小论文

日本建築学会計画系論文集第81巻第722号， 909-919，2016年4月 J. Archit. Plann., AIJ, Vol. 81 No. 722, 909-919, Apr., 2016 DOI http://doi.org/10.3130/aija.81.909 【カテゴリーⅠ】産業遺産の利活用を契機とした芸術活動による自立的まちづくり事業の可能性－北加賀屋クリエイティブ・ビレッジ構想を事例として－ ɯȫ́ɯTčɎɰoŲȵO@G˟˨ɎĘRhk˕ʢɽÌL8jÀȫTĴ˓Ǉ COMMUNITY DEVELOPMENT THROUGH ARTISTIC ACTIVITIES —ğĔ̚ƕ}©wts¯«ȯǋoÀâO@M− STARTING WITH REUTILIZATION OF INDUSTRIAL HERITAGE COMMUNITY DEVELOPMENT THROUGH ARTISTIC ACTIVITIES － Case study of Kitakagaya Creative Village ProjectHERITAGE － STARTING WITH REUTILIZATION OF INDUSTRIAL - Case study of Kitakagaya Creative Village Project - 李＊ロウン，阿部浩和＊＊，福井美弥＊＊＊，橋寺知子＊＊＊＊ Lowoon LEE, Hirokazu Abe, Miya Fukui **, ʕÃˉƴ***, ȴƊʋŷ**** Ȟ¬u®*΋̈́͜ɑń and Tomoko Hashitera Lowoon Lee Hirokazu Abe Miya Fukui Tomoko Hashitera This study aims to explore the possibility of revitalizing community development through artistic activities starting with reutilization of an industrial heritage. In this research, we focus on the Kitakagaya Creative Village (KCV) project in Osaka city, which is a rare case of the community development to turn from a declined industrial area into a creative and attractive place as an independent and sustainable business. The results of this study are as follows; 1) A former shipyard has been utilized as a regional resource to create new value and authorized as an industrial heritage. 2) The primary stakeholders make efforts to expand KCV project by attracting creators, !promoting regional exchange, "doing public relations exercises #granting artistic activities. 3) It is important for the operating-body to have the leadership and the business judgment. 4) KCV project is one of profitable business, solving the problem of vacant houses and derelict factories. Keywords : Industrial heritage, Art project, Sustainability, Utilization, Public perception ɯȫ́ɯ΋r°¬v}΋ǡʷĴ˓Ǉ΋čɎɰ΋Ơȿǌ̏ °S M1k*`GETȂ̃RK1Md,ʂIR)ǻĞ̔O@MT̅åo °°®i ı:k<O6ćȢQ1dTdŭ8ŸŚBk-O@M4j,ĩƇRé ʱɔɯȫʄU̱Ʀ)ɯȫȯ̷TŪĞ)ɯȫTʟɌĞ)ɭŤTŪĞ ŸB]7dTOǃ˴QǖoĔ3Čɰ̵RčɎɰB]7dTʦTËĈ R×2ǱȫɭŤTǉĞRhj)ƜţTʘ̨¯ʳƮĹ¯ƮȫRhkƜ :-6͉˴N0kO̳]M1k 3)* ţ̦ś)ǔUʟ7ƜţƱƕ6ûŗĸśNɺɮ@M1kO@M)<l <2@Gº)˱̷ȫTȽ͉TÚµRƋ@Mʋ̏ͨʮŝɯȫ)ºNd iTƜţ̦śʦTɺɮUͩɰTŎű)śȁʚįTɕƐQP6śşʱ ǻĞ˟˨TɎɰRhkȄŸɯȫTĄɮfȀɯȫTĒćʦo˧2<O ɔRŮ7QƹͲoĬ_BO̳]M1k 1) *`G<Th2QƜţ̦ś NǡʷɽQɺƖoʁǢBİjʰa6ailk 4) *ɤR˱̷ȫTɐć ʦTǕȗˍROJMd)ET¶ĘɯTčɎɰ6ŏʺT̉ͷOQJM fÈĲɕƐQPRhJMˬ̴@GśşoǻĞ˟˨ɎĘRhJMɎǇ 1k*±ȁN)<Th2QƜţȂ̃U0kǌłNǓ6ŗṮÎĞo Ğ>Dh2OBkİjʰa6ûŗN˧nlM1k*r°s ¯ dET±KN)˟˨ƃo0kș͘)ś ɥƳ@G̗͉Qɯȫ́ɯN0kO@M˵ʂ>lM7M4j)ǻĞƨ t®¯«® U 1990 ƦÎ5i̽ͅƫʅTǷˑŶņÕo̶@MûŗṮÎĞ́ɯ şRǞˎ@MÞƃɎĘo@Mdi2<ONȀGQɯȫoˑbŲȵR TɦɅRK1M,̱ÎĞ́ɯʻĹ̊Ȧ- 2) oſȂBkOOdR)ʱ čɰBkİʰfŮ˶ȲQǻĞ˟˨t®RhJMŭ8Tͨƀoͨ ɔɯȫʄU 2007 Ʀ5i,̱ÎĞɯȫ́ɯˊ 33¯ʷ 33-oü˫@M) cMśşTɎǇĞRKQ;kɎĘdſȂ>lM1k* ETéŸɎɰoǲǮ@M1k*@5@Q6iĺʄU,̱ÎĞɯȫ́ °±®gV ɯTéŸRļ:MU)śş6̱ÎĞɯȫ́ɯoɎɰ@)ETƋåo <l`NT÷˧ʍʞO@MU)ʟ7ƃĬXʟ7ƜţQPTɎɰR ƿ)<lRhj)˕ʢɽ¯ǡʷɽQéŸ6Q>lkh2Q ͙BkʍʞO@M)ōøƊ͕ďɴśĠoƋ̒O@Mʟ7ƃĄɮɎĘ £ªRK1MȪ˿@M18ǃ˴60k- 3) O@M)ET̻Őoü TǖɇOÀȫoİjƟ8ĸ»ÜTƺđĬXǲǮʨTāƄoȈi5R ɽ̔ɘRͶiC˕ʢ@GÀȫO@Mʶʷ@M18GcTȪ˿oɁc @GʊĿiTʍʞ ＊大阪大学大学院工学研究科博士後期課程・修士（工学） ĦŨƽș̉ʙ¯ëŨƜź *Ů͛ŮźŮź͟Ɯźʍʞʖ 大阪大学サイバーメディアセンター教授・博士（工学） Ů͛Ůźt°¢sr®° ǷǦ¯ĦŨƜź ＊＊＊ ** 大阪大学サイバーメディアセンター特任研究員・博士（工学）＊＊＊＊関西大学環境都市工学部建築学科准教授・博士（工学） ***Ů͛Ůźt°¢sr®°ɤÒʍʞņ¯ĦŨƜź ＊＊ ****͙˳ŮźɭŤͅƠƜź̈́ƱʫźʖĆǷǦ ĦŨƜź ʦTɎĘ 5) 6) )Ů͛ƠʟšśĠR4:kȀ˶ɐúˍTĒ̷ɽ Grad. Stud., Graduate School School of Engineering, Osaka University, M.Eng. M. Eng. Graduate student, Graduate of Engineering, Osaka University, Prof., Cyber media Center, Osaka University, Dr.Eng. Prof., CyberAssistant media Center, Osaka University, Dr. Eng. Research of Cyber media Center, Osaka Univ., Dr.Eng. Faculty of Environmental and Urban Engineering, KansaiDr. Univ., Dr.Eng. Research Assistant of Cyber media Center, Osaka Univ. Eng. Faculty of Environmental and Urban Engineering, Kansai Univ. 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ྰ㻌 4 60% 䜟䛛䜙䛺䛔㻌 10 12 27 23 ᮇ 60% ᚅ ᗘ㻌 40% 19 0% 0% ఫஅỤ༊ 㻌 ᒃఫᆅ㻔㻺㻩㻝㻡㻡㻕㻌 ᮇᚅ䛩䜛㻌 ኱㜰ᕷෆ 㻌 21 26 48 14 11 2 ఫஅỤ༊ 㻌 ኱㜰ᕷእ 㻌䜟䛛䜙䛺䛔㻌 9 6 20% 13 6 80% 41 40% 20% 䛸䛶䜒ᮇᚅ䛩䜛㻌 100% 80% 35 ⫯ᐃⓗ 㻌 18 ኱㜰ᕷෆ 㻌 ኱㜰ᕷእ 㻌 ᒃఫᆅ(N=155) 㻌 ᒃఫᆅ(N=155) 㻌 ᅗ㸯㸯 .&9 ᵓ᝿ࡢㄆ▱ ᅗ㸯㸰 ࢔࣮ࢸ࢕ࢫࢺࡢᒃఫ࣭άື࡟ᑐࡍࡿ㈶ྰ ᅗ㸯㸱 .&9 ᵓ᝿ࡢ⥅⥆࡬ࡢᮇᚅᗘ ࡜࡞ࡗ࡚࠸ࡿࡇ࡜ࠊࡓࡔࡋᗮ౯࡞ᐙ㈤タᐃ࡜ධᒃ⪅࡟ࡼࡿᨵಟࢆチ ࡽࠖ࡞࡝ᆅᇦάᛶ໬ࢆ⌮⏤࡜ࡍࡿࢥ࣓ࣥࢺࡀከࡃࠊ ࠕⱝ࠸ேࡀቑ࠼ࡿ ࡇ࡜ࡀⰋ࠸ࠖࡸࠕⱝ࠸ேࡀࡁ࡚㈰ࡸ࠿࡟࡞ࡿ࠿ࡽࠖ ࠊ ࠕ⏫࡟ⱝࡃࢡࣜ ྍࡋࠊཎ≧ᅇ᚟ࡢ⩏ົࢆච㝖ࡍࡿࡇ࡜࡛ࠊ⮬⏤࡞ࢫ࣮࣌ࢫࢆ☜ಖࡋ ࢚࢖ࢸ࢕ࣈ࡞㞺ᅖẼࡀධࡿࡇ࡜ࡣⰋ࠸ࡇ࡜ࡔ࡜ᛮ࠺ࠖ࡞࡝ࠊ⾤ࡢⱝ ࡓ࠸ධᒃ⪅࡟࣓ࣜࢵࢺࡀ࠶ࡗࡓࡇ࡜࡞࡝ࡣᩥ໬ⱁ⾡άື࡟ࡼࡿ✵ࡁ ㏉ࡾࢆ⌮⏤࡟ᣲࡆ࡚࠸ࡿࠋ ࡲࡓ ࠕ࢔࣮ࢸ࢕ࢫࢺ࡬ࡢᶵ఍ᥦ౪࡟࡞ࡿࠖ ᐙࡸ✵ࡁᕤሙࡢ฼ά⏝ࡢࡓࡵࡢᡭࡀ࠿ࡾ࡛࠶ࡿࠋ ࡸࠕ✵ᒇࡢ᭷ຠ࡞ά⏝࡜ⱝ⪅࢔࣮ࢸ࢕ࢫࢺࡢάືሙᡤࡢᥦ౪࡜ࡋ࡚ 㸲) KCV ᵓ᝿ࡢᣐⅬධᒃ⪅ࡢホ౯࡜ࡋ࡚ࠊᏳ࠸㈤ᩱࠊ⮬⏤࡞㞺ᅖẼ ࡝ࡕࡽ࡟ࡶ࣓ࣜࢵࢺࡀ࠶ࡿ࡜ᛮ࠺ࠖ࡞࡝ᆅᇦ࡜࢔࣮ࢸ࢕ࢫࢺ཮᪉࡟ ࡟ࡘ࠸࡚‶㊊ࡋ࡚࠸ࡿࡇ࡜ࠊ᮶ゼ⪅ࡸఫẸࡢホ౯ࡶⱝ࠸࢔࣮ࢸ࢕ࢫ ᭷┈࡛࠶ࡿⅬࢆ⌮⏤࡜ࡋ࡚࠸ࡿࠋ ࢺࡀᒃఫࡍࡿࡇ࡜࡛ࠊ໭ຍ㈡ᒇࡢάᛶ໬ࠊ⾤ࡢⱝ㏉ࡾ࡟ࡘ࡞ࡀࡿ࡜ ࡲࡓࠕ㛗ᮇⓗ࡞どⅬ࡛άືࡍ࡭ࡁࠖ ࠕ⥅⥆ࡍࡿࡇ࡜ࡀࡼࡾ኱ࡁ࡞ຠ ⫯ᐃⓗ࡟ᤊ࠼࡚࠸ࡿࡇ࡜ࠊ ⏘ᴗ㑇⏘࡛࠶ࡿᪧྡᮧ㐀⯪ᡤ㊧࡟ࡘ࠸࡚ࠊ ᯝࡀᮇᚅ࡛ࡁࡿ࠿ࡽࠖ ࡞࡝㛗ᮇࡢ⥅⥆ࡢ㔜せᛶࢆᙉㄪࡍࡿពぢࡸ ࠕࡶ ᑂ⨾ᛶࡣప࠸ࡶࡢࡢ㨩ຊᗘࡣ㧗ࡃࠊ≉࡟ⱝ࠸ୡ௦ࡢホ౯ࡀ㧗࠸ࡇ࡜ ࡗ࡜࢔࣮ࢺࢆ┠ᣦࡍேࡀ㞟ࡗ࡚࡯ࡋ࠸ࠖ ࠊ ࠕ࢔࣮ࢸ࢕ࢫࢺࡢఫࡴ⏫࡜ ࡞࡝⌧Ꮡࡍࡿ᪋タࡑࡢࡶࡢࡢṔྐⓗ౯್ࢆṧࡍ࡜࠸࠺ࡼࡾࡣ࠿ࡘ࡚ ࠸࠺≉Ⰽࡀ࠶ࢀࡤಶᛶ໬࡟ࡘ࡞ࡀࡿࠖ࡞࡝ᩥ໬ⱁ⾡άືࡢ㞟✚ࢆᮇ ࡢ㐀⯪ᴗࡢṔྐࢆ⫼ᬒ࡜ࡋࡘࡘࡶࠊࡑࢀ࡟ᚲせ࡞ᡭࢆຍ࠼ࠊู⏝㏵ ᚅࡍࡿពぢ࡞࡝ KCV ᵓ᝿ࡢάືࢆ㧗ࡃホ౯ࡍࡿពぢࡀ࠶ࡿ୍᪉ࠊ ࡟฼ά⏝ࡍࡿࡇ࡜࡛ࠊKCV ᵓ᝿ࡢᣐⅬ࡜ࡋ࡚᪂ࡋ࠸౯್ࢆ⏕ࡳฟࡋ ࠕᮇᚅࡍࡿࡀࠊࡎࡗ࡜άືࡍࡿ࡟ࡣⰍࠎ࡜㞀ᐖࡀ࠶ࡿ࡜ᛮ࠺ࠖ࡞࡝ ࡚࠸ࡿࡇ࡜࡞࡝ࠊ௨ୖࡢࡇ࡜ࡣ KCV ᵓ᝿ࡀ⏘ᴗ㑇⏘ά⏝ࡢࡓࡵࡢ ᑗ᮶ࢆ୙Ᏻどࡍࡿពぢࡶぢࡽࢀࡓࠋ ⮬❧ⓗ࡞ࡲࡕ࡙ࡃࡾ஦ᴗ࡜ࡋ࡚ࡢྍ⬟ᛶࢆ♧၀ࡍࡿࡶࡢ࡜ᛮࢃࢀࡿࠋ ௨ୖࡢࡇ࡜࠿ࡽࠊ▱ྡᗘࡢㄢ㢟ࡸᑗ᮶ᛶࢆ୙Ᏻどࡍࡿពぢࡣ࠶ࡿ ㄢ㢟࡜ࡋ࡚ࡣࠊᣐⅬ㛫ࡢ஺ὶ࡟ࡘ࠸࡚ධᒃ⪅࡛ពぢࡀ␗࡞ࡾࠊ⮬ ࡀࠊⱝ࠸ேࡀᒃఫࡍࡿࡇ࡜࡛ࠊ໭ຍ㈡ᒇࡢάᛶ໬ࡸ⾤ࡢⱝ㏉ࡾ࡟ࡘ ⏤࡞㢼ᅵࢆ㔜ࢇࡌࡿ࢔࣮ࢸ࢕ࢫࢺࢆ⧳ࡵࡿࡇ࡜ࡢ㞴ࡋࡉࡀ࠶ࡿࡇ࡜ ࡞ࡀࡿࡇ࡜ࠊᆅᇦ࡜࢔࣮ࢸ࢕ࢫࢺ཮᪉࡟᭷┈࡛࠶ࡿࡇ࡜ࠊᩥ໬ⓗ⎔ ࡸࠊไᗘୖࡢㄢ㢟࡜ࡋ࡚⏘ᴗ㑇⏘ࢆ᭷ࡍࡿࡇࡢࡼ࠺࡞ᆅᇦ࡛ࡣᕤᴗ ቃ࡬ࡢኚ໬࡞࡝ࢆᮇᚅࡋ࡚࠾ࡾࠊ㛗ࡃ⥆ࡅ࡚࠸ࡃࡇ࡜࡛ࡼࡾᩥ໬ⱁ ⏝㏵࡟ಀࡿつไࡀከࡃࠊᵝࠎ࡞㞀ᐖࡀᏑᅾࡍࡿࡇ࡜࡞࡝ࡣࠊᩥ໬ⱁ ⾡άືࡢ㞟✚࡟ࡶ⧅ࡀࡿ࡞࡝ KCV ᵓ᝿ࢆ⫯ᐃⓗ࡟⪃࠼࡚࠸ࡿࡇ࡜ ⾡άື࡟ࡼࡿࡲࡕ࡙ࡃࡾࢆ㐍ࡵࡿୖ࡛ࡢㄢ㢟࡛ࡶ࠶ࡿࠋ ࡲࡓ KCV ᵓ᝿࡛ࡣάືᣐⅬࡢ኱ᖜ࡞ᨵಟ࣭ኚ᭦ࡣ࠶ࡲࡾ⾜ࢃࢀ ࡀ♧၀ࡉࢀࡿࠋ ࡚࠸࡞࠸ഴྥࡀ࠶ࡾࠊࡇࡢࡇ࡜ࡣᆅᇦఫẸ࡬୚࠼ࡿᙳ㡪ࡣᑡ࡞࠸཯ 㸵㸬⤖ㄽ 㠃ࠊKCV ᵓ᝿࡜ࡋ࡚᪂ࡋ࠸ࡲࡕ࡙ࡃࡾάືࢆᐇ᪋ࡋ࡚࠸ࡿ࡜࠸࠺༳ ᮏ◊✲࡛ࡣ⏘ᴗ㑇⏘ࡢ฼ά⏝ࢆዎᶵ࡜ࡋࡓᩥ໬ⱁ⾡άື࡟ࡼࡿ⮬ ㇟ࡀእ㒊࠿ࡽศ࠿ࡾ࡟ࡃࡃ࡞ࡗ࡚࠸ࡿྍ⬟ᛶࡶ࠶ࡿࡇ࡜ࠊᪧྡᮧ㐀 ❧ⓗࡲࡕ࡙ࡃࡾ஦ᴗ࡜ࡋ࡚໭ຍ㈡ᒇࢡ࢚ࣜ࢖ࢸ࢕ࣈ࣭ࣅࣞࢵࢪ ⯪ᡤ㊧ࡢ༳㇟ࡸά⏝࡟ᑐࡋ࡚ୡ௦㛫࡛ホ౯ࡀ␗࡞ࡿࡇ࡜࡞࡝ࡣࠊ௒ 㸦KCV㸧ᵓ᝿ࢆྲྀࡾୖࡆࠊࡑࡢ஦ᴗ୺యࡢྲྀ⤌ࢆᢕᥱࡋࠊྛάືᣐ ᚋ✵ࡁᐙ࣭✵ࡁᕤሙ➼ࢆ฼ά⏝ࡍࡿ⚍ࡢ␃ពⅬ࡛ࡶ࠶ࡿࠋ Ⅼ࡬ࡢ࢖ࣥࢱࣅ࣮ࣗ࡜ࡑࡇ࡛ẖᖺ㛤ദࡉࢀࡿᆅᇦ࢖࣋ࣥࢺ࡛ࡢ࢔ࣥ ௒ᚋࡢᒎᮃ࡜ࡋ࡚ࠊᮏㄽ࡛ࡣ໭ຍ㈡ᒇ࡟࠾ࡅࡿẸ㛫୺ᑟࡢ⮬❧ⓗ ࢣ࣮ࢺㄪᰝ࡞࡝ࢆᐇ᪋ࡋࠊ௨ୗࡢ⤖ᯝࢆᚓࡓࠋ ࡲࡕ࡙ࡃࡾ஦ᴗࡢྍ⬟ᛶࢆ KCV ᵓ᝿ࡢศᯒࢆ㏻ࡋ࡚⪃ᐹࡋ࡚ࡁࡓ 㸯㸧KCV ᵓ᝿࡛ࡣࠊᪧ㐀⯪ᡤ㊧ࢆ⏘ᴗ㑇⏘࡟Ⓩ㘓ࡋࠊ᪂ࡓ࡞౯್ࢆ ࡀࠊ⌧ᅾࡣࡲࡔࡲࡕ࡙ࡃࡾࡢ㏵ୖ࡟࠶ࡾࠊ௒ᚋࡢ⤒㐣ࢆὀどࡋ࡚࠸ ⏕ࡳฟࡍᆅᇦ㈨※࡜ࡋ࡚฼ά⏝ࡋࠊࡑࢀࢆ㉳Ⅼ࡟ࠕᆅᇦάᛶ໬ጤဨ ࡃᚲせࡀ࠶ࡿ࡜ᛮࢃࢀࡿࠋ௒ᚋࡣᅜෆእࡢ஦౛࡜ࡢẚ㍑᳨ウ࡞࡝ࡶ ఍ࠖࢆ⤌⧊࡛ࡁࡓࡇ࡜ࠊࡲࡓࡑࡢࡲࡕ࡙ࡃࡾࢆ KCV ᵓ᝿࡜ࡋ࡚ᒎ ྵࡵࠊࣈࣛ࢘ࣥࣇ࢕࣮ࣝࢻ෌⏕ࡢ஦౛࡜ࡋ࡚ࡶホ౯ࡍࡿࡇ࡜࡞࡝ࢆ 㛤ࡉࡏࡿࡓࡵ࡟ࡣࠊࡲࡎࡑࡢ஦ᴗ୺యࡀάືᣐⅬࡢᙧᡂࢆ⾜࠸ࠊࡑ ௒ᚋࡢㄢ㢟࡜ࡋࡓ࠸ࠋ ࡢᣐⅬ࡜ᆅᇦ࡜ࡢ஺ὶࢆಁ㐍ࡍࡿ௙⤌ࡳࢆࡘࡃࡿ࡜࡜ࡶ࡟ࠊࡑࡇ࡛ ࡢᩥ໬ⱁ⾡άື࡟ຓᡂࡋࠊࡑࡢάືࡢ᝟ሗⓎಙࢆࡍࡿࡇ࡜࡛㐍ࡵࡽ ㅰ㎡ ࢀࡓࡇ࡜ࠊࡲࡓᣐⅬࡢᙧᡂ࡟ࡣ஦ᴗ୺య௨እ࡟ྛᣐⅬࡢேⓗࢿࢵࢺ ᮏㄪᰝ࡟ᙜࡓࡗ࡚ࡈ༠ຊࢆ࠸ࡓࡔ࠸ࡓ KCV ᵓ᝿ࡢ㛵ಀྛ఩ཬࡧ⛉ ࣮࣡ࢡࡀ㔜せ࡛࠶ࡗࡓࡇ࡜࡞࡝ࡣࡇࡢᵓ᝿ࡢ≉ᚩ࡛࠶ࡿࠋ ◊㈝㸦㸧ࡢຓᡂ࡟ㅰពࢆ⾲ࡋࡲࡍࠋ 㸰) ࡇࡢࡼ࠺࡟ KCV ᵓ᝿ࡀᐇ⌧࡛ࡁࡓ⫼ᬒ࡜ࡋ࡚ࠊ஦ᴗ୺యࡢࣜ ࣮ࢲ࣮ࢩࢵࣉ࡜⤒Ⴀุ᩿ࡀ㔜せ࡛࠶ࡗࡓࡇ࡜ࠊࡲࡓࡑࡢ୺యࡢ୙ື ⏘஦ᴗ࡜ࡋ࡚ࠊ✵ࡁᐙ࣭✵ࡁᕤሙᑐ⟇ࡢ୍㠃ࢆᣢࡘࡇ࡜࡛ࠊබⓗ㈈ ὀ ὀ 㸧኱㜰ᕷ࣭ఫஅỤ༊࣭KCV ᵓ᝿࢚ࣜ࢔࡟࠾ࡅࡿᆅᇦᇶ♏᝟ሗ ᖹᡂ ᖺ ᅜໃㄪᰝ ࢆ௨ୗ࡟♧ࡍࠋ ※࡟኱ࡁࡃ౫Ꮡࡏࡎ⮬❧ⓗ࣭ᣢ⥆ⓗ࡞ࣅࢪࢿࢫ࡜ࡋ࡚ࡢᒎ㛤ࡀྍ⬟ ࡛࠶ࡗࡓࡇ࡜࡞࡝ࡀ♧၀ࡉࢀࡿࠋ 㸱) ஦ᴗࡢ㠃࡛ࡣྛάືᣐⅬࡣࡍ࡭࡚஦ᴗ୺య࡜ࡢ㈤㈚ዎ⣙ࡀᇶᮏ 㠃✚䠄䡇䟝㻕 ேཱྀ㻔ே䠅 ኱㜰ᕷ ఫஅỤ༊ 㻷㻯㼂ᵓ᝿ ୡᖏᩘ 䠄ୡᖏ䠅 ஦ᴗᡤᩘ 㻌〇㐀ᴗ 㻌ẚ⋡ 䠄௳䠅 ஦ᴗᡤᩘ䠄௳䠅㻔㻑㻕㻞㻝㻜㻚㻟㻢㻞㻘㻡㻥㻤㻘㻤㻜㻜㻝㻘㻟㻝㻣㻘㻥㻥㻜㻌㻞㻜㻝㻘㻠㻢㻞㻌㻌㻌㻌㻌㻌㻌㻌㻞㻟㻘㻝㻢㻟㻞㻜㻚㻣㻣㻝㻟㻡㻘㻠㻜㻜㻡㻢㻘㻡㻥㻟㻌㻌㻌㻌㻡㻘㻡㻢㻥㻌㻌㻌㻌㻌㻌㻌㻌㻌㻌㻌㻡㻜㻠㻜㻚㻣㻟㻢㻘㻞㻣㻤㻟㻘㻜㻞㻠㻡㻞㻠㻌㻌㻌㻌㻌㻌㻌㻌㻌㻌㻌㻝㻝㻡㻌㻌㻝㻝㻌㻌㻌㻌㻥㻌㻌㻞㻞 ᚑᴗ⪅ᩘ 䠄ே䠅㻌〇㐀ᴗ 㻌ẚ⋡ ᚑᴗ⪅ᩘ䠄ே䠅㻔㻑㻕㻌㻞㻘㻞㻝㻢㻘㻤㻥㻡㻌㻌㻌㻌㻌㻌㻌㻞㻣㻣㻘㻡㻣㻝㻌㻌㻌㻌㻌㻢㻟㻘㻟㻥㻡㻌㻌㻌㻌㻌㻌㻌㻌㻝㻜㻘㻝㻝㻣㻠㻘㻥㻜㻤㻌㻌㻌㻌㻌㻌㻌㻌㻌㻌㻝㻘㻝㻠㻣㻌㻌㻝㻟㻌㻌㻝㻢㻌㻌㻞㻟 ─ 917 ─ ɉ 2Ί±KTɎĘǟɞR˲ǸTɎĘǟɞ6úƓ@M1kţĹ(°ğĔ̚ƕ) k*`G<lÏŬTǟɞUƜȫ)əƜȫ)̱ͧŊȫ)ʤ 1 ʛÛƓRÙˈ O)ĺ±T̻Őˍ6˲ǸTɎĘǟɞo̻Ő@M1kţĹ(CCO¯AIR Ů͛ @M1k*`G,ͼŐɇ-Rhj)Ʀ̣@r°t®f 24 Ȍ͘t O}«̓¯ͯͰͿ¯z©¥ȡʮĬX Co.to.hana¯apQT23p) d0j)ȝ̊ȦNUû 14 zǕTǟɞȂ̃(18 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ðUȒśfʟ7ƃ(ʟƃʦƋʨɤČǪˈɇ)RBkTRȽ]MĳƃT`` NáɰBkÀNŖž̜ɯʚT̪ɕ(200m2 `NU 1/6)6ı:ilkɞ)` GĳƃTǳëōĴ@MɫɦǀȆoɁcQ1<ON)»ÜðTȀGQ̃ ñǚ̜T̓ǝ6ɕƐ@)Ǻ͌ʑ͌d¶˴OQkɞQPRhJMÚƯQƃ ̛OBk<O6N7M1k* ɉ 15Ί̱ÎĞɯȫ́ɯO@Ṁž>lGɫ CCO(ȆĻȠ̷˛Ǖ)UƜȫƌɰś şRʢś@M1kGc)ɣŅ̖ũ¯;ͽƪQP6N7Q1ɰ̵Ď͞60 ─ 918 ─ ¯t®¯«® ÀȫTʶʷǇT̅å, ȅȝƱʫźÕŮÕź˨̍ɛȩȮͨ, F-1, pp.893-894, 2009.07 6) ʊĿĐ±, ˳ȠƧů, ʡɱÄʊ : ȹĶɽƠ˩śR4:kʟ7ƃĄɮɎĘ R͙Bkʍʞ:͔͊ƠōøƊ͕ďɴśĠoƋ̒O@M, ͅƠ˾ɵ̋ǻͨ, ͅƠ˾ɵ̋ǻͨ, Vol.49, No.1, pp.47-52, 2014 7) Ĩɱ͢ŷ, Ƙ˔Ō̭, ͊ƚǐÁ : Ů͛ƠʟšśĠR4:kȀ˶ɐúˍT 9) ʕÃˉƴ΋̈́͜ɑń΋ȴƊʋŷ : ɯȫ́ɯȂ̃TéŸɎɰTɫɦOÀȫ »ÜTƺđ, ȅȝƱʫźÕ˾ɵʬ̋ǻͨ, Vol.78, No.687, pp.1067-1076΋ 11) ȋȅńè, Ô˦Źʭ, ṣ̌Ňˉ : r°t®R4:kͅƠ̈́TśĠ ɉ 12ΊKCV ȯǋTƃ̛åȨTƥŜOğĔ̚ƕ΁Ł̯T±˚¶ĘɯTƃ̛å " 92,*,,,&+0,Q 9/.*,,,&+0,Q (2015.6.19.͚˹)Ί 5) ºƚ˯, ɖ̯è : r°s Tśş̜ɘ,5i^jÌr°-oÀâO@M, ȅȝƱʫźÕ˾ɵ ʬ̋ǻͨ, Vol.75, No.658, pp.2873-2880, 2010.12 trsv2sr@m¹µ¥ÂæÓØæÓtrsvj 44 -/ http://www.chiiki-dukuri-hyakka.or.jp/1_all/jirei/2013_art/index.html 10) ´Ȼ̗ɑ, ˔ɱʓƑ : r°t®RhJM͹ŚĞBkȹĶɽƠ˩ś 8 trsu2sr@m¹µ¥ÂæÓØæÓtrsuj !%T 768)) j, ̔ΊśşɎǇĞ®°, 2013.01 2013.05 {~|ru¢-= trst2st@mÅÇæâÛÄäÓ¡m¢+8 trsu2ru@mÅÇæâÛÄäÓf m(2015.6.19.͚˹) 4) ʌɱʂ˯ : ƥǒ 24 ƦƬśşɎǇĞÀâͨr°oɎɰ@GÌL8 Õ˾ɵʬ̋ǻͨ, Vol.73, No.625, pp.601-609, 2008.03 trss2sr@mSu"¹µ¥ÝßæÌÑÈÙÆÍÏnoj¡ËäÊÄÝàÄÕÖÔ¢?j trst2ss@¡{ http://www.chiiki-dukuri-hyakka.or.jp/book/monthly/0804/html/f12.ht TɈĬR͙Bkʍʞğɒ̽R4:k 10 ÀâoƋ̒O@M, ȅȝƱʫź è 8 trss2ry@m}{ {||mtrssj ÄÚäÓ jµ[ ̔ΊśşɎǇĞ®°, 2008.04 ȅȝƱʫźÕ˾ɵʬ̋ǻͨ, Vol.76, No.667, pp.1641-1650, 2011.09 8) ɼȚ͈ǈŷ, ¼éĚ˯, ŮŞʂȈ : ȹĶɽƱ̷ɣT̨ɰOÌL8j\ trsr2sr@mSt"¹µ¥ÝßæÌÑÈÙÆÍÏnoj çÅÇæâÛÄäÓ¡émmm¢¼? ʻĹ̊ȦŢŀȓ, 2007 3) ʱɔɯȫʄśşʱɔɯȫǵʨ̉ : ɤͨ ̱ÎĞɯȫ́ɯoɎ5@GÌ L8j, śşɎǇĞTGcT,̱ÎĞɯȫ́ɯˊ 33-, ȖĉśşL8j, Ē̷ɽQȑi@ȁR͙BkʍʞªªOĒ̷ɽȵ˓Rʈʁ@M, trrz2st@mSs"¹µ¥ÝßæÌÑÈÙÆÍÏnoj trss2ru@¡·¦·¦ 1) ʱɔɯȫʄśşʱɔɯȫ~ª°:Ɯţ̦śʦčɎɰÀâͨ, 2010.03 www.meti.go.jp/meti_lib/report/2010fy01/E000927-1.pdf (2015.6.19.͚˹) ɛćTĴ˓Ǉ01I©w®°« 2010 ͔ˍɴÕţoÀâO@Mȅ ȝƱʫźÕ˾ɵʬ̋ǻͨ, Vol.77, No.681, pp.2577-2584, 2012.11 12) ˡƛßŮ, ʆ͊ɊÊ : śşNTǻĞɎĘTɏɮ5iaGśşŭ»Üŝr °¬v}TƺđR͙BkʍʞŦɱĠļƙśĠNT±̸Tr° ¬v}oÀâO@M, ͅƠ˾ɵ.Čă, ͅƠ˾ɵ̋ǻͨ, Vol.45, No.3, pp.289-294, 2010.10 13) ǟɞ΋44>5Ē̷ġƙ̔œ (2015.6.18.͚˹) http://www.chishimatochi.info/found/index.php/920-2/924-2 14) Ů͛ƠÛ½ɂĠƺǕ ǵʨǩ̹Ɓ (2015.6.18.͚˹) http://www.city.osaka.lg.jp/suminoe/page/0000175490.html 15) ƏĨŌɖ : ͙˳UĒ̷ɽ͗ɺTĒɮ÷̹ś˃ƏʒÕoɿj´;kÌ L8jTʋǈŮ͛/ğĔ̚ƕ}©wts¯«ȯǋ΋śş͗ɺ΋ Vol.576, 2012.09 16Ί˞ƛ˓±, ğĔ̚ƕ}©wts¯«ȯǋΌʟ7ƃ)ʟ7Ɯ ţoĒ̷ɎĘTţRΌ, 2012 ƦƬʤΒőͅƠɭŤt® °́͐ http://www.gakugei-pub.jp/judi/semina/s1207/ (2015.6.18.͚˹) COMMUNITY DEVELOPMENT THROUGH ARTISTIC ACTIVITIES COMMUNITY DEVELOPMENT THROUGH ARTISTIC ACTIVITIES STARTING WITH WITHREUTILIZATION REUTILIZATIONOF OFINDUSTRIAL INDUSTRIAL HERITAGE HERITAGE STARTING Case study study of Kitakagaya KitakagayaCreative CreativeVillage VillageProject Project-－－- Case ＊＊＊ *** ** MiyaAbe Lowoon Lee*Lowoon Hirokazu Fukui Tomoko Hashitera**** LEE Abe , Hirokazu , Miya Fukui ＊＊＊ and Tomoko Hashitera ＊＊＊＊ * Graduate Student, Graduate School of Engineering, Osaka University, M. Eng. ** Stud., Prof.,Graduate Cyber media Center, Osaka University, Dr. Eng.M.Eng. Grad. School of Engineering, Osaka University, ＊＊ Prof., Cyber media Center, Osaka University, Dr.Eng. *** Research Assistant of Cyber media Center, Osaka Univ. Dr. Eng. ＊＊＊ Research Assistant of Cyber media Center, Osaka Univ., Dr.Eng. ＊＊＊＊＊ Faculty of Environmental and Urban Engineering,Kansai Kansai Univ. Univ., Dr. Dr.Eng. ****Faculty of Environmental and Urban Engineering, Eng. This study aims to explore the possibility of revitalizing community development through artistic activities starting with reutilization of an industrial heritage. In this research, we focus on the Kitakagaya Creative Village (KCV) project in Osaka city. KCV project is a rare case of the community development to turn from a declined industrial area into a creative and attractive place as an independent and sustainable business. We examined the approach and perception of the stakeholders in KCV project with the literature-review, interviews and the questionnaire survey. The major findings of this study are as follows. In order to develop KCV project as a community development, it is important for the operating-body to register the former shipyard as an industrial heritage and then organize the local revitalization committee, to attract the creators into the projects, to grant the creators’ cultural and artistic activities, to run public relations campaigns of KCV project, and to exert the leadership and the business judgment. In addition, besides the operating-body, a human network of creators’ hubs is useful to form the creative village. To continue the business independently from public fiscal resources, it is important to consider it as the real estate business of the operating-body. In KCV project, all creators’ hubs have contracted a lease with the operating-body. However, since it offered a low-priced rent, permission of self-repair and the exemption from obligation of current restoration, young creators have the advantage to participate. These seem to be clues to reutilize vacant houses and derelict factories through artistic activities. As an evaluation of the creators of the KCV project, they are satisfied with a reasonable rent and self-repair. As an evaluation of visitors and residents, creators’ activities in Kitakagaya received positive reviews and responses, because it leads to the revitalization and the rejuvenation of the town. It suggests that the reutilization of the former shipyard have created a new value with the historical background and KCV project have the possibility as a revitalization of community development. However, KCV project is faced with tasks, such as a consensus amongst various creators and an institutional constraint for artistic activities. The exterior change in the renovation of the buildings is not predominant in KCV project. Because of this, it is suggested that there is little influence on the region, however visitors are unable to realize that community development has been executed. Regarding the evaluation of industrial heritage, the perception of the visitors and local residents aged below 30s and above 40s is different. The younger generation evaluated it higher. These should be considered in order to reutilize an industrial heritage and derelict factories for the community development in the future. （2015 年 8 月 10 日原稿受理，2016 年 1 月 13 日採用決定） ─ 919 ─

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