¼VXX‚hVaZhYVYZhhdWgZaZhgdcYVaaZhY¼jcV[dgbV
g|e^YV!eg|Xi^XV^eZgbVcZcibZciVXijVa^ioVYV#:alZW!Xdc"
hjaiVWaZZcfjVigZaaZc\“ZhXViVa|!Vc\aƒh!ZheVcnda^[gVcXƒh!
d[ZgZ^mjcVXdbeaZiV^c[dgbVX^‹^cigdYjXiŒg^VhdWgZaVXViV"
ad\VX^‹YZaZhgdcYVaaZhVc^kZaa^ciZgcVX^dcVa!V^m†XdbhdWgZ
aVgZXdaÇaZXX^‹YjiVViZgbZVaZhiZggZhYZaaZc\jVXViVaVcV^
Zaegd_ZXiZYZXViVad\VX^‹gZVa^ioViVabViZ^mGdcY8Vi#AVeVgi
b‚h^bedgiVciYZalZW‚h!eZgŒ!ZaXZgXVYdg!fjZY‹cVVXX‚hV
aVWVhZYZYVYZh!fjZXdci‚^c[dgbVX^‹gZaVi^kVV+#&',gdcYV"
aaZhVYViVY¼Vkj^!cdkZbWgZYZ'%%.#9¼VfjZhiZh!'#,++jc
),!iZcZcXdggZhedcYƒcX^VVa¼†cYZm^ciZgcVX^dcVa^(#&+&
jc*(cd]^iZcZcXdggZhedcYƒcX^V#AVWVhZYZYVYZheZg"
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XZgXVggdcYVaaZhVeVgi^gY¼jcVeVgVjaV^fjZZhi|eZchVieZg
el correllibres proposa 33
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gZkZgh^‹VaVhdX^ZiViZcaVfjVah¼^chZgZ^mYZahXdcZ^mZbZcih
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...
Toc, toc!!
...
Toc, toc!!!!
(vès, que em sembla que no hi ha ningú...
encara que se sent un rum-rum de fons, no?...)
Toc, toc!!!!!!!!
Nyeeeec
Ah! Sí que hi éreu!!
Doncs mireu, és que passàvem per aquí
–com cada semestre–
i us volíem recordar allò que ja sabeu.
Com que no?
Sí home sí, allò que la revista és vostre, que ens agrada la participació i que teniu el vostre espai per poder
dir-hi la vostra i bé, que estem a la vostra disposició i
totes aquelles coses que no ens cansarem de repetir.
Vinga va!!
No ens deixeu fora, eh?
35
això era i no era
Any Amades
Per Jaume Viladric
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