the-star-wars-holiday-special-1978 (hscript)

"T.SES~ARWARSHOLIDAY
SPECIAL"
Star-r..1ng
BEATR! CE AR'l'E-IU
H
ART' CARNEY
DIAHANNCARROLL
THE , EPFERSO>J ST ""C.,
H":"::"
and
HARVEYKORMAN
'11t h. epeoia. 1 appearances
MARKEiAM'J:LL
HAM.IOOH lPOR
t11
CAMI£ '.PISHn
ANTHONY
DANIE.
LS
PETE:H
MAYHEW
R2D2
and the voice
ot
JAMESBARt JONES
by :
..
~
.
:16
MILLENNIUM
1: 00
5
.05
o·
C
'
REV. g/13/78
11
STAH W'ARSHOLIDAYSP'EC!AL"
SHO'P.TRUNDOWN
_{CONT•:))
21+
22.
la
Trade r
55
2 •
5
30.
:05
Muaic)
~05
-
ER-
(T1tle CardJ
0-
v.o.)
:0
-
(71
}
72
:5
2.
REV. 9/1 3/78
SHORT rmNDOWN COHTf D)
9
PARTI
Guard
4o.
.
1
B ER
{Title caro,
v .o . )
NEWSlm.EA
l:00
CTN PROMO l
N'ETWO
RK I •V"
l :
l: .2·
{l;
l3.
13
AL
oo5
1
.
scum . 1
lT.
L-IVlNG ROOM
(Mall a; Lumpy. Itchy, Ouattd
~---~.,,..,_+---4----,-+---+---i
i5'•
gm,,
~1
~IMif?&i
• 'PAR'!' I I
PRE-TAPED
"DROMBOID
2:05
51.
~.
5.
a. SCENE
THE,.REE
OF L1~E
l59
(Chew1e~ Malla, Itch:y. Lumpy,
Luk,e SJ:cywal ker " f ri .nc@S l!I
~~la ~
Extl"as)
c; ~t .
R~C~J ~ ~ ~~~~~
1 •
2 ..
:5'0
C'OURTES
,Y ANHOU:JGE'!ElllT
COUR1:'ES
Y AHNOU:ICB~mliT
(: 16)
l.
l.
TEASER
(EXTERIOR MILL!tiKIUM FALCO~fOVERHEAD
Al'lD AWAY FOLLOWEDBY .STARDES'l'HoYER)
(EXTERIORMILLENNIUM
PALC,ON
'l'O CAf\EllA
AND OVERHEAD)
(EXTERIOR lMFEflIAL STAR DESTH0YER
TO CAM2M FI.JUNO LASERS)
1
(IMTHRIORCOCKPIT
MILLENNIUM
FALCON)
~ lli..t-.AND CHElrIE Mi.t: AT 'l'HE C0:tfl'ROL.S,;
STlUJtiGLINOT'O KEEP CONTROLOF THE
SHIP . A BRIGHT F'LASH AND A HEAVY
EXPLOSION
ROCKSTHE COCKPIT}
HAN
That's
I set
it.
I'm turning
sbo rt
back~
coo rd:1 rnit e:, •
We wo.n ' t
Don I t wor-ey J I aan
jUJ!:IP fa_r:
stil l get you home on ti~e.
me.,;::::,,
~
Tru.st
• 41p. mzw
.. ,our only
is to outrun
garbage ~cow~ l'~
that
Imperial
go1ng into
J..1ght speed.
C'liEWIE
( BARKSHI-:SSKEPTl C'AL
APPROVAL)
(HANLAUaHSANDPATSHIS PAITHPUtCO-
PI-LOT OH THS SHOULDER),
2 ..
HAN
'I'hat' s. the
sp ,:1r1 t,
You~11 be
home with your ram1ly oelebrating
Life Day tefor& you
know 1 t .,
where
5 ta.nd-by •
we s,a.J gootlhye
to
our
(HANPULLSBACKONTHE'BYPERDRIVE
LEVERANDTHEfWOBENGINESSURGE)
( P .,o •T/. OVER HAN AND CHEW
IE t S
SHODLDER... THE S,TARS STBEAJ:)
(EX'l'ERIOR THE PIRATE S~ARSHIP
Z,OOMS IM THE STAB PIBLD )
MUSIC;
CRESCENDO 1N O usTAR WARS~• THmllE
2*
SHOWTITtE.S
AND GUE_S'T
BILLBOAftD - SP'ACB
(A TI~LE CARDAPPEARS}
Alon@ time ago,
far,
in a galuy
far,
8.WaY • • • •
{CARD lf ,2)
STAR WARS
l CARD '3, --
OHCARD12)
F I'r a ~..BOVE Al'iD BELOW:LETTEitING
The
ST J\R
WARS
Holiday
Special
v ..o.
The Star
Wars Holiday
Special
Starring
....
;.
,(CAH:D f~)
v.o.
BEA'l'R!CE ARTHUR
Beatrioe Arthur .•
~
(CARD15)
AH
CAR~Y
Art Carney .••
(CARD16)
DI AHJUfflCARROLL
Diahann Carroll .• :
(CARD #7)
THE JEPPERSON S'!'AR-S
fil P
'me Jet
feraon-s t 19.iC"a
,h.1.p.. . .
(CMID #8)
HARVEYKORi'IA.
,
and Harvey Koman •••
(~tORE)
v .o .
W1th Special
Appearances
ccmrr o)
1
by •..
( C.!\FD 19)
t.YARKHAMILL
V.O. {CONT'D)
Mark Hamill as Luke SlcyWalker
(CA-RD610)
HARJU.SONFORD
Ford as Han Solo •..
Harrison
(CARD I ll}
CARRIEFISHER
Carrie
1isher
a~ Princess
Leia ..
(CARD112)
AYTYONY
DANIELS
Anthony Dani~ls a~ C3PO,••
(CARD 113)
P~TER PUYHEW
Pet er
r ayhew as Che'/li::Iac ca ...
(CARD 11'1)
R202
R2D2 as H1mself ...
(CARD115)
JAMESEARL JOMES
And Jame! Earl Jones as the
vo1ce
(INTO:
COMMERCIAL
.,,1)
or
Darth Vader
5.
C'OMiimRC
I AL
BILLBOARD
,( ;10}
COMMERCIAL
BILLBOARQ
( : 10)
7.
3•
IN'I' . KifCHEN SINK - A.QTJAlU
trM
MUSIC:
SPX:
"~A'l"EJU' SPACE 11
WATERSOPNDS
,(WE AM AP.PARENTtY IN SPACE.
OVING
SLOWLYAND ETHEREAL
LY PAST O.S A_RE
ABSTRACT
ANDCURVED
SHAP
!S4 WESEE
THEIRBDGESANDCOBNERS
ANDTRAVEL
1 A.STTHE.rJ• ~!O
T S -HE OP WHJ..
~ T~-;,:y
Aftti)
(T,i/£DESCEND
UPOMWHATSBEMSTO BE
THE GRASSYSURFACEOP A PLANET)
{l-lE TRAVEL THE GRASSi S LTRPA
C!
REVEALIRG
IT TO BE:)
(A HUGE:-FURR
Y HANDtORA.SPINO
THE OBJECT PROMOf ABOVE)
CUT TO:
4,
r
IN'!' . W0OKIEE KlTCHEN
MUSIC;
COtl'l'IITTJ
ES UNDER,
( OVERHEADSHOT -OF DI RTY DI.SHES.
OP A SIHK PUL!,
MALLA-- HER PULL
NAME
IS "MALLATOBUCK"
SHE IS
CHEWBAC
C.A ' S WI:PB, A SHORTEHI HE.A
VY
SET I K11ID, IDfOERSTANDINQ HOME.BODY- IS IN THE MIDST OP PREPARING A
Dil.fNBR. UNCOOKED.roQD IS AROUND
T'!m:COURTERAREA -- A BOWLWI'TH
BATTER,LARGE;.,
PECOLIARSHAPED
~:·:. :. :t1~Af -( " ~0
t rt'~-GL~S ., E'!'C.
PREOCC
UPIED)
B
(BEHIND HER., IN THE MIDDLE OP THE
WO0I<
I iEE L:IVING ROOM, IS I TCHY -HIS FULL NAMEIS 11OLD ATTCHITUCKII,
HE1 S CHEWBACCA'S
FA~HER.A GRAY-
HAIRED.,,CRANKY, 00-IEAR-OLD CUSS - -
SITTING IN A CHAIRA.ND LOVINGLY
CARVING
A WOODEN
HEPLJCAOF THE
X-VINGPI'GHTSRA.BOUT
THE SIZE' OP A
1
MODELAIRPLAME,
HIS TASK)
BE IS INTENT ml
(WITH A GREATCLAT'!'ERING~ LUMPY-I S SON., A
11LUMWAMtf 1', CHEWEACCA
SHOR""• P'LUMP, FE!S'i'Y.,, 10-YEAR-OLD
_ __,BOUNDS ommTHE STAI.RS.
HE CARRIES
4
FINISHEDVERSIONOF THE MODEL
I TCHY
I S CARVING.
BE DIPS IT AROC1ND
A~HJ
MAKES
CIRCLESWITHIT IN THEAIR.
HE .MAKES~ET SOU;i,OS.
HE I s PI GHTING
HIS OWN-YAR
. HE CIRCLES lTCHY'S READ)
( I TCHYRAISES A RANDTO INDICATEHE'S
BUSY AND NOT TO BOTHER HIM)
(MA
LLA TORMSANDSEES '?HE AC'.t'IVITY.
SBE BECKONSLUMPYWI1!'
H HER HAND)
MA
LLA
1
(
11
COMEHERE")
(LUMPY PLIES Tim Pt.A.NEo,nra ~o HER)
(MALLA
INDICATESA HEAPINGCANOP
GARBAGE.,
, I NTO VHICH SHE THROWSA
VEGETABLE
SKIN)
MALLA
( "TAKE I T OUT")
9.
1tJC1P?
(WHINE:S '' NOW?11 )
MALLA
( nR IGH'I.' NOW!
n)
-m!PY
(PETULANT "LAT!R ••. n)
r TN TH'£
~~
LIVING
~ao J.
I'l"C ~,. ~.Ol)~S
ihuM Hl:S CAkvINGAM-01 I~ A
STERN, GRUPP
' TONE:)
.•
ITCHY
(LUMP?DEJECTE'Dt?GOESOVERTO 'rffE
KlT-C!-m.N, STILL CAHRYnlO r:t.HEPLA1ffi.
HE FLIE:3 I'!' A SIT :Ml'D LANDS ON A
SMALL .PIECE OP !OOD, WK'ICHHE PAWS)
( MALLASEES THIS AND SLAPS KI.S HAND;
BUT LUMPY KEEPS THE Ii'OOD•
HE TIIE'N
PICKS UP THE GARBAGE
ANDEXr~s)
CUT TO:
10.
5,. EXT. VOOKIEEHOUSE
( LUMPY COJ1E
S ,OUT TO BALCONY)
SPPX: WIDESHOTH_DUSE
(d ·LASS PAINTIN G tl!TH
INTOBALCO~)
umPY
(LUMPY
DROPSGARBAGE
IN
A
KEYED
LAROBWOODEN
CYLINDERSHA'.R'T.,,
WHICH IS GARBAtlE
DISPOSE!il.)
(LUMP'!EATSTHE FOODSTOLE~PROHMALLA
.um WH!:RLS H.I s
p LANE IN TH! Al R)
CUTTO:
ll,
6.
IN-I'. LIVING ROOM
( MALLA WIPES HER HANDS Oli A ROUGH
CLOTH~CH SHE FOLDSANDfLACES
NEXT TO THE sTO'IJE SHE CROSSE:S
I
INW THE LIVING ROOMAND FOttDLY
WATCHESITCHY AT HIS C.AHVIHG.
Slfi THEN LOOKS OP AT A SHELP1
WHICH
HAS A E~L-OGRAPHIC
PICTURE
OJ.I C'IBEWI.)
(MALLAAPPEARSTO TREMBLE,
AND
f ?JTS ! HJlNP IT!:- HT:Jt ft!'OTITPT ltJ t, Ii.c:~
SHE MIGHT CRY OUT. SE
i :S RUNS HER
R':ANDACR05S HER FOREHEADIN A
GESTUREOF CONCERN
ANDAPPREHENSION.)
NO
~SSE TUR.NS. ITCHY HAS BEEN WATCaI
HER. HE RISES, PUTSA COMPORTINO
ARM.ABOUT HER SHOULDERS.
HE INDI-
CATESLUMPY,WHO.WECA~ SEE OUTSIDE.
THEY WA'l'CH lt.mtPY.. LUMPY'S OEN'l'LENES! AND CURIOSITY WARMSMALLA.
HER CO(lCERN IS MUTEDFOR THE MOMENT,
SHE GIVES I'l'CHY A NOD AS IF TO
SAY 11I • M liLL RIGHT1r
MALLA
CBOSSES TC ~ITCHENJ
CUT TO-:
12.
7
INT ~ LIV_ING ROO
1
•
( LUMPYE~TTERTHE
LIVING'ROOM
FROMOUTSIDE.
ITCHY GESTURESFOR LUMPY
TO l'fAITA SECOND. FROMON
"MP OF THEFrREPLAC'EBE TAKES
DOWNA CASSETTE .
HE HOLDS I 'l'
11PQUESTIONINGLY.)
ITCHY
LUMP!
(VERY EXCITEI>", JUr'PING UP AND DOWH)
(LUMPY
GRABS~ORTHECASSET-TE.BE
WARTSTO IiSERT l T .)
ITCHY
( GE~TLY PATS LUHPY AUD PUTS ARJT AF'OTJKOHII~)
( "C·AL~t DOWN")
(KE IS ABOUTTO INSERTTHECASSETTE
IN THEHOLOGRAPH
~N MALLA
SPEAKS
'I'O LUMPY.)
MALLA
( cor~ HERE1" )
LUMPY
( "NOW?11)
MALLA
( "YES I "')
( I TC'HY
INTERCEDES.. PUTS HIS HANDS UP. )
ITCHY
(
0
WAIT")i
(MALL
A GIVES A SIOil ANDGOES BAC-X
TO HER KITCHENDUTIES.)
(ITCHY INSERTS ?HE CASSETTE.)
(PRE- T APED '
8 •.
HOT....O
GRAPHlC rCIRCUS ACT
MUSIC:
CIRCUSY AJIDELECTRONIC .
( ,SPI HN
ING WHILEi1E MATERI ALI ZEB ON'OO
THECENTER10P THETABLEISTRE
HOLOGRAPHICIMAGE OF A 11RINO-HASTER11 •
PETITE., PERHAPS ORIENTAL, BALD11 WITB
A S f GClESTIOH OP FE.ATriEJIB , AND A
TAIL WiEIICHHE USES AS A WHIP• THE
1
• ~I~G-•M'°!.
STEP.' ' =~t::~::.D:5 :. r .l~.. TJE -r
EiO~ C PERFORMBRS-- A GYMNAST, TWO
JUGGLERS; PM Tt.TMBLERS- - EACB
COSTUMEDAND MADE-UPI~! A OOMICBOOK-TY-PE
COLOR., OIVINGEACHAN
UNUSUALLY
W.Mi:HED-OUT
BLECTRONlC
GWW4)i
CBY PRESSING A co :wrROL BUTTO?l'
111
LUMPYCAUSES TUE ,. RIKG-MASTETi:
ro JUMP on 'rHE TABLE,., I N'IIOLIPB- 11
SIZE I STI LL I!J HotOGPA'"f'."''"RlNn!fJI..ST!tR ?!CK .S
UP A T.IBIIIDLY-S
HAPEO NIRE MEGAPI!ONE• )
MtTSIC :
CONTI NUBS UNDER;
R.Urn-MASTEB
( I N AN ALIEil LANGUAGE )
Ladl@ •s.
and
w,c present
th~ great
Gent
le ·Jiten., may
tor
your e-njoY1111ent- -
Zorbakl
( 'THE GYMNASTHE-ENTERS, TUMBLES•
JUMPS ON UNEVENPARALLEL BARS•·
OOES TRICKS • DISI400NT.S..)
(CUT 'l"O LUMPY
AND
"RING- MASTE,Rlil
AS PJ:148,..MAfaTRR""'
BY GESTURE. INTElODUCES
TUMBLING
PAIMILY,)
( TUMBLE
BS PEBPORN• EVENTOALL
Y FORMING
HU14J\.N
PYRAMID. LOMPY
· LOVES IT, PUTS
BIS PTNGER
RIGHTTHROUGH
TUMBLERS
TRYING 'l'O ttA.KEfflEM PALL. THEY
COMPLETE
THEIRPORMA'l'IONWITHA
PiLOURISH.)
13.
(PRE-TAPED)
(IN ALI.ENLANG
UAGE)
And no~, would you d1rect
yo·ur attention
:rin g tor the
to tbe center
fabulous
.Re,eko
a:rotn.ersf
l .tWIJ JUC:tlJLgh:::liM-t;: ·r-.t::.lt
~
.iiS THEl
f'.ERFORM
• '!'HE S'l'l CKS THEY J UGGLE BURST
INTO SPARKLERSJ SCA'I'TERitlG VARICOLOREDu!OHTS,)
( AFTER A BER.IBS OP I N'rERC'U'rSFROM
rilUNO- .MAST.ER'tTO 1•GYNHAST11 TO
11
n TUMBLERS
TO n RING,,.JU.3TE:R
rr TO
11
J'OlllOLERS11 'TO 11.RING!-MAST&Rl't,, THE
CIRCUS PERFORME'.RS
' START TO T~KE
A aow.ANDCANNOTCOHf'tETE IT.
'I'HEY REPEAT THE ACTION ~ TIMES• )
CLUMPY
REALIZES'?HAT•TO COMPLETE
11
'fflE NUMBER, 'I'HE "RING-MA-SrmR'.
ST
RETURN TO THE HOLOGRAM.. IRE PtJMCHES
,
THE BU~N, , THE ":FlING-MASTER'' POPS
BACK Ilrro THE ll 'OLOGitA'.PHIC 'sr ZE, AND ALL
PINI.SH ON' A LAST CHORD-)
l~-
REV. 9/13/7B
9.
INT . LIVIN G ROOM
(FROM KI~CHEN)
MALLA
(TO LU'!!PY)
(GRUNTSFIBMCOMMAND)
LUMPY
MAL
LA
(FI RMERCOMMAND)
(LUMPYMARCHES
, INTO THIEKI1FCHENAND PIC'KS
UP TF.E DISH- DRYINGWHEREMALLALEFT OF~}
L MPY
( GROWLS U'NDERHIS iBREATH)
MALLA
('.uODDERCOMMAND)
(LUMPY HASTILY STOPS GROWLr~
o UNDER ff_S
BREATH
AS MALLAJOINS I'il'CHY
AT WALLSCRB'EN}
(MALLAPOUCHESIT ON)
.SFX:
(SHE THEMPUNCHESA COMBINATION
Oli NUMBERS)
('lHE WALLSCREENLIGHTS UP.
PRINTS OTJ'.rON THE SC REEi)
You have , reached
Tratt'1c
A IIE.SSAGE
Control.
(MALLAPUSHESANOTHER
BUTTON)
(A NEW'
MESSAGEWIPES!N)
No starah1ps
in area.
(A NEWMBSSAG~
FLASHES
ON SCREEN}
Have a nice day4
(MALLA
ANDITCHYLOOKAT EACHOTHER
IN DISMAY)
15~
16.
(MALLA
ANGRILY
PUNCHES
THBWALL
SCREENOFF)
SFX:
( THEN A THOUGHTOOC
'U'RS TO HER)
(SHE, CROSSES
, TO THE HOLOGRAPHIC
PICTUREOF CHEWY
ON TK! SHELP.
SHB C.AREFULL,Y MOVES IT
TIO
oms S'.IDE:)
(HIDDENBEHINDTHEHOLOGRAPH
IS A
SMM: .rn WAL
s11,~:r:
:tJ',
(KAL L A PUSHES, A SMALL BUTTOt•
CONCEALEDI>il Tm: MANTEL),
REV. 9/13/78
1,0.
RE.BELSCRE-EN- LlJIKE SKYWALKEB
(THE REBEL SCREEN ltLlCKl?RS 'lO LIPE WI~
MUC'HSNOWAND STATIC. WHENTHE PICTlmE
CLEA.RS
WE,SEB LUO SKYWALKER
ANDARTOO. THEY
ARE IN AN' OLD AlRPLANE TYPE HANGER. BEHIND
HIM ls THE REBEL .X-WINIJ P·IOHTEH, IN A M'A'l'B
OP' DIS:REPAIH
.. LUKEANDA.R'TOO
AM EACHHOLDING
AN END OP AN !MPRE!S ,?VE LOOKING BNGJHE. PART.
LUKE IS A BIT' ANNOYED. OBVlOTJS
,LY 'l'lfEY'VE BEEN
STRUGGLING WITH THIS PAJl:TPOff SEVERAL MINUTES)
( AlfTnO T ~ "R~...s 'r
TO LDXE)
~.,
o Ott"" n1~~~ Tr:-ir::--rn~~
LUKE
( STABTS TO TOJ!UfHLS END oim1t)
This 11,ay? You mean d 0, th1 s?
1
:A'RTOO
(SHARP,.RAPID~BEEP-S)
No,. no.,
no,.
·( BSEFS l.NSTRUCT.?ONS)
LUKE
Artoo
.• .. •
I
d.on'
t unders
tanci
.!fcu •
.A:R"l'OO
( BEEPS
on
SAME
IN.S'l'RUCTION
'S SUT
MUCHStiOWER)
LU.KE
I have no id ea wha.t y,oui mean.•
ARTOO
(BEEPSOUTINSTRUCTIONS)
17.
REV. 9/13/78
LUKE
(FRUSTRATED)
the
X-Wing F1ghte ·r repaired
•••
(MALLA,, LU !PY, AND ITCHY RUN TO THE SCRB!N .
LUJll'Y IS ANXIOUS ~o SHOWLUKE liIS NEW CASSETTE.
HE HOLDS IT TJP TO THE SCREEN . ALL THREE CALL
Om' TO LOKE. AS THEY00., LUKETURNSANDLOOKS
OUT TO THE'.'!~
LUKE
tha t •••• •
What's
(SEES T!mM)
O.b •••
I
( TO Aft'roO)
Artoo,
1 t' s Ma1la,
Lumpy
J
and ....
(IMMEDIATELY
REALIZESAR'I'OODOESN'T
UNDEJtSTAND
WHATHE'S SAYING)
Why am I telline
t,ui lding
you?
up nice ly.
Th@ pressu~e
is
Hold this •.
·(ARTOO BEEPS .A PROTEST BUT'LUKE S'l1ANDSTIP~
.LE'l'TING Affi:IOOHOLD fflE TRANSMISSION HOUSINGJ
WHICHIS A LO'a OBJECT WITHHOLESANDVALVES
LIKE A CHRISTMAS 'l'R.EE OJJ AH OIL RIO)
( AR'l'OO BEEPS A SHARP "HEY [ ")
LUKE
(TO WALLSCREEN)
H1 everyone.
Happy Life Day!
(MALLAANDI'l'CHYRA.PIDLY
ABKLUXEABOUT
THE WHERBA.BOOTS
OF CREWIE. SOfllE'rIMES
THEY OVERl,AP.
BOTH ARE VERY CONCBRNED.
NEW CASS,E~E
RE POINTS TO I T AND HOLDS
I.UMPY
CHATTERS
AWAY
ABOUT
HIS WONDEJU'OIL
I
I'!' UP PORLUKE'l'O SEE)
18.
REV. 9/13/78
(LUXE'S SMILE TUMS A BIT PORCED AS, HE
'l'ftI£S TO UNDERSTANDWHAT THEY ARE SAYING.
HE NODSON OCCASION
BUTISN~T POLLOWINGANY
OF !T)
(ARTOOBEEPSOUTLONGSTBADY BEEPSAS
HE: S,TRAIN.S '.4ITH ONE OP HIS MECHANICAL
ARMS,WHICHCOMESOUTONEOiPHIS SIDE
DOOBS. TO PLUG A VAL'IE TO STOP THE STEAM.
IT RESEMBLES
A OlAm"'l'BA POT IN ITS EFFECT.
ALLTHE WOOKIEE
SOUNDS
ANDAR'lOO'SSIMULTANEOUS
1'0 UNDERSTAND
ANY1'HINO
..
BEEPSMAKEI T IMPOSSIBLE
t.o Jl"T~G O _pr.,~ , UY.!: a:!::_·...~~
HIM TO PLEASE BE S,T!LL FOR A MOMENT
)
'rl THt"W
~
...
1
LUKE
..
Ar-too, please •• ,.
( HE HOLDS 'UP HIS H.ANI>S
TO MALLA• LUMPY,
ANDI'rCHI)
J uat a seeond.
understand
Hold 1t ••• I can't
one or you, let alone three--~
(MALLA
LOOKST0 ITCHY, THEYOES"I'ORE
WITH
THEIR ARMS TO EACH OTHER AS IP TO S.AY'•
"OF ALL TIMES POR SOMEONE
NOT TO ONOBRS'l'AN"D
11
1:1S
'.
THEY HEAVE A SIGH AS THEY GESTURE.. LUMPY
C0fJLl)NtTCA.RELE.SS. HE CONTINUES
WITH HlS
CHAT'?ER)
LUKE
What,
LumpJ?
What do you have?
(t.UMPY HOLDS T:IE CA:3SE'I"rEUP)
(AR'l'OOBEEPS LONGANDSTEADYAS IF SAYING.,
noH BOYI BIO TROOB.LE
Pt )
(ANOTHER
VALVE
: HASSTAB'il'ED
TO LEAKSTEAM
AND
ARTOO
DOESN'THA.VB
ENOUGH
ARMS)
(LUKETURNSTO ARTOO)
LUKE
( ANNOYBD,SHABPLY)
Artoo •••.
19.
REV. 9/13/73
Ora :SEE THAT THE WEIGHTOP THE ENOtNE
FART IS TOO KUCH FOR ARTOO, HE IS SJ.,OT.~L
Y
li'ALLIMGFORWARD,AS STEAM STARTS TO POOR OUT)
LTJKE
Oh.
(RB RIGHTSARTOO
BY PUSHINGHIM BACK,SO HE
S'rANDS STRAIGHT. LDIKE P'LllGS THE STEAbt VALVE
Wl'I'HA CAP· ONTHBTABLE)
hold
it .
19 A.
20.
(HE TURNSHIS A'TTEmION
BACKTO HIS WOOKIEE
FRIENDS
. AS .HE TURNS,-A.RTOO
GIVES A
BEEP OF RELIEF:,
W-HEW
! 11 )
11
(LUMPY STARTS ENERGETICALLYTELLIN1
G
LUKE ABOUTTHE CASSETTE ACJJ\IN)
1
LUKE
Really
I can ' t •• , .l have no idea .•.
Where's C3PO~hen you need him .
(ITCHYBAS HADENOUGH
OP .LUM'PY'S CONSTANT
CHATTER• HE HAS SOME
THJ!NONORE IMPORT'AN1'
TO TALK TO LUKE ABOlJ'l'
HE' 'YBI.LS AT
LUMPY)
I
(BE QUlE'I'!)
ITCHY
(LUMPY
COWERS
. MA
LLAPATS l~OHYon
THESHOULDER
GENTLY)
.MALLA
(TAKE IT EAS,Y)
ITCHY
(GESTURING
TO LUMPY)
(BUT ff-! 1 S ••• )
MALLA
(OAU..1LY)
(TA.KE
IT
EASY)
(SHE 5ITS ITCHYDOWN
ON A NEARBY
CHAIR.
SHE LEADSLUMPYIN'l'OTHE KlTCH:EN
AND
ClIVES HIM A COOKIE .
AS
HE HAP'f!LY MUNCHES
ses ADDRESSBS
LUREH"ERSELF)
I hope
I didn. •·t: cause aru, family
probl.ems here.
(MALLA GESi'URES'
...
ii
OH,. OP COURSE NOT 11' }
(MORE)
REV. 9/13'/78
LUKE ,(CONrTI D)
Thia 1s eo fru.~trat!ng.
You can
me.,, but .I cant t und.e·ret&nd
understand
you,
1
none ot us oan under!tand
And
Artoo.
( AB'llOOBEEPS)
something
impo~tant to aak m.e1
(MALLANODSYES)
I wish
r oould hetp .
(MALLA
HAS AH IDBA. SHE GESTffliESlJOR
LmCE TO WAIT A 5ECOtm. SHE GETS THE
HOLOGRAPHOP CHEM
.IE.
THE ,SC'BEEN)
SRE HOLDS I'I' UP TO
(WHAT'
ELSE)
Yah.
THENSHRUGS .HER
(SHE POINTS TO CHEWBACCA
.SHOutD:SR13.)
know•.•
Chewba0~a ••• you don't
( SHE SHRUGS HBll SHOOLDERSAGAIN)
1
(LUREHASIT)
MALLA
·(RELIEVED)
( ffY£S," )
( l'reHY
STANDS NEXT TO l'fALLA,
EE IS
PLEASEDLUKEGOTTHE MESSAOE)
\
•
2L
REV~9/13/78
(
11
RIOirl''-)
LUKE
(CONCERNED)
GeeJ I doo•t know.
lef't
hel'e
Cbewbacca and Ran
on . .ac::.hedule..
t:bey aren •t
It
I wonder wha·t ha.pp ened?
( MAJ.iLAAND IT-CHYARE VERY CONCEBNEO
•
MI\LLAWHINESSOHL,Y. LUKBPICKS UP
ONTHIS. B:E
, KWOWS
.HE HASIJ.'ORAISETHEIR
BOPBS)
Wh.at
.BJII,
8illY8
as well as I do.
up
b:,
an aster-oid
you know thoae
.B,ey,
They- may be held!
storm .
Cbew?Jacca
miaaed a Life Day yet,
hasn't
1
(
I say .1ng.
right?
MA.1:J;ANODS "YES 111• AS DOES ITCHY)
And he's not going to mis:e this
It may take him a bit
but he 1 l l. be ther ,e •
one.
longer
than usual
And give
him a. big
hug tor ~e. won't you?
(MALLA
IS
"YES"')
'
A
iBITMOREA7 :EASE. SHE NODS
22.
REV. 9/13/78
23,
LUKE
loo k so aad~
And don't
15n't
Old Chew1e
to want to come home
going
to long, sad., t ·aoe.a.. Corne 00
smile ••.•
1
oome -0n,
(MALLAANDlTC'ffY10RCE A SMILE)
Don T t
Good !
l
·c T":t"~! •
Tr
'10 1,' •
1.
~ 'l("?U
,.ii'
ne I oave to g@t back to Artoo and m.v
A,sain .... ba Ve a n1 c e Lit e DaJ, •.
engine ..
{MALLAANDITCHY WAVEGOODBYE
TO LUKE)
MALLA
I'l"CHY
("THANK YOU11 )
(LUXE 'f'U.RNS BACK To AMIOO.. ART.00 BEEPS
FOR LWIB TO HURRY UP,
STEAM AGAIM FO,RMS
IN SEVERA!,OPENI NGS.
ONE BND)
We gotta
Okay ~ A2-t00.
thing.
LUKE TAKES HOLD OF
·-
fix thia
Chewbaoaa and kan might
need
( ARTOOBEEPS)
Now
we hav ,e enoug,h preaaure
out thi,
to
tlush
part.
(.ARTOO
BEEPS)
'Wb.a.t do you
pressu~o
)
'I
mean, 11Tnor1?N'ot enough
us.
REV, 9/l~/78
(HE TORN-8
THE KNDB, AS HE DOES,ARTOO
IS BEEPING RAPIDLY AS IP 'l"O SAY, 0 NO_. DON''T Ii •
ANDWESEE WHY
. ARTOO
ANDLUKEARE HIT WITH
SPRAYSOP WATER
COMING
PROMALLTHE VALVES~
AS IP li'ROM A LO'l' 0 F' SELTZeR BOTTLES •
1
AS THEY
ARB HIT,. ARroo ST'0P.S BEEPlHO.. ARR)() AND LUKE
WAIT A FEW SEATS,• AS IP A.R'OOO
I:s GIVI"ffG THE
1
"BENNYSTAHE". LUKEFE:BL,S
AWFUL)
LUKE
Gee., I'm
&O.M7J
Artoo.
You meant too
much pressur e,
( ARTOOCJJ:VESA LONQ
, BBEiP THAT WI-NOS tlOWN
LI KE TKE LAST PAST OP A POLICE SiimN..
A,S THE
BEEP 'I"RAILS OFF WE EEA.RIT TAGGEDWITH 0 HE
1
SHARPBEEP, AS OtlVER HARDY
WOOLDAS HE LOOKED
IN THE CAMERAAND GAVB U.S, uOH")
(THE REBELSCREENRETURNS
TO STATIC)
,
2~ .
REV. 9/13/78
11
I.NT, LIVING ROOM
{MALLA
PUSHESTHE EUTTONOFF. SHE IS
VISIBLY NERVOUS.AS IS ITCHY)
(MALL.APAUSES ANDVISIBLY PULLS HERSELF
TOGETHER)
(SHE 'rHEN CROSSESTO ITCHY ANDATTEMPTS
TO SOOTEE HIM)
ITCHY
( SHE P -S AN ARM AROUNI> ITCHY lu'ID GENTLY
LEADSKIMTO THEMINOEVAPORA1'0R
CHAIR)
(,SHESITS HIM DOWN.,AS HE UTTERSORO'ffrS
OF PROTEST
.. BUTMILDJ LITTLE CJROWL.S)
(SHE GENTLY,BUT p-filtLYJ, PLACES THEMIND
EVAPORATOROVER ITCHY• S HEAD.
SHE TURNS
TO A BACKOP CASSETTE-LIKE
DEVICES.,SELECTS
O IE A~m INSERTS IT INTO THE MIND EVAPORATOR)
(ITCHY FINDS THE CASSETTEBORINCJ)
ITCHY
(SIGHS
HEAVILY)
(HE TAPS HIS FINGERS. THIS DOESN'T
INTERESTHIM AT ALL)
(MALLA PLACES mraHMID ON TOP OP' THE
EVAPORATOR
AS IF TO INDICATE "'WELL,
HE1 ,S TAKEN CARB OF,
SCREEN)
tt
ANDGOES TO WALL
(MALLA
TYPES IN HER INFORMATION)
(ORPHIC CARDJ l ~ StraTERMUiAL fi!t6B)
(GRAPH!C CARl># 2 ... STAND BY)
1
(GRAPHIC
CARD
#3 -
CONNECT)
(ORAPHICCARD~~~ TRADINGPOST WOOKIEE
PLAffETC)
( THE SBOP THEN APPEARS•
THIS ALL HAS TAKEtl
FIVE SECONDS AND IS ACCO
MPArJIED BY SHORT
TONES)
1
)
CUT TO:
25 .
26 ..
12
INT .
TRADER'S SHOP
(PICirtraE COMESUP OUTHE SCREEN.
IT IS THEINSIDE OP 'I'HE TRADER'SSHOP.
WESCANTHE SHOPON THE WALLSCREEN.
THESHELVES
AREFULLOP TECHNICAL
HARDWARE.
AMONO
THEMAREMINDEVAPORATOR
HELMETS,GADGE~SIN VARIOUSSIZES, ANO
SHAPES.,ALL WITH IMPORTANT
tOOKINGSWITCHES,
DIA-LS, AND CONTROLS, WE SEE A POA.TAaLE
WRS,ION OP THE WALL SCREEN UNlT. BVERY'l'HINO
IS BRANDNEWANDI~RESSIVB LOOKING)
lb
LOOKING
AT
J.i1tERIAL ~UAHDI
THEMERCHANDISE)
(AflT CARNEY,AS TRADERSAUNDANNtENTERS
AND STANDS BEttIND THE ooumEH.
HE f s
O?ilEOP
30 TRADINGAGEtrTSON KAZZOOK
WHOMAiml'AINS
A t1Etl'TRALIMAGE BU'l' IS AC'l'UALLYA LOYAL
l'RlEND TO THE W00KIEES. HEtS THE KIND, OLDER
PHARMACIST
AT THE CORNER
DRUGSTORE, WHO
S,UPPLIES CHEWBACCAA D HIS PAMILY WITH ELECTRONIC
GADGiBTS
ANDAPPt-IANOES
:rn RETURNli'OR
THEIR CROPSANDWOODCARVINGS.EVERYTHING
THADERDANNWEARSIS ,SO1TABLE
FOR A RUMAN
OP THIS GALm AND TIME AND PERIOD, BUT IT
IS A BIT FRAYEDAROUND
THE EDOES. SUSPICIOUS
.STAINSADORNHIS CHESTAND PANTS. HE SEEJ!ra
IN A S'TATE01' PERPETUAL
FRAZZLE)
TRADERDAMN
Oh, an Imperial
you want to
Guard .
I sup~ose
31eemy Idl,ent 1f1cat1on?
(TRADERDAHN STARTSTO DIG OUT HIS
msNT'IFICA".rIO~I CARD. THE IMPERIAL
GUARD
STOPSHIM)
OOAHD
No, I'm off
duty•
Ju.at come
I've
to look around your ehop.
TRADERDANN
Oh; oh, ob , •• sure . ~.go right
. a.head. · As
)
!ifOU·~ can
see I "ve get
Jae t about evet•ything
Wook1ee would want.~ ...
(MORE)
a
:ina:ri
or
'
27,
TRADER DA_NN
(CONT'D)
(BXCI'FED)
Ah. le ·t me show you this.
(HE POPS DOWN
BEHINDHIS COUWI'SRANO
HE CO~ES UP WITHA WOODEN
BOXTHE SI?E
0P A BOX TRA'I' OUR PRESENT DAY PHOTO
1
,SLIDES COME IN.
HE TAK!S Oll\':F·ms LID)
I reallY 11ke t61s .
( "-E ~~
1:iE 'l'O · S OF WHA'I
· LOUti:> Ll'.Kb PHOTO
1
SLIDES, TRADER
DANN TAKES 0~ OiHE~HOLDS
IT UP; AND LOOKS AT !T)
No.
(HE .HOLDSUP SEVERA~MOftE)
No.
(HE PIMDSTBEOr,lEEE WANTS)
Here ..
( HE
HANDSTKE SLIDE- 'LIKE OBJ'ECT TO TKE
IMPERIALGOARD)
(w1BSEE POCKET-SIZEDAQUARIUM.-THE
IMPERI.AL GUARDIS HOLDING IT
li'lNGERS)
nr 81S
TRADER DAflN (V. 0 • )
A po-cket - .e,1 z:.e d aguar i um.
lsn•t
Wond.er>ful
1t?
(WE SES THENICRO-SIZEOPISH SWIMAROU?m
..
AS THEYSWIM
TOWARD
US THEYBECOME
PENCIL
LINE THIN. THE, liTSH .ARE FLUORESCBlr! AND
COLOllPUl.,., 'r1m TROOPER TURRS TRE
AQUARIUM
OVERANDVIEWSTBE PISH FROM
ms BAC~SIDE QLASS)
THADEfi DANll
It
soes anywhere
with
you..
And.
l
the tank is a snap to olean.
)
oo.• Gu
i
(n.l"l'S THE AQOABIUM
DOWNON THE COUm'ER)
J: d1212 t lf)!&zai.._
..
11
_;t:"' /,;,a
i./c S A.,
'
28~
TRADER
DANH
Ab• .. well neither
J u a.t th ough:b I
or the
do I .••
I
d :show yo,u some
t
:a:tu-p1d ,etu!'t
those
Wook1eea
purcha,~ from me.
(FR.OM!!'BE SllBLJ? TR.ADER DAllN TAKES- OF'P
AN OBJECT AND HAND-SIT 'ro Tim IMPERIAL
GUARD. '.IT'' S SMAtt AND P I 'T,c:i Uf H1 S ~ ~ f . -~
But here , •• ll ook at
th i s .
(TRADER
DANN
' ,aNs
TO CAMERA)
ff~
AL GUARD),
s,:;x ·
t TO !Rib
Excuse
n:ie
got a Wall Screen
I've
cu:stomer~
( 'I'O CAMERA)
see yo u aga-1n !
Oood to
(MALLA ABOUT TO SPEAK TO WALLSCREE11)
(TflADERDANN;WH
O HOLDSOP HIS HAN!) BEFORE
SHE CAN SAY A N!YTHIN"
O)
say a word.
Don •t
Juat
why
:,ou!re
Ma 'm.
c:all.1.ng.
( RE NOW SPEAKS WTTH.STRo,w
Y,ou • r ,e wondering
oarrt
.e.t
you
Madq .
EMPMS,IS)
when tha t
ordlere~
your~.
I know
11 s h
w111 a~r1va
Let me assure you~
It, , s on 1t I s way~
rou
know, it was inade especially
you by a litt
)
p 1a.11ets away.
a ~@:Y it
tor
l e old woman four
· She d.1d it
by heraelt.
(MORE)
all
REV., 9/13/78
1.'MDEft OA.1114:N
(CONT I D)
In fact,
you m1ght eay ahe did
bY ~ .... !2!g . ... 80 it's
it
gonna
to get
to you...
I know ,l..2.Y understand.
Do you
·take
some time
understand?
( ,, OHj
-Ter-ritic.
later
by
YES : II
)
By the , way l 'll
be
to drop ott that extra
Proton Ene~gy Pack.
MALLA
( "•
-~ (WT1{1fi/K 'fl)(} ,~
TRADERDAN?
l
:f'1
e e Iii
•••cow
YAA-<.{,he./!,~
;
( TO IMPE:RI AL..,PJJARD
. ' ~ .-1 ..LL
~ ma . ,~,-
1»1-Aa
1ou
l ike
2
ti.a .tit
•
GUARD
It
1
s Just
a groomer.
Ju.st a. grioomer?
No
B 1r.
(HE '?AKES THE GROOMERAND DBMO.NST:RA'!WES
AS RE TALKS)
(MOP.E)
J
29.
JIBV.
TRADERDANH (CONT'D)
Bea1dea shaving
and hair
it •e. guuanteed
to , 11ft
clothingt
teet~,
stains
oft'
races and handH. cleans
.fingers.
and toenails
washes eyes,. piel'ces
,
ears,. oalculate
modulates and syncopates
lite
rhythms,
and can repea t the entire
Inperial
Penal C~de, all
1n ba.lt
the t 1.me 0 t the
model.
Ju.at the · thing
1
sque,a.Jcy clean.
all
17 volumes,
old XP2l
t,o, keep
you.
I use one 0:f these
the time~
{MOHE)
)
trimming
,B1
'9/13/78
29A.
REV. '9/13n 8
( THE GUARDarms '?RADER.DAHNIs S'l'AINBD
CI...O'lliIN,G A STBRN LOOK)
TRADER DAlm (CONT'D)
Well ....
ae .much a.s I td like •••
not
It can be recharged
but. I u~e one.
by p,lugging
into any Lasar
it
o,utlet.
GU.ARD
1
A _-L S&Z.!J1&.
-8wu
'1'RA
!DERDANN
I knew you would
you like
~
Now• would
to pay for it
or give
something 1n trade?
GUARD
__,1
:i:-~~,
~
I'm~
taking
it.
TRADBR
DANN
Whew••• th&t 1 e a load or£~
'mind •
I thought
y,o u might
be
embarra5aed when I told you to
,com, 1der
it
a g1 ft
from me ..
(TH:8GUARD
EXITS)
I really
hate embarras11ng
CUTTO:
J
3:0•
FlEV.
13.
INT . LIVING !ROOM:
(MALLATURNSOFP WALLSCHEEN.SHE
HAS OONE ALL SHE C'AN DO)
(SHE GOESTO XITCHEH)
(WE SEB LUMPYWIPI~G HIS LASTDISH.
IT '1 S A HAS.TY DRYING. HE FOLDS THE
DISH TOWELTHE B:SS'I'HE CANfflBN SHOVES
rT ONTO THE TOWEL.RACKUNDOINGANY OF
THE FOLDS HE HAS JUS'T DONE)
CON ~ Ii LLJ
t
S KiT .Rw.,r ~nn ~f1:Y-BOfl T AF!,~
ARE THEPOLLOWI&0
OUT-SIZEDITEMS:
ALLUTENSIL.SAND
BOWLS
AREWOODEN
.
SIDE OF BEEF, OVER-SIZE D CLEAVER,
LAROELE.AVES,HUGE POT., BIO CROCK,
C'RAB APP:LES, WHIPPER, .SPOON.11 PAIN'?
BROSHJWOODEN
IWWLSWITH CHUNKSOF
POTATO• CELERY, J IC AMA~ PAM LEY:io
GARBANZ0
RADISHES, 'l'ONGS, SEASONING
1
IN CONTAINER
WI:THTOP THATUNSCREWS,
BOWL OP W'ESS
·ON OIL~, orNOER
ROO'!'. GARBAGE
CAN')
(SHB NOWTtJRNSHER ATTENTION
TO A SMALL
METAL
P~LING BOX THATSITS 0N A SEELF
NEXT To THE own}
1
( SHE OPE~,S TltE PI LINC BOX, 'l'HUMB.S THRlJ
IT & lmMOT/!S A HUU-C~SETTE)
(THIS SHE INSERTS I~O A LI~
MACHINE
NEXTTO THE FILING BOXON THE SHELF)
(AFl'ER A MOMENT,
A SMALL
NINI-SCREEN
NEXTTO THE MACHINE
IVLICKE'.RS
TO LIFE)
)
...
9/13/78
31.
(PRE-TAPED)
3'2.
13A HARVEY
KORMAN
KITCHEiSEGMENT
0
( WB SEE H.ARVEYXOBMAN.AS rrooHMA.ANDA
A FEMALECHEF
' WHOENJOYSHER ·OWN
COOKING
.. .SHEIS BEHINDA TABLEOR
COUNTERONWHICHARE 'l'HE POLLOWINO
I'l'EMS:
WHOLEPILET OF BEEF ( BANTHA
FILET) CHOPPINGKNIPE. PAS~RY BRUSH,
BOWLS
OF SLICEDPOTAi'O,CELERY,
JICAMA,,PARSLEY,BAY LE.AVES, GARBANZOS,
'.RADISHES,
GINGERROOT,CONTAINEROF
WATER,CRAtlBERRIES
J
POO'. SPOON, WHIPPER,
SEASONDla,.BOWL
OF OIL, TONOS, LADLE.
GOR:tAA.:_,_ r S I'!T!r~S .~P.E r,r NO~
I, Sf E :
OORMAMIDA
Today we are prepar1ng
suo culent
d1.slh., Bantha
only 1-s 1t h@arty
economd.cal too.
will
a very
and
Not
r,iour1sh1ng •. 1 t 's
All those hungry
you follow
go yum-yum if
as I pt-epare
Surprise.
thia
popular
mouths
along
.ravo,:r1te.
(SHE HOLDSOP A PIEC5 OP MEATWHICH
LOOKSLIKE A BEEP FILE!)
GORMAANDA
I'm going to use the tend erest
of tbe
Ba.ntha .. .. the
ia alway a taety
If your family
I would suggest
favor1te~
lo1n.
The loin
and serves , r01.u• nicely.
hae a hearty
that
the Bantha
appetite,
old ho li day
rump.
(MALLA
HOLDSUP A IJIANT LEG BONE}
(MORE)
J
cut
33 .
(PRE-TAPED)
(MALLA
SIGHS ANDPT1l'SDOWN
THELEG,
READY
TOWORK)
GORMAA?lDA
Pi rat_. we brush
the meat w1th Ao,la..
(G0RMAANDA DIPS HEH FUJGEH INTO THB
AOLA AN'D LICKS HER FU 'GERS)
Ah • . • room tempe ;ra·tur1t • .. • peirf e ct •
(GORY.AANDA
TAKESA PAS~RYBRUSH AND
r --n~Hi•'.'.3':',.C :i! 'Z'. ~rnL~A T;.::ES
P'AINT' BRUSH AND aRUS:HESffB.:R MEAT)
&rush,
brush:;
brush.
Now we chop our meat ..
(SHARPENS KNIPE - THEN CHOPS MEAT)
(OORMAAND.I\
EATS4 PIECE)
Hmmm
,•• ., tend er aa can be.
These should b~ cut into
b1teeai~&d
mors~l~, and of course_. only you know
tb@ &ize of a bite
1n your own family.
(MALLAREACTS)
(AS GORMAANDA
CHOPSWITHCHOPPINGKNlFEt
MALLATRIES WITH OVER-SI ZED CLEAVER TO
CUT THROUGH THE MEAT.. MALLA CHOPS HEM
IN'I'O ONLYPOORPIECZS~ INDICATINOTHE
APPETITE OF HER FAMILY.
GORMAANDA
AND
MALLABOTHFINISH CHOPPING. OORMAANI>:A'S
CUSES ARB PERIPBOT},
( oore,WNDA ROLLS IN HER HANDS A HANDFUL
OP BAYLEAVES~
WHICHSHE SPRINKLES
OVER
THE HUT AND TALKS: )
GORMAANOA
An important
~ule
in eaoking 1s tor
your di .sh to look as good as it
So~
)
old .favorite.
not only
color
and
e nhanee tbe
e1e appeal.
Taba leaves.
flavor
1,
taste.:,.
which
ibut add
(PRE-TAPED)
( MALLA HAS GIANT LEAVES,
WI CH DO NOT
DIS I NTEGRATE
, SO SHE TEARS T~EM mTO
LARGEPIECESOVERHERMEAT}
,GORMAANDA
~ow, we put our chanks into
o~r pots.
,( GORMAA
.HDA PLACES THE MEAT INTO A
LARGEPOT• ANDMALLA
POI.LOWSINTO A
POT
DURING THE J'OLLOWING,
OORMAANDA
NOWDIPS HER HAND.INrTO 0 NE
LMGER
4
1
BOWLAFTERTHE OTHER,ANDTASTES EACH
ONEAS SHE ADDS THE~ TO THE POT.
MALr A. S BmtLS AND C'liUiiKS Aru: LARGE.fiJ
GORMAANDA
Now a. dl.oll op of' 're-rtium ,
(Ii DOLL
OP Il'OR THE POT, A DOLLOPFOR DR
A aprlg
or
MOUTH)
Celto •••
(A SPRIG FOR THE POO'i A SPBIO ~OR HERMOUTH)
A
daeh of PWlotil .• .
( A DASH FIOR THE PO,T • A DASH FOR KBR MO-U"TH}
A s oupeon
or
Cclons l ey . ..
(FIRST POT,, THEN MOUTH)
A
pinch or
Nega.mo... .
(FIBST PO~. THENMOUTH)
( Fl RST F 0"1'~ THENHOIJTH)
( MALL-A SPRINKLES;
NOT ENOUGHCOMES
OUTFOR HER TASTE. SHE REMOVES
PERFORATED CAP AND DUMPS WHOLE JAR IN
}
GORMAANDA
I th 1nk we have ev ,erytb ln:g.
we don! t.
Don tt f'orget
no
Oh.
a ,mall
p1e,ce
or Calarantum root tor a toueb ot
piquancy.
( PHE--TAP.EO)
35.
( GORMAANDA
TAKES A LARGELE?JoTHOF A BLOB
ROOT HAJ~GlNGAROUNDHEH NECK AND CUTS OFF
ALL BUT ONEINCH OP IT'
( ,SHE DROPSTHE ROOT IM'fO THE POT)
(MALLA
TH.ROWS
IN A HUNrOF BLUE
BOOT)
( GO.RMANDA PI C:KS UP A COKTA-lNEJiOF
WATEft~ MALLA FOLLOWS"'ITTHA BIG JUG )
,.
CJ.ORMAANDA.
( CO.tlT r D)
Add enoug.
l ......J.u
c;.o cover,.
( GORMAMID
l ENP'l!IES OONTAINER.
!MALLAATT!MP'I'S TO iDO'!',Fm ~AME.•
IT TAKES HER FOREVER )
Another
r-ule
o:r cooking ....
clean
up .as you go along~
GOHMAANDA
DOES•
MALLA STILL POURS
1
(
WI.THONEHAND
AND
· WITHirHEOTJiERHAND
SWEE:FSTHE STUli'F OPP THE COUNTER. SHE'S
S!I'MTIN G TO GET A BIT HMtRASSED )
(THEYBOTHOIJMPTSE BE:RlUESINTO TNEI:R
POTS. MALLA'SHANDFU
LS AREQUITELARGE)
00:RMA.ANDA
And now t he last,
~art of the
but most 1mpol'tant.,
You know ~hat it is •..
rec1pe.
the , cooking.
( MALLA LUGS HER POT TO THE ,STOVE,. AND
S-TA.NDSJiEAD•Y POR WHATEVERCOMESNEXT )
(GO'RMAANDABEGINS STI RRIN G WITH A LARGE
WOODBN
SPOON. MALLA
FOLLOWS)
Now,
,l!It ep
one.
Step
tl\lo
as you ,st 1:r • you mus,t Whip
the mil{
)
.st1r
II
t Ul'e •
Stir
Let
re ,
t.he
mlz.ture ..
do thi a toge,ther
.
... , we1p • . • at 11-• • • whi p • • .. whip •••
whip ..... e,tir.
(MOHE)
( f RE...TAPED)
( MALLA 'S STI rutE A ANO WHIPPEft ARE 80 .L.IUK1E
SHE IS FORCEDTO USE 'Yr/0 HANDSFOR EACH.
NiEElltESS TO SAY, 'l'lU S IS QUITE OIP,PICUL'l')
OOPJ.IAANDA
{CONT'D}
Al rigll, t • l e•t a try
this
sl1 .ght y qu .1cker
tel!l~o.
one e more at a
Stir
. ... whip,
Stir
. .. wh1p 1 st1r .• • wbip,
Stir..
~tlr
• Wh1p, stir
• .•• w.h1p.., whip~,,.
•••
whip
I
whip .• ,. stir.
whip •. • whip .••
sti.r.
wJ:t1p. . • llil'h.ip.. •
s.t1:r.
(AD LIBS)
~tep three,
we mu:i..t
as we're
al.so
st1~r1ns
and Whipping,
'beat.
1
(A THIRD HAND, IDENTICAL
TO OORMAANDA
S OTHER
TWO. EMERGESFROMBEHINDHEH BACK, OR.ABSA
MALLETAi~DST.AMS TO BEAT)
Beat • . , Beat ••• Beat.
Beat •••
St1~ ••• whip, stir
••.
whip,
..•
:,,ihip,, Wh1p.
wh1p.~.
whip . ... st1r.~,
beat:.
Stir
.••
whip:,
stir
•••
whip,,
=stir ...
4.
wh!p ,..,
s,tir .••
tieat.
Stir
whip.
whip • • • whip •••
beat.
{WA.LL:,\ I ,S HEAIJ/! F'RUSTMTED)
time tor us to taste
Now l th1nk 1t's
o;ur broth.
(AO LIBS)
A FOURTH HARD EJIBRGES PHOM GOftUAAN
DA' S,
OTHERSIDE -- TEE THIRDRANDSTILL BEING
VIS IBLE -- WITH A LARGE LADLE IN IT,
THE
UAM'D SCOOPS UP SOME UQUID AND PUTS lT TO
1
(
HBft MOUTH AS SHE PIN:ISHE.S TALKIHG )1
)
(M0liE)
1
st1r.
41-
(PRE-TAPED)
:3:7- 39
1'..lORMAANDA
( CONTt D)
1
It
should
be d,ellca.t
,e., ,and
yet
. pungent 1 aJld Yet ~•eet ...
heady.~
and o,f cour.se,
not t ,oo
'l!mt ery.
( GORMAANDATASTES,)
Mmm!nmrn
. Not quite.
1(NOW ALL FOUR HANDSBO 'rO W0RK SO
'l'FIAT GORMAAND
.Jl Cftr l! T I~OP.E Ml!)
MOIIB)
1
A c,,1 t
more ot thJ:s , . . •
(orra HANDTAKESPROM.BOWLAND
PUTS INTO STEW)
,( ORE llMJD TAK.ES PROM AHOTBE
R
BOWL~ PU11S INTO STEW.
OllE HAHD
PUTS s mm IN HER :r<OUTH. ONE
HAN»LADLESINTO HBRMOUTH.
TH!S IS ALL DONESIMULTANEOUSLY,)
GORMAAlIDA
A
touch
or
a ta~te
th1$,
a dab of tb1s ••.
or this,
Ah.,, we•~@ getting
th@re.
Yes, yes, oom1ng~ coming~
maybe a 11t tle
b 1 t more • . •
( MALLA IS , OUTRAGED. SUE PUNCHES
THE MINI-SCREEN' OFF; '!'AKES THE
P0,T JmD DUNPS 'l'iHB CON'l'EN'rS INTO
TH:ELA.flGE GARBAOB
PAIL)
CUTTO:
,,
~o.
1~
EXT./INT. MILLENNIUM
PALCON
(
(EXT. SHOTSOF THETIE- F!GHTERSZOOMING
A.ROUND
THE MILLIDl
.N1UMFALCON~F!RING
AT IT.
THE FALCOJ~FIRES BACK HI'FTING
iJ.fB TIB-PIGH'l'ERSANDCAUSING
TffEMTO
EXPLODE)
I.NTERCUT
YI"I'H
:
( IN ·TERIOR COCKPIT OF MILLENNIUM FALCON.
E-XP1/0SIONSROCKT.HE SHIP AS HAN AND .
CH!WIE FRANT'ICAI.LY W RK TRE REMOTE
CANNON, AND TRY 110 0 u1.J.1.MANEtJ"VER
"11:liE
TINY FIGBTEHB )1
CHEW!E
(BARKSHIS D~STRESS)
HAN
All right;
ooordblates
all
right~~-
weren't
the
the tie&t, .•. ,
I
age.in st t -he s e r ·1gh.te:r:s w,e- •v e
more
or
a chance •.•.
'
HAN(C:OMT'D)
--- -~
(
__
Howev el' s 11m
.....'
...,..,.
/
OHEW'IB
(BARKSHIS CONCERNS)
HAN
You can say that
again.
ts. one Lira 'Day C • 1
won' t ao0n f'orset
~hie
. SL
., • , 'Wait !
(MORE)
you
HAN(OONT'D)
I'v e lost
control
,of one of' the
remot ,e canno:r.is,.
CHEWIE
( BARKS A. LONG, ANGRYSPEECH)
HAJT
Calm down ... •.We at.111 have plenty
or t 1:me.
Sta)'
on things
here,
I 'm
going baek to work the aft gun
lilanual ly •
Wny dlo I alway- s t b.ink :
that ta.k~ng you heme ror Life Day
1s going to be easy?
CHEWIE
( BA.RKS 11GOT ME iBOSSri )
(ONE MOREHUGEEXPLOSIONSHAKESTm:M: UP
'l"HE COC.KPrT A~IDOOES TO
THE GUN'rURRETANDSTARlJ'S :FIRlHG AT
THE PIGHTSRS)
AS, IE!AlfEXITS
CUTTO:
J
.....
RE\r• 9/13/7 9,
15
INT, LIVINGROOM
(MALLAIS LOOKINGAT THE HOLOGRAPHIC
BUST
OP CHEWY)
( HER MOMENTIS DISTURBED B! A LOUD SN'iORT.
WE PAN AND SEE THAT ITCHY IS somn:i ASLEEP
INS IDE THE MIMDEVAPOM.TOR)
,
112
I
REV. 9/13/78
(A ReD PAT'I'ERN
FLASHESONTHEWALLSCREEN.IT
IS ACCOMPANIED
BY ANALA~M-L
IKE SOUND)
( 1-i'CffY IS RUDEL'! AWAKENED
:1 HI TS HIS
HEAD
Kil.RDON THE INTERIOR OP' THE MIND EVAP'ORATOR
AND RUBS THE TOP O:PBIS HEAD)
IMPEnIAL0FPICER
(ON WALLSCREEN)
all Viewers • . Due to suspe ,cted
Attention
Martial Law.
the Emp,1re has declared
has ceen ~et up around the
A blockade
planet.
No ships
wil l be perm i tted
land or ta.ke off until
to ,
tu11ther notice ..
(MALLAOO!S T0 THE HOLOGRAPHIC
PICW.RE OF
OHEWIEANDCLUTCHES
IT TO HER ·CREST)
1
MALLA
(CRI£S MIS NAMEIN DISTRESS)
(ITCHYPl.JTSHIS Alm AROUND
MALLA
AND
LUMPY
CLINGS TO HER)
SPX: LOUDDOORKNOCK
(TREYALL FREEZE' IN TERROR)
}
~3.
.~!.l.
CO~..MEilCIAL
il
n :14,
COr-MRCIAL
~I
ti ~3~ >
_)
16/17/19
: _:·JT . LI'JI::O F.OC~-1
(MAU...!\ !.S r;'!f.E FI~T
TO !l~OTlE
.
SHE PITTS TEiE PIC'l'URE r 1'-IBICH
.' SHE I S BEEN CLU'I CHING , BACK)
•
...... .
.....,..
f
.. -
.
··---
.. ·-
-:.
'- 1,••---
(Ltrr ·1PY 7REN GOES TO ~ !'OOR, E UT
S '!·Oi"S P.Ii,, )1
ITC:Ht
(ITCHY GOES TO T'r:E DOOR .i:.:mTII..'IS
Hrs HEAJ ':'frPl'ARDS TH~ RJ};Gc: A. , GP.ONTS
~UIETLY)
ITCHY
(
1
'l'ES?
11
)
, the ',,iihats:!.t --
that
e 1t,
...!l e :mind evaporator
ehe l':1..1nd
evaporator?
J,t~L t.tl/I TC HY
(SIGH IN iRELIEF)
( TRADER [HUJN l S ~ T .\: ,@I :,:a Or;T S ! ~E r.•H
~~(
A Si~ALL fAC(UQE, Jl.1-!DLf.t.F~::: CAR?,E
,T DA:J)
TRA'!'J~R DA~!H
(I..Ol'"tE:1: -TEA:l IS l!.ESOL,r..,:iE,L'Z tECSS.:i.i\RY)
Sure glad
t ,
·to see you f ol.ks!
. ( 1.:-0:r..-=:
)
,
~6.
TRADER DANH (CONT., D)
'--~
It's
one place
the
this-~-~
\
~..._
to worry about
', ::-,.__
any Pebels1
om LOOKS A
..
o·n
wher-e you
···planet
~
- ··-- --·-
r
~
1 nto
'
I
/
ND) ----........__~
/
.
·,
/Tli e tree•
~
(,
have ears ,
"'
ENT?R..9
,_ AND l':l'CHYQUICKLY CLOSE~
------·-
-~~-___..
-
THE DOOR BEHIND HIM) --
·-
And
____
L_--.._/,
'rRADEft l:lANtl
bow aJ:'18:r!fIY favor1t~
Wookiees
today?.
(EVERYONE
LOOKSGLUM
ANDNOBODY
MOVES)
Why all
the long,
I'm here
J
Imperial
will
hairy
a.ren 1 t .I?
Patrol
did:n ., t the•[?
let.
If
fac~~?
That
me thru.,.
I mad.e 1 t,
Ch&'NJ' and Han.
11 th iu all
Yel
the hello
••
s,o
~
I'm
gonna s;:e·t?
(LUMPYSUDDENLY
RACES'JIOWARO
HIM
ANDCLU'iCHBS
HIS LEG.. HE MAKES
LlTTLB OR~
,OISES)
LUMPY
TRADER DANN
)
I eah
I
I know .
I
l
Whady a br1.ng me,?
1(MORE)
/
l
R!V.
TRADER DA:-.l
11 ( C•::l,lT ' D )
,
t
Whadya bring
special
,sor.iething
short
I got
~o?
for
you,
stuf'f.
(TRADER DANN TAK ES A G-!FT WRAPPED
E .R-OM CARPET
:Si!.G)
'l
You ~ant it?
RADt.R DA'. ri
You got 1e.
Happy L1f"e .Oa:y,
( HE rJIVES ...IJ:'~?Y
. T!iE GI F'!' .
..rU'M'.PY
HAPPILY SC~3P.~ES U?STAI?S TO Hl S
ROON TO :;r :;...
1AP IT )
P'AC:KA,GE
9=17-78
TnADERDAHN
(HOLDINO
THE SACK. liE HAS ON:EHAND
INSIDE OP' IT)
And for the lovely
lady of the
house ...
(BE GRANDLYPUIUJ OUT A H0T,l()GR4PHIC
MUSIC BOX. MALLAlS THRILLED)
happy
:w.lt'e- Oa;!
(MALLALOVESIT)
! ; t bii J1 kl -1- I '"L._
:fl!t! I \
fO?S YES\
( SHE REACH!S FOR IT BUT TRADER
i!CN1T
LE'l' IT GO)
TRADERDAN~J(CONT'D
1
)
( FLAYnm WITH iBE:R)
Corne on now,
cld
t"rlend
What do@s your
get? '
MA!..LA
{COOSSHYLY)
TRADER DANN
W'ell ?
(MALLAGETS UP ENOU
GH COTJMGE Atro
0 IVES mRADER DAN A StitA.Lt KISS Otl HIS CHE.EK)
(RE GIVESHERTHEMUSICBOX~ HE
TURNSTO ITCHY ANDGIVESHIMA
FltIEtl!) LY 3 AB WITH
Don I t te ·ll
HlS ELBOW)
her
( l'RA0ER OA.'mLAllOftS )
old man ~illya?
..
I
l
BEV. 9/13/78
ITCHY/MALLA
(LAUGH)
(ITCH¥ IS AN-.XIOOS
TO SEE WHAT
TRADERDANN BROUGH
T W)
(~RADERDANNKNOWS
ITCbY rs WAI'l'ING
'.FORHIS LIPE .DAY 0IF'l' ., BUT TRADER
CANN
WANTS
'l'O TEASETHEOLDONE
A BIT)
TRADERDANN
Itchy.
I know what you would
•
li ke, .•
(ITCHYIS REA.DrTO :RE--C1EVB
A GIFT)
(WE HEAR A SEEP PROM BFJil D THE
PICTURE)
SPX: BEEP
{MALLA RUNS TO IT,
REMOVES THE
HOLOG:RPAH
ANDBREAK-UPAPPEARS)
)
(
50.
!REV. 9/13/78
19.
REBELSCREEN
... PRINCESSLEIA
(PRINCBSS LEIA APPEARS~SITTING A.T
1
WHA!MUS!BE. A DESK
REBELHQ)
.AT
(S1'AND1Na A'l? ~ BIDE IS NONE
OTKER THAN --
umPIDDLES
iC3PO)
ij!TH
ONTHE SCREEN)
THE ADJ"OSTMENTS
THREEP10
The connection
1s ma.de, m.a'a.m..
You may speak ,
LEIA
I ,_m :s,o g_lad
Malla,.
to see you!
Happy L1 re Day?
MALLA
(UNMAPPILY
MOANS)
(LEIA LOOiB fUZZLED>~URNSro C3PO)
THREEPIO
She saya it ma.1 b@ a happy
day: r·or you,
happier
bu t
lite
she's - seen
ones+
LEIA
(NOT WAN'rmG TO GET I trro THI 3 )
I don 1· t want to t 1e up the char.u,els
.so would yo ,u d,o me a favor
'b.r1ng Ran s 010
and p :!Lease
to the s creen1'
HALLA
C11tlO CAN 00 11 )
)
J·
(LEIA LOOXSAOTOMATICALLY
TO C3f0)
51.
REV. 9/13/78
THREEPIO
She Say S, th.at
tO
S,he '11/0uld. like
grant
1our request~
but that
isn't
going to be possible.
it
LEIA
1
(
,.
NOWCO.NCERNED)
yet?
MALLA
(SHAKES
HBRHEADSADLY
AND 1!3ARKB
)
THRBE:PIO
She aaya there
h~s been no contact
LEIA
(INTERROPTlNQ
RIM)
Yes.JI
th1nk I get her message.
That Iffll)erial
Patrol
gJ."11ns then more , troub
bargained
mu5t be
l ,& than
Mal Ia., are · you
t"or.
alone?
MALLA
1l'HREEP.IO
(A
BIT HAUGHTILY)
It you ¥111 perJQJ.t me -- 8he
say$ no, she's not alone.
good tr1end
)
we
ia with her.
LETA
Could le com~ to t he screen?
A
-
52 •
53.
( SAONDAN-- ART' CArurn, A/K/ A
TRADER DAN~ •- STEPS TO THE
5CRE!N)
SAUNOAN
Good afte ,rnoonJ
iSaundant
of the
ma I am.
trade ,r, a .friend
a. local
Rebellion
I 1 :m.
and a me~ber
ot the A-l1anoe.
LEIA
Oh, , good.
(SWEETtY)
I know I can cou:nt ,on you;
You• 11 stay
tho ir
leader
Trader ..
w:tth my t:r1 enc:Is until
1
r ,~turns
home j won 't
you?
SAUl~DAff
(EE IS QUITE TAKE WITHHER}
Yee. ind eed, .ma1 am! 'l'hatts
r 'm
why
here.
LEIA
~hat
1s ve~y
ot yout Saun.
kind
SAUNDAN
Least
I can do for a paying
KITCHEN
(MALLACROSSESPROM
AND HUGSSAUNDAH
WI~HOSNUINE
EMOTION)
TEHEEP
IO
'
She is
to~a~ds
ex pressing
b.er warmth
the Trader.
_)
(LEIA SHOOTS
HIMA LOOK,THEN:)
LEIA
I can sa& you're
Mall~-
in 100d handat
I'l l contact
you again
soon ..
CUT TO:
R2V,
20~
(
MALLA/!':'C::Y
( ''~OODBl'E" )
(TH!E RE:=EL SCR-EE!-1
BR~AK-UP A!ID FAD:S)
SFX:
Now••. ~hat's
here?
that
I sm~ll
oe scne of
Co •lct it
the
(TRADER uA~l~i ':'A.;~'S.SA COOKIE AND
Mln1C}:SS)
·. - .:..':.-.('~LA
---_._
- ..~:.::_:_
-: ..
___ - -:_:
HUGS 'l"Rt-'\DER O.ANNAGAIN)
TR,\DEiR DA?JN
On ge~4
just
I a l most forgot.
1nsere
this
proton
[email protected]~e
pack .
(HE O:?E]JS .B~X !"Z a~Oi.l!'.HLJ Ail"D
INSERTS JIACK IHI'~ !U:,;o t:VAfO?.:..TOR)
~.,.,c;-~
-:i'!:l_
l"'!.'l:'.R
(HE SAU.,.1
~..-~... oVEn,.;i, '""-rt
• _
-TTc•-i.•
.
.tL A •
_; U .t\ ,UIDAJr~I CHECXS '!O ~{.~i~
:5: :::~J: ::ALLA
!Sil 'T Wti.THl~a . r-::-c:{7 IS ?;:;2Z!..:ED
.
~in.ADE~DA;::r GES~U:RE.S
w:::TH:A. ? U T'.'.:!E;1
FOR ITCHY ':'O cm-~ CLO:::ER. I !'CHY
00£3 )
0
9-17-16
55 .
'.l!RADE.~
DANN
1
(AS IP HE IB GIVING ITC'HYTHE MOST
X- RA.TED
PIECE OF L.I'l'ERATURE
IN THE
GALAXY}
( VER't' C'ONFIDENT!At}
TRADERDANN ( C'OtlTI D)
I ah • . . I thought
you m1ght 11ke
t h i s . ..
{HE HANDST:.HECASSETTETO ITCHY)
It's
a. real . . .
I
(HE HAISSS HIS EYEBROWS
AND G·IVES
A SOFT., SH.iltP WHI.S1lLE)
•••
if'
you know wb.at
I mean?
I
l
;
j
I
(ITCHY DOES. HE NODSYES)
Kappy L1te Day.
(AS IP HE I S A DIR-TYOLD MAN)
And I mean• .• aappy Lite Day.
CUT TO:
j
PRE...TAPIE,O
21 ~
ITCHY KIND EVAPORATORS.EGMENrT
.S-FX:
(AS W.E.SEE MUU> ENAPORA'I'OR LOWERING
0V'EH IYJ'CHY
Is HEAD)
1
( IT,CHY'S P • 0 •V. • AS BLAC.K LOWERS,
WITHA SUGGESTION
OP INTERIORLENS)
(MINDEVAPORATOR
IN POSITIONOVER
ITC B.' • S HEAD)
SFX :
CODNTDOWN BEEPS
'
(AS ITCHYPRESSE8
· BCTTTONS
ON M!ND
EVAPORA:TOR}
( ITC liY"S P , O , V. -- AS INT'Ei!UOR L,.ENS
BEGINS TO ACT·IVA.TE INTO RING),
MUSI C~
~A'l'ERI ~SP 'ACTEY
(RI:NG WID.EtlS, WE PUSH 'l'HROUGH IT
J
AS '1'URNING OPTICON APPEARS .. LARGER.
AN!DLARGERAND WE 1ilOVETHROUGHA
CENTER-HOLEINrTO; )
MUSIC:
C'A.SCADE
(RUSHIHG WATER-LIKECURRENTSAPPEAR*
WIT'Hiltl WH!CR ~ SEE TWO PEMALE
WAT'BR-CRBATURES)
1
('l'iEIE CURRENTSTURN IN1'0 A WATERFALL,
.
OVEfiWIOH THECREATURES
TURN,HOVER
FORA MOMENT,
SOMERSAULT1
ANDTHEN
DIVE Si'R:AIGHT DOWN)
1
1
Ora PAN DOWNAS THEY FALtr MORE AND
MORiB
RAPIDLY~FINALLYOUT-RACING
THE W'ATU)
(THEY LEAD o·s 'I'O A NEW AREA -WE ARE PERHAPSUN:DERTHE SUHF.ACE OP
A LAH.GELAKE)
)
I know you're
,earch1ng
here.
~
aearch1ng
- - searehlng.
tor rne•••
I am
\roic& ia f"or you alonl!.
PRE-TAPED
MERM
EIA
I am round 1n your eyes only •.•
for you.~.
I ex1at
:mind.., as you
crieat ie
I am. in your
me.
(WE NOWSEE DIA HAmil CARROLL
A.S
3
II
HERME
I A" '
MERI4EIA
Oh yea . I
(SHE
r ~el ~• c r @~tion . . -
~a n
LAUGHS
)
ram getting
you g,e,tting
your oessase ••• Arc
.m1ne2
(ITCHY REACTSEXCITED
LY)
M..ERliffil'.A
Ooo, we' re excited,
are n 't we?
J us t relax
(ITCHY RELAXESA LITTLE)
t'ttEF.MEIA
more ...
A 11 ttle
{I 'l'CHY RELAXESJroRE )
1
MEME A
You1 ~e getting
( IT<:HY,
VERY
there ..•
RELAXED)
MERME
IA
Wondertu l 4.,. now we can have a
good time,
can't
we?
( ITCHY GRUt~TSAPPROVAL
)
,
MERMBIA
I'll
tell
you a aeo~et:
you a.dorab le • , .
....
I t1nd
58.
59,
PJIB--TAPED
(ITCHY" S HANDGOES TO CC n'ROL
PANEL OM EVAPORATOR.
HE PUNCft'..53
A
BUTTON)
SFX:
TAPE PLAYBACK
GARB
LE
MERMEIA
_J--1":tm:!
...,...
_ l'UU ,"'""8:f!orabl@ - - •
--
., ..........__
(Il}lCHY PUSHES BUTTON AGAUI)
SPX:
'rAPE PLAYBACK GARBLB
~RMEIA
I don't
rtnd
n~ed to a&k how you
rn.e~. • You. s:@e,
tan ·tasy.
me,
so @nJoy m@.
an eternity
~h1s 1s
1n time.
Ne mi.gilt turn
into
;your·
I am your
our moment together
that
am
.I am your experience,
so e~per1ence
pleasure,
r
this
Oh,
rnomt!!'nt
..•
(SHE SLOWLY
SPINS UPWARD,AT
THESAMETIME SHE RISES FRO THE
LAKE AND ENDS kER ROTATION:)
MUSI C:
4 BARS
HERMEIA
ONLYBENDTHIS MINUTE
IF WECOULD
INFI.NITBLY EX'!'EiiD 'rHIS MINOT!:
'!'HEN
)
!
COb"LD L!ViE
MY WHOLE LIFE
RlGHT NOW
(MORE)
'
,.I
I
•
-
PRE-TJ\P
..~D
-
MBRJ!i!IA(CONT'D)
REALITY IS SWEE'l' T'HI S MINUTE
-
CAN'T'WEREPEATAND REPEAT
'!'HIS, MINU~E
WHYCAIJI T IT' BE A.LWAYS
JUGH'l' NOW
I'VE PARarED
WI~HYESTERDAY
YE5TERD.A
Y 1' S MDMEl.r!'IS COLD
ALL I ASKIS
THIS MOMENT
TO HOLD
MU.SIC:
2 BAftB
PROMALLMYLIPE I CHOOSE
THIS ~INUTE
I WlLL GIVE IJP TH! OLD Arm T'HE NEW
SHARINGWITH?OU
THIS MI NU'l"ENOW
MUSIC;
3
IF I
BARS
CAli JUST
HOLD MY BREA'?H
ANDCL-OSEMYEYES
(MORE)
PRE- TAPED
61.
MBRl".tBIA(CONT' 1 D)
AND NO'!' MAKE A SOUND
WILL THE UNIVERSE STOP GOUlO 'ROUND?
STILL THE mUVERSE KBE!PS QOIMO
'ROllJNDAND 'ROUL'D
AND Cl A i; 0
AND
o-
AND ON AND ON
THE HINtrrE I S At "tOS'I' GONE
HOWClN WE EVER LOSE THIS MINUTE:?
FROMALL MYLIFE I CHOOSETHIS MINUTE
I WILL}raVEnN!ED AN1THIHG
MORE
LET . 1E LI'IE FOR
TK!S XINUTE NOW
THIS MI~~OT! NOW
THIS MINUTENOW
MEliMIA
(ECHO
VOICE ll)
{ECHO VOICE 12)
TRIS MI mPl'E ~lOW
THIS MI NUTE tlOW
'PHIS MI NUTEnow
THIS MINUTE ~IOW
.J
...
THIS MINUTE
MUS IC'~
;y·ow
X BAHS UNT.IL FADE
TrJIS MINUTENOW:
THIS MDUTENOW
RE\r.
( IPCU'l
9- 11 -78
t,,PPC.d:.iJ~SA:m S':'.Jl:UP5 HIS FEE~
WI.TH GREAT Ot1.STO}
(AnT ENJ OYS ITCH.Y'S REACTION)
(:r,1ALL.A.COMES TO'fl'lARD ~HE~
TR13 COMMOTI ON IS ABOUT)
'1'0 SEE r.•lHA'r
_ --
·-
1(ART NUDGES ITCHY 'TO C0N"I'ROt. HIMSELF)
(ITCMY l~R:: 'PTLY :? :~r:
·: TC ~:rs SENSES
AND ST()PS A?PT.,AHDIKG ~NO STJ\MPlNG}
0,V\LLA
SHAKES H~R HEAD, T OP.NS A1jilAY,
T:AAO
ER DAN~ WI~KS TO HER }
(lTCBY'S
GROG GY
WITH SATISF ACTION)
CUT TO-:-
62 ,
63.
23 •.
EXT~/IN'!'.
(Erl'..
MILLE~1NIUM
FALCON
MILLEN?UUM FALCON DIVFB 'THROUGH
SPACEHEADING
POR ~BE DARK GREENfLANET
OF KAZ
?.OOlt;
THE'W0OKIE:B'SH0r-tBP'LANET
SYSTEM.
(INTERIORCOCKPIT- MIL~ENN~ PALCON,
HANANDCHEWIESI~ lXHAUSTED
IN THEIR SEATS)
CHE'WIE
(BARKS EXC'lTEOLY)
HAc,t
you we'ii 1119.~eit.
~ld
tte""
-:t:)\J
I ever l et you doMn?
CHEr,,,!E
( BARKSHIS SE~IMENTS)
1
(AHE G~AWI'
wooKIEERUFFLESHAN
s ~~ft)
HAN
¥ea l ,.,,
I feel
the
same abeut
youMhi~ie~~nd
~our ram
:,::.:)
·---
I've
tr affic
lahd
- -..-
ne ve r se e n so muc h Imper i al
in
thii5
Qn the
5ys teo1.
no ~th
side .
'be snf e !L"'t:here ..
CHEWI'B
(SARKS)
-
We 11
It
should
*REV . 9-2S-?.§.
61J•
HAN
I know it•s
a little
a long walk, but
exerci a e never
bu~t
CHEWIE
(GROANS AT THE PROSPECT}
CU".rTO:
EXT./INT. MILLENNIUM
FALCON
23.
(EXT. ~ILL.ENN'IIJM
FALCON
· DIVES THROUOH
SPACEHEADING
F'ORffiE DARKGREE~ PLANET
OF KAZ!I.OOF;THE "100KI:CE'1 S HOMEPLANET
SYSTEM,
(INTtEHIOR COCKPIT - MILLEN!NlTJM
F~llLCON.
HAN ANO CHEWIE SIT EXHAUS'I'EO IN THEIB S Bit 'TS)
CHEWIE
(BA'RKSEX'("TT'li.;D
LV
,;__.J
HAN
;I told
~
you we'd make i t.
I ever
you dol!ffl?
let
OHEWIE
( BARKS HIS S ENTIMEtlTS)
(THE GIANT'IOOKIEERUFFLESHAN1 .S i{AIPI)
, r
HAN
-iio@Mlbi
I r ·eel
the
you.~~€:
f',.
:same abeut
yo~
take it easy down there.
--
I t ve nev@r seen
so rn.uch Imp@r1al
tra:t"t1 .c in th1s
system .
1
.a
1!11
s
CJ.
-~- . - i
~
j,1,(-Vba,a, t!tr, • 1N mo!t"e t roop,a doWTI
there than youtr@ uaed to.
CREW
IE
{ BARKS
II
DONt r:rTNORRY
,, )
HAN
r•11 iJaop , ea o!t cu the North
oide,
---•
hou ld be •are r t1>1•1v
)
CHE\r.11!
(BARKS,)
~ "-
~
"t6~
64.
HA~
l.i
M
au.
it , s s lo ng Ofalk,
Re do you good.
orr-world lo~cng
~1fe
Day., o il J : .
M
You've be@n
•. ,hlll•• a
81U.
as.,,.
CHEWJ:E
(BARKS H
~
THAN
~S)
COT TO:
~
:'.
)
.
REV. 9-l7-78
(LIT'.,.,LR.EDWITH TOYS~ ?..APS,. DEYICES1
WOODC
A::\VINGS, ETC • )
( PRmn :~ErrT Is
A. s r;JUFFED BA~lT~..A.TOY )
(THE CRUMPL£D Ci!P'T...,!.f"Rl.PIS o!S!DE
., ft.IM;
HE IS EXAMI ~I:NG TRAO:E:R' S
GIFT,
K.I'i")
WHICH IS A l-ll:NI-TM.NSMIT'I'l?!R
(WE HEAR~)
SFX: !tUMBLE
(Lut.:PY FR!EZ£S,
TH'.E~4
BOU'.'-:DS
DOW.
r
THE s~_,_R3}
CU"r TO·:
! ...._
65.
66~
25 • I.titT• Lrv rrio Rao:=
!
/'
SPX: LOU0R01BtING
1
TRADER DAJl
a starship
Sounds . llke
What ' d I tell
I
Must be
yo1i !
Chew'ba c ca now !
( LUMPY iEJfl'E~ g )
--
--
.
..
--.~
.
--
(MALLA S'fRA.IGHTENS liER HAIR,
THEN
RUNS TO THE DOOR 1-.NO FLINGS IT OPEN)
(H!'R r JOY
wru
s
Tt?i SHOCK)
,(IN THE
DOORWAYST.A.!lDTWO 11.fFERIAL
STORM TROOPERS
AND TWO li~P ER- AL
GUARDS)
I
•
•
(FLDE OUT)
>
(INTO: IN-SHOWPROMO)
..
67.
IH-SHo~r PROMO
1:32)
IH-5HOWPROMO
(:3 2)
68,
BUMPER
TTrrLE CA~D) MUSIC)
( : 05) ·
(TO COME)
69.
CO~
lMER
CIAL t2
(2:05)
.
/.
,::om,
:r::~: IAL , 2
( 2 : 05)
,
70.
BUMPER
TT1tle
( ~05)
(TC' f l)f4E)
)
Card • .,,. O. )
71.
MID CTM PROMOAIJD
NETW01RK
I.D.
( :~6 )
MID CTN PROMO
AND
NS°TWORK
I.b.
(:=si'
)
REV~
. 9- 17 -78
2 6.
lli!.:, r~IV:::NGROOM
(UP 0~ THE DOORWJH, ~TITH T~fO IMPERIAL
OUAJmS A_~:j!) ~.·o ':':lOOP~:F..SST~;Jl)I~·W
MEt·ACHlOL: . OF ':'Y.ET:•.'O THOOPE~S,
OUE TROOfE R re MORE M~;,!AC
i i-JO THAtl
THE D'l'H?:R )
( . KALLA ffi: C IL S IU FEA:\ AS CUARD
OFFICER SPEAKS)
- --·
- ...,
- - ---- - -
-·---·· --·--------·---
--
.
(THE "FAMII.? LOOKS '_o TR.!\DE~ DA~N~
WHOP'OFt THE; t-10:0
•:ENT iooKS AS W0:1RIE D
li.S THEi A~E)
(GUARDTWO Pi.ASI1lE.~lfl'lHILE TAKEN' OUT
A HA.l~D C011.iFUTER. A:,m ?R=-:S.SEDsm-2
BTJ'l'TO!JS. P.E READS OFF THE DATA)
ODA.RDTWO
This un1 t 1s oc Cl.lp1ea
adult
ma-es ...
and one male
0nil?
by
four
wookiees
aaul t re-ma.le ,,
child
.
{A VERYS:i:0~":'BEAT W~IL GUARD
OPFI CE'.RLOOi(S AT THE. FA'"-1IL "!.•
lHJmHORITA'I'IVELY: j
Th-::
GUARDOF.FIC~R
Whe re t s the
o her
wookiee
MALLA
(GROANS)
;,.
IT 'CHY
~ale?
.: two
72 .
REV. 9-17 - 78
( BEFORE r,r;r.r.;11C/,N i',!fi!\E A so ;!m,
STEPS 5'10R!1ARD)
TRADC!? DA:-!
TRA;:)ERDANif
Of~1cer, maybe I can be nf some
help
here.
01AFJ) O~FIC~R ASIDE,
(KE TA~
CO'NF'IOSN1'IALt Y)
-·- -----··
:.
-: ....
...-.._.... .
~
--
- ·.
_...
...:~
·-
·-- ·
GUAF.D
OFF!C:ER
c:soRT O!i' BUYI NG IT,
DIJT STILL r.iA~!)
Wbo a.!'e you, an d what .ere you
in t h!& Wookice
doin&
I'm the Trader
Y'~ee,
she
, ...
he
st.orm~d
- ---~
..
-
· - ._
..
- - --
.,_ ----•
h o f the
a fight
had
and
in th1s district.
trut
the
~---1
'
.. ~_.....,.
-
nouae?
wi ·th
•
....
out
•
m~ t te r is
husband!._.
her
_,,._..--------
of
•
<t '
h ere .•.
'
___
..._._.
f;'Wlllll! .r:· .!"1- =--
•
_;_
..
~
•
~----
GOARD OFF!ICER
..
( CUTTIlJG
::mo~r THB RiWUU,E)
Your 1dentt f1ca t1on!
73,
14.
REV, ~-1 7 - 78
Wnat?
OtJABDOFF CEP.
I said., , ~•our inden ti t'1cat1on.
/
TRADER DA~lN
I
s ure .
Su.Pei.
/'
I
(CHJ:.!'HU>
TWO ,l!.'•!D 'MEt!AC!~?G TROOF'ER
AFP'ROACH A1JD WAl'CH}
I
I
v·er-y iTiporta.nt.,
ide,n t i f ica tion.
~lever
:ehop wi tho
Juat
l eave
the
1n case of ti~es
when s omeono asks
identifica.
t
I
1t .
- ik@ th is;
who I am.
Yes si r ,.
tion . i:s i m:port ant •
.lo,-
.. .
(MENACUm TROOPRRDRAWSM!.S OUN)
TRAD£R DA~H
He~e it
belt
right
ist
po uch .
Heh
(TRADER DA!l?J PRODt"C!S
i n t he old
heh h@h.
A. CREDIT -CARD
SIZED iIECE OF PLASTI C, HAJtDS IT TO
OUAl'lD OFF- CER)
!
GUA:tD OFFICER
(Er£ A.DDr
lESSES
"ElIAOIHG TROOP'En
jl.-
D
G(.T
ARD TL•,'O
)
S@arch tho
awclling.
(GUARD OFFI CER J:NS~R':'S TP.E fLll.ST!C CARD
BEL T ~ co ;:euT '.ER MID ACTI'l.~ TES I T)
u~ TEE
'
REV, 9/13/78
TRADER DANN
Y's.ee that
little
1~entit1oat
1on card 1n,
that
up ~ ·ae l f.
f&lllf
ot • em lately.
I s ,ell
Thought
quite
a
,Seem=, a lot
to ke e·p our things
o:f us like
and el~an.
neat
ca.se I keep my
It uh 1 any
men are int erested»
ba ve .som.e e,:x:tra.s: wi
or
ou
I happ~n to
t h mt!.
(AS GUARDOFFICERCONTINUES
TO IJHBOK
THE COMP
U'rER READ...O
OT ,, TRADER DiUlli BABBLES OH}
TRADERPANM
Tbat D1cture
w~s taken a while
ago --
I guess I'v e put 0n a
litt-e
weight .
(F0HCEDCHUCKLE)
(CfUARDTWOBQtJATS OOWN
IN :FRO
NT OF
LUMPY. HE COMESOM IKE A REAL PAL)
GIJAR.D
TWO
Hi~
Nhere'a your
guy.
little
t1addy?
( BE MUCHSS LUMPY ON THiB HEAD.. LUMPY
PULLS AWAY ABRUP'l'LY:1 MID SNAPS AT THE
GUARD~WhO,PULLSHIS HAND AWA;,!IN THB
NICK OF TIME)
{ GUARD TWO ST Al.
~ DS UP')
GUARDT'WO
These
)
th
lngs have
.no t"e,sp ec t
f'or authority ..
(HE RAISES H.IS HAWD,AS'IF TO S'?RIKE
t.UMPY,, AND -TRADER DANN QUICKLY STEPS BETWEEN
1
THEM)
75.
REV, 9-17-iS
DANN
TRADER
Say,
ma:,be ~·ou kn ow my brot ~er' s
coy ... , • he I s. a memoer of the
imperial
militia
.
Let's
101.u;.
t b e t r,-rent y-tour,
nc r. . . great
gu:;
J
see,
he
t went y-f1 ve "t,y
! ove s the
se rvi o 1e •
( LUMPY HAS RUN TO f.t A:LLAWHO HUGS iil! •l , AS
TRILD:.R DIYERTED
Gt1 r~=ln .,.•,m)
GUARDOFFICER
.
Your id~ntifioat
i on 1s in order.
You ean go now.
-··
( STALL!r1G)
1,fell,,
I just
,e a
ha 1
1.1ttle
r.ior~
work to do here, aod then •••
( THINKI NO FAST J
um InPRO,IIS ING
1
TRADER D~Utf COHTl:m.ras)
.I 'm . f1ni s bing
While
don't you guys take
Wool.dee rood ain't
up here;
1t
why
easy?
the greatest,
but I can t1nd somethin g out
here
~n the
to ~at.
kitchen
You don't
for ua all
m.Ind,
Halla..
,..
MALLA
,(GRUN'TS)
do you9
l
76.
, (TRADER SEES Tri.AT C Hi WI IEI S PICT URE IS
LIT ON DI NING -RO Or-1 TA BL£.
HE S URRE PT I T I OUSLY
TURNS IT OFF Jl,S HE S PEA.Ks )
TRADERDANN
1Come, on., M'al1 a,
yo 11 can help
me
in the k1toh~n.
,.
(AS ~dADE:RDANNI S .SPEAK.ING, GUARD
TWO WHO HAS BEEU EYUi'G ~ME !L!CT'.RONIC
MtTSJf" noxJ CROSS~t 'TO '"ii:' • ND BEOHl!:'
PIDDL
I NG WITHIT , P~ER!XG UP I NTO
IT, TAPJIINO !'"11 0~ THE SI i,•,j;, ~-PG.
MAL
LA IS UFSET~ IT I S n:R C:i:il"l')
Hey. ~atoh it with t hat thing!
•Thia: h ere
piece
r ·
or
1& a ver.1 deli oa te
worklraanship.
Th.e·
slight@ st Jarring
can mess up
the whole.· wer ks.
You wanna play
with it.
let
me show you how .
(TRAOB:RDANN CROSSES TO THE MUSIC
BOX, MEN~CI~G TR0OPlR IMMEOtATELY
D·RAWSHIS Gtl?JJ AS I'F TO PROTECT
GUAJIDTWO)
Relax,
I got t a turn
it on, don't
I?
1
(
TO GUARD T'WO)
Just
sit
back and enjoy
it.
(MENAC
I~G TROO~ERWATCHES WARIL Y AS
GUARD TWO FOLLOWS !RADER DAYll'S
Ilf STRDCTIONS)
Okay, here we go.
(TRADERQANNDOES NORTON: SHTICK IH
PREPARING
'.00 TURNON THE MUSICBOX)
...
78.
,(AFTER A SOIT.A'.9LELEHGTHOP 'l'U-!E,
FI RST TROOPERGETSPISSEDO~F THAT
NO,THitlG IS HAPPENING AND STAMPS
HIS POOT)
GUARD TWO
,(EXPLODING)
Will you get on with it?
'FRADBRDANN
Okay,.
o kay!
(TRADER DAMN 'rfJRNS ON' THE MUSIC BOX)
)
PRE--TAPED
27 . ~SIC
BOX: JEPPERSON S'TARSHI:P
(THE' ,SET IS A COUSTJU!lTLY
CHANGING
PATTEM OP LASER BEAMS)
MUSIC:
MUSIJ~!
3
2
BARS ... CYMBALS
BARS
~USl_C:
FLYUNIDENTIP!ED
IF YOUWANTTO
BUT I WOULO
REALLY
LIKR TO KUO~
WILL YOUL1GHf THE SKY ON FIP..B:
WI LL YOU LIOlfT T'HE ?-11OHT LIKE YOU
DID THENIGF!TBEFORiB,
BABY
YOU 'rA.KE Z.IBHIGHER
THAN 'I'HE DIANONDSI H THE SKY
TA.KE
ME1oLIOHTIN THE SKY
ANDWE'LL VANISH TilTKOOTA TRACE
J
00 CIGARSUA.PED
OBJECT
1
MUSIC:
(i'RQOPERSHOT)
(MORE)
79.
PRE-TAPED
1
JEFFERSONSTARSHIP(OON'l'.'
1D)
4 EARS "00
!40SIC .:
t,
PI GUKE
TEMPLESAND PYR.tl.flDS '!'.BEY SING
(OVERSHOULDER
OF TROOPER)
KNOW
ALLTREREREALLYIS ro K~OW
"l LL YOU L,IGH!l' TBE SKY ON FIRE
WILLYOULI OHTTHE SKY ONPIRE
AGAIN TONIO!iT
YOOCANTAKEME i:E:IGHER
'l'HAN
THE DIAMONDSIN THE .SKY
TAD ME, LIGln IN THESKY
AND WEI Lt VANISH Cfi1'U0UT A T·RACE
1
00 CIOARSHAPeDOBJEC~
MUSIC:
J
(MORE)
Ba.
PRE-TAPED
J!E~FRRSONS T:ARSH
IP (CONT' D)
OF THE
ooo•s
WHO CAME !i'RO)t THE STARS
ANDTHELEGE
~m SAYS'I'REYWILL CONE!ACK
AGA
IN S0t4EDAY
SOMENIGHT
MUSIC:
26 SAR GOIT.ARINSTRUME~AL
WILL YOULIGHT
' 'l'HE SKYON FIIRE
WI.tLYOULIOHTTHESKYLIKE YOU
DIDTHENIGHTBEFORE
)
(MORE)
81.
PM-TAPED ,
,JEFFERSON S-J:1
ARS,HIP ( CONl'' D)
YOU CAN TA!CE ME HIGHER
'nfAN BIG DIAMO~DS IN THE SKY
TAKEME LIGHT IN THESKY
AND'WE'LLVANISHWITHOUTA TRACE
00 CIGARSEAPEDOBJECT
1
- ii YESJ1 I WOULDREA.Lty LIKE 'l'O
~~ow
WHAT
ARB'?HEYWATCHlNG
US POR
YES, I WODLD
REALLY
LIKE TO ao.
WILL YOO L IGHT 'l'HB: SK-Y ON PIRS
WILL Y'OULIGHTTH'.ESKY LIKE YOl:f
DID TEE ~IGh""I1
BEFORE
YOUCANTAKE ME HIGHER
TAKE ME.I I LIGHT I?t THE SKY
AND WE' LL VAKISH 1.wITHOUT
A TRACE
00 CIGARSHAPEDOBJECT
(MORE)
PRE--TAPE
D
82A.
.JEFFERSONSTARSHIP ( CONTt D )
1
OHYEAH, VANISH 'WrTHOUT
A TRACE
OH YB'AH, VANISHWITHOUT A TRACE
COMEON C0 "1:E OH, COflE 0N , COMEON
1
"
11
V ~NISH ~'!THO~
A
~
,c E
VANISH WI'l'HOO'FA TRAC,E
MUSIC:
J,
GJJITAR 11ADE
RSV,
28
INT, LIVING~RO0M
(GUARDTWO FINISHES WATiCHING
MUSIC BOX, SMILES)
TRADERDANN
I kn ew you'd
Il k~ ft,
(lNTERRO'fT
I ~G)
Your wor-k here 1s f ini she d.
l ~ave, now.
You may
TRADER
DANN
Yeah, I guess you're right,
(RE TURNSAWAY
FROMTHETROOPERS
MID GUARDS
.A?i:DLOOKS S!QNIFI CANTLY AT M,I\LLA)
I 1 ve done all
'I ca n for now,.
TB.ADER DANN
Well, I hope you guya rind wihat you're
looking
Malla
1
ror •• . ke ,ep up the good wor k.
Itchy~
I' ll see you aoon4
MALLA/ITCHY
(GROAN)
(HE 0OES OUT THE OO0B}
GUARD 0FPICER
J
1
All right,
....
prem:1aee,....
r1n1s.ri ~earohing
t ile
9/13/78
83.
SIL
( A1'1DTRADiER DJ.NN 'RrTr-RlliS)
TRADER DANN
I forgot
to leave
my
card
with
i,-rou n-ee·d any supplies
in ease
you, ,
,.
(MEN.AC
I NG TROOPERD'RAW
,S ti IS €UN)
TRADER DANN
Okay , okay ,, I 1 .m l ,eavin g .
l.
(HE GOES)
~ME~lACIN.G TROOPEft S CWS HIS 13UJJ AGAIN)
Invest
i gate
an1 rebel
this
OUAiRD OFFIC~:i.
·t;h@'upper in•ea.
Chreick .for
PJateri a 1., a.n,;,•th 1ng to co ·Me ct
household ·w!th t~@ Alliance.
( TRADERDANfiCO!iffi.SBACIK)
T'RADER DANH
Listen,
don't
protective
cards.
forget
about tbosie ·
e.a._ses .fo ,r Ident1:f1ca
t1on
I got a good item there.
(MENACINGTROOPERDRAWSHIS GUN ANO COCKS
, IT)
TB.ADER
DANN( OONT11D)
Thatts it.
I•m gone .
(HE RUNS OUT TJ=IE
DOOR)
aUARDOFFICER
the aeareh o~ this house .
Finish
W,e have other
today .
Y.ou ,
places
to cover
t a.ke· the
UiPPer
(THE MENACING
~ROOPERHEADS FOR
a.re a .
THE
STAIRS)
( LUMPY IS JI.NG
RY. THATI S H15 HO(P.11!
UP THERE)
lUJfi'Y
(GROWLS}
)
(THE MENACI~O 'rROOPE:RTRIES TO IGNORE hIM
PA.ST)
LIJMPY
rum00
(OROWLS
LOUDER)
/
I
REV. 9-17-78
r-·
{r,U?-tPY .BARES HIS TE~TH ~
GUAHD TWO
RAISES HI 3 HANO i'O STRIKE LvNf Y • LUMF'?
Al3RUPTLY T,11-:ESIL UP AT G'!JA:10TWO NHO
P ULLS HIS HAND EACK 11-1 THE NICK OF ~I:-IB)
(GUil\RD TWO OOE:SAF1l1ERLU~TPYAND JUST
MISSES GRJ..EiUi;G lil! l • AS LUMPY GOES
UNDER TilE TABLE FOR SA?ETY.
GU.A.RD
Tl-JO Kl CKS t..- LU.-,!PY ~.mDER TH2: TABLE
SEVEFU\'L TI MES• AFT~ HE KICKS L CJNPY
REAPP
URS FRO
M U!IDER mHE~ABLE, BITES
' l.1HECt.JARDUJ THE LEO Ar1D Duc~:s BACK
UNDER THE TABLE . CH1ARDT'HO REACT S
IN Ph TN• TTCJ•,; r,,_.;- ~.:r,. ... ,•,..., 1"!U:1'!'?1)'l'' ·r .
ITCH?
NENACIUGTROOPERD:1AWSHI.S GU~.
STOPS HIS SWI G , .S.!:Sl!IG TH~ GU~1. GUARD
OFFICER s_ops ltE~JA.C!N
G T!\OOPER FROM
USING OUN)
OUARDOFFICER
("l'OMALLA)
We don't
want to have to hurt
That• s net
lii'lhat we• re
here-
anycn~ ~
ror.
But
,•
Yhen :my e n ge ·t angry,,
control
I oan,t
always
them .
--~I'
._
·-.-~-I
GUARDOFFICER
(TO ITCHY)
We are
goin~
him q~iet
hap ,p a ri.@d.
to search
a nd I ' ll
_..
.
forge t this
over
-- ----- ..............__. ____-·-
(LUMPY GOES TO VIDEO .BOOK}
...
Noi,,,,, k eep .
85.
86.
LUMPY
(GROWLS
SOFTLY)
(MALLA flANDS HIM VIOEO BOOK AND TUMS l'l' 09 )
(MENACING
TROOPER#1 AND TROOPER12 GO
UPSTAIRS AS WE GO I NTO!
JLNIMATION
- PARTI
..
\
I
...
(PRE-TAPED)
~9
,c;
I
AN! !ATION - PART I
EX'l.1. SPAOE
fiEBBL SPACE STATION AND A COUPLE 0P REBEL STAHSKI!PS
1
DRIPTitfO SL01"1LY.
INT. A SM.ALL
. REBEL SPACE .STA'I'IOti COWI'ROL ROOM
LUKE, LEIA ., RaD2:. C3 P0 AND GENEBAL RlSTT
·-
ARB GROUPED
.AROUNDA L RGE VIEWING OOlfSOLE. TKE CONTftOLtERtS BA('K
I $ ,Si:~N I. T i HE CON itO!,S •
GENERAL
RI:STT
w~ IIJUS,t move on before e.n. Imperial
Cruiser d1acovers ue,
LEIA
Hao w1ll brine; back the Tal1a:man.
I ICnC'il 1 t ..
aBNEML RISTT
so le •·if! a moreenar:y J l wou_dn '
tru.se
him.
LUKE
~rQve n h~a leyalty.
let the Talisman rall into
be.ms ..
Han's
t
never
ImtPerial
fe~d
R2D2
.Be,epe, and wh1otles.
The Talistn.an?
I th1nk4
·•
A short
C3PO
It makes thing~
inv1~1ble
R2D2
tone.
CJPO
Yee,J even you..
an impr-0ve ,m&nt,
Wh1 0h I
th lnk
mJ.gh. t be
COM. 0 PEF.AT0R
1
Wet ve p1cke ·d: up :something~
ON THE SCREEl'i WE SEE A DISTOHBED P ICT URE OF TH£ MILLEtUUM
FALCONSPEEDUJG TRROUGHSPACE~
Itts
.
LUKE
the Millennium
I
I
Falcon.
(CONTINUED)
88.
(PRE-TAPED)
THE COM}{UNICAli!:'lQl.IS OPERATOR
WORKS AT HIS
They 're
CONTROLS.
COM.OPERATOR
coming ou t or Light
,S,peed., I
can't make contact.
CIEN
.~,,.L "HIST-T
Try
a. low ,er channel,
TR! OPERATOR
5WIT'ClaiBS
CHANNELS,
ANDWE SEE ANEQUALLY
DISTURBED
PirT'UIREOF CHEWBACCA
l;)ILOTJN'QTH! MILLENNI1M
PALCO!~AND BEHIND HIM ~.c. S~E tllAl'4 .SOLO .t:t:ANO.IHCl
EiiSlD~
oor,.N'
BY
.HIS HE!,I.S ..
COM. 0PEM TOH
do you copy'! Come in Pal ico,n.
1
:Falcon
It'
LUKE
18 Che,w.1e-~
Han?
But where's
LBIA
'!'hat I s him?
J'
hang.in
e:upside
down !
COM.OPERATOR
I can• t- make radio
coQtact. •••
GENERAL ,usTT
He's on a co111a1on course!
SOUND
.
LIGHTSBEOINTO PLASH, ALA:aMS
GENERALRISTT
The Wookiee has killed him, and now
he means to ki l l UI t~Q.
COM.OPERATO~
~aleon do you oopy?
Shoot hillll down!
GENEML JUSTT
LUKiE
No, waitl
It'a 11!:IPosalble••• Chewbacaa
1s devoted t• • R..:;m.
LEIA
"~atever he's doing~
a rea ,ao n.. Held · your
ttiere
fire.
muet be
COM.OPERATOR
)
wetve
lost
all
contact:,
Sir ..
( PR,E....TAPBll
1
)
EXT. REBEL SPACE STA'I'ION
1
Stand
by.
1GEtirERALRISTT
Tn.e Pa.lcon is cl4s1ng
ta.et.
'rHE MILtENNI UM FALCO~l SHOOTS PAST 'I'HE REBEL SPACE STA'.rIOiN'
AT VEBY CLOSE HAN'GE AND CON'TINtr'S OFF AT GREAT SPEED ..
I'm go1ng after
LUKE
them%
I~;T. REBEL 5.PACE STATIO~l COHTROLBOOM
L'.BI~.
Luke, take Artoo With you.
R2D2
Beeps ,and. whle,t_es tuadly,
What'd ne say?
Lillm
C3PO
I.f 8ome·th1ng has happened t• Capt. Sole
need
and Chewbaooa 1B alon~, you rill
me to in terpret ..
EXT. I-WING FIGHTER
LUKE IS POM UING THE ILL~l, IUM FALCOU,
IS GA!NINGON THE FALCON.
WE SEE THA'l' HE
EXT. FAtCO~
SHOTSPROMTHE FALCON,TOWARD
THEY-WING PIGHTER.
! N'I'. Y-WI~GPIGHTBR COCKPIT
LUKE IS IN THE FRONT SEAT A1UlC'3PO 1·s IN THE BA1CK SEAT.
R2D2 JUDE'SBEHIND, OUTSIDE.
s1~.
he's
firing
CJPO
on ua.
LUK!
I knowjjl but I' don't think he means
to hit us. Chewle'a a better shot
)
than
that!
.
C3PO
Look; hie"'s speeding
u.p. We're losing
hi.m.
(CONTJWED)
(PRB-'l'APED)
OON'I'INUED:
Not
for
long ..•
LUKE
HE PULLSBACKONTHETHROTTLE
ANDSWITCH:ES
ON HIS
LINK.
COM
LIJKE
~1s , 1s Y-4 to Base ••• , He ts he ,ad .:1ng
straight
or a moon 1n·~•• (CHECKS HIS
CHART)., • • the
Pana System
4
EXT.. THE YATBR PLANET
THEMILLENNIOM
FALCON APPROACHES
THEWATEil:PLANETAND
C'MSHES IllTO THE WATER.
HIS SING JUD STEAM, THEN S ILEN'C! .
BX'Ji'
• THE Y-WI NG
TBE Y--WING
FIGHTERAPPROACHES
THE SAMEPLANE1'.TH.ERE
IS
,CONSIDERABLETUHBULENC"!
•
INT . Y-VlNG COCKPIT
OONTIHUED
TUitBOL!N~
ttrKE
Hang • n Art ,oo •••
CJPO
What a~out met I'm going to shake
apart.
INT. REBELSPACESTATION
LEIA ANDGENERAL
RIST'!' ANDCREWARE STILL AROUND
Tli!
C0N,SOLE.
LllJKE (V .o.
),
We'll8
approacb1ng - - - - (GARBLEANDS1'ATIC)
1
We :re fo ,llow'.in g - - - - - ( A CLICK AND SI LENO!)
We loat them~
C'OM4 OPERATOR
.
.
( PRE....TAPED)
EXT. Y.-WING
FIGHTER
LUKE
Bang on, ~hreep1o.
We1 re going 1n.
C3PO
Are you sure
EXT.
tb1s
1s the 'bea:t w,ay, Sir?
THE WATER PL.AUET
THE Y- TtllN'G FI.GHTER zoo~yg
I~ THE CRASH LJltUl·.S INTO THE
WATER
.. SOME HI SSlNO ANDSTEAM1 THEN 'THE SHIP CON'I'IMUES
TO FLOAT O
1
"rHE WA'l'F,P .
F.[.,O~T~Tif1
DF.VlCE~ ACTI VA.'rF. .
INT. THE Y-WI1JOFIGHTER COCKPIT
TJm TlfflE'E PASSENGERSARE SLICJJITLY A.SKEWFROM THE HARD
LANDING·.
CJPO
Master Luke, Sir, are you &Il right?
Yes,
L'CJKE
How about Artoo1
R2D2
Beeps
:f':l'lom outside.
(trying
LUKE
the
~adio)
Our ccm-11nks are out, we oan't
contact the base.
(s1gh ot trust~at1on)
LUKE OPENS THE: CPJ'JIOPY
•
C3PO
Where are you going. sir?
To see .if
b:, v1eual
LUKE
I ean locate
sighting.
the Falcon
Maybe it ts al ,ose
by • . •
EX'T.. THE Y-WING li'IGHTER
THE Y-WING P1GHTER IS FLOATINO lN THE WATER. THE CANOPY
OPENS AND LUKE EMERGES ON'OO THE SMALL FRON'l' AREA OF! 'THE
1
SPACE1IGRTEB-
)
...
-
-
( OON'l'INUBD)
92.
(PRE-TAPED)
CONTINUED~
, SUDDEHLY~- OIAJtrI' SEA DRAOONSHOOTS UiP OUT OJI TltE W:A'l'ER
ANDBEGINSATTACKING
TIJ:E SHIP.. LUKEDRAWS
HIS LASEROUN
AND FIRES~ BUT THE SHO'l'S JOST BOUNCE RI GRT OFF ~
MONSTER. LCJKBHASTILY CLII4BS BACK INTO THE SHIP J JIRING
OVER HIS SHOOLDE'R TO DISTRACT THE MONS1'ER. HE CLOSES THE
CANOPY. JUST AS THE MO~lSTBHWHACKSTHE SHIP WITH HI S
MASSI\fE HEAD•
INT. THEY-WINGFIGHTER
:.Hl:....::oc1c·: '!' v i · ' J E '--' ...HG F it.thTER. CjPO and rt2D2 ARE
AGlTATED
AS THE SHIP CON'I'INUESTO BE BUl'FE'l"EDBY TEE
WATERMONSTER00'.t'SIDE. R2 IS OUTSIDE WI'm THE MONSTER
ANO WISTLES WILDLY. WATERBEGIMS TO LEAK IN THE TINY
COCKP
IT.
Artoo,
Pod.
stand
And hurry,
soon .
LCJKE
by to fire
the Ejection
C3'PO
Artoo,
or ~e 1 ll
~e deesert
EXT. THE Y- WING FlGHTER
IN THE rf1ATER, TBE MONSTER NEAHBY.
THE MONSTER RAISES
HIS POWERFUL
NECK, RBADYTO SMA~HTHE SHIP.
THE COCKPITSEC~IONOP THE SHIP IS RELEASEDFROMTHE
ENGINEOF TF.E F'.IOHTBRtJUST AS THE MONS'TER
SMAB~ THE
REMAINING PART OP THE SHIP.
.SKIPS ACROSS THE WATER. THE rito:,sTER STA.RTS
TOWARDIT, BUT A SECONDWATER M0t1STER APPBARS, THIS ONE
WITH A RIDER DRESSED IN A WHI'TE SPACE SUIT RIDIN G ON
THE cooia,IT
RIS BACK.
TKE RIDER HOLDQP A TUHING FORK, ZAPPINGTHE PlRST MONSTER
,
HICH DIVES DOWNI N'T0 'IliE WATERII OUT OF SIGHT.
1
EX'l1., THE COCKPIT
THE COCKPITPLOA~INGIN THEWATE~. LUKE.EMERGES
THROUGH
THE HATCH IH TIME TO SEE THE SUPERTROOPERZAP THE
MOfiSTER.
)
What ia
C3PO
1·t
Master
Luke?
(COMTIMUE.D)
(l'RE-TAPED}
93 .
CONTINUED
~
LUKE
I Im not sure~
THE RIDER APP~OACHESOt1 THE BACK OF TIIE. CREATUBE.
80BA FE'f'l'.
HE IS
LtJlC
You .s:a.
ted my ll!"e, .
1
I thank
YOU+
BOB.A.
You are a.lone ?
LUKE
I have two dr-0 1de . We •· ve ct me :ln
l!leareh
a. ship that era.shed
near
b~re .
or
BOBA
Maybe I can he-lp you. I a.mi Bo'ba
Fett. Th@&hip you seok is nearby.
EXT .. REBEL SPACE S'l'A'TION
LEIA (V .0 .. )
From Luke' a last po .al t1on~ and: the
elapsed
time until
his di aappaaranee,
he mu~t be in the Pana System.
GENEHj
L RISTT (V.O.)
Yea, but wh~ref You well know there
a:re seven planets 1.n the Pana S:yatem
a.ndi thir ·t:1-r1ve
find them, they
moons.
will
Wet ll neve~
have to find us.
.
:EX1!'
. THE PLOATIHG FIGHTER COCKPI .T
LIfKE ANDBOBAARE STAl4DDIG OM IT~
BOEAI S CREATUREIS
SWIMMING
NEARBY
.. THECREATURE
SEEMSTO BE TRYINGTO
A'rTRACT
THEIRATTENTION,MUDGINO
THE POD, BEGGING
FOB
:SOMETHING.I.UD AJD EOBATALK.
LUK
!
Are the
planet?
Imper 1 al
TN ops near
BOBA
They are he r e:, friend •
)
And
th 1 e,
vowlng
more powerful.
LUKE
How f'ar
away?
i(CORTINUED)i
(PR£-'l'APEO)
9~.
COl-lTINUW :
SUDDE~t'l
!,OBA WHIRLS AROUNDAND HI'l'S 'l'HE CRD'l'URE,. WHO
J
HASBEEMBOTHERINGBIMt SQOAREIN THE NOSE.
iBOBA
do~n~ All they do 1s eat.~.
Settle
LUKETAXESSOMEFOODPROMHIS BACKPACK
ANDFEEDSTHE
CREATURE.,
, WHO EATS IT HUNGRILY•
LIJKE
Th .is ~ n
1: ...,e ,ave
t-,"l'rt- , 'I-in . h,., t s
welcome to it.
BOBA
You aro foolish
to wast:e- your kindness
on this dmn.h creature.
Mo lower 11:re
form i s worth go:lng: hungry tor .. ,. fl"iend .
I take it you ha. ve no love · ot the .!mp ire?
LUKE
I do:n. 't.
BOB.A.
'fl ell
t
to find
f'r1end.
mti t'he r ' do T.
I t will b~ easy
tbe rsh ip YOtl see ,k . Fi0llew m,e,
BOBAJUMPS0~ THE BACKOF THE SEA CREA'l'VRE AS Lt.TK!:GOES
:SACK IN'r0 TAR, COCKPIT •
INT . THE EJECTI OiJ POD
POD IS MANBUVEID\BLEAND HAS POWER
, LUKE
l S PI.LOTIUG, CjPO NEXT TO HIM~ R2D2 IS IN BACK
.
THE EJEC'fION
C31PO
Don• t you ttiJ.nk 1 t might
to trust him so quickly•
LUKE
He's our · onl y chanoe.
Bl9'ems lik~
a .friend.
be 1:mpl"Udent
Sir?
And beside~~ he
ft.2D2
A sing l e tone .
C3P O
Indeed .. •Friend. • ts merely
that is otten ffl13u~ed.
a term
LUKE
....
Did R2
~~y
tbat?
(CONTINUED)
95,
..
( PRE-1'~1\PED)
. ,.•.;
,.
Words
to
C3PO
ert ,ect.
that
EXT. THEWATER
PLANET
TUE MILLENNIUNFALCONIS FLOATING IN THE VATER. BOSA
ANDTHE SEA CREATURE
LEADLUKEIN THEFOO'l'O THESHIP,
'THEN WAIT NEARBY.
file'!'. THE MILLENNI
OM FALCON
LUKE AJffi THE ROB<YrSON TH.E OUTSIDE OP THE MILLE NIU'M
FAL Of, LASER-BLAST
THEIRWAYIMTOTHESHIP .
INT. THE MILLENN
IUMPALCON
HAN SOLO IS S~
ROBOTS ENTER,
HANGI NG UPSIDE DOWNAS LUKE AND 'l'HE
GUNS ORAWH• AFTEH A MOMENT, BOBA EH'l'EBS,
CHEWBACCAIS VERY AGITATED, MAKI m DISTtmiBED NOISES,
AS HE HOLDS THE TALISMAN IN HIS BANDS.
LUKE
Chew1e:t yo 've e:ot the Ta-ieman.
CHEWBACCA
RUNSDOWN
THE CORRIDORAND THROWS
THE TALISMAN
INTO THE REACTOR, 'WHERE IT IS DES'l'ROYBDIN A FLASH OF
LIGH'T,
LOK!
What ·a.re you doi ng?
,SUDDENLYLUKE COLLAfSES AND FA.LLS TO THE FLOOR.
CHEWBACCA
IS NOW['lf0REDISTURBED
THANEVER. HE STARTS
'IO ATTACK
BOBA.
(~agging
balt
LUKE
to rloor
-
uncon~cious}
The Talisman •••
No!
Boba Fet.
C3PO
He's . a .friend.
BEFORECHEWIECANATTACKBOBA; HE IS TIED UP BY A CABLE
THA'l' .FLASHES OUT OF BOBAtS, TECHNOLOGICAL
SPACIEU?UT.
)
.
C3PO
Don't htU't him. Boba, Sir.
( OONTI~OBD)
(~B-TAPED)
9tL.
CONTINUED:
!
BOBA
(po1nt1ng to Luke)
What did he do to h1m?
BOBAREI.rEASES
THE WOOKIEE.
R2D2
Blips • w:h1.e t l ,es •
Ht ' didn't
C'3l?O
do anythi n ~.
R2'D2 has
deteeted
c Ot'Jtam ri 'l t cri , It !T.ll.S - tit. ve c ora,.e - !T,
t he Talisman.
B2 says 1 t ':e 210:DE kind of
humans~
sleep1ng v.1ru.s that only .arreats
CHEiilB
ACCA FICiCS LUXE UP A~fD S'l'ARTS TO HUfG HIM UPSIDE
DOWNBESIDE HAN SOLO. R2·02, SElUtlG THI S• BEEPS J\ND WHI S'l'L£.S
AND MOVESA:RO
UND AGITATEDLY
•.
CHEWBACCA
Smmds.
C3PO
He a ays t.he only way t:o keep them alive
is to let t he blood rush to th@ir heads.
BOBA
I know this Sl e~ping
uses on 1ta en9mles.
ror i t in t h e c1t;pi.
you.
Vir us the Empire
Jhey have a remedy
I
ci
an get some :for·
s.-1.mda.
I• ffl atra.J.d
wi t h yo,u.
C3:?0
Che-wie 1n :s,1atB o.n going
1
You w1ll o,nly
BOBA
get in the way.
y.-u must: J · c ome ,on ..
it
4.
but
EXT. WATER PLPJi1
ET
BOBA /UID OHEWBA
CCA ARE RI DI NG ON THE BACK 0F iffm S,EA
1
1
CREATURE,
TOWARD
THE CI'l'Y. BOBADRIVESTHE CHEA'"l'tTRB
MERCILESSLY, LOTS OP KICKIHO ANDWBI.PPING AND C!UJELTY.
C'hEWBACCA
GROWLSWITH EACH INDIGNITY, BUT B0BA IGNORES
1
)1
HIM ANDCONTINU
ES. CHEWBACCA
SNI~P3 BOBAAOAIN,COCKING
HlS HE.AD
INQUIRINGLY,AS THOUGHKE REOOQNIZEB
'NIE SCENT
BUT CAiN
'T QOITB PLACE I'll.
1,;_.
(COK'I'IM
DED)
97.
(PRE-TAPED)
CONTINUED:
'l'HEYAHRIVEAT THE CITY. rT IS rtOATI NGWI'?HINA HUGE
BUBBLE, WHICH IN ~URN IS FLOAT'INO OR THE SURFACE,OP THE
WATER
PLANET. mHEW,.TER1S FULLOP SNARLING,UGLYTHINGS.
EXT
'. THEOUTSIDEOF THEOITY
THESEA CREATURE
LE'l'SBOBAAND CHEWBACCA
OFP, ANDTHEY
START
' TO CLIMBINTO THE C!TY THROUGH
AN EXHAUST VENT.
BOBA AND CHEWBACCA
EMEROEPROM THE EXHAUSTSYSTEM IN 1TO
A KIND OF' PLAZA IN THE HEARTOP 'I'RE CITY,
IMPE IftJ ,
:'.'ROOPS
ARE. VERYWHERE
. TREYSLIP INT0 A KIW-lOP ALLEYWAf
1
0PF THE PLAZA.
B0BA SPEAKS SLOW:AND LOUD AS IF CHEWIE WERE !lAfID OF
HEARING, OR STUPID ••• W'HICH!iE ISM'T.
Yourd better
the ee ,rum.
BOBA
stay here ~hile
I get
CHEWBAeCA
( starts
forward)
(Sound~) Orowla.
BOBA
(push@~ h1m back)
I said
atayJ friend,
Lu ke trusted
me; and I I m your only ohs.nee ot
getting
out ot here al1v ,e.
Do you
understand
me?
CKEW9
ACO
A
(More
e...,
1,.nds,, a lit tl ,e more moli.fied)
BOBALEAVESTHEALLEYANDSURREPTITIOUSLY
ENTERSA
ft.ATTY
OLDD:RO STOREON ME li'ARSIDE OP THE PLAZA..
INT. DRUGSTORE
THE DRUGSTORE IS RUN BY A RATTYOLD ALIEN.
A RE MANY KIN DS OF' S,UPPt IES ,
BEHIND HIM
THE At IEN WATCHE.SAS BOB,A
QO'ESTO THE TELEP.ORTER
VISOALPHO! SYSTEMANDiPONCHB
S
A SERIES OF BUTTONS. AFTERA MOME
.T OP 1 COHNECTI
ON~roISES 1 , DARTH VADER APPEARS ON i'HE ,SCHUN.
REV. 9/13/78
.INT. LlVING· ROOM
30 •
( LUMPYALARMED~ARD BE.ACTSTO DARTH
VADER
WI'l'HA BARK)
( GUARD OFFICER HEA.1tS I'l',
TO LUMPY)
OVER
Al.JD C0~£8
r(Kf
MID OFFIOEf!
What 1a 1 t now?
(BEli'OHEHB CA.H LOOKAT i'llE VIDEOBOOK
acRSEn ~
tOMPY BITS .A C-ONCEALBDBUTTON,1
AND THE SCREEN IMAQKCHAHCESTO AN INNOCUOlfS
GAME)
,(LUMPY
HANDS'r1m BOOKTO OUA:RE>
OFFICER
TO LOOK A'l')
GUARDOIPPICE.R
Ia
that all?
You wootc1ees
aom~ silly
Just
are
game?
l"'@ally strange.,..
FADEOUT:
)
( I.N'l'O:
COMMERCIALliOUR)
98.
COMMERCIAL
I3
f 2 :C)5)
'·
C0?4MERC
I AL IJ_
{2:05)
J
100.
BUMPER
[Th@ card~
( ; 05)
(TO COME)
)
,.
V .,o.)
101.
NEWSBREAK
ci,ooj
NEWSBREAK
c1~i00>
)
02
I
CTNPROMO
&
NETWORK
ID
(l:~6)
C'rN iP'ROHO &-
NffiO!lK ID
( l f2°5)
)
REV. 9/lJ/78
316
103.
INT. LIVI tiG ROOM
C!UARDOPFI 0:ER
Her ,e J kid •
Keep play1n;;
your
game ,
but no more barking.
~
f~1 end!s don t t like
that~
{HE 'l'OtSSES
TliE VIDEOBOOKBACKTO LUMPY)
(tiUMPYCHECKSTO MAKESOU GOARD
OFFICER
Hi\ ~ Tt1F1. -L' ?!Ir
3.1\C- ~ 1
•
L~~
·u~HBS ~ ~ UT'l'UN).
ANlMATIUN
- PAflT rI
n5AGES 86 tb~u 88)
CUT 'i'O:
)
104.
('PR!-TAPED)
- PT.
32. ANIMATION
II
INT. ~HE MILLE~NIUM
FALCON
R2D2 IS CHECKINGTHE SHI PS C0:m'R.OLS AND C3PO IS CBECKlM0
LUKE'S CONDITION,
CJPO
Yea. th@i r metabolisms
down.. I wonder what's
Chewbacoa.
(.Sud C:c 'i.
,
: ..~
a:re · slowing
keeping
R202
w~....c.
Jitlef> J
WESEE A ROUGH,BUT CLEARENO
UGH PI CTUREOF BOBA
TALKnlo
WITH DARTH VADER.
DARTHVADBR
•Good work , but I want t hem al 1 ve •
Now that ycu ' ve gott en t hei r t:r ust,
they may t ake you to the~r new base .
This time we'll
BOBA
get them al l.
DARTHVADER
I aee why they call you the best
Bounty Hunter in the Galaxy .
ARTOO SWITCHES OPP THE SCREEN AlID BEEFS AND WHISTLES
EiXCrl'EDLY.
Oh ne,
what w11
C3PO
we do , now?
EXT. 1'HE CITY
THE ALLEY IN TB CITY, WHERE CH:SWBACIA
IS STI.LL HIDINO.
SOME IMPERIAL S'r0RMTROOFERSMARCHMENACIN0LY PAST THE
ALLEY. THEIR SCENT WAFTS Ill TO CHEWIE. HE SMELLS IT
MID GROWLS,.JUST AS B0BA RETURNS• CHEW
IE AGAINSNl:PPS
B0B,A, ANDHIS EYES NARROW TH SUSPI CION.
B BA
We muat lea11e quickly,
friend.
1
BOBA GESTURES
FOR CHEWlETO IJOLLOW
HIM, ANOTHEYS'l1AR'l'
TO
SNEAK OUT OF THE CITY. TJfEY ARE SPeTTED BY A STORR TROOPER
( CONTINUBD)
J
(PRE-TAPED)
105.
CONTIN'l[]ED
~
'THEY LEAPONTOTHE BACKOF THECREATURE
ANDHEADPORTHE
MILLENN
I UMFALCON. 'I.'HE TROOPiERS
F'OLMJW
IN A ROCKET
BOAT.
BO:SAF'l!RES AT 'I'HEM~ AND MISSES.
CHEW!E DRAWS HIS OUN mo
FIRES AT THE TROOPERS. HE HITS TiiElit1 DESTR0YI NO THE ROCKET
1
OOAT.
·
INT. THEMILLBNH!'IJM
PALOON
CHEWBACCA
.ANDBOBAENTE
R•
. BOBAIS SPRAYINOTHE ANTICOWI'AMIHANT;
PBODUCrNG
CLOUDSOF MIST ANDSMOKE. THROUGH
TRE CLEAHI.NOMIST, WE SEE cREWEACCA
IN,JEC'TING HAN AND
·
LUK! WITH ~ S::!.IU:::.'UlD RI:....:::
A: :? ~'J TREK FROM UfS DS- C.,C.."W'N
POSITIONS. AE'l'OOAND'l'HRE:EPIOARENOWHJi;RB
TO BE SEEN.
HANANDLUKE B.EGINTO COMEOUTOP THE'l'MJJCE.
C)PO ANDR2D2 ARE CONCEALED
ANDOBSERVING
THE SCENE
Are you all
BOB.A
righ t ?
LUXE
I ' m not sure~
!iAN
Luk@t what happened,
I don I t kn ow,
HAN
W11tll~some~odz rnul!!ltknow aom.eth1ns ~
CHEWIE BAR.KS AND CHATTERS.
He aay a your
ee~um ror the
HAN
rr1 end he r·e tou:ndl
Talisman
virus.
LUKE
Boba.,, y ou 'r ,e· a hero
1
t~iend
and a !'ai thtul
- You must come baek with us.a.
R202'
Be epil! and wh! a t l e s e.g1 ta ted ly .
LUXE
)
What'i;i the matter
with E\2?
(CONTINUED
J
106 .
CONTIJRIED!
It.ANAND LUKE ARE FlJRI OUS: AT B2D2
C3PO
I 1 m 8.fra1dl ,. Sir,
it• ' .s be~ause , ypu
said
Bolba 1 a. a fr:! enc:\ and a fa1 thf"ul
ally,
That sJ.!llPlY does not .feed
properly
into Artoo's Intormat1on
Bank.
LU!ICE
What a.re you ta.l!.k1ng about?
CJPO
a message between
W'@intercepted
Boba and Darth Vader,
Sir.
BOBAPE~ ACT7VATES
HlS OWNEXIT.
C3PO
Boba
F @t 1.s Da:t:'th Vader'
1
hacd :man.
adventure
B right
th is whole
baa been an Imperial
plot.
I'm afraid
HAN
Well, trust a droid
hottom ot thinga.
to get
LUY~
d:fd rool
Bob a sure
the
to the
of us.
res:t
CHEWB
,ACCA
(Soundl:s )
C3PO
I beg y0 ur pard:on, Sir.
Chewbaooa
!U:~pect ied all along th@r ·e w·as s,ometh1ng oad about Boba.
1
LUKE
How aia you know, Chewie?
CHEWBACCA
(Soorids)
C3PO
May I quote d1rectlYi Sir?
1tHe J us. t. didn' t 6me11 right
1
• .,
LUKE, H.ANAND 03PO LAtTOH
• R2D2 S QUE..ltlr'S AilD CHEW-I:S
1
, 1
SMILESPROUDLY,
)
HAN
We11,
le ·t s get
t-a1ndro;p.
0
1
tr
th.1
e gal&et 1c
REV• 9/13/ '78
33.
INT. L:rYING ROOM
(WITH A LOT OF HEAVI STEPS, '11HETROOP
'ERB
AND GUARDTWOCOMEDOWNFROMTHE LOFl ,.
LlJMPY
TA!iS EARPIEC~ OUT)
GUARDTWO
Nothing
there. ,
GTJAJWOPPI CEH
~o subve~sive :ttLaterial?
GUARDT'WO
Just
the
ch1ld '1_,& room ..
GUARDOiiPIC'EB
Go cl&an it up.
kid.
( LUMPY RONS UPSTAIRS )
The
way the!e
c~n
!eareh,
tlbat 'l:J. ~e-ep him busy
tor t .be• rest
of the day ..
CUTTO:
101.
108.
3~.
lMT. tUMPY'S ROOM
( IT '8 A HESS ..
:ru:mu'l"URE
~ TOYS.,
GAMES
SCATTEffl!!D
ABOUT.. LUHPYPICKS
UP A LITTLE S'Pmi1PBDBANTHA
. :IT'S
HBADHASBEENRIPPEDOFF AND THE
IHSI DES ·p OLLEDOtrT
1
I
HE LAYS IT
CAREFULLY
DOWN
Cl~THEBED. CLEARLY.,
IT WAS A PAV0RJ:TE OF HIS
4
BE SEARCHES
QUICKLY
THROUGH
THERUBBLEANDFINDS
A WOODEN
BOX H! LOOKS AROUND'l'O
MAKE SURE HE HA.Snt T BEEN FOLLOWED•
THEN OPE.NSTHE LID. WE SEE THAT Ttm
B01.
VULf.iOF -Ttffl.t.S , WI T!f-'~ ~ .rum
I
VARIOUSELBCTHONIC
GEAR)
(LUMPY
PULLS'lm!M OUTOP THE eox,
.ANDPUTSTHEMON THEFLOORIN
FRONT OP ant)
(~!mN
HE TAKE~WHAT
LOOKSLrKE A
VI OEO CASSETTE OUT OF T-HE 'OOYBOX•
HE PUTS IT UfTO A VTR UNIT TJJ'1DER
TW: SMALLER WALL SCREEN THAT IS
P ROl'4I ~NT IN HIS ROOJO
(THE W'ALL
SCREENFLICKERSTO LII-'E)
)
109,
35. HARVEYKORMAN'jD.ROMBO
ID11 SEOMENT
(ON THESCREEN WESES THE COMPLETED
MIHI-~RANSMI'I"l'EH.
IT REVOLVES;
SO WE
ABELOOKING
AT IT PROMALLANGLES
AS '?HE V,O. IS HEARD)
MALE (V .o.)
Tbis product was pecked under ,
atri ct qu:ali t:y control
1
casaette
If ortera
provided
by
o,n the
tb~ manuracturer.
a unlq~e - chance ror consumers
everywhe ,re to e et an Amo:rphii an being •••
( CUT' TO LUMPYLAYI NO OUI' PAR'I'.SOP MINITRA~SMI1l'TER)
PRE-TAPED
(THE.MINI- TRANSMITTE
R DISSOLVES
TO HARVEY)
B'EHINI>
A TABLE1 PiRBPAlRINO
HIS TALK)
V 0.
4
1
(CONT'D)
. ... 'rhe lll.Otor ab 111·t1ea
or Amorph11a .n
are :f:requently
c1t1zene
1mpaire-d by
mal!'unc tions • which :re!Ull t in a..
te mpa ra ey , !')fl~ of
way
retlc,cte:
l'ather,.
it
r .-i ,, ,,
'rhia
•
on the saf'ety
should . !erve
of our high standa~d
ot our p"'duct;
al!I a
guarantee
or long-weer
and dura.b 1l-1ty • .
(HARVEY KOR.MA~,AS DROMBOID, APPEARS,
ON THE SCR£BN1 AS- A KIND OF' MILTON
CROSS/BERGENEVANS INSTRUCTOR• •TiiO
rs GUIDINGT;m YOUNGSTEROP iffiE
GALAXY
-T.HRO
OQH'I'HE MYSTERIESOF
ELEOTRON:C
CS)
,
i. r.: r..o
109A.
PRE-Te,Pgp
(HE IS KUOWLEDOABLEJ
EPPICIIDrr,
ANDIN-rBLLIGENT
-- BUT OF A ~ACE
WIil CH HAS THE PHYSICAL ODDITY OF
LOSINGPOWER
FROMTIME '00 TIME IN'
VARIOUS PARTS OF THE BODI. WHENTHI S
IF.IAPPENS
,, ME MAKES no MF.NTro.N O:P I'l' J
llOR EVEN A COMME
IT OP ARY SORT HE
JUSIJi GETS THAT PART W0RKillG AGAIN, .
A~D CONTI?1DBSWHATEVERRB WAS DOING ,QR
I
SAYINO •.
DROMBOIDAPPEARS E·BHillD A TABLB,
ONWHICH
HAWEBE~PILED VARIOUS
1?' EC~S OF EQUI ? 1-IEMT ' HA':" I. OOX
BXAC'I'L!LIKE TF.E S'l'UFP'IN J.i'RONT
OF LUMPY)
DROMBOID
Thank You £'or aelect1ng
our
brand of m1n1-transm1tter.
Ir 1ou assemble 1t pro perly,
roJlowing
th~ 1n~truo t 1ons I am
.a.bout to g1 ve you., 1 t w:111.
provlde
111any yea:t's
valuable
service
of' fun, , and
to you.
( THE FOREFINGER OF HIS P.:IOHT'HAND
GOBS LIMP. HE FIXES IT WITH BlS
MOSE)
But now, 1,e-t 11s get s tarted
sball
J
we?
( liIS LF.Q STOPS FUNCTI 0 UNG.
HE
REA.CHES
DOWN,RUBS IT WITH HIS
HA~1DSTO GET IT GOINO AGAIN)
Flrat
J,
f.1:nd the
eontaJ.ninB
sealed
.all the tools
package
you'll
need.
(SBARCH!N'G
THE TABLSHE li'INALI.YFINDS
IT ')
'
..
(HlS ELBOWS
tOOK)
{MORE:)
110.
1(PRE-TAPEij
(Et-mtA~ASSED,IE CRANKSHIS ELBOW
TO LIFE )
OBOMBOI
D' ( CONTI D)
It
looks like
·thl s •
COROMBO
ID HOLDSUP A SEAL!iD-INPLASTic;BAOCONTAIHI~G
SHALLTOOLS)
Try not to rr~ip.~.
(HIS MOUTHFREEZES. HE KNOCKSI'I' BACK
INTO ACT!Oll )
..•
it makes a
open~ because
it
very handy !torage
tools
case
for your
1ou need them a~ain~
until
(HiBTRIES TO OPEN'TRE PACKAGE~BUT
HIS PINGER HASSTOPPEDWORKINnMP
HE BLO!ofSON IT) 1
So now we JWJt gently
open 1t.
(LUMPY OPEMSHIS IMMEDIATELY~M~D
SITS WAITINGFOR DROMBOID
TO CATO~
UP)
( D:R.<k'fBOIDOPENS THE PAC'KAOEWITH EUS
TEETH II TAKES OUT A Toot LI.KE A. SCRltWOP.IVE.R)
O~O~..BOID
(CO~T'O)
~his
1s the first
need,
and please
to
hurt
yourself
thing you 1 1l
be careful
cm the
not
sharp
edgeis.
(HE S rILES
AND HIS F'ACE LOCKS.
TAKES A SC REWDRIWR
HE
'FO A SCPEW 'IJNDER
HIS CHIN AND 11LOOSEMSu
HlS .Sy;]JLE)
}
cir ,cuit ...t,reaker
Now find
the
~odule .
Ab, here _~t is.
Beautiful,
isn't
it?
{HE HOLDS UP A GISMO),
(MOU)
111,
PRE-'r.APBD
DR0~1BOID( CONT'D)
And by the ¥ay, let's
calling
these
oomponen·te by
proper ·names
thelr
start
''C1rou1 t-
4
br e aker ·modul e 111 •
( RIS !MOUTH
FR.EB
Z:ES OJi T.I.B , CJLBU
PART OF 11M0DIJLE
tt ,
HE llE."iTLYRUBS
HIS FOREHEAD, REACTTVA
·TBS HIS SPEECH
ANDCONTI.NOES;
( I..U~!PY'IB NOWSTILL SI~ING WITH
lfIS OW CIRCUIT-BREAKER•IOOULEAND
.SHARP IUST.RUMENT",.
WAITINO)
D·ROMBOID ( C'ON'T1·D·)
And re-remember,
th~ thousands
or
every one of
terminala
th e e1rcu1t-breaker
on
modul& is
mnark,ed 1n a part .1cuJ.ar
,oolor.
Can you eee them?
1
(
LUMPY PI NI>S THE WIRES A.fro BBGI:NS
COHNE
C'!'ING THEtT, PAYIJ.JG HO FURT:IEP
ATTENTIOU TO DROmoI D)
DROJraOID ( CONTt D)
These must be connected
to
the wir-ea wit h tbe eo];"'l'esponding
cmlora
4
Re111ember,
red goes , to
~ed, blue goes to blue,
en.
Now watch
JiQ@
closely,
( AS HE TALKS, HIS EYES DRIVT)
(MORE)
J
and sc
112.
113.
P.tm-TAPED
DROMBO!D
(CON 1 0)
And we'll
to assembl e
work together
our mini~t r ansmitters.
R&memberi
le ,t ts worl<: methodically
and
care.fu l ly~ because a job like
tb1$
(HE LOSES PIECE)
Oh, I eee time 1s runnin.ct out,
so let
1
s move on now to a~sembl1
of the Im~ul se-to-Voice
translata~
(HE HOLDSUP mE PART; SPEAKINGI'rB
NAMEAGAIN
, CI.E'.ABLY)
Impul3~-to-V01ce
Translator.
This i s the very heart
which converts
~1n1-t::ran~rn~tterJ
the
electronic
provide
en .ergy
~
into any or a thouaand
re-cognizable
(JIB
of the
· .languages.
STAB~STO COLLAPSE}
We mu.st remain al ,ert
compl i cated
1s the
prooed.ur@.
key word.
thie
En.du.ranee
Concentr ,at1on
f'roffl all neurocranial
absolute
for
nerves - la
l y esse<nt1 .a.l.
( HE HAS nowCO·LLAPSED UNDERTHE
TABLE)
)
...
(LUMPYPICKS UP HIS ALHOSTCOMPLETED
MINJ-TRANSNI'I-r'ER·, · WALK'S
. OVER TO fflE
WAL
L SCREEN9WHERE
DROH.BOID
IS SEEN
IMI~OB!LE, AND JtErliINDS I'l' , LUMPY
OOESBACKTO WORK
ON HIS TRANSMITTER
WITH A VENOEANCE •
WE HEAR HARVEY• S
VOICE START'INGAGAIN)
r
PRE....
T.APED
Dil 01.tBOID (V ~ 0 , )
Thank you tor .aele.ct1ng
brand
ol" an1:n
1- t
our
ran s,m1 t t er,
etc .
114.
ll 5,
COMMERCIAL
I I.I
(2:05)
.
C0MMERCIAL ,
1
(2 : 05)
)
~
116~
3 5A.
1
UL .. LUMPy Is
~
(LUMPY
IS HARDAT WORK)
(WE CAN HEAR HARVEY• s vo1 aE)
)
REV.. 9/13/18
36
IHT* LIVING ROOM
(THINGSARESTILL ,,:SNSE. "I'HE'l'WO
TROOPERSARB S1'AN'DINOON El'fflER S.IDE
OP THE000ft. THETWOOUAR[)S ARBIN
WMISPERED
OONVEftSATION
ANDMALLA
A~D
ITCHYARE HUDDLED
NEARTHE.KITCHEN
AREA)
11
1
(THE W'ALL
SCREENSTARTS '1'0 COMETO• LIFEll
AS WE REAR ANi ANNOUNCBR'S
VOIOBANDSEE
S?ARPIELDSHOTSMOVING
IN ON TAT00INE)
ANiROUHCER
(V.O.)
1'
T1me now tor
brought
to
1
't1
re
0ne Ta.t ooine "' ,
1
viewers everywhere ., 1n
hope ~hat our own lives
b 'J the
may be uplifted
comparis •on, and enriche-d
gratitude
the
w1th the
of reliet~
('THE CUARDSA~D TROOPEBSNUD-OEEACH<miER.
ANDSTARTTO 'lrlATCH, At.HEADY
SHOnNG US THAT
THEY FEEL SUPE~IOR iJ:O THE KlND OF PROGRAM
WE ARB ABOU~TO SEE)
ANNOUNCER
(V.O~) (CONT'D)
Thla
transmission
W'.1.ed1ted.,
rurthe:r
and . is
18 l.lnreh .ear.sed and
hereby
be gun without-
comment ~s -to ita
lack
of !ll.Qral
value.
COT TO:.
'
)
117.
PHE- TAPEO
3,74
INrT. C.ANTINA
(THE CANTINAIS PACKED
WITH
CREATURES
AT THEBAR, AT
TJ\.!.BLES
, IN BOOTHS• o,s THE
BANDSTAND,A COJ"BOIS.
PLAYING
THECANTINA
THEME)
MIJSIC:
CANTINATHEME
(ONE MONSTBfiIS , SPEAKING Ml
UNINTELLIGIBLE LA~jOUAGE.,
TELLINGWHA!Ml13'1'BE A JOKE TO
A GliOrJP C'l.'I OTHEr. ~H'HST E.AB~
H! C0.1EB TO THE 'PUUCH LIME.
THEOTHERSLAUGH)
(TWOMO~STERSARE ENGAGED
IM A
.SORTOF AHM-WRES
,'I'LINGCHALLENGE)
{SEWRA!, ARE DAJfCING ., EUT !AOH
IS ALONE, P'AYINO NO ATTEN'I'Iml TO
THE OTHEBS)
( A 7-FOOT BOUNCER1 TORK, CHAS,ES
! "ONSTER
OUTTREDOOR~THEUCOME~
BACKlNTO THE BAR)
OCRELNAN
rs OLI~tPSED BRI:EPLY A.s
AFTER
HE ENTEHS TER DOOFI JUST
THE 1'!0NSTERH.ASB!:EN CHA!3E.D
OUT~
HE LOOKSBEHINDHIM, AS THOUOH
WONPEHING
~WHAT
WAS
, THAT ALL
AJ:!OtJ'!'
7 "' , BUT LETS IT PA~S AND
COMESon UJ TO TUE CANT'.INA
•
lrnDEH HIS AR\f I ,S A KIND OP CORSAGE
:SOX, CONTAIN'IR'G
AN EXOTICFLOWER.
KREI.irANCROSSESTO THE! BAR AND SI'rS,
AIID WE LEAVE' HIM THEJm FO~ NOW)
'\, ,
118 .
PRE•TAPED
ACKMENA
(SERVINOTHE INTERVENING
PATROHS)
I'll
ne-ver get
like you,
r1eh with
I thought I taught YOU to
drink
taater
than
least
you•~e
steady.
thle.
(MORE)
)
customers
ell,
at
119,
Pft.E...TAPED
ACKHENA CONTtD)
1(
Drink
1
up t there
s plent:v more where
tha. t 1came r rom.
What'll
be? 1
it
KREL 11\N
(MEANINO:F'___I~Y)
Hel J.o,, A· j.r;
cnenr..
ACKit"ZNA
do it your way.
Okayt w&'ll
Hello.
Nov we'll
What'll
it
do 1t
lnY'
way.
be?
Can ~e talk?
ACKMENA
or
eour~e we can ta l k~ we're talking.
W,e-1 re not dr1 :nJ:..ing,. you, • re not buy 1ng,
we're not pouring,
we're
talking.
(SHE z.roVESTHE PLOWERASIDE)
I I m doing
drink,
'
1
Vhat
tin.ls t::o rr.?.~:e rv om for
!O the
t
next time I ask you,
l-1 1t be?
and I'll
a
11
',
you can tell
me,
put it there.
KREL~JAN
I don't
care,
give me anything.
OJve me, one o.f those~
)
( HE POil1T5 TO A BO~E.
HIM A DR1NH: AND Ptrr,9
1
ACKMENAfODRS
rrr IN:
PROMrT0 F HIM)
1
PRE-TAPED
KRELMAR
(CON~'O)
I 11m sorry
I couldnt
t:
get
back 'be.tore.
ACKMENA
:Before what?
KRELMAN
I mean unt 11 now, un tl 1 tonJ. ght
I ' e thoug ht auou~ lt a doze n ~i~&s,
but I had to be sure.
ACKMEN'A
(SHE'S USEDTO ALMOSTANYTHING,
BUT' THIS
IS , GE'.I'T:CNO
TO HEH)
Listen,
l've
sot a customer down there~
I' 1 1 be• :t.'1ght 'back,
okay?
KRELMA.}J
CAGAIN,
J!EAlUNG
FULLY)
Cort.a back soon~
I'll
be waiting.
(ACIKMENA
MOVESOPP TO SERVEA CUSTOMER
AT ~HE Olt'IHEH !ND OFI THE BAR}
(SEEING THA_ ACKMENA.
IS STILL BUSY, HE
TAKESA SIP BY POUlUNG
~HE DRINKIN'l"OA
ROLEIN THETOPOF itIS HEAD. RE POTSTHE
OLASS COWNAGAIN, ANDAGAINPUTSTHE
FLO'-ra.ROONTOP Olii' IT AS ACKMENARETURNS)
KRELMAN
Bow•s your drink~
)
~-
121.
PRE-TAPED
122~
KRELMAB
all
lt'8
o .n
Look~ there•s
gon~ .
a flower
top of it .
ACKME.NA
I see
there
Do you want another
ia .
drink?
K!RELV~N
Aekm~na , t'!'-1
e 1 2.QWer i
I Ml,1ted
that's
to
:3
bi•i ng y c, !.l
t'or you ,.
sorcething,
a ll I oou1d think
and
of .
ACXMEMA
(SBE'S 'l'OUCH!D
1 TAKINGTHE 1-'LOWER)
Well,
I don 11t g-et too many f'low ,e rs.
But you don't
have
to br:ing me anyth1.ng,
Uh - -
( OROPINO F'-OR HIS NAME)
KRELfl:\'1
Krelman.
ACKMENA
Kr ,e lman.
Whifl:
t a ni ~ -a t1art1~
•
IKliELJ~\N
the ether night,
When!
left
I fe ,lt
aomothing I haven't
longer
than
here
I ca re
to rem;;!:mbel',.
(MORE)
)
tel t in
PRE-TAP 'ED
1.23.
KRELMAN( C'-ON'T
' D)
I f'.!'l t a.11ve aga:.tn.
first
For the
sot H~one made me r-eel that
all
the
have meant aometh1ng.
I ' ve lived
time~
yeua
What you
sa1 d to me we,:re
{ HE SI LEN'TLYMOUTHSfflE
WORDS MU) COUNTS
1
0 ~ :-US SI X Fl NGE:'·,)
- - s1x very ,1mp1e words - - -
ACKMENA
(SHE HAS NO IDEA WHATSHB SAlD THE
OTHIBR
NlaHT)
Vellt
t hey were just
worda# atter
all.
KRELMAN
Yes but they we~e more than words.
I knew tha. t at
and I thought
the
t 1me t so I went home
abo ut what you sa i d .
ACKMEHA
KRELMAJl
It doesn't
rnat~er.
was n-ot as
important
What you said
ae what y·ou meant .
ACKMENA
Y,es,
'
tha!.t's
true.
What did I mean'?
PRE...TAPED
KRELMAN
And I decided
very thing
that
what you meant wae the
I needed to , bear .
ACXMENA
(GIVINGOP)
I'm . glad a.cout that~
KRIBLMAM
It's
runny
a man can llve
that
long as I have
1
throu~h
all
and dlowne, and when you think
overj suddenly
0
are:9 aga..tn.
you 1"1.nd that
the ups
it ts all
eomeone
I wa.e1n• t look:1 ng for
when I came 1n here4
1t happened.
a!
Maybe that'a
becamse I wasn't;
I waen t t a.9:k:l!.ng for
love
tlia .t
whY
begging"
any mor.e,.t l
wa.sn • t b eg;ing _..I ...aen' t de ape:c-ate ,
waan 1 t wh1 nning,
I was n I t eni veli ng.,
I wasn I t an1v ,el1ng.
I just
(:affl.e
1n
tor a dr1nlk:, and tound a lot more.
( 'KllLMAN
GBABS, ACKME~A)
ACRMBNA
Kerl.man
... -
XRELMAN
)
I
.125.
P~.E-TAPEO
ACK!ENA
l
1
n sorry.
sw,eet,
yourre
Krelmant
yoa ' re kind.,, you ·•re attraot1ve,
al l the rest
or
what I think
you're
thought
1t
~
and
1!' you' 're ,saying
but
~ay1ng you felt
you
I me.ant y,ou needed to hear., then
l et me just
8ay this:
I did n ot~
KRELMAN
P.leas.e,
Don't
Ack.mena.
do this
to , me ..
ACKME
NA
I have customers
to wait
1£ 1ou want toJ
Sit
OD~
h@r@
f1n1~h your drlnk.
( SHE POURS ANOTHERDRINK INTO HIS READ)
91n1 ah th1s
one too .
It's
Stay as long as you llke,
w~rk to do.
any
tb1r.ig e lae
I don't
on ~e.
but I have
!have ti~e fer
~
(THE CUSTOMERNEI .T TO KBELMAN GETS
UP TO LEAVE. ACKMENA
MOVES
OVERAND
BEGINSCLEANING
UP AJ'RR HIM)
KRELMAH
1•11 wa-1.t, Aekmena, becau.l3-eyou'll
change your mind, I know rou will •
.SI x 11 ttl e words,
Ackmena.
I •l 1
wa! t toveve •r to hear t .be m again,
becau;e
I know that
- - •
PRE...TAl?ED
,
126.
ACKI'-!E
NA
( CALLS TO DEPARTINGMONSTER)
Come bao k: :soon, I 1 1 1 b e wa1 ti n g •.
1
( KRELMAN LOOKS DISENCHANTED, , AND PULLS
HOOD OVE,l HIS MIEA.0AS HIS HEAD BOWS oor.,rn
1
ON BAR)
cur TO:
'I,_.
REV. 9/13/78
37A
INT.
LIVING ftOO:.t
(AS EVERYONE
EXCEPTLUMPYWATCHES
ANDREAC"l'S
TO THB CAHTI.NA
,OH THE
THEIB
REACTION
IS INTERRUPTED
WALI.SC.REEN
1
BY THE SOUNDOF THE ALARMTH.ATHERALDS
AM IMPER! A'L ANNOUNCBMENT. THEY TURN
BACK TO THE SCREEN~ W'HERBACKMEN
A• IN
THE CANTirlA, HAS TURNED TO WA,icH HER
WALLSCRBEU.
IMPERIALOlvli'ICE:R
,(V.O.)
.J
sub-vers1 11e tore ea,. we
aI"e placing
a curfew on the Tatooine
effective
system
im.~&diately.
CUT TO!
)
...
127.
(PRE-TAPED)
37B
INT. CANTINA
(AC1CNENA
IS SEEN LOOKIMG .A'!'
WALL SCREEN I N C'ANTINA.
WE SEE
TERROR IN HER EYES
MONSTERS
IGNORE W.il.L SCREEN)
I
IMPERIAL OFFICER ( C014T'D)
All inhabitants
will
return
the 1:,, homes at. on oe •
will
continue
to
Thi 3 order
1n effect
until
notice.
further-
(ACKMEMA
LOOKSAT THE WALLSCREEN,
IGNOftUf,G KRELMAN,.SHE CHOSSE:S TO THE
BANOST
AND AN!> Il'fDI CATES TO THE
CONDUCTOR
THATBE SHOULDcomTHE
MUSIC)
ACKMENA
Okay~ Barba.line
take
1o
a break.
(THE MONSTER
BAlJDLEADER
MAKESA
Q\J'&STIONING NOISE )1
know how long.
I don I t
fo .:reve:r
~
taybe-
They ·1 re clo:s 1ng me
down again.
{THE MUSI CI AMS RISE ANGRILY)1
Please.
fellas.
aggravation
I 1ve got enough
..
(THE MUSIC.IANS GfflJNBLE)
All right!
you go .
Onli! las;t
And it's
drink
on tr.e.
{MUSICIANS
MAKEHAPPYSOONDS)
-(CALLING AC!OSS THE ROOM)
'Tork!
be.tore
l2EL
(PftE - TAP:BD)
( THE BOUNCER SffUFFLE S ACROSS 'l"HE
ROOM)
ACKMEHA( CONT'' D)
Go ~e·e what
bandstand
the boys
on the
will have:.
(Tome GHm1TSANDSHUP~
LES OFF)
.:..
( ~i\CKMBNA
GO.ESSACK TO Ti!E BAR,
TALKINOTO TUE ROOMAS SHE GOES)
Gentlemen~ gentlem en~
know bow to tell
I don't
you this,
I guess tbe wall screen
1t all.
We're
but
sa1d
elo~ed,
(THEREIS ABSOLUmELY
HO CHAY(IE
IN THE MOISELEVEL0~ THE ROOM)
Maybe some cf you didn't
Thie Empire
this
before
sort
..
has :shut
ct
hear
u1_sdow-n.
~e~
1fow
!has happre n ed
th1ng
I I m sur ,e 1 t ' s only- tsmpo ,ra.ry ,
( LOU-D)
Pellas,
the party'
i!I
ove:t'.
{ SHE IS .fEL'I'ED WITH LITTLE FRU'.rTS•
ODD OLI VES, . AND GI .ANT CELERY STALitS
THROWN
BY SEVERALMON.STEM
AT TABLE)
(SHE DUC'KS
UNDER
THI BAR, THENPOPS
uP)
'
Please ,, eome on now.
Tork~ I ean reuo n with t hem.
(MORE)
)
129 .
( PRE-TAPEO)
ACKMENA (CON1"D)
Please ,. • • Ke.lb o • • • Zu tmore •••
I'm always lending
you guys
money wnen you need 1t.
( STILL CIRCULA'!'IMO,, PI CKS OUi.1ONE
M:ONSTE:H)
Bl udlow -- you of all
Do
creatures!
me a tavo,r and please
leave.
(MONSTER iDOESN,Qip RESPOND)
Bludlow -
you 1re heartle,5,e.,
('1'10 ANOTHER MO,~ST"EB)
Thorp
-
a.!"tel" Wh,at
I did
for
you?
(NOTMI
NG FROMTHORP)
Short
m@mor-y
Tborg?
1 eh,
Short memory!
MONSTER)
{TO ANOTHER
Don" t you remember · the
t 1m-e?
(LOOKINGAT HIM CLOSELY)
, o • I don't
be,lieYe
we I r.re m!!'t.
(THERE IS A LOUD GROWLl"fiOM THE
B.N'lR~CE)
(TWO NEW CREATO'fm-S!ENTERTHE
SCENEANDWA-LIK
TOWARD
BAR)
ACI<ME~A
We're closed.
(ACKMENA
CROSSES:
QUICKLYTO THE BAR)
J
( PI HST MONSTER OROWLS)
! said
we'~e closed.
( BB GROWLS AGAitl,
1
LOUDER)
(MORE)
130.
(PRE-TAPED)
ACKME'NA
(CONT'D)
Listen.
clo6 ed •
I I rn sorry.
The
W,e are
Enl:p1r,e ..1us t ilnpos ed
a curfew on this planet.
Everyone
baa to leave
right
now:
{.BOTHMONSTERS ADVAN
CE TOWARD
ACKMENAAS IF TO PUSH HER OUT OP
1
THEWAY. HERLIT'I'.L.B
SIDEKICK
HI ~ :S EE Hil .J'D .i\CKMEN~~. '!'I:VER
YONE
OETS SILENT NOW. FIRST MON.STER
IiEACHESINTO HIS POCKETANDD~AWS
A WEAPON.ACKMENATS
7...FQ0T BODYGUARD
MOVES
DIRECTLY
BETWEEN
THEMONSTER
ANO ACKMElU. ACKMENAREASSURES
TORK)
ACKNEHA
lt
1
s all
right
1
Tork.
I don't
"ant any trou~le,
(TORK MOVES OU"'!'OF WAY O?ILYSLJ0HTLY}
(FmS'1' MOt~STER
SLAMS MOO 01 TABLE)
(SECONDMONSTER
STARTS POUNDINGAN
EMPTYBEERMUGON THE COUNTER)
(FIRST MONSTERFOLLOWS
SUIT)
(SOON ALL THEMONSTERSARBPOONDINO
THEIR MUGS)
A.CKI-tEMA
( CONTI D)
All right!
I can take a hint.
( SHE CROSSB'S TO BANDSTAND)
We'll have one more round~
this one'!! on the house!
{.SLAMS S"T0P.
CHEERS PROM ffl
(WfDERBERBREATH)
)
(MORE)
And
ROOM)
131,
,(l"RE-TAPXD)1
ACKMEMA
(CONT'D}
.And l ·r l l
'r'Uiir'IIa
t ·ab for
The
Empir ·e.
( TUIRNSTO THE BANDLEADER~ GIVES
SIGN TO MJSICIAllS TiO START)
(BANDLEADER
GRUNTS
AT HBR'
MUSTO
: 12 BARS; AR:
( G:FlEA'?Urtt:S
LINE UP TO G·ET THEIR
TORK .AND ACKMENA
•S
PREE DRINKS,.
LITTLE SIDEKICK ASSIST
HER.)
(A CKMKNA REMOVES lmR APRON AND
1
HANGSIT ON A HOOKAT THE COLUMN,
PERHAP
,S ROLLS DOWNHER SLEEVES,
ETC. AS SHE IS SERVINOA MOG,
SHE: BEGINSHERSOMG, r;i,HESONG SHE
EVIDENTLY
SINGS EVERYNIGHT A~
CLOSIMG
TIME)
ACKMENA
(CONT"D)
(TO CREA'fUREfl)
J UST O?lE MORE ROUNDt PRIE.NP
THENHOMEWARD
BOUND
.. FRIEND
1
DON
T FORGETME IN YOURDREAMS
( 'l'C CREATURE# 2')
J UST ONEMORESONG,Jii"RIIBND
THE. NIGHTS G'E'T SHORTER IT SEEMS
....
,
(PRE-TAE'ED)
AC'KtIEN
A ( CON'TI D)
(TQi CREATURE #'3)
JUST ONE :MORERHYME, :FRIEND
YES, IT'S A CHIME.FHIEND
BUT
YOU KNOW TINE; FRIEND
TIME CAf1 FLY
N0W IT 'S GOODNIGHT.1 FRIEND'
1
GOODNI
0HT, BUT NOT GOODBYE
1
(SRE TAKES TYlO DRINKS TO TWO
C:RE:ATTJRES
!T TABLE OR 500-'?H MD
SH.AKES HANDS
W:I1'H
'l'WO EARLY
EXl'l'ERS)
( AC!MNA GOES TO A.i."'iOTHEROMATURE,
GIVING HThIA DRINK)
ACKMWIA
(CONT'D}
JUST ONE MO:P.EDROP' , PRm?lD
BEFOREWESTOP~
, PRIEND
o:tra
MOREMOMENT
FACE TO PACE
(THEY FACE B'.ACHOll'HEH. SHE THEN
GOES TO ANOTHER S'TANDIHG CREATURE:,
WO HAS ChlJG
-A-LUOGED
A DRINK
ANDSTARTS~ DROP,SHE SPI:R.ITS
HIMTO THEDOORAS SHE SINOS:)
1 D)
ACKMENA (CONT
r,srr
TIMB
You•REDRY.,PRIEND
)
'TRY STOPPmo BJ'., PRIEND
....
(MORE)
(PRE-TAPED)
A,C'KMENA( CONTI O )1
I P '!"HERB'S.
A LIClrf!TI~ THEPLACE
( SHE GOE-S'l'O ANOTHER CREATURE
AT THE DOORAND SINGS:)
WE ['i!AYNOT THRIVE,, FRIEND.
LOOK,WE1 RE ALIVE, FRIEND
YOU ANO I
SO SAY GOODNJ:GHT., PRIE~ID
000:MIGHT BUrT NOT (J.OODBYE
(ACIMENACOME~
BACXONTOTHE FLOOR
.
TD
CREATUREGRABS HER AJ~D
STARTS TO DANCE WlTH HZR.
SHE
HAS MO CKOICE•SO SHE SI~GS:)
JUST ONE MOREDANCE,FRIEND
.TU.ST
ONEMORE
CHANCE,
PlUEND
ONEMOREOHORUS
1 ONEMOMTUNE)
ANOTHERREATURECUTS I?l M1D
ACKMB'NA
IS PORCE0TO DANCEONCS
AGAIN.
SHE DIUJCES BIM TO 'rHE
DOOBAllD GETSHIM Om' .AS SHE
SINOS:)
I'r'S NOTTHE END, FRIEND
J
IP YOU.~RE A FRIEND• PRl'EltD
.
THEN YOO' LL COM! BACK TO ME 800?1
(MORE)
lJlt.
'135.
(PRE-TAPED)
( A V&RYLl 1/ELY CREA
TURB J OM:P
S
UP .PROMA TABLE» GRABS ACKMENA
ANDGETSCARRIED
AWAY
WITHMUSIC
.
REFUSES TO 00
TKIS TIME, AC.KMENA
ALONGWI'I'K !TI
SHE C'A,JOLES HIM
IHTOLEAVING
_VERY
SWEETLY_
AS
SHE SINGS:)
YOU'LLHAVETO WAH, PAL
DON'T YOO CRI
.
(AT THE DOOR, OTHER C'REA'l'URB.S.
ACKME)1A.
SHAKESHANDS
WITH THEMAS, WfHEY00 OUTI LOOKS
AREGO NG.
A.ROUND
~ SEE,S THERE ABE STILL
...
A LOT OP CREATURES
LEFTs KOTIONS
TO TORK AND LITTLE SIDEI<I ,CK
HELP HEH OUT)
SO ITtS
m
OOODNIGH'I'FRIEN
D
Goodnight,
friend.
Ooodn1ght,
friend.
(CREATURES
pou.,owHERAS SHE BEGIKS
DA DA DA DA DA •
DA DAcDA.DA DA
TO MA.i:CB
A tmE: OF THE C'.l!mA:L'tJRES
WHO
LOVE POFOO:NO
T:HE LINE • THEIR ARMS
WA.VE SACK AND POR'rH TO THE MUSIC
AND THEY CA~~1 T JmLP, BUT. SINO ALONG••
NOW'"!'HEMUSICIANS J 0IN IN 'rHE:LINE.
1
DA DA DADA CA DA DA
TORKANDLITTLE.SIDEKICK
STANDAT
THE ENrTB.ANCE
WITHlCKMENiA
.. IP ANY
iollow
GO OUT 'l'HE DOORJ, HE OETS J\ NONBTOO-OBfffLE SHOVE PROMTORK) .
me•:
•
AOKMENA/CREATUHJ::S
,
DA. DA DA DA DA
DA IOA DA DA DA
1
)
OF 'FHE MOiNSTERSSKEM BELfJ'CTA.9'1'TD
DA DADA DA DA DA DA
(M:ORE)
(PRE-TAPED)
1 0)
AC!OENA/CREATUBES
(OONT
DA DA DA DA DA
DA DA D.ADA DA
Dlt DA DA DA DA DA DA
DA DA D.A DA DA
1
DA DA DA DA DA
DA DA DA DA DA.
(SHE SIGHS IM RELJ:.EF)
(AD LIB -- TO EACHBAND-NEMBER
AS HE LEAVES)
AC'KMENA./C'REATURES
(CONT'D)
YOU'RESUCH A DEAR~ FRIEND
(MUSICIANPLAYS)
YOUKNOWI 1M H!!RE,:FRIEND
(MUSICIANPLAYS)
(TO TOHX)
1 S THAT A TEAR, FRIEND
IN YOUB E!E
SO SAY G00Dt1IGHTJ FRIBHD
(ACKMBNA
HUGSTORK)
136 ..
137.
TORK
(IN ALI~ LAIJGUAOE}
("GOODNIGHT")
:A.CKME1'JA
{TO LITTLESIDEKICK)
GOODNIGHT
1 FiRIE~U
(SHE KISSES SIDEKICK)
1
{EVERYON!
S GONE)
ACiKMEHA.(CONT'D)
OOODNIGHT
BUTNOT GOODBYE
( SHE ST',ARTS TO CLOSE DOOR AS
SOUNDOF BANDPLAYINOTlCANTINA
SONG"', GROWSMORE DISTAN'T.
SHE
WALKSBAOJC Til BAR, AS KRELMAN
RISES FROM'
B:EHIND
BAR AND
PLOWER TO ACKMBNA)
HAKDS
A
CUTTO:
)
138.
38 .
IN'l'.. LIVlN 'O ROON
(THE LESS-MENACING
TROOPER
IS
WA'r:CH
:u1a THE SltOW:t EA'l1INGCOOKIES.
?'HEREIS
A COMPUTERIZED
VOIC&,
FI LTERED ON GUARD 0~18'S WALKIE
...
T.ALKIE)
CUT TO:
...
139.
39.
1
INT. LUMPY
S ROOM
(LUMPYPRESSESA BUTTON,THEVOICE
IS LOUO,ER NOWMID LESS FTLTEBED)
CUTTO:
)
REV.9/13/78
LIVING BOOr
110 INT.
1(1i'.lUARDOFFICER RAISIMG ANT!R.DlAOli' THE
1,;fALKIFJ-TALK
IE., HEADY TO HECErVE
THE MESSAGE)
(ELEC'l'RONIC-COMPllTEBVOICE IS HEARD)
1
WALKIE-TALKIE
come • ~
Corne.
I
• base •
back.
• • bac~.
, ba.~e.
•
I
( GOARDOFPl CER FLIPS A SWITCH ON HE
'W-ALKI:S...TALKIEAND SPEAKS INTO IT)
CJUARD
OPFICE:R
Mel!l:sage receiv
,e-d and obeyed,
( HE PUTS THE ANfflmA BACK INTO THE
WALKIB-T.ALKIE!li
ANDSPEAKS TO 'l'BE
OTHERS)
We leave at once.
( TEE
~wo GU.ARDSAND THE
'I'ROOIPERS
.STARTFOR TEE 000.R. GOARDOFFICER
TOHN:S
TO TROOP!RONE, THe? 114EHACING
ONE~ANDSAYS;}
GUARDOFFICER
You stay
hetwe·.
(MENAOIN'G
TROOPER,SHAKESHIS HEAD)
GOARD
OF'li1ICEfl
Therie•e a missing male in th1s
houaehold.,
he re
and
1'lnen he
I want you t,o be
i-eturne ,•
pos.sibl ,e he's , one
werre lookio~
or
It ' , .
the- rebela
for.
(TWO OUABDS AND THE COOK.IE TR 00PER
1
BXI 'l'', LEAVI ml MENACINGTBOOP!~
OLOWERINOAT M.tLtA AND, I'J'CHY~ HIS HA.ND
ON HIS GUN..,READY
TO DRAW)
1110.
141 .
(Ill THEDEATHLY
SILENCE;WEHE.AR
FROM UPSTAIRS A F'AINT COMPUTERIZED
VOICE~ IT IS AS THOUGH L~PY DOES,Nt T
REALIZETHEGUARD
WITHTHEWALKIE'll'ALKIE HAS LEFT, AiND IS , SENDIN G THE
MESSAOSONE MORETIME.11 JUST TO BE
SORE)
nrn TROOPER HEliRB IT
i(MENAC
I
A~D
LOOKSUP THE IiOn' STAIRS. RB POLLS
BIS GUN AND SOFTLY GOES UP THE S'l"EPS)
( MALLAAND ITCHY ARE F0 WEll!,lli;!;.STO
DO A: THING, :ANI: :~ FA..:·r ''1!:C.
I PROBAB!.Y
1
1 T EVENKNOWTHATLUMPY
DON
WAS
RESPONS!BLE FOR THE OTBER'S LEAVING
..
TREY JUST KNOW
THATSOMETHING
IS
T'ERRIBLY WROHG)
CUT TO:
)
~1
INT.. LUMPY'S ROO~f
{HE'S STrLL DI LIGENTLY
FRESSIHGON
THE BEEPER)
BEEPER
Come~
~
• back • . base .
.
.
(HIS BACKTO 'i'HE DOOROF HIS ROOM.
TBETROOPER
ENTERS,GUNDRAWN
..
L Ul{P"i TURNS AR0JNO AND SEE.:: TME
TROOPER)
,
"'·
l
( I?JTO:
COMMERCIALFIVE)
l JIJ.
COMMERCIA
L ~5
f2:05)
,.
iC'O"'1ilERCIA.L
15
T2To
s,
144.
BUMPER
{Title
(:05)
(TO COMB)
Card,
v.o. )
1115.
MIC CTNPROMO
A.ND
NETWORK
ID
T: 2 4)
1
KID C'Plf PRQMOA!if>
NETTJI
ORl( ID
(: 211)
1 ~•6 .
STATION
BREAK
(1;02)
STAT-IOll iBlmAR
(1:02)
...
~2.
INT. LU'MPY'SROOM
(UP ONLUMPY
IN THEACTOF S:ENl)IJO
BEEFS OlJ HIS HOMEMADE
DEVICE,
ANDTim MENACING
TROOPER)
(LOMPJ TURNSAROUND
ANDSE'E-STH!
TROOPER)
(fHE
THOOPBH SMAS,RiES Tf:ra SENDING
DEVICE,SMASHING
IT TO BITS. LUMPY
DUCXSOU'l'OF THE WAY
ANDRUNS
FROct '!'HE BEDROOM.1
COT TO,:
lll 8
JI)
INT., LIVING ROOM
(LOM
IP'YRUNSDOWN
THESTAIRS, PURSOBD
BY nlE TROOP!B, WHOIS HOWEVER
SLOWER
IN HIS UNIFORM
ANDBOOTS
)
1
(ITCHYAHDMALLA
C.LU'l'CH
TOGETHEfl~
8UT THERESEEMSTOBIE 1I'PTLBTHEY
CAR 00. LUMPYRUNS TO THEWOODP
ILE
1
ANDTHR
OWSA COUPLEOIFLOGSIN THE
WAYOF THE TROOPER. THIS SLOWS~HE
TROOPERDOWN
LONG rNOUGH~ORLUMPY
TO GET OlJ'l' 'l'HE DOOR)1
( ITCHY MAKES A Fi8:Iwr
TOtlARDTf!E
TROOPER.BUT OF COUR.SE,
_HEtSHOPELESSLY
OUTCLASSED)
CUT TO:.
)
I
!!U
EX'T. W00KIEIE
HOUSE
( THE TROOPERGOBS OUTS-IDE Al~D S!ES
Lm-JFYCROUCHING
BY THE fiA11INO,
ALMOST AS TROUGH HE ,,s D.Mt:nm
TROOPER '.00 COI4E AT HIM)
'I'HE
(THE ~HOOP
ER SLOWLY
RAISBS HIS GUN
Al'ID TAKES AIM AT LOMPY•.
HE SE.EMS
1'0 ENJOYTHECRUE
LTY OF'DRAGGIHO
IT
OUT)
(SHAitLS)
1
(
BOT TirERE'S COURAGSIR ffiE WAYHE
PACESTHETB00PER)
(SUDDE
NLY, A LARGEHA RY ARMSMASH.ES
THE GUNOUT OF THE TROOPER'SRAND,.
A~DANOTHER
ARM:FETCHES
H!M 0HE
SEVERBLY
.ACBOSS TKE 5IUE OF HIS
ff!LMETTED HEAD)
.
1
CHEWIE (V .O.)
(LOUDSNAR
L)
( WE SEE IT IS C'HEWJ3
,.ACCA, HOMEAT LAST)
(THi TROOPER,STAGGERING
FROMT.!m
BLOWUP-SIDE HIS HEAD, BUMP,S INTO
RAILING A~fDFALLSOVER)
( CUiEWIE, HIS ltfL't AROUND RIS SON''S
SHOULDB:Ri,
WATCHES
TUBTRO0PER1 S
DESCENT. THEN THEY TURN AND ENTER
THE HOUSE,)
CU'I' 't'O;
)
;, .
REV 9/13/78
115 INT.
LIVINGROOM
(LUMPYIS JUMPINGAROUHD
HAPPI LY AS
CHEWBACCA
HOGSHIS FATHER, THEN GOES
OVERTO HIS WIFE. THEY LOOKAT
EACHOTHER, HE CUPS HER FACE IN HIS
HAMDS EVER-SO-GENTLY~
EMBRACE )
AND THBY
(MALLA,ITCHYANDLUMPYAHEEXAMINING
IT CURIOUSLY, WHENSUDOiBNLI THERE IS
AN AL flM-LIKE SOU.D PROM THE KITCHEN)
,
I
·•
ALARM-LIKEsotJNOFio~ 1trrClmt___,
~~
~
\
I ( CHEWIE IS
_ LED, AND REACHES
RlS CROSSBOW, WM. ·
G TOWA
• SOURCE
OF THE .SOUND)
II
'·,
.
\1
i
_,, .......
-., CALMLY,
,..,=-..,,. N.
SHE FLI PS A
ALARM-LIKE-SOUND-
)
~KITCHENSTOPS)
/
•
I
JUST AS CHEWIESTARTS TO PUT HIS
CROSSBOWBACK IN THE HOLSTER, THERE
1 / .- .• fS : A· !.O!l.O.
-XIIOl:EAT THE PRONT
DQOIU
- -.~
• ... .__ ..,,,.I
~
- --t-..-r-
•p,,,,jp
SFX: LOUDKNOCKA'!' THE FRONTDOOR
( CHEW
I E INSTANTLY SPRINGS TO THE
ALE.RTAOAIN, DRAW
XNO HYS CROSSBOW
. ffE
MOTIONSFOfl MI.LA TO SQUAT00\rlN
BEHINDTHESTOVE.ANDHE ~OVES IN
FRONTOP I~CHYANDLUMPY)
( THE JC OCK IS REPEA'l'ED.
SPX:
MORE UROE.fif4i)
LOUD JOfOCK - URGEN'l'
(CHEWIEGOES TO THE DOOR, ANDFLI NGS
IT OPEN• RBADY TO :PIRE • AND REVEALS
TRADERDANNSTANDINGIN THE DOORWAY,
A LARO! PACK.AO
,E IN HIS HANDS)
1
TRADER JDANN
Bey~ you sure know bow to make
,a guy feel
)
welcome.
(HE BX'l':ENDS
A HANDTO CHEWBACCA)
Glad you're
home, Chewbacca,
/
150 ,
REV9/13/78
( CHEWIEIS REt IEVED, AND RE THROWS
HI S ARMS
, AROUND
TRADER
DANN)
T!ttWE.
or
..,__-,m-.
.N
r:.i-ct
(CHEWIE PUTS HLS, GUN AWA7 AS
TRADER
DANN
ENTERSrHE LIVING
ROOM)
( LUMPY GOES TO THE DOOR AND LOOKS
OO'I1,CHECKINGFOR THE TROOPER)
t,.'MpY,
If you're
TRADERDANN
looking
ror who I
th1nk
you 1 re looki ng for.,. forget
him.
We won I t be 'bothere,d
'by
him a.gain.
(SUDDEN
LY THE WALL-SCBEEN
COMES
TO LIFE. THE RED PATTERJfFLASHES
~
URGENTLY., AJiD THE ACOO&tPANYING
SOUNDIS LIKE AMALilM. WE KNOW
IS AN EMERGE"~iCYTRANSMISSION)
THIS
IMPERIALOFFICER (ON SCREEN)
General Ale~t.
Calling
B~7ll. ,~ orr1oer B4711.
unable
to contact
comlink .
Is there
You a:t"e i nstructed
otr1cer
We are
you on your
a problem?
to turn on
your comlink imm~diately.
(WALLSCREENRETURNSTO MURAL)
- ~~A
-tac
il'l\,i:f '_.-
151.
REV. 9/13/78
CH!WIE
(GRUNTS)
TRADERDANH
No., wal t a minute .
I oan han d.le
this.
(TRADER
DANN
GOBSTO THECOMPO'I'ER
TE!Utl_NALOP THE WALL SCREEN. '?HERE
IS A SMALL
: OH!TOR SCREEN. ~ITH
SLOT BF,t0W ""· "!'RADP. DAHNPU'!lf:
HlS IDENTIFICATION
CA'.RD INTO 'I''HE
SLOT ANDPUBHESA BUTT0U)
('I1HERE ARE SC'IM,ECIRCUIT NOISE.9
'li:iE .SMALL
SCREEN,
ANDPICTURES0~
1
THENOFPICER
S -~ACE:REAPPEARS)
IMPERIAL OFFICER
~e are on two-way coDm\run1cation~
Trader.
Is thle
a report
about
the Jlll1ss1ng trooper?
Tll.tO~ DANN
lt
la,
Sir .
T~oop~r B~7ll was
her ,e w1th three
left.
a nd be riema1.ned...
men.
or
up
food from th1e houae ,
and robbed me blJnd.
took ott
They
As aoon
bad sc>ne, be pa.eked
a ,s. they
a lat
other
tor
'Then he
the hills.
=it MDWlii I _5:1& ,.
IMPERIALOFF~CEft
)
Very well ,
seal"eb
party.
\
152 ,.
-r,:.Au;e,
~~
(SMALLSCREENCRACKLES
OFF) .
t
9/lJna
REV.
1
( TRADER DAl'fNT/J.KE.Sms CAR.D OUT
OF THE CO?i!ftrTgR ..r'ERMIMALAS CHEWIE
P.ICKS ,LUMPY UP IN HlS AJ~MS.AND
HUGS Hir..i:)
TRADER DANN
1dent1!1cat1on
YessirJ
~e~y
Heltp:! you maintain
important.
contact
1s
wtt h t he 1!:mp1re.at
ti...mea 11:lce that,
(TRADER' DAH TUCKS, HIS INDENTI ...
FICA~I0M CARDBACKINro HIS BELT)
TRADER DANN ( CONT't D)
Well,
friends,
the~e
tor
I just
your Lif~
brough t
Day
ceremony.
( TRADER
DANNUl~APS
THE
LARGE
PACKAOB , AND PROOOCES FOD!R GLOB!.S )
(TRADBH DArn: STARTS FmDLING
WITH
THE ENVIRONMEN'TAL
TRANSPORTER)
TRADER DANN
(CONT'D)
Every bodl1 rea dy?
CHEWBACCA
( lfyggt•)
C'rHE
P ANILY GATHERS UNDER 'THE
TRANSPORTER)
( IPICKING UP THE
GLOBES
ONE TO EACH IN TURN)
!.ll,Attf
,t_ u
:r4,qb1
)
f
AND RANDING
\
,
'
I n.fy,•. ~ "-en,. •., ~ ,'I/().
/I«"J
11:• pr ..,, ,
,Qurwe ea ea,. . . titl1
llal la
s day 1 s
.
tOir'
( THEY ARE SEATED WITHIN 'l'HE FIELD
OF TdE ':l'RARSPORTERj ANDTRADER
DANH BEGINS FI[)D ,t.ING WITHTHE
C0J~TROLS)
vo u •
153.
REV. 9 /13/78
1
TRADERDAPN(CONT'D)
(TRADERDANNHANDS
CONTROL
OUIT TO CREWIE~
CHB¥i1IEPP.ESSES CONTROLUNI'T, .ANDA BB.ANOF
LI GH'l' ENVELOPS AND E~C IRCLE.S 'THE T'RANSFOR
.TER"
AS 'WE HEAR THE WHOOSHI'HO
somm OJ:l A VACUUM
BEING OFERA'l'ED)
I 11 'he leaving
111
you
I
now •
Have a wonderf ul oelebration,
may tbe iorce
I
and.,.
he with you.
CUT 'l'O:
)
,..
15!1,.
Jt6
1
.t"'HEJOURNEY
MUSIC: A PRIM!TIVE, ARCHAICLPRE~
G0THICOH0RAL rusrc WiTH VOICES_,
RUMAN
AND NON-HillMDifBA
STRANGE
Mo't§T:ERS
A
CCOMPAN
.
.
BY
THE
11
SOUND
OF PRIMITIVE FLUTEANDINS~BUM!NTS , lfflICH
REPRESENTS
.. Tff:E EARt tEST ' FqU'li;
PART MUSIC EVER CREA,~ED
HECOJID!R':t'IKE
I
( THE './OOKI E FAM: _.Y; 3lJRR:lt'NOED ~y A
I,
::;er·:
CYLINDER
OF LIGHT.~MOVESTHROUGff
AN
DIPRESSIO&ISTICJOUR!IBY,ACROSSTHE UPPER
ATMOSPHERE OF THE KA200 K PLANET, t rrrH
A S~AR FILLEDSKYA.BOVE~
~NDA THI~
PALECLOUDLAYER
MOVING
RAPIDLYPAST
THEMBELOW~
THEYP~SS TKR0UGH
INCREDIBLY
COLORED
LIG!iTF0~M.ATl0NS. ONTHEHORIZON
ABOVETHR LOWERCLOUDLAYERIS ANOTHER
OASIS LIKE CLUSTER
.. OURTRAVELEHS APPROACH
IT RAPIDLY
ANOQUICKLYDISAPPEARINSIDE.)
( NOW IJS IDS: THE FIRST CLOUD:ii ( THE S PR1NO
SUSON ) 1 "1AG
·NIFIICBNT LBAFYCOLORS SURROUND
THEM
. LUMPY
REACH1!S TOWAFW
ONEOP THECOLORS
AND AS HE GRASPS rr, IT BECO~ A F'L0WER IN
HIS HAND
. ·..,-E NOWSiBE T.H:ATWE ARE REALLYIN
J CLOUDOF FLOWERS.)
(THE TRAVELERS
~owMOVEOUTOF T'HEFIRST
CLOUDANDMOVETAROUQ8SPACE T:OTHE NEXT
CLOUD.)
( NOWINS IDE THE SECONDCLOUD1 ( THE SUMMER
SEASON)1i 1.-IE FIND IT 'l'0 HAVE A " ;lOT-CRYSTALn
EF11ECTAJID FEELING M IT.
A HOT YELLOW:
SUN
PASSES BY, A.FTEH WHIOH MALLAREACHES TO PICK
UP A BEAtl'T'I.FtJL3-WUJGED EIUTTJ!.RFLY. SHE GIVES
IT TO LUMPY• WHOTAKES IT AMDTHRN LETS IT
PLY A'WAY~)
1
1
(THE TRAVBLERS
NOWMOVEOUTOF TRE SECOND
CLOUD AND MOVE THROUGH SIPACE 'TO THE NEXT CLOUD• )
1
NOWmsI DE THE THIRD CLOUD. (THE }ii ALL SEASON)•
:JE SEE FALL COLORSOF VlRYING sHADESOF YELuow I
ORANGE, ANDOREE~. CHEWIEREACHES.ANDPICKS
1
(
J
UP WHAT NOWAPPEARS TO BE A. PEELED CANTALOUPE
AND GIVES IT 'l'C· tlUMPY. 1:fE EXPERIENIT'EA MULTI-.
COLORED
EFFECTAS '!'HIS HAPPENS.)
(THE TRAVELERS
, uor. MOVE OUT OP THE THIRD
CLQUOAND~OVETHROUGH
SPACETO THE NEXT
CLOUD.)
156 ..
(NO~ INSIDE THE FOURTHCLOITDJ(THE
WINTERSEASON) , WE ARE SUMOUNDEDBY
Wi-ll!'E
CRYSTALS.rmcHYREACHES
AND
PICKS OF A SNOWFLAKEA.NDGIVES I'T TO
LUMPY. IT MELTS IN h:IS, HAf'I[))
(SUDDENLY~
I~CHY'POINTS'TO
JUST AHEAD0~
)
Tm:r(.)
A
CLEARING
157-
~7
AR8IVALAT THETREE OF LIFE
( GENTLY ROLLING HILLS OF W I'l1E CRYSTALS,
SURROUND
ANABSOLUTELY
MAGICAL
TREEOF
EifORMe6S HEIGHT~ ABOVE 'NIE TREEI! AG:A
INS~
A S'l•.AR-FILLED SKY HOVERS A CHANDELIER•
LIKE FORMATIONOF SOFTLYPULSATI
NG SHAF~S
OF C0 LORED LIGHT.
IT I S IN THIS SET'l'ING
THATEVERYON!E
WHOIS NEARANDDEAR'Rl
1
OURFAMILYOF WOOKIEES
WILLCO GREGATE,
I .. I S HERE, I
~
A DREAM
- t!K B WORLOOF
MOT
I ON WITHOU~FRICTION THATTHEYWILL
crELEBRATELIF E DAY• )
)
(INTO: OOmERCIAL 16)
158~
001,tMEHC
lAL_ifl
(2: 05)
COMMERC!A.t
(2:05)
)
#6
6
REV. 9/13/78
ij8.
THE TREE O'iP ~JPE
MUSIC:
(AS OT-HERFAMILIES OP G,'1lAC'rIC
,CflEATURE.~ 1"k0Vi O'l'HE tl PL~ ;..r~T,S A.RR.IV2
AND f.SS EJt;~LE t.i'!Outm r.rHE ') :"a)
( C3 'J AN1.1 'lt2C2 ARE f ..'~BN .~'l THE HASE
0F 'l.1I-tE'TfllS AS WE .Al})ROACH IT)
1
03 ,.;
We wish for you .a happy Lite Day
an d we I re certainly
you' re a.11 ve
glad
t-o a-elebra t •e 1 t •
(R2D2 MAXESA SUBDUED
SOUND
NOT COMEDIC)
('l'RANSLAT!NO}
~t 1s indeed true that
at times
like
t hia ., we wi :!,-h ~ were more than . Jue t
mechanical
to shan
bainge,
and were really
your t"e1ei1ns:a w1 th you •
CHE'WBACCA
POIN'l'S, S'HOWlN"G
SOMETHING TO
ITc ·HY• LUMPYAm> MALLA. IT IS PRINCESS
1
(
LEJ:AAPPROACHING,
WITHLUKE)
L-EIA
We
are r~liev ,ed that
fami ly ue
you
and yo ur
s a.r·e , Chewbaco a •••
LUKE
And glad
together.
j
....
st111
tba
t we are her,e ,.
where Peace and Love ar.e
trea~ur.ed •••
alive
159.
LiEIA
is yours~ but all
Th1s h<:!l1day
of
us share with you the hope tnat
t h.is
brin g:, ua alo aer to
day
!"reedom, to harmony~ and to
p eace~
•
No matter how dif ferent
1n our atr~ggle
powers
tne
agai nst
of ev~l and darkness.
('I'HE GLOBESS:E!NaHELOM ALL THE
ASSEMBLED
MULTITUOE',S
BBOINTO GLOW
SOFTLY)
"{HAN SOLO ENTERS1 AND WP.LKS TO
CriEWBACCA.
TH!Y EMBRACE
SILENTLY)
( HAN TH.EN .STA.~rosON THE OTHERSIDE
OP PRI NCESSLEIA, SO HE ANDLUKEFRAM
E HER)
LEIA
May t his ho lt day always be a
day or joy
1,
in which
:rte reaf.f1r m
our courag e, Olil" ded 1cat lo n 9 and
more t han i!!:ll els:e ·., o ur love
for
each other . ~ • this
18 the
prom1se ot the T~ee of Life.
CLEIA S'l'EPS, FORWARDAND S ! HOS
HERSONG)
MUSIC:
t.EIA
WECELEBRATE
)
A DAYOP
PE:ACR
(MORE)
!:.iEIA(CONT'D)
A DAY OF HAR.'fOHY
A
DAYOP JOY
W! ALL CAN SHARE
~OGETRER,JOYOJSLY
A DAYTHATTAKESUS THROUGH
THE DARKNESS
A DAYTH.A:LE.ADSUS IN'r0 LIGHT
A DAY '?HAT MAKES US WANT TO CELEBRATE
THE NI GHT
A DAY Ti!AT BRINGS THE PROM!SE
'!'HATONEDAYWE'LLBE FBEIB
TO LIVE,
TO LAU.:nl, TO DFraAM'
11 TO GROW
TO TOUCH,TO LOVE, ~O BE
Tim ENDOP HERSONG
, MANY
VOICESARE
(TOWARD
ADDED, AS I N A GREGOMAN CH.ANT)
(AS THEMUSIC COHTINUES
MALLA,ITCHY
1 CHEWIE,
LY. THEIROLoBEsrN
ANDLUMPY
STANDPBOUD
THBI ft HANDS, GLOWIHO S LIGHTLY)
(WITH THE 'l'RAflSPORTEB
• 'l'!tEY .ASCE~DTO THE
TOP OF TH!BTREEOP LIFE)
.
)
( THEY PLACE ffl BIR POUR OLoBE5 AT RE TOP
OP THE TREE, AND WE F.tND THAT THE OTHERS
HAVE F[ LLJ::D'!'HE TREE Wl'I'H MORE0 L0B&S•
ALL SHINING BJUGHTLYNOW)1
(W
DISCOVER THAT ~E
CMANT GOES AGAINST'
'FHB ORIGINAL 11'STAR WAMn THEME, AS WE 'PULL
BACK TO REVE~L THA.T THE GLOBES ARE BUT A
PEW OF THE MILLION'S, OF .STARS IN THE GALAXY)
162.
00 tMBRC
I'.AL 17
(2: 05)
1
C01'1'1ERCIAL
17
(2Ttf5)