contact@armandogama

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Contact information:
argat1@yahoo.com
contact@armandogama-baritone.com
(+521) 55 5107 3714
Musical education ………….. p. 2
Awards ……………………... p. 2
Operatic repertoire …………. p. 2
Concert repertoire ………….. p. 4
Special Skills ……………..... p. 4
Biography ………………….. p.5
DEUTSCH …………………. p.6
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Musical education:
1997-2000 San Francisco Opera Center, War Memorial Opera House.
1995-1997 Academy of Vocal Arts, Louis Quilico, voice teacher.
1990-1994 National School of Music, UNAM, México.
Awards:
National Artists Award, Fondo Nacional para la Cultura y las Artes 2008
Operatic repertoire:
Year
Role
Opera
Company
2011 Schicchi
Gianni Schicchi
Juárez Opera
2011 Sulpice
La Fille du Régiment
Opera de Bellas Artes
2011 Michele
Il Tabarro
Juárez Opera
2011 Sharpless
Madama Butterfly
Morelos Opera
2010 Figaro
Le nozze di Figaro
Juárez Opera
2010 The Blogger
Only but the truth
Opera de Bellas Artes
2010 Marcello
La Bohème
Juárez Opera
2009 The 7 baritone roles Death In Venice
Opera de Bellas Artes
2008 Belcore
L’Elisir d’Amore
Opera de Bellas Artes
2008 Alfio
Cavalleria Rusticana
Juárez Opera
2008 Malatesta
Don Pasquale
Juárez Opera
2007 Starek
Jenoufa
Opera de Bellas Artes
2007 Sharpless
Madama Butterfly
Juárez Opera
2007 Le Geolier
Dialogues de Carmelites
Opera de Bellas Artes
2007 Figaro
Le nozze di Figaro
Teatro de los Heroes
2007 Silvio
Pagliacci
Juárez Opera
2006 Frank
Die Fledermauss
Opera de Bellas Artes
2006 Shaunard/Marcello
La Bohéme
Opera de Bellas Artes
2006 Capulet
Roméo et Juliette
Opera de Bellas Artes
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2006 Figaro
Le nozze di Figaro
Teatro Helénico
2006 Séneca
Todo nos es ajeno
Teatro de las Artes
2005 Aurelio
La Mulata de Córdoba
Teatro de las Artes
2005 Séneca
Todo nos es ajeno
UNAM
2004 Sharpless
Madama Butterfly
Opera de Bellas Artes
2004 Belcore
L’Elisir d’Amore
Teatro de la Ciudad
2004 Belcore
L’Elisir d’Amore
Yucatán Opera
2003 Escamillo
Carmen
Aguascalientes Opera
2002 Enrico
Lucia di Lammermoore
Opera 2001, Spain
2002 Zurga
Pécheurs de perles
Opera de Bellas Artes
2001 Malatesta
Don Pasquale
Walnut Creek’s Festival Opera
2001 Caterpilar
Alicia
Opera de Bellas Artes
2000 Albert
Werther
Walnut Creek’s Festival Opera
2000 Belcore
L’Elisir d’Amore
Walnut Creek’s Festival Opera
2000 Shaunard
La Bohéme
San Francisco Opera
1999 Shaunard
La Bohéme
San Francisco Opera
1999 Alfonso
Così fan tutte
San Francisco Opera
1999 Silvano
Un ballo in maschera
San Francisco Opera
1998 Yamdori
Madama Butterfly
San Francisco Opera
1998 Le Sculpteur
Louise
San Francisco Opera
1998 Dancaïre
Carmen
San Francisco Opera
1997 Escamillo
Carmen
Western Opera Theater
1997 Alidoro
Cenerentola
Merola Opera Program
1995 Marcello
La Bohéme
Academy of Vocal Arts
1995 Belcore
L’Elisir d’Amore
Opera de Bellas Artes
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Concert repertoire:
9th Symphony
Beethoven
Baritone solo, Carmina Burana
Orff
Magnificat
Bach
Krönungsmesse
Mozart
Requiem
Mozart
Requiem
Fauré
Petite Messe Solennelle
Rossini
Messe solennelle de Sainte-Cécile
Gounod
Ein Deutsches Requiem
Brahms
The Messaiah
Händel
Messa di Gloria
Puccini
Recordings:
Beauty and the Beast
Disney Co.
Aladdin
Disney Co.
La Mulata de Cordoba
Urtext
Séneca, o Todo nos es ajeno
Urtext
Mozart’s Requiem
Oakland Symphony Orchestra
Beethoven’s 9th Symphony
Oakland Symphony Orchestra
Special Skills:
Fencing practicing and teaching, 23 years.
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Biography:
Armando Gama was born in Mexico City and received his degree in Music at the
Escuela Nacional de Música at the Universidad Nacional Autónona de México. During
his fellowship at the Academy of Vocal Arts in Philadelphia, he studied under the
guidance of Louis Quilico. As a member of the San Francisco Opera’s Merola Opera
and Adler Fellowship program, he received lessons from Regine Crespin and Dame
Joan Sutherland.
Mr. Gama has been awarded with the Mexican National Arts and Culture Award, one of
the most coveted prizes in his country.
He made his professional debut with the Mexican National Opera Company of Bellas
Artes singing the role of Belcore in Donizetti’s L’Elisir d’Amore in 1995. Since then,
Mr. Gama has appeared singing many of the principal baritone roles of the lyric
repertoire, including: Zurga in Bizet’s Pecheurs de Perles, Sharpless in Puccini’s
Madama Butterfly, Frank in Strauss’s Die Fledermaus, Le Geolier in Poulenc’s
Dialogues de Carmelites, Starek in Leos Janáscek, The Seven Baritone main roles in
Britten’s Death in Venice, Michele and Schicchi in Puccini’s Il Tabarro, and Gianni
Schicchi, Sulpice in Donizetti’s La Fille du Régiment, and many more.
During his fellowship with the San Francisco Opera Company, Mr. Gama sang roles
such as King Thoas in Gluck’s Iphigenie en Tauride, Alfonso in Mozart’s Cosi fan tutte,
Shaunard and Marcello in Puccini’s La Bohéme, Don Ferdinand in Prokofiev’s
Betrothal in a Monastery, Dancairo in Bizet’s Carmen, Alidoro in Rossini’s La
Cenerentola. Other roles in his repertoire include, Malatesta in Donizetti’s Don
Pasquele, Escamillo in Bizet’s Carmen, Tobbia Mill In Rossini’s La Cambiale di
Matrimonio, Coppelius, Dappertutto, Dr. Miracle and Lindorff in Offenbach’s Les
Contes d’Hoffmann, Anselmo in Moncayo’s La mulata de Córdoba, Enrico in Lucia di
Lammermoore, Figaro and Count Almaviva in Mozart’s Le nozze di Figaro.
His recordings include works as Seneca in Marcela Rodríguez’s opera Seneca or
Nothing is of our own, Anselmo in Moncayo’s La Mulata de Córdoba, Beethoven’s 9th
Symphony and Mozart’s Requiem with the Oakland Symphony Orchestra, and the
Spanish version on Disney’s animated movies as Beauty and the Beast, and Aladdin
lending his voice to Gaston and Jaffar respectively.
His concert repertoire include works as Orff’s Carmina Burana, Beethoven’s 9th
Symphony, Mozart’s Maas in C minor and Coronation Maas, Bach’s Magnificat,
Rossini’s Petite Messe Solenelle, Gounod’s Misa Solemnis and Händel’s Messaiah, as
well as being part of the ARVEIROS vocal quartet and the duet Il Dolce desio, with the
awarded Harpsichordist Lorena Peugnet.
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DEUTSCH:
Armando Gama
Bariton
Gebürtig aus Mexiko Stadt. Studium in der “Escuala Nacional de Música de la
Universidad Autónoma de México. Danach war er Schüler beim puertoricanischen
Bariton Carlos Serrano und beim italienischen-kanadischen Bariton Louis Quilico
während seines Aufenthaltes als Stipendiat an der Academy of Vocal Arts in
Philadelphia. Er war an der Merola Opera Studion in San Franciso, Kalifornien, unter
anderen zusammen mit Regine Crespin und Joan Sutherland.
Sein berufliches Debüt gab er mit der Compañía Nacional de Ópera de Bellas Artes als
Belcore in der Produktion L`Elisir d`Amore de G. Donizetti im Jahre 1995. Danach
folgten verschiedene Interpretationen: Zurga in Bizet’s Pecheurs de Perles , Sharpless in
Madame Butterfly von Puccini, Shaunard in La Boheme von Puccini, Frank in Die
Fledermaus von J. Strauss, Le Geolier in Dialogues de Carmelites von Francis Poulenc,
Starek en Jenufa von Leos Janáscek, The Traveler, The Elderly Fop, The Old
Gondolier, The Hotel Manager, The Hotel Barber, The Voice of Dionisios, The Leader
of the Players in Death in Venice de Benjamin Britten. The blogger in Únicamente la
verdad, Michele in Il Tabarro, und Sulpice in La Fille du Régiment von Gaetano
Donizetti.
Mit der San Franciso Opera Company sang er Rollen wie des Thoas in Iphigenie en
Tauride de C.W. von Gluck, Alfonso in Cosi fan Tutte von W. A. Mozart, Shaunard y
Marcello in La Boheme von Puccini, Don Ferdinand in Betrothal in a Monastery von
Serge Prokofiev, Yamadori in Madama Butterfly von Puccini, Escamillo in Carmen de
Bizet, Dancairo in Carmen de Bizet, Silvano in Un Ballo in Maschera von G. Verdi, Le
Sculpteur in Luise de Gustave Charpentier, Alidoro in La Cenerentola von Gioacchino
Rossini.
Mit der Festival Opera Company de Walnut Creek, California interpretierte er
Malatesta in Don Pasquale von Donizetti, Belcore in L`Elisir d`Amore von Donizetti
und Albert in Werther von Jules Massenet. In Fort Worth, Texas mit der Forth Worth
Opera Company interpretierte er Sharpless in Madama Butterfly von Puccini und
Escamillo in Cermen de Bizet. Weiter Rollen in seinem Repertoire umfassen Tobbia
Mill in La Cambiale di Matrimonio von G. Rossini, Lindorf, Coppelius, Dapertutto, Dr.
Miracle in Les Contes d`Hoffmann von Jacques Offenbach, Anselmo in La Mulata de
Córdoba von José Pablo Moncayo, Colás in Bastian und Bastianne von W. A. Mozart,
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Enrico in Lucia di Lammermoore von Donizetti, Figaro in Le Nozze di Figaro von W.
A. Mozart.
Er nahm die Opern Séneca, o todo nos es ajeno de Marcela Rodríguez auf, in
welcher er Séneca interpretierte, und La Mulata de Córdoba von J. P. Moncayo in der er
die Rolle des Anselmo übernahm. Weiter Aufnahmen waren die 9. Sonfonie von
Beethoven und das Requiem von Mozart, beide mit dem Orquesta Sinfónica aus
Oakland,
Des weiteren übernahm er die spanische Synchronisation der Rollen des Gaston und
Jaffar im Zeichentrickfilm “Die Schöne und das Biest” sowie die des “Aladdin” von
Disney Co.
In seinem Repertoire befinden sich weiterhin Werke wie die 9. Sinfonie von
Beethoven, Carmina Burana von Orff, Requiem von W. A. Mozart, Misa en Do menor
von W. A. Mozart, Misa en Sol Mayor von Schubert, Misa de Coronación von W. A.
Mozart, Magnificat von Bach, Petite Messe Solenelle von G. Rossini, Misa Solemne
von Ch. Gounod, The Messaiah von Haendel
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