Redalyc.CODO A CODO: PAREJAS DE ARTISTAS EN

Codo a codo: parejas de artistas en México Elbow‐to‐Elbow: Artistic Couples in Mexico María Claudia André En-claves del Pensamiento, vol. VII, núm. 14, julio-diciembre, 2013, pp. 189-193.
Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Ciudad de
México Distrito Federal, México
En-claves del Pensamiento,
ISSN (Versión impresa): 1870-879X
[email protected]
[email protected]
Instituto Tecnológico y de Estudios Superiores de
Monterrey Campus Ciudad de México
México
CODO A CODO: PAREJAS DE ARTISTAS EN MÉXICO
COMISARENCO MIRKIN!"#$%&!"'(()*+!"Codo a codo: parejas de artistas en México+"
,-.$'(!"/%$01)2$*&*"341)(&51)$'&%&!"6789+
L
(2"*$1'$%:101"&);<':=(2!";12;$5(%$(2">"1%;)10$2;&2"?:1"$%;1@)&%"Codo a codo '&A;:)&%"=&2"0$4)&%;12"B$2;()$&2"*1"0$*&"*1"&=@:%&2"*1"=&2"A&)1C&2"5D2"E&­
5(2&2"*1"&);$2;&2"*1=",-.$'("A(2)10(=:'$(%&)$("B&2;&"1="A)121%;1+"F&*&":%("
*1"=(2";)&4&C(2"%(2"$%0$;&"&")1G1.$(%&)"2(4)1"1="A)('12(">"=&"*$%D5$'&"?:1"
1.$2;1" 1%" =&" ')1&'$H%" &);<2;$'&" *12*1" :%&" A1)2A1';$0&" $%%(0&*()&" 1" $%;1)­
*$2'$A=$%&)$&"*&*("?:1!";&="'(5("51%'$(%&"#$%&"F(5$2&)1%'(",$)I$%"1%"2:"
A)H=(@(!"21";)&;&"*1"=(@)&)":%"&'1)'&5$1%;("&"=(2"&);$2;&2!"2:2"0$*&2">"2:2"
(4)&2"'(%":%&"5$)&*&"E)12'&">"%(01*(2&")1A=&%;1&%*("=&"0$2$H%";)&*$'$(%&="?:1"
A1)'$41"&="&';("')1&*()"'(5(":%&"&';$0$*&*"$%*$0$*:&=">"2(=$;&)$&+"J;)("(4C1;$0("
12"1="*1")110&=:&)!"*12*1"=(2"12;:*$(2"*1"@-%1)(!"=&"$%G:1%'$&"?:1"B&";1%$*("
=&"')<;$'&"12A1'$&=$K&*&"1%"=&"A)(*:''$H%"&);<2;$'&"1%"A1)A1;:&)"=(2"12;1)1(;$A(2"
;)&*$'$(%&=12"?:1";$1%*1%"&"5&)@$%&=$K&)"=&"0$2$H%">"1=";&=1%;("*1"=&2"5:C1)12"
&);$2;&2"1"$%;1=1';:&=12"1%"E&0()"*1"=&"5$)&*&"5&2':=$%&+
/%&"'&)&';1)<2;$'&"L%$'&"*1"12;&"'(=1''$H%"12"?:1"=(2"12;:*$(2"?:1"=&"'(5A(­
%1%"21"1.;$1%*1%"5D2"&==D"*1="'&5A("*1"=&"A$%;:)&"$%':)2$(%&%*("1%"(;)&2"&);12"
0$2:&=12"'(5("=&"E(;(@)&E<&!"=&"12':=;:)&!"1="*$21M("@)DN'(">";1.;$=!"=&"&);12&%<&!"
1"$%'=:2$01!"=&"=$;1)&;:)&!"1="'$%1">"1=";1&;)(+"O";)&0-2"*1"12;(2"5L=;$A=12"1%E(?:12"
12" A(2$4=1" A=&25&)!" A()" :%" =&*(!" :%" A&%()&5&" @=(4&=" 2(4)1" =&2" ;1%*1%'$&2!"
;15D;$'&2" 1" $%G:1%'$&2" *1" =&" A)(*:''$H%" ':=;:)&=" 1%" ,-.$'(" 1%" 1=" 2$@=(" XX!" >"
A()"(;)(!"1%;1%*1)"'H5("=&"B$2;()$&!"=&"A(=<;$'&">!"B&2;&"'$1);("A:%;(!"1="&5()">"=&"
8ST
En-Claves14-book.indb 189
EN­CLAVES del pensamiento!"&M("P33!"%L5+"8Q!"C:=$(R*$'$154)1"6789!"AA+"8STR8T9+
04/11/13 14:54
8T7"
,&)<&"F=&:*$&"O%*)-
A&2$H%!"'(%E()5&%"=&"'(25(0$2$H%">"1.A)12$H%"&);<2;$'&"*1":%"$%*$0$*:(+"U2;&"
multiplicidad se encuentra estrechamente relacionada con el hecho que los &:;()12"*1"=(2"1%2&>(2"A)('1*1%"*1"*$2;$%;&2"*$2'$A=$%&2">"*$E1)1%;12"N=$&'$(%12"
&'&*-5$'&2">"':=;:)&=12+"
F&*&":%("*1"=(2"1%2&>(2"$%'=:>1"$%E()5&'$H%"4$(@)DN'&"*1"=(2"A)(;&@(%$2;&2"
1%"=&"?:1"21"*12')$41"'H5("21"$%$'$&!"*12&))(==&">!"1%"&=@:%(2"'&2(2!"'(%'=:>1"
=&")1=&'$H%"&E1';$0&"1%;)1"=&2"A&)1C&2+"P&)$(2"1%2&>(2"21")15(%;&%"&"12(2";:)­
4:=1%;(2">"A)(5$2()$(2"&M(2"':&%*("1="A&%()&5&"A(=<;$'("*1="A&<2"21"A)12;&4&"
'(5("E:1%;1"*1"$%2A$)&'$H%"A&)&"1="*12&))(==("*1"%:10&2"A)(A:12;&2"&);<2;$'&2!"
A(=<;$'&2">"2('$(R':=;:)&=12+"U%"121"'(%;1.;("*1"&N)5&'$H%"%&'$(%&=$2;&">"A(A:=&)"
?:1"*$("E:%*&51%;("&="5:)&=$25(">"&"=(2"5(0$5$1%;(2"*1"0&%@:&)*$&"21"E()C&%"
@)&%"A&);1"*1"=&2"B$2;()$&2"*1"&5()"?:1"'(5A(%1%"1="=$4)(+"U%;)1"1==&2"21"*12­
;&'&"=&";:)4:=1%;&")1=&'$H%"1%;)1"#$1@("V$01)&">"W)$*&"X&B=(!"A&2$H%"1%"=&"':&="
21"1%E('&"1="1%2&>("*1"Y:&%"V&E&1="F()(%1="V$01)&+"Z:";)&4&C("21"'1%;)&"1%"=&2"
A&);$':=&)$*&*12"1%";()%("&"=&"0$*&">"=&"A1)2(%&=$*&*"*1"*$'B(2"&);$2;&2"&2<"'(5("
2:"5&)'&*&"$%G:1%'$&"1%"=&"':=;:)&">"1%"=&"A(=<;$'&"%&'$(%&=+"U="&5()"'(5("E:1%;1"
*1"@(K("1"$%2A$)&'$H%!"A1)(";&54$-%"*1"*(=()">"*12*$'B&!"12"&"2:"01K"&4()*&*("
A()"F(5$2&)1%'(",$)I$%!"12A1'<N'&51%;1"1%"=&"(4)&"')1&;$0&"*1"[&B:$"J=$%">"1="
#)+"O;=+"Z:"12;:*$(")10&=L&"=&"$%;1)A)1;&'$H%"?:1"21"=1"B&"*&*("&"=&")1=&'$H%"1%;)1"
&54(2"&);$2;&2">"21"1%E('&"A)$%'$A&=51%;1"1%"=&"A=1%$;:*"*1"=(2"&M(2"E1=$'12">"
&);<2;$'&51%;1"A)(*:';$0(2+"O=$'$&"ZD%'B1K",1C()&*&"15A&=5&"(;)("'&A<;:=("&="
tema del amor como fuente creadora en su lectura de las cartas de Antonieta V$0&2",1)'&*("&",&%:1="V(*)<@:1K"\(K&%(+"\&2"'&);&2"*1"O%;(%$1;&!"&*15D2"
*1")1G1C&)"=&"&@(%<&"*1":%"&5()"%("'())12A(%*$*(!"A)121%;&%":%";12;$5(%$("*1"
2:"=&4()"$%;1=1';:&="1%"1="D54$;("*1"=&"':=;:)&">"*1=";1&;)(+"]()"(;)&"A&);1!"\1;$'$&"
^())12"F&)5(%&">"F&)51%"_H51K"*1="F&5A("1%5&)'&%"2:";)&4&C("1%"=&")1=&'$H%"
&5()(2&"*1"32&41="P$==&21M()">"_&4)$1="W1)%D%*1K"\1*125&+"
\&2" %:10&2" ;1%*1%'$&2" 12;-;$'&2" *1" 12;(2" >" *1" (;)(2" A)(A:=2()12" *1" =&2"
0&%@:&)*$&2" 51.$'&%&2!" ;&=" '(5(" 1.&5$%&%" =&2" &:;()&2!" A)1;1%*1%" '&A;:)&)"
1=";()41==$%("*1":%"A&<2"1%";)&%2$'$H%!"B&'$1%*("*1="&);1":%&"A)D';$'&"'(;$*$&%&+"
^1)$"_1$22"&%&=$K&"1%"A)(E:%*$*&*"0&)$(2"*1"=(2"A)(>1';(2"*1"V(2&"V(=&%*&">"
,$@:1="F(0&)):4$&2"1%"2:"1.A1)$51%;&'$H%"'(%"=&"*&%K&!"=&"E(;(@)&E<&">"=&2"&);12"
0$2:&=12`"5$1%;)&2"?:1"O%0>"_:K5D%"V(51)(")1@$2;)&!"1%"1="'&A<;:=("*1*$'&*("&"
J=@&"F(2;&">"Y(2-"FBD01K",()&*(!"=&"E:1)K&"*1"=&"')1&;$0$*&*"':&%*("&4:%*&%"1="
;&=1%;(">"1="&5()+"#1"5&%1)&"2151C&%;1!"3%*&"ZD1%K"*$4:C&":%"5:)&="1%"*$2;$%;(2"
A=&%(2"*1"=&2"0$*&2"V$%&"\&K(">"O);:)("_&)'<&"a:2;(2!"A(%$1%*("*1")1=$101"=&"
0$@1%'$&"*1"=&2";-'%$'&2!"=(2";15&2">"=(2"A)('12(2"*1";)&%2E()5&'$H%"':=;:)&="*1"
=&"U2':1=&",1.$'&%&+"U="*14&;1"2(4)1"=&2"0&%@:&)*$&2">";1%*1%'$&2"12;-;$'&2"
12")1;(5&*("A()"O%&",&)<&"^())12"O))(>("1%"2:"&%D=$2$2"2(4)1"=&"A&);$'$A&'$H%"
EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193.
En-Claves14-book.indb 190
04/11/13 14:54
V121M&"
8T8
1"$%G:1%'$&"*1"\$=$&"F&))$==(">",&%:1="W1=@:-)1K"1%"1="&);1"&42;)&';("1%",-.$­
'(+"J;)&"5$)&*&"&=";15&"12"1="?:1"&A();&"^&;$&%&"W=()12"1%"2:"4$(@)&E<&"<%;$5&"
2(4)1"\(=&">"_1)5D%"F:1;(!"*(2"N@:)&2"?:$1%12"21"&'1)'&)(%">"1%;1%*$1)(%"1="
5(*1)%$25(!"*12*1":%&"A1)2A1';$0&">":%"12;$=("A)(A$(+
\(2"'<)':=(2"*1"&5$@(2!"'(=&4()&*()12">"&5&%;12"'(5("1.&5$%&%"&=@:%(2"
&);<':=(2!"E:1)(%"E:%*&51%;&=12"1%"1="*12&))(==("&);<2;$'(">"1=")1'(%('$5$1%;("
*1"12;&2"N@:)&2"$'H%$'&2"*1="&);1"51.$'&%(+"O*)$&%&"b&0&=&!"A()"1C15A=(!"A)(­
A(%1"&",&)<&"3K?:$1)*(">"&"V:N%("^&5&>("'(5("5(*1=(2"*1"=&2"*$%D5$'&2"*1"
A(*1)"1%"C:1@("?:1"A)1*(5$%&4&%"1%;)1"=&2"A&)1C&2"*1"&);$2;&2"B1;1)(21.:&=12"
1%"121";$15A("c*:)&%;1"1="':&="-="A$%;&4&!"1==&"A(2&4&+"U%"12;&"=<%1&"*1"&)@:­
51%;&'$H%!"1==&"21)<&"2:"5:2&">"*$2'<A:=(">"-=!"2:"5&12;)(+"U="?:1"=&2"&);$2;&2"
2&')$N'&)&%"2:";$15A("E:1)&"*1="'&4&==1;1"A&)&"A(2&)"1)&"&=@("2(4)11%;1%*$*(d+8 ^&=12"1.A1';&;$0&2"21"1.;$1%*1%"&"(;)(2"12A&'$(2"*1"')1&'$H%!"'(5("=&"E(;(@)&­
E<&+"U%"2:"12;:*$("2(4)1"U*e&)*"f12;(%">"^$%&",(*(;;$!"[()5&",&'<&2"10&=L&"
=&"A1)'1A'$H%"*1"=&"')<;$'&"?:1"0&=()&"&"f12;(%!"'(5(":%"@)&%"&);$2;&"'(%":%&"
5&)'&*&";)&>1';()$&`"%("(42;&%;1!"&",(*(;;$"21"=&")1'(%('1"A)$5()*$&=51%;1"A()"
2:"0$*&";:5:=;:(2&"("A()"2:")1=&'$H%"'(5("&=:5%&">"&5&%;1"*1"f12;(%+"F&)(=$%&"
_(%KD=1K"_&)'<&";&54$-%"1.&5$%&"=&2"'(%;)$4:'$(%12"12;$=<2;$'&2">";15D;$'&2"1%"
A&)1C&2"*1"&);$2;&2+"U%E('D%*(21"1%"=&"A)(*:''$H%"E(;(@)DN'&"*1"\(=&">",&%:1="
g=0&)1K"a)&0(!"*15:12;)&"?:1"=(2"*$1K"&M(2"*1")1=&'$H%"*1C&)(%":%&"5&)'&*&"
$%G:1%'$&"1%"=&"5&%1)&"*1"A=&25&)!"%("2H=("2:"0$2$H%"&);<2;$'&"2$%(";&54$-%"2:"
A1)'1A'$H%"*1="(;)(">"*1"2<"5$25(2+"
O=@:%(2"1%2&>(2!"'(5("1="*1"X&)1%"F()*1)("V1$5&%!"%(2")101=&%":%&"'&)&"
*$2;$%;&" *1" =&" *$%D5$'&" *1" A&)1C&" >" *1=" A)('12(" *1" ')1&'$H%+" Z:" &);<':=(" %(2"
&A)(.$5&"1=":%$01)2("<%;$5("*1"X&;$">"Y(2-"h()%&!"*(2"@)&%*12"&);$2;&2!"':>&"
*$%D5$'&" ')1&;$0&" =(2" ==10&" &" $%':)2$(%&)" 1%" :%&" &5A=$&" 0&)$1*&*" *1" 51*$(2"
0$2:&=12"'(%"=(2"?:1")1@$2;)&%"2:2"$5A)12$(%12"*1"=&"0$*&"'(;$*$&%&+"
F&*&":%&"*1"12;&2"B$2;()$&2"*1"0$*&"A(%1"*1"5&%$N12;("=&")$?:1K&"$%;1)*$2'$­
A=$%&)$&"*1="&);1"1%")1=&'$H%"'(%"(;)&2"D)1&2"*1"12;:*$(!"1%"A&);$':=&)!"=&"&%;)(A(­
=(@<&">"=&"=$;1)&;:)&+"U=";1.;("*1"^1)1"O)'?">"O%*)1&2"[1:E1);"&4()*&"=&")1=&'$H%"
<%;$5&"*1"O=$'1"V&B(%">"f(=E@&%@"]&&=1%">"2:"E&2'$%&'$H%"A()"=&"5&@$&"*1"=&2"
':=;:)&2"A)1'(=(54$%&2+"3%;1)-2"?:1"'&)&';1)$K&"=&"A$%;:)&">"=&"A(12<&"*1"V&B(%"
>"=&2"$%012;$@&'$(%12"12;-;$'&2">"A$';H)$'&2"*1"]&&=1%+"/%&"5$25&"&;)&''$H%"12"=&"
?:1"()$@$%&=51%;1")1L%1"&"*(2"@)&%*12"N@:)&2"*1"=&"=$;1)&;:)&"51.$'&%&i"J';&0$("
]&K">"U=1%&"_&))(+",&)@("U'B1%41)@"1E1';L&":%"1.'1=1%;1"&%D=$2$2"*1="*$D=(@("
;D'$;("1%"=&2"*$E1)1%;12"$%;1)A)1;&'$(%12"*1"&54(2"12')$;()12"1%";()%("&"=&"N@:)&"
*1"=&",&=$%'B1">"&="5$;("*1"=&"51.$'&%$*&*+"
8
" #$%&" F(5$2&)1%'(" ,$)I$%!" '(()*+!" Codo a codo: parejas de artistas en México+" ,-.$'(!"
/%$01)2$*&*"341)(&51)$'&%&!"6789!"A+"8Sj+
EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193.
En-Claves14-book.indb 191
04/11/13 14:54
8T6"
,&)<&"F=&:*$&"O%*)-
Z$"4$1%"=&"5&>()<&"*1"12;&2"A1)2(%&=$*&*12"21"1%':1%;)&":%$*&"A()"2:"&5()"
5:;:("&2<"'(5("A()"2:"A)(E:%*("&5()"&="&);1!"12"$%;1)12&%;1"'(%2$*1)&)"1="A&A1="
?:1"C:1@&"1="*12;$%("1%"'&*&":%&"*1"12;&2"B$2;()$&2"*1"0$*&+"^&="12"1="'&2("*1"
,&@&=<"\&)&">"Y:&%"W)&%'$2'("U=2(+"U="1%2&>("*1"J=@&",&)<&"V(*)<@:1K"a(=:E-"
;)&K&":%"A&)&=1=("*1"=&"$%E&%'$&!"C:01%;:*!">";)&>1';()$&"*1"12;(2"&);$2;&2"1%"
2:2")12A1';$0(2"A&<212+"U==&"51.$'&%&">"-="':4&%(!"'(5A&);1%":%&"$%;1%2&"
0$*&">":%"5$25("'(5A)(5$2("A)(E12$(%&="@)&'$&2"&":%&"'&);&"?:1"A)(A$'$H"
2:"1%':1%;)(+"O=@("2151C&%;1"(':))$H"'(%"32$*()(">"Z:2&%&"[1@)1;1"?:$1%12"21"
'(%('$1)(%"@)&'$&2"&":%&"*1"2:2"@)&%*12"A&2$(%12i"=&"5L2$'&+"#12*1"B&'1"97"
&M(2!";&="'(5("$%*$'&"Y(B&%%&"F(%2:1=("g%@1="V1>12!"=(2"[1@)1;1!";)&4&C&%"
'(*("&"'(*("'(%;)$4:>1%*("'(%"2:2"')1&'$(%12"E&%;D2;$'&2"&="*12&))(==("*1="&);1"
A(A:=&)"51.$'&%(+"
OA&);1"*1"=(2"1%2&>(2!"=&"&%;(=(@<&"$%'=:>1":%&"1%;)10$2;&"&",&)<&"Y(2-"*1"
=&",&'())&">"&"U)$'"]-)1K">":%";12;$5(%$("*1",H%$'&",&>1)"2(4)1"2:")1=&'$H%"
\1)5&",&>1)+"Z1@L%"21M&=&"F(5$2&)1%'(",$)I$%!"c=&2"*1'=&)&'$(%12"A1)2(%&=12"
*1"12;(2"')1&*()12"'(%;15A()D%1(2!"%(2"A1)5$;1%"&'1)'&)%(2"&"&=@:%(2"*1"=(2"
)1;(2">"'(%2;):''$(%12"2('$&=12"*1"=(2"*$2;$%;(2"@-%1)(2"1%"1=",-.$'("*1"B(>"2$%"
=(2"N=;)(2"A)(A$(2"*1"=&"$%;1)A)1;&'$H%"&'&*-5$'&d+6 El aporte de estas nuevas 0('12" 12" 12'=&)1'1*()" A()?:1" &*15D2" *1" 4)$%*&)" :%&" A1)2A1';$0&" *$E1)1%;1"
2(4)1"=(2"*12&E<(2"?:1"'(%E)(%;&%"=&2"A&)1C&2"*1"&);$2;&2"'(%;15A()D%1(2!"%(2"
A)(A()'$(%&%":%"21%;$*("*1"$%51*$&;1K"1%";()%("&"=&"A)D';$'&">"&"=&"0&)$1*&*"*1"
51*$(2"*1"1.A)12$H%"&);<2;$'&"&''12$4=12"B(>"1%"*<&+"
F&*&":%("*1"12;(2"1%2&>(2!"'(51%;&)$(2"')<;$'(2!"&%-'*(;&2">")1':1)*(2"
A1)2(%&=12"*1"=&2"0$*&2"*1"12;&2"N@:)&2"154=15D;$'&2"*1="&);1"51.$'&%(!"&A();&"
:%&"5$)&*&"&"=&"$%;$5$*&*"*1"=&2"A&)1C&2"51*$&%;1"=&"':&="12"E&';$4=1"'(%2;):$)":%"
collage" *1" &=@:%(2" *1" =(2" 5(51%;(2" 5D2" ;)&2'1%*1%;12" *1" =&" B$2;()$&" >" =&"
A(=<;$'&"%&'$(%&=+"]()"(;)&"A&);1!"12;&2"B$2;()$&2"*1"&5()"%(2"$%0$;&%"&")1'())1)"
51%;&=51%;1":%&"&5A=$&"@&=1)<&"*1"=:@&)12"("2$;$(2"*(%*1"21"'(%('$1)(%!"21"
)1:%$1)(%">"21"&5&)(%"=(2"A)(;&@(%$2;&2"*1"12;&"&%;(=(@<&!">")1&=$K&)":%&"=1'­
;:)&";)&%2&;=D%;$'&"*1="$%;1)'&54$("&);<2;$'(">"':=;:)&="1%;)1",-.$'(!"=(2"U2;&*(2"
/%$*(2">"U:)(A&"*1"=&"*-'&*&"*1"A(2@:1))&+"
/%")1'(%('$*("A)(01)4$("*$'1i"c#1;)D2"*1":%"@)&%"B(54)1"21"12'(%*1":%&"
@)&%"5:C1)d`"1%"'$1);&"5&%1)&!"12;&"E)&21"1%'$1))&":%&"*1"=&2"$*1&2"'1%;)&=12"*1"
12;1";1.;(!"A()"':&%;(!"1%"=&"5&>()<&"*1"=(2"1%2&>(2"21"':12;$(%&"=&"A1)'1A'$H%"
tradicional que tiende a situar a la mujer artista en segundo plano en relación al B(54)1+"F(%"1==(!"=&"&%;(=(@<&"'())(4()&"=&"(421)0&'$H%"*1"=&"')<;$'&"E15$%$2;&"
2(4)1"=&"%1'12$*&*"*1")110&=:&)"=&"$%;1)A)1;&'$H%"?:1"21"=1"B&"*&*("B&2;&"&B()&"
6
Ibid+!"A+"8S+
EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193.
En-Claves14-book.indb 192
04/11/13 14:54
V121M&"
8T9
&"=&"5:C1)"'(5("A)(*:';()&">"')1&*()&"*1"':=;:)&!">"2:"A&);$'$A&'$H%"1%"1=")1@$2;)("
*1="*$2':)2("B$2;H)$'("%&'$(%&=+"
\&"A:=2$H%"21.:&=!"1="&5()">"=&"&;)&''$H%"*1"=(2"(A:12;(2"2(%!"1%"'$1);("5(*(!"
=(2"@1%1)&*()12"*1"1%1)@<&"')1&;$0&"?:1"2$)01%"*1"%1.("1%;)1"12;&2"B$2;()$&2"*1"
0$*&+"\("?:1"1=";&(<25("*1N%1"'(5("yin">"1="yan!"'(%'1A;("E:%*&51%;&*("1%"=&"
dualidad"*1";(*("=("1.$2;1%;1"1%"1="universo+"U="yin"'(5("1="A)$%'$A$("E151%$%(!"
=&" ;$1))&!" =&" (2':)$*&*!" =&" A&2$0$*&*" >" =&" &42()'$H%+" U=" yang como el principio 5&2':=$%(!"1="'$1=(!"=&"=:K!"=&"&';$0$*&*">"=&"A1%1;)&'$H%+"Z1@L%"12;&"$*1&!"'&*&"
21)!"(4C1;("("A1%2&5$1%;("A(211":%"'(5A=151%;("*1="?:1"*1A1%*1"A&)&"2:"
1.$2;1%'$&" >" ?:1" &" 2:" 01K" 1.$2;1" *1%;)(" *1" 2<" 5$25(+" #$'B&" G:$*1K" *1N%1"
=&"E:1)K&"')1&*()&"?:1"2:)@1"%("2H=("*1"=&"%1'12$*&*"*1";)&2'1%*1%'$&">"*1"
1.A)12$H%"*1="21)"B:5&%(!"2$%(";&54$-%"*1"=&"%1'12$*&*"*1"&5&)">"21)"&5&*(!"
*1"21)":%("2$1%*("*(2!"4:2'D%*(21"1"$%;1)A)1;D%*(21"&"2<"5$25("1%"=&"5$)&*&"*1="
(;)(!"*12*1"*(%*1"12"E&';$4=1"124(K&)":%&"$*1%;$*&*"A)(A$&">"&";)&0-2"*1"-2;&!"
=&"$*1%;$*&*"*1":%&"%&'$H%+"
MARÍA CLAUDIA ANDRÉ*
W1'B&"*1")1'1A'$H%i"98k7Sk6786
W1'B&"*1"&'1A;&'$H%i"88k7Tk6786
*
" O'&*-5$'&" *1=" #1A&);&51%;(" *1" \1%@:&2" ,(*1)%&2" 1%" h(A1" F(==1@1!" ,$'B$@&%!" U/O!"
l&%*)1mB(A1+1*:n+
EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193.
En-Claves14-book.indb 193
04/11/13 14:54