The jazz standards

The Jazz Standards Progression Book
2nd Edition
The Jazz Standards Progressions Book
1300+ Jazz Standard Progressions in four volumes with Full Harmonic Analysis,
Chords, Chord-scales and Arrows & Brackets Analysis. Available for C, Bb and Eb
instruments. Study workbooks are also available for each volume.!
https://mdecks.com/jazzstandards.phtml
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The Jazz Standards Progression Book
2nd Edition
The Jazz Standards Progressions Book Study Series
The 2nd edition of The Jazz Standards Book Progressions Book is now accompanied by a
series of books to study and practice jazz harmony concepts, transcribe and write solos,
compose melodies, analyze, write voicings and create work-sheets, all based on complete jazz
standards progressions. Available as an Interactive PDF and on Paperback.
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The Jazz Standards Progressions Book
2nd Edition
What’s new in the 2nd Edition
We are proud to say that the The Jazz Standards Progression Book 1st Edition has been
greatly improved in this new edition not only in the accuracy of the harmonic analyses, but also
in quality, interactivity (in the PDF version) and quantity.!
The 2nd Edition uses vectorized objects o"ering infinite quality to the notation. We have also
rebuilt the spacing algorithm avoiding overlapping of elements.!
Example from the 1st Edition zoomed-in 200%:!
Example from the 2nd Edition zoomed-in 200% (it could be zoomed-in endlessly):!
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The Jazz Standards Progressions Book
2nd Edition
The 2nd edition includes an entire new volume: Volume 4; containing 300+ additional Jazz
Standards Progressions which takes the total number of songs in the collection to above 1300.!
Additional introductory chapters have been added, including: !
Chord/Chord-scale Pairings Theory (explained in detailed)
Arrows & Brackets Analysis (with new symbols)
Functional Analysis (which now includes the modulation’s interval shift)
Advanced Harmonic Considerations (pivot chords, modal interchange, strong tonicizations)!
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The Jazz Standards Progressions Book
2nd Edition
Improved Interactivity in the PDF version
The interactivity in the PDF version has also improved greatly. Every chord-scale and
function in each progression is now a link that takes you to its respective scale or function
page when you click on it. !
Every scale has its own page with all related information and shown in all keys including on a
piano keyboard and guitar fretboard. Every function has its own map with the location in the
harmonic landscape and the chord symbol for every key.!
This interactivity also works in the Ultimate Harmony Workbook allowing you to check the
correct
answer when working on the analyses.!
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The Jazz Standards Progressions Book
2nd Edition
New notebooks added to the Study Series
Aside from the Ultimate Harmony Workbook included on the 1st Edition we have created
three additional notebooks
These notebooks contain the chord changes for all the same Jazz Standards in the collection
over single sta!, grand sta! and guitar tabs allowing you to write down solo transcriptions
or your own solos, melodic ideas, piano voicings, arrangements, or use them as worksheets for functional analysis, etc.
The notebooks are available for every volume in the collection including the di"erent instrument
transpositions: C, Bb and Eb.!
Note: the Guitar Tabs notebook is only available for C instruments
Having sheet music all laid out for you with entire jazz standards progressions is an invaluable
resource for individual students as well as music teachers.!
Also available: Jazz Standards 1300+
The complete collection of Jazz Standards Progressions in XML format compatible with
Mapping Tonal Harmony Pro.!
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The Jazz Standards Progression Book Vol.1
AFTERNOON IN PARIS
A
4
4
C^
Ionian
[
C:I^
C.7
[
[
[
[
bVI^
[
lii
[
[
[
lii
A
[
[
I^
[
[
[
bVI^
V7
[
[
V7/bVII
C^
[
I^
Mixo.
[
lV
[
[
[
Mixo.
[
lV
[
C.7
[
[
[
bVII^
[
[
[
[
Dorian
[
ii7/bVII
[
[
Aeolian
vi7
[
[
[
Mixo.
[
[
[
[
ii7b5
[
ii7
V7
[
Mixo.b9b13
V7
Ionian
[
lI
[
[
[
[
ii7/bVI
Ionian
[
[
I^
[
[
[
[
[
[
lvi
[
[
[
Ionian
[
bVII^
[
C^
Ionian
[
Lydianb7
[
wV7/IV
I^
[
[
A.7
[
[
Aeolian
D.7
wii7/IV
V7/bVI
[
Aeolian
[
vi7
[
A.7/G
Gb7#11
[
[
A.7
Db.7
Dorian
Mixo.
[
C^
Bb^
V7/bVII
G7b9
[
Mixo.
[
Eb7
Ç2
Dorian
[
Bb.7
Dorian
[
C^/G
D.7b5
Loc.n13
[
D.7 G7
F7
[
[
A.7
G7/G
Ab^
Lydian
[
Ionian
[
G7/G
C^
Ionian
[
ii7b5
D.7/G
Dorian
[
Loc.n13 Mixo.b9b13 Ionian
[
D.7/G
Dorian
Ç1
Bb^
Mixo.
[
ii7/bVII
D.7b5 G7b9
Lydian
B
[
lic on the chord scale
and the function to view
related information
Ab^
[
Dorian
[
F7
Aeolian
[
vi7
[
Dorian
ii7
[
[
G7
[
Mixo.
[
V7
Bb.7
Eb7
[
[
Dorian
[
ii7/bVI
D.7
Dorian
[
ii7
[
Mixo.
[
[
V7/bVI
G7
[
Mixo.
[
V7
[
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Jazz Standards Progression Book Reharmonized Vol.1
RH AFTERNOON IN PARIS
A
4
4
C^
Ionian
[
C:I^
C.7
[
[
Dorian
[
[
Lydian
[
bVI^
Ç2
[
[
D.7b5
G7b9
[
[
ii7b5
bVII^
Ç1
Mixo.b9b13
[
V7
[
[
I^
[
D.7/G
Dorian
[
lii
[
[
D.7/G
Dorian
[
lii
[
C^
Ionian
[
I^
[
I^
[
bVI^
[
[
vi7
[
G7b9
[
[
ii7b5
[
[
[
Mixo.b9b13
V7
G7“4
G7b9
[
[
[
Mix
V7/V
Hex.IV:Vm
[
V7“4
[
[
Dorian
[
Mixo. b9
V7
[
Mixo.b9b13
[
G7b9
[
[
[
[
V7/bVII
D.7b5
ii7b5
[
F7b9
ii7/bVII
Loc.n9
[
Mixo.b9b13
V7
[
A7#11
[
[
Dorian
[
[
ii7
Db7#11
Aeolian
[
[
vi7
[
[
Lydianb7
[
wV7/VI
Aeolian
lvi
Db.7
Gb7#11
D.7
[
[
[
[
wii7/IV
Lydianb7
[
wV7/IV
Bb^
Ionian
[
bVII^
[
C^
Ionian
[
I^
[
[
A.7
[
Aeolian
[
wV7
[
[
[
Dorian
[
A.7
A.7/G
lI
Lydianb7
[
Bb7#11
[
[
wV7/bVI
D.7
C^/G
Ionian
Lydianb7
[
ii7/bVI
Aeolian
V7/VI
D7
Ab^
Lydian
[
Bb.7
Dorian
[
A.7
[
D.7b5
C.7
[
[
Mixo.b9b13
[
Loc.n13
[
C^
Ionian
[
E7b9
[
A
[
Ionian
[
C^
Ionian
B
[
wV7/bVII
Loc.n13
[
Bb^
Lydianb7
[
ii7/bVII
Ab^
B7#11
vi7
[
Dorian
ii7
[
Eb7#11
[
Lydb7
[
wV7/II
Db7#11
[
Lydianb7
[
wV7
[
Bb.7
Eb7b9
[
[
Dorian
[
ii7/bVI
D.7
Dorian
[
ii7
Mixo. b9
[
V7/bVI
G7b9
[
Mixo.b9b13
[
V7
[
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Ultimate Jazz Harmony Workbook Vol.1
AFTERNOON IN PARIS
A
4
4
Ionian
[
C:I^
[
[
Dorian
[
[
Mixo.
[
[
Ionian
[
[
V7/bVII
ii7/bVII
bVII^
[
[
Ç1
Lydian
[
[
[
bVI^
[
Aeolian
ii7b5
vi7
[
[
V7
[
[
Mixo.
[
[
ii7/bVI
[
V7/bVI
Ç2
Loc.n13 Mixo.b9b13 Ionian
[
Dorian
[
[
I^
[
[
[
Dorian
Mixo.
Ionian
ii7
V7
I^
[
[
[
[
[
[
[
[
[
[
Aeolian
[
vi7
[
B
Dorian
[
lii
Dorian
[
lii
[
[
[
[
[
[
[
[
[
[
[
[
Mixo.
[
lV
Mixo.
[
lV
[
[
[
[
[
[
Ionian
[
lI
Dorian
[
[
[
wii7/IV
[
[
Aeolian
[
lvi
Lydianb7
Dorian
wV7/IV
ii7
[
[
[
[
[
[
[
[
Mixo.
[
V7
[
[
A
Ionian
[
I^
Lydian
[
bVI^
Dorian
[
[
ii7/bVII
Mixo.
[
[
V7/bVII
Ionian
[
bVII^
Loc.n13
Mixo.b9b13
Ionian
ii7b5
V7
I^
[
[
[
[
[
[
[
Dorian
[
ii7/bVI
Aeolian
Dorian
vi7
ii7
[
[
[
[
[
Mixo.
[
[
V7/bVI
Mixo.
[
V7
[
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Jazz Standards Notebook • Single Staff Vol.1
AFTERNOON IN PARIS
A
4
4
C^
Ab^
B
A
C.7
D.7b5 G7b9
F7
Ç1
C^
Bb^
A.7
D.7
D.7/G
G7/G
C^/G
D.7/G
G7/G
Db.7
C^
C.7
F7
Bb^
Ab^
D.7b5
G7b9
C^
Bb.7
Ç2
G7
Eb7
C^
A.7
A.7/G
Gb7#11
A.7
D.7
G7
Bb.7
Eb7
D.7
G7
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Jazz Standards Notebook • Grand Staff Vol.1
AFTERNOON IN PARIS
A
C^
C.7
F7
Bb^
Bb.7
Eb7
4
4
Ab^
B
A
D.7b5 G7b9
Ç1
C^
A.7
D.7 G7
D.7/G
G7/G
C^/G
D.7/G
G7/G
Db.7
C^
C.7
F7
Bb^
Ab^
D.7b5
G7b9
C^
Ç2
C^
A.7
A.7/G
Gb7#11
A.7
D.7
G7
Bb.7
Eb7
D.7
G7
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Jazz Standards Notebook • Guitar Tabs Vol.1
AFTERNOON IN PARIS
A
4
4
C^
Ab^
B
A
C.7
D.7b5G7b9
F7
Ç1
C^
Bb^
A.7
D.7 G7
D.7/G
G7/G
C^/G
D.7/G
G7/G
Db.7
C^
C.7
F7
Bb^
Ab^
D.7b5
G7b9
C^
Bb.7
Eb7
Ç2
C^
A.7
A.7/G
Gb7#11
A.7
D.7
G7
Bb.7
Eb7
D.7
G7
SONG INDEX
Created using Mapping Tonal Harmony Pro by mDecks Music • mDecks.com
The Jazz Standards Progression Book Vol.1
The Jazz Standards Progression Book Vol.1
Ionian
1111116-2
• Ionian • Major • Mixolydian n7 • Lydian n4 •
4
Intervallic Formula: W W H W W W H
P4:P5

m3:M6
M2:m7
m2:M7

       

       
 
      
 
      
  
     
 
  



  
   





 

  




 

  






   




 

6
TT:TT
Aggregated Dissonance(0 to 10): 3.4
   




 
    
M3:m6
Scale Dissonance(0 to 10): 2.4
Not a Bi-Triadic Hexatonic
2
b3
Degrees Formula: 1 2 3 4 5 6 7
Not a Symmetrical Scale
5
b7
7 Notes • 7 Modes • 12 Transpositions
Source Scale: Self
1
b6
3
b2
#4
7