The Scale Omnibus 392 scales for instrumentalists, vocalists, composers and improvisors Francesco Balena – www.saxopedia.com Table of Contents Introduction page 3 Major and Minor Scales 7 Symmetrical Scales 28 Jazz Scales 50 Pentatonic Scales 73 Modal Scales 117 European Scales 181 Asian Scales 218 Indian Scales 238 Miscellaneous Scales 389 Appendix A : Scale Index 399 Appendix B : Scales by Name 406 Appendix C : Scales by Interval 421 Appendix D : Scales by Chord 428 Document version: 1.01 – Published on April 16, 2014 1 The Scale Omnibus has been my “pet project” of year 2013 and first months of 2014. It required hours of researching, typing, read-proofing, and double-checking. I am very glad to offer it for free to instrumentalists, vocalists, composers, improvisers, students, and music hobbysts. Feel free to share this material with your fellow musicians. Instead of passing a copy of this PDF document, suggest them to download the most recent version from www.saxopedia.com/the-scale-omnibus I dedicate this book to my wife Adriana, who has inspired all the nicest achievements in my life. 2 Introduction Virtually all kinds of music are based on scales. In primary schools we were taught to sing the major scale and even people who don’t play a musical instruments can typically distinguish between major and minor modes. If you are a classical, jazz or pop musician you probably learned a few more scales, most likely the the modes of the Major scale, the Blues scale and the Pentatonic scale. In most cases, you don’t need to learn any other scale; after all, for centuries classical Western composers have produced wornderful masterpieces with no more than a couple dozens difficent scales. Other music traditions are based on a larger set of scales. If you play South India Carnatic music, you are expected to know and practice no fewer than 72 different ragas. If you are from North India, you should be able to distinguish between ragas based on the time of the day and the season of the year. Many ragas have different ascending and descending forms, thus the learning effort isn’t trivial at all. Regardless of which music style you are in, there is an unexplored world out there, based on scales that you might not be familiar with. Studying and practicing “uncommon” scales adds new sounds to your music vocabulary and can bring novel ideas, both during composition and improvisation. The goal The objective of The Scale Omnibus is providing information about the many scales you can “borrow” from all over the world, from Western composers of the past, from jazz and rock improvisers of the present. When possible, a scale description includes historical or geographical notes, oddities and trivia. If you like knowing that the Simpson theme is based on the Lydian Dominant scale - which was also used by composers such as Debussy, Stravinsky, and Bartók – this book is for you. There are many books and websites containing tons of different scales. Many classical composers are familiar with Nicolas Slonimski’s Thesaurus of Scales and Melodic Patterns, and most jazz improvisers have studied Don Hearle’s Scales for Jazz Improvisation or similar textbooks. These are must-read books and cover many scales in a very accurate manner, nevertheless they leave out an even larger number of scales. At the other side of the spectrum, you can easily find several websites with hundreds of scales, which are described in a very essential way (in most cases, just the interval list). For example, you should have a look at The Piano Encyclopedia (http://pianoencyclopedia.com/scales) or the Simon’s Stuff blog (http://jollyninja.com/wordpress/scales), which broadly contain the same scale collection, or the HuygensFokker site (http://www.huygens-fokker.org/docs/modename.html), which also includes micro-tonal scales. Many Wikipedia pages are devote to this topic – for example search for “List of musical scales and modes” and “Musical styles” – and have been a major information source for this book. The main shortcoming of these huge scale collections is they fail to show the relationship between different scales. For example, none of them make it clear the the Egyptian scale, the Rui Bin Chinese scale, and the Madhyamavati Indian raga contain the same notes as the Suspended Pentatonic that so widely used in jazz and rock, and that all of these scales are nothing but the 2nd mode of the very popular Major Pentatonic scale. To put things in perspective, The Scale Omnibus contains 1,018 scale names, yet only 392 distinct scales, therefore any given scale has about 2.5 synonyms on the average. Of those 392 distint scales, as many as 239 scales are actually modes of another scale (e.g. the Lydian Dominant scale is mode IV of the Melodic 3 Minor scale), which leaves just 154 scales that are truly different, i.e. contain a different sets of notes. Even if each mode of a given scale calls for a different treatment, you typically don’t need to practice over all the modes of a given scale, because the fingering on your instrument is the same for all of them. The initial set of 1,000+ scales has quickly become more manageable. All the websites devoted to music scales include an example of the each scale starting on the C note or the interval list (e.g. CDEFGAB or 2212221 for the Major scale), or both. Transposing scales to other keys is left as an “exercise for the reader”, as is determining over which chords you can use the scale. These pieces of information are included in this book, to minimize your efforts. Overview To create some order in this vast material, the book has been organized in several sections. The Major and Minor Scales chapter describes the Major, the Melodic Minor and the Harmonic Minor scales and the modes that can be derived from them. The Symmetrical Scales section covers limited transposition scales, that is scales for which fewer than 12 distinct versions exist. For example, there are only two distinct Whole-Tone scales, one starting on C and the other starting on C# (the scale starting on D, E, F#, G#, and Bb are the same as the C scale). The Jazz Scales chapter includes the many variations of the blues and bebop scales, whereas the Pentatonic Scales section offers an insight the most common 5-note scales used in jazz and world music. The Modal Scales section gathers variations of common modes of the major and minor scales, and provides a lot of interesting hints for jazz improvisation. The European Scales, Asian Scales, and Indian Scales sections group scales by their geographical original. Indian scales typically belong to one of two groups: melas and ragas. The last chapter, Miscellaneous Scales, includes African and American scales, plus scales that don’t fit nicely in any of the previous sections. Scales in these four chapters are listed alphabetically. At the end of the book you can find a few useful supplements. The Scale Index table summarizes the properties of all main scales described in more details in the various chapters. The Scales by Name table lists all scales in alphabetical order, including those that are synonims for better known ones. The Scales by Interval table provides a quick way to identify a scale from a group of notes or intervals. Finally, the Scales by Chord table summarizes the scales that are typically used over different chords in jazz improvisation. Some scales fit in more than one category, and the criteria for selecting the appropriate section were somewhat arbitrary. For example, some Indian 5-note ragas were included in the Pentatonic Scales section, others are listed in the Indian Scales section. This was done in the attempt to keep different modes of a given pentatonic scale in adjacent pages. Selection criteria While a great effort has been done to include as many distinct scales as possible, The Scale Omnibus surely doesn’t cover all the scales that have been used over the years by musicians from all over the world. In fact, only scales meeting a few requirements are listed in this collection. First, only scales with 5 or more notes are included. The rationale here is that scales with 4, 3 or 2 notes – yes, there are “scales” with just two notes! – may be of interest to a musicologist, yet are inadequate for either modern compositions and improvisations. 4 Second, only scales based on the 12-tone equal temperament were included. Microtonal scales, scales that use just temperament, and scales that use equal temperament obtained by dividing the octave in a different number of intervals – as is the case of some Arabian scales – are not included. For more information, search Wikipedia for “Equal Temperament.” Third, in most cases only the ascending mode of a scale is included. There are several scales that use a different set of notes in their ascending and descending version, yet this book only lists the ascending version. There are a few exceptions, though, such as the Enigmatic scale and a few Indian ragas. Modes, intervals, chords All scales are reported in all 12 keys, with the only exception of the Chromatic scale for obvious reasons. Effort has been made in selecting the accidentals that preserve the nature of the scale itself, but at the same time trying to minimize the number of accidentals and avoid double sharps or double flats if possible. In other words, 7-note scales typically contain seven distinct note names, each with the proper accidental. For non-Western scales and for scales with 8 or more notes accidentals are used more liberally. The selection of a given scale as the “primary scale” that generates one or more modes was arbitrary in some cases. While the relationship between modes of major and minor scales is quite clear – e.g. the Dorian mode was conceived as the 2nd mode of the Major scale – indicating that, say, the Raga Hamsanandi is the 4th mode of the Blues scale doesn’t mean to imply that there is any stylistic or historical relationship between the two. Even in this case, however, the information can be useful: if you are proficient with the Blues scale on your instrument you already have the Raga Hamsanandi scale “under your fingers”, and it’s just a matter of experimenting with its sounds over one or more chords. For each scale, one or more chords are also provided. These are the chords for which the scale can be a good candidate for improvisation. It should be kept in mind, though, that some scales – especially India ragas and scales with 9 or more notes – don’t fit well any kind of Western harmony. In some cases the accompanying test specifies which notes should be avoided or used as “passing notes”, but in the majority of cases this kind of advice has been omitted. A great advantage of an e-book over a standard paper book is that the former can include hyperlinks, both to websites and to other portions of the same document. This feature has been used extensively in the PDF version of The Scale Omnibus. Virtually all scale names are hyperlinks to the page where the page is described with more details. For example, you can quickly get more information about all the modes of a given “primary scale”. Hyperlinks are heavely used in the Appendix sections, where you can explore all scales by their name, interval set, children modes, related chords, and so forth. Licensing and distribution The primary objective of this book is making in-depth knowledge about scales available to the largest number of people as possible. For this reason The Scale Omnibus is free. Free as a free lunch. No strings attached. You are encouraged to pass this PDF to your fellow musicians. If you are a music teacher or run a music school, feel free to copy this PDF or printouts of this books to your students, provided that you don’t sell the PDF version and charge a reasonable sum of money for the printout (e.g. no more than mere printing costs) 5 you don’t use this material in commercial publications without the written consent of the author you always include the first page of this book, which includes the title and author name. Instead of distributing a copy of the PDF, please divulge the following URL, where all future editions of this book will be made available for download: http://www.saxopedia.com/the-scale-omnibus Passing this URL along to your friends and students rather than the actual PDF ensures that they will download the most recent edition of The Scale Omnibus. Donate and contribute If you feel the urge to compensate the author for the effort of putting all this information together, you can just donate any sum of money you believe is adequate. To do so, just click on the image below (if you are reading the PDF version) or visit the above-mentioned page on www.saxopedia.com website. If you don’t feel like donating, you can still contribute to improving the information contained in The Scale Omnibus by reporting errors, providing information about scales already included in the list, or about scales that aren’t. Tip: to check whether a scale is already included in the list, but with a different name, build the “interval list” string (for example “2 1 2 2 2 1 2”) and search it in the PDF document. If you are reading a paper version of this book, you can search the interval list in Appendix C: Scales by Interval. saxopedia Another simple way to support The Scale Omnibus is paying a visit to www.saxopedia.com and leaving a comment. saxopedia is a website devoted to saxophonists and, more in general, jazz musicians and improvisers. Among other things, it includes links to 3,000+ solo transcriptions, sax fingering charts, information about iOS music apps, and more. 6 Major and Minor Scales Major Alternate names: Ionian mode, Peruvian Major, Ghana Heptatonic, Ararai (Ethiopia), Xin (China), Maqam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Raga Bilaval That, Raga Arabhi descending, Raga Bilahari descending, Mela Shankarabharanam Modes: Dorian (II), Phrygian (III), Lydian (IV), Mixolydian (V), Aeolian (VI), Locrian (VII) Intervals: 2 2 1 2 2 2 1 Chords: C, Cmaj7, C6 The major scale is the fundamental scale in all Western music and its modes are used in virtually all jazz styles. In th rd general, the 4 degree should be used as a passing tone and resolve to the major 3 . nd Individual notes of the major scale are sometimes called with specific names: tonic (root), supertonic (2 ), mediant rd th th th th (3 ), subdominant (4 ), dominant (5 ), submediant (6 ), leading tone (7 ). 7 Dorian Alternate names: Gregorian 8, Mischung 5 (Germany), Yu (China), Hyojo (Japan), Oshikicho (Japan), Nam (Vietnam), Raga Kafi That, Mela Kharaharapriya, Raga Bhairavi ascending, Raga Kharapriya, Raga Shree descending, Raga Bhimpalasi, Raga Nayaki Kanada, Raga Sri, Raga Ritigaula, Raga Huseni, Raga Kanara, Raga Bageshri Mode: mode II of Major scale (C Dorian = Bb Major) Intervals: 2 1 2 2 2 1 2 Chords: Cm7, Cm7/9 In jazz improvisation, the Dorian scale is the primary choice over minor chords when they are used as IIm7 chords (e.g. Dm7 in C major key). 8 Phrygian Alternate names: Major Inverse, Ousak (Greece), Zokuso (Japan), Maqam Kurd (Iraq), Raga Dhanyasi descending, Mela Hanumatodi, Mela Bhairavi That, Raga Bilashkhani Todi, Raga Ghanta Mode: mode III of Major scale (C Phrygian = Ab Major) Intervals: 1 2 2 2 1 2 2 Chords: Cm7 In jazz improvisation, the Phrygian scale is the primary choice over minor chords when they are used as IIIm7 chords (e.g. Em7 in C major key). 9 Lydian Alternate names: Ping (China), Gu (China), Mela Mecakalyani, Raga Shuddh Kalyan, Raga Kalyan That Mode: mode IV of Major scale (C Lydian = G Major) Intervals: 2 2 2 1 2 2 1 Chords: C, Cmaj7, C#11 th In modern jazz, the Lydian scale is often preferred to the Major scale over major chords because its 4 degree doesn’t rd need to resolve down to the 3 . This scale has become very popular in modern jazz also thanks to George Russell’s Lydian Chromatic Concepts textbook. 10 Mixolydian Alternate names: Gregorian 2, Mischung 3 (Germany), Shang (China), Mela Harikamboji, Raga Kambodhi descending, Raga Khamaj That, Raga Janjhuti, Raga Harini, Raga Khambhavati, Raga Surati, Raga Balahamsa Mode: mode V of Major scale (C Mixolydian = F Major) Intervals: 2 2 1 2 2 1 2 Chords: C7, C9 th In most jazz styles, the Mixolydian scale is the primary choice over dominant 7 chords with no altered note. 11 Aeolian Alternate names: Natural Minor, Peruvian Minor, Cushak (Armenia), Ezel (Ethiopia), Geez (Ethiopia), Se (Japan), Raga Bhairavi descending, Mela Natabhairavi, Raga Jaunpuri, Raga Adana, Raga Jingla, Raga Asavari That Mode: mode VI of Major scale (C Aeolian = Eb Major) Intervals: 2 1 2 2 1 2 2 Chords: Cm7 In jazz improvisation, the Aeolian scale is the primary choice over minor chords when they are used as VIm7 chords (e.g. Am7 in C major key). 12 Locrian Alternate names: Pien Chih (China), Makam Lami (Jewish), Yishtabach (Jewish) Mode: mode VII of Major scale (C Locrian = Db Major) Intervals: 1 2 2 1 2 2 2 Chords: Cm7/b5 In jazz improvisation, the Locrian scale is the primary choice over half-diminished chords when they are used as VIIm7 chords (e.g. Bm7/b5 in C major key). 13 Melodic Minor Alternate names: Ascending Minor, Mischung 1 (Germany), Mela Gaurimanohari, Raga Patdip, Raga Velavali, Raga Deshi 2 Modes: Dorian b2 (II), Lydian Augmented (III), Lydian Dominant (IV), Melodic Major (V), Half-diminished (VI), Altered Dominant (VII) Intervals: 2 1 2 2 2 2 1 Chords: Cmin/maj7, Cmin6 th In classical music, this scale has two versions: ascending and descending; the descending version has both 6 and 7 degrees flattened (i.e. Ab and Bb for the C minor melodic scale). In jazz music, no such distinction exists. 14 th Dorian b2 Alternate names: Jazz Minor Inverse, Phrygian Natural 6, Phrygian Mixolydian, Javanese, Mela Natakapriya, Raga Natabharanam, Raga Ahiri Todi Mode: mode II of Melodic Minor scale (C Dorian b2 = Bb Melodic Minor) Intervals: 1 2 2 2 2 1 2 Chords: Cm7/b9, C7sus/b9 15 Lydian Augmented Alternate names: Lydian #5, Altered Lydian Mode: mode III of Melodic Minor scale (C Lydian Augmented = A Melodic Minor) Intervals: 2 2 2 2 1 2 1 Chords: Cmaj7/#5 The Lydian Augmented scale has been used by many bop and post-bop players, such as McCoy Tyner. 16 Lydian Dominant Alternate names: Lydian b7, Mixolydian #4, Bartok, Acoustic, Overtone, Mela Vacaspati, Raga Bhusavati or Bhusavali Mode: mode IV of Melodic Minor scale (C Lydian b7 = G Melodic Minor) Intervals: 2 2 2 1 2 1 2 Chords: C7/#11 th The Lydian Dominant scale differs from the Mixolydian scale for its raised 4 degree, therefore it is often preferred to Mixolydian scale as the primary choice for altered dominant chords, especially when not resolving to the tonic chord (e.g. C7/#11 when not resolving to Fmaj7 or Fm7). th th In classical music, this scale is sometimes referred to as Acoustic scale and has been used by 19 - and 20 -century composers such as Liszt, Debussy, Stravinsky, Bartók, Szymanowski, and Howard Hanson (Symphony n. 4). This scale is also used in folk music of Polish Highlands and Nordeste (northeastern region of Brazil). As a curiosity, the Lydian Dominant scale is used in the Simpson Theme song. 17 Melodic Major Alternate names: Mixolydian b6, Mixolydian b13, Aeolian Major, Major Minor, Mischung 6 (Germany), Hindu (India), Maqam Ussak (Iraq), Mela Carukesi, Raga Tarangini Mode: mode V of Melodic Minor scale (C Melodic Major = F Melodic Minor) Intervals: 2 2 1 2 1 2 2 Chords: C7/#5, C7/b13 18 Half Diminished Alternate names: Semilocrian, Locrian Natural 2, Minor Locrian, Minor b5, Altered Diminished Mode: mode VI of Melodic Minor scale (C Half Diminished = Eb Melodic Minor) Intervals: 2 1 2 1 2 2 2 Chords: Cm7/b5 th th The Half Diminished scale is similar to the Locrian scale, except it contains a major 9 instead of minor 9 . It is often preferred to the Locrian scale when improvising over half-diminished chords, when they work as II degree of minor key (e.g. Dm7/b5 in C minor key). 19 Altered Dominant Alternate names: Altered, Superlocrian, Locrian b4, Pomeroy, Ravel Mode: mode VII of Melodic Minor scale (C Altered Dominant = Db Melodic Minor) Intervals: 1 2 1 2 2 2 2 Chords: C7/b9/#9/#11/b13 The Altered Dominant scale has a very distinctive sound and is often the primary choice for dominant chords with all altered notes (that is, b9, #9, #11, and b13). This scale appeared in the works of Debussy, Ravel (hence the alternate Ravel name), and modern composer Steve Reich. 20 Harmonic Minor Alternate names: Mischung 4 (Germany), Mohammedan, Maqam Bayat-e-Esfahan (Iraq), Maqam Sultani Yakah(Iraq), Sultani Yakah, Zhalibny Minor, Raga Pilu That, Mela Kiravani, Raga Kiranavali, Raga Kirvani, Raga Kalyana Vasantha, Raga Deshi 3 Intervals: 2 1 2 2 1 3 1 Modes: Locrian #6 (II), Ionian Augmented (III), Romanian Minor (IV), Phrygian Dominant (V), Lydian #2 (VI), Ultralocrian (VII) Chords: Cmin/maj7 nd The Harmonic scale and its modes have a very distinctive sound, given by the augmented 2 interval (3 semitones) th th between the 6 and 7 degrees. In classical music this scale has been used more sparingly than the Melodic Minor scale, by composers such as Bach, Mozart and Schubert (String Quartet 1, movement 1), usually in its descending form rather than ascending form. 21 Locrian #6 Alternate names: Locrian Natural Maj6, Dorian b9, Mode: mode II of Harmonic Minor scale (C Locrian Maj7 = Bb Harmonic Minor) Intervals: 1 2 2 1 3 1 2 Chords: Cm7/b5 22 Ionian Augmented Mode: mode III of Harmonic Minor scale (C Ionian Augmented = A Harmonic Minor) Intervals: 2 2 1 3 1 2 1 Chords: Cmaj7/#5 23 Romanian Minor Alternate names: Dorian #4, Gnossiennes, Ukranian Dorian, Tunisian, Kaffa (Ethiopia), Maqam Hedjaz (Iraq), Maqam Nakriz (Iraq) Misheberekh (Jewish), Nigriz (Greece), Peiraiotikos Minor (Greece), Souzinak (Greece), Ukrainian Minor, Mela Hemavati, Raga Desisimharavam Mode: mode IV of Harmonic Minor scale (C Romanian = G Harmonic Minor) Intervals: 2 1 3 1 2 1 2 Chords: Cm7/#11, Cdim7 th The Romanian scale can be thought of as a Dorian mode with a raised 4 degree. It is often used in Klezmer Bulgarish music and other Eastern Europe music styles. It has been used also by composers such as Bert Kaempfert (Sweet Maria tune), Eric Satie (hence the alternate name Gnossiennes), and George Gershwin. 24 Phrygian Dominant Alternate names: Phrygian Major, Harmonic Major inverse, Spanish or Spanish Gipsy, Zilof (Spain), Dorico Flamenco (Spain), Jewish, Avaha or Ahava Rabba (Jewish), Freygish (or Fraigish), Hitzaz (or Hijaz, Greece), Alhijaz (Saudi Arabian), Maqam Humayun (Iraq), Maqam Zengule (Iraq), Maqam Hijaz-Nahawand (Iraq), Humayun (Iraq), Mela Vakulabharanam, Raga Jogiya, Raga Vativasanta Mode: mode V of Harmonic Minor scale (C Phrygian Dominant = F Harmonic Minor) Intervals: 1 3 1 2 1 2 2 Chords: C7/b9/b13 The Phrygian Dominant scale can be found in jazz compositions by Charles Mingus (Ysabel’s Table Dance, Don’t Let It Happen Here, The Black Saint and The Sinner Lady). It was used in classical music by Franz Liszt (B-minor Sonata, closing bars). 25 Lydian #2 Alternate names: Mela Kosalam, Raga Kuksumakaram (or Kusumakaram) Mode: mode VI of Harmonic Minor scale (C Lydian #2 = E Harmonic Minor) Intervals: 3 1 2 1 2 2 1 Chords: Cmaj7/#11 26 Ultralocrian Alternate names: Mixolydian #1 Mode: mode VII of Harmonic Minor scale (C UltraLocrian = Db Harmonic Minor) Intervals: 1 2 1 2 2 1 3 Chords: Cdim7 27 Symmetrical Scales Whole-Tone st Alternate names: Hexatonic, Anhemitonic Hexatonic, Messiaen 1 Mode, Raga Sahera, Raga Gopriya Intervals: 2 2 2 2 2 2 Chords: Caug, C7/#5, Caug7/#11 The Whole-Tone scale is symmetrical and exist only two different versions of this scale. It can be obtained by combining two augmented triads that are one whole tone apart (e.g. C-E-G# and D-F#-A#). In classical music, the Whole-Tone scale has been used by Mozart (Musical Jokes for strings and horns), Liszt (Dante Symphony), Berlioz, Schubert, Glinka (Ruslan and Lyudmila, overture), Borodin (Prince Igor), Rimsky-Korsakov (Sadko), Debussy, Alan Berg (Violin Concert), Bartók (Fifth String Quartet), and Busoni. This scale appears in many jazz compositions and improvisations, such as JuJu (Wayne Shorter), One Up, One Down (John Coltrane). Art Tatum and Thelonious Monk have used this scale extensively. It appears in bar 3 and 4 of the opening of You Are The Sunshine of My Life (Stevie Wonder). 28 Augmented rd Alternate names: Major Augmented, Messiaen Truncated 3 Mode Inverse, Genus Tertium, Raga Devamani Modes: Inverted Augmented (II) Intervals: 3 1 3 1 3 1 Chords: Caug, Cmaj7/#5, C7/#5/#9 The Augmented scale is symmetrical and exist only four different versions of this scale. It can be obtained by combining two augmented triads that are one half tone apart (e.g. C-E-G# and C#-F-A). It made its first appearance in the work of Franz Liszt (Faust Symphony) and was used by Shostakovich (Second Piano Trio, finale), Ginastera, Prado, Bartók, Babbit, and Schoenberg. The scale has been extensively used in the late 50s and early 60s, by players such as Oliver Nelson (Stolen Moments), John Coltrane, and Michael Brecker. 29 Inverted Augmented nd Alternate names: Messiaen 2 Mode, Prometheus Liszt Mode: Mode II of Augmented scale (C Inverted Augmented = B Augmented) Intervals: 1 3 1 3 1 3 Chords: Caug, Caug6, Caug/b9 30 Diminished nd Alternate names: Octatonic, Whole-Tone Diminished, Messiaen 2 Mode Inverse, Modus Conjunctus Intervals: 2 1 2 1 2 1 2 1 Modes: Diminished Half-tone (II) Chords: Cdim7, Cdim7/9, Cdim9/#11 The Diminished scale is symmetrical and exist only three different versions of this scale. It can be obtained by th combining two diminished 7 chords that are one whole tone apart (e.g. C-Eb-F#-A and C#-E-G-Bb). This scale has been extensively used in Western music, by composers such as Scalatti, Liszt (Feux Follets), Glinka (Ruslan and Lyudmila), Rimsky-Korsakov (Kashchey the Immortal), Stravinsky (Petrushka, The Rite of Spring, Concert for Piano and Wind Instruments), Debussy, Ravel, Scriabin, Bartók (Batagelles, Improvisations, Fourth Quartet, Cantata Profana, Mikrokosmos 99, 101 and 109), Bloch, Khatchaturian, Messiaen, Milhaud, Poulenc, Prokofiev, Shostakovish. The diminished scale is very frequently used in jazz composition and improvisation, in its both modes (see Diminished Half-tone scale). 31 Diminished Half-tone nd Alternate names: Messiaen 2 Mode Intervals: 1 2 1 2 1 2 1 2 Mode: mode II of Diminished scale (C Diminished Half-tone = Bb Diminished) Chords: C7/b9, C7/#9, C7/#11 Together with the Altered scale, the Diminished Half-tone scale is the primary choice for altered dominant chord. As such, it has been extensively used by virtually all bop and post-bop improvisers. 32 Chromatic Intervals: 1 1 1 1 1 1 1 1 1 1 1 1 The chromatic scale contains all 12 notes used in Western well-tempered music system. Even though in theory it is possible to name 12 different chromatic scale, in practice there is only one of such scale. The Chromatic scale is rarely used in its entirety in tonal or modal jazz, because it will sound as dissonant over virtually any chord. However, fast chromatic phrases are often used to connect chordal or non-dissonant tones. 33 Tritone Alternate names: Petrushka chord Modes: Raga Neelangi (III) Intervals: 1 3 2 1 3 2 Chords: Cm7 The Tritone scale is symmetrical and exist only six different versions of this scale. It can be obtained by combining two major triads that are one tritone apart (e.g. C-E-G and Gb-Bb-Db). This scale is enharmonically equivalent to the Petrushka chord, named after Stravinsky’s ballet Petrushka. 34 Raga Neelangi Mode: mode III of Tritone scale (C Neelangi = G# Tritone) Intervals: 2 1 3 2 1 3 Chords: Cdim Raga Neelangi is a symmetrical Indian raga, only six different versions of this scale exist. It can be obtained by th th removing the 4 and 8 note of a Diminished scale. 35 Messiaen 2nd Mode Truncated Intervals: 1 2 3 1 2 3 Chords: C7/#11, C7/b9/#9/#11 Messiaen modes are a family of scales compiled by French composer Olivier Messiaen e published in his book La technique de mon langage musical (“The technique of my musical language”). These scales were also widely used by rd composer Tōru Takemitsu, especially the 3 Mode. These scales are symmetrical and of limited transposition, that is, there exist fewer than 12 distinct scales; for rd example, only four distinct Messiaen 3 Mode scales exist, because the scales built on E and G# are identical and contain the same notes as the scale built on C, the scales built on F and A are identical to the scale built on C#, etc. The set of Messiaen scales includes all the limited transposition scales that can be built with the 12 notes of the st nd tempered system. The Messiaen 1 Mode is more commonly known as the Whole-Tone scale, the Messiaen 2 Mode is the same as the Dimished Half-tone scale. Even more symmetrical scales can be obtained by “truncating”, that is, by dropping two or more notes from one of rd th the more complete scales. Only 3 and 7 Modes are not truncated modes, and all others can be obtained from them: rd st th nd th th th th 3 Mode contains 1 Mode, 7 Mode contains 2 Mode, 4 Mode, and 6 Mode; 5 Mode is a truncated form of 6 Mode. nd th th nd More specifically, Messiean 2 Mode Truncated is obtained by dropping the 4 and 8 note of Messiaen 2 Mode. 36 Messiaen 3rd Mode Modes: Genus Chromaticum (III) Intervals: 2 1 1 2 1 1 2 1 1 Chords: Caug7, Caug/maj7 37 Messiaen 4th Mode th Modes: Messiaen 4 Inverse (III) Intervals: 1 1 3 1 1 1 3 1 Chords: Csus/maj7 38 Messiaen 4th Mode Inverse th th th Mode: mode III of Messiaen 4 Mode (C Messiaen 4 Mode Inverse = Bb Messiaen 4 Mode) Intervals: 3 1 1 1 3 1 1 1 Chords: Cmaj7/b5, C7/b5 39 Messiaen 5th Mode th Modes: Messiaen 5 Mode Inverse (II), Two-Semitone Tritone (III) Intervals: 1 4 1 1 4 1 Chords: Csus/maj7 40 Messiaen 5th Mode Inverse th th th Mode: mode II of Messiaen 5 Mode (C Messiaen 5 Mode Inverse = B Messiaen 5 Mode) Intervals: 4 1 1 4 1 1 Chords: Cmaj7/#11, C7/#11 41 Messiaen 6th Mode th Modes: Messiaen 6 Mode Inverse (III) Intervals: 2 2 1 1 2 2 1 1 Chords: C7/#5, C7/#5/#11 It should be noted that this scale contains the first 4 notes of the Major scale, followed by the first 4 notes of of the Major scale built a tritone above. 42 Messiaen 6th Mode Inverse th th th Mode: mode III of Messiaen 6 Mode (C Messiaen 6 Mode Inverse = Ab Messiaen 6 Mode) Intervals: 1 1 2 2 1 1 2 2 Chords: C7, C7/#5, C7/b9, C7/#11 43 Messiaen 7th Mode th Modes: Symmetrical Decatonic (II), Messiaen 7 Inverse (IV) Intervals: 1 1 1 2 1 1 1 1 2 1 Chords: Cmaj7/b5, Cdim7 44 Messiaen 7th Mode Inverse th th th Mode: mode IV of Messiaen 7 Mode (C Messiaen 7 Mode Inverse = A Messiaen 7 Mode) Intervals: 2 1 1 1 1 2 1 1 1 1 Chords: Cmaj7/b5, C7/b5 th This scale is built by reversing the interval sequence of the IV mode of the Messiaen 7 Mode. 45 Genus Chromaticum rd Alternate names: Messiaen 3 Mode Inverse, Tcherepnin (Russia) rd rd Mode: mode III of Messiaen 3 Mode (C Genus Chromaticum = A Messiaen 3 Mode) Intervals: 1 2 1 1 2 1 1 2 1 Chords: Cmin/maj7 This scale is sometimes named after contemporary Russian composer Alexander Tcherepnin, who described it in his Basic Elements of My Musical Language book. 46 Two-semitone Tritone th th Mode: mode III of Messiaen 5 Mode scale (C Two-semitone Tritone = G Messiaen 5 Mode) Intervals: 1 1 4 1 1 4 Chords: Caug, C7/#5, C7/#11 The Two-semitone Tritone scale is symmetrical and exist only six different versions of this scale. Its name describes how the scale is created, i.e. semitone + semitone + major third. This scale was first described by Nicolas Slonimsky in his Thesaurus of Scales and Melodic Patters book. 47 Symmetrical Decatonic th th Mode: mode II of Messiaen 7 Mode (C Symmetrical Decatonic = B Messiaen 7 Mode) Intervals: 1 1 2 1 1 1 1 2 1 1 Chords: Cmaj7, Cmaj7/b5, Cmaj7/#5, C7, C7/b5, C7/#5, C7/#5/b9 48 Van Der Host th th Mode: mode IV of Messianen 6 Mode (C Van Der Host = G Messiaen 6 ) Intervals: 1 2 2 1 1 2 2 1 Chords: C7/b5, C7/#5 49 Jazz Scales Blues Alternate names: Blues Hexatonic, Raga Nileshwari Modes: Raga Hamsanandi (IV), Raga Malkauns (V) Intervals: 3 2 1 1 3 2 Chords: C7, C7/b5, C7/#11 The Blues scale is one of the most widely used scales in jazz of any age. It is the primary choice for the typical 12-bar blues progression, in which case it is often used modally (e.g. the C Blues scale is used over all the chords of a C major blues progression). 50 Blues Heptatonic Alternate names: Dorian b5, Kartzihiar (Greece), Maqam Karcigar (Iraq), Maqam Nahawand Murassah (Iraq) Mode: mode II of Harmonic Major scale (C Blues Heptatonic = Bb Harmonic Major) Intervals: 2 1 2 1 3 1 2 Chords: C7/b5, Cm7/b5, Cdim7 rd th th This variation of the Blues scale can be thought of as a Major scale with flattened 3 , 5 , and 7 degrees. 51 Blues Heptatonic 2 Modes: Dorian b2 Maj7 (IV), Noh (VII) Intervals: 3 2 1 1 2 1 2 Chords: C7, C7/b5, C7/#9 th This scale can be obtained by adding the 6 degree to the classic 6-note Blues scale. 52 Blues Octatonic Modes: Flamenco (II), Magen Abot (V), Bebop Harmonic Minor (VI), Bebop Major (VII) Intervals: 2 1 2 1 1 2 1 2 Chords: C7, C7/b5, C7/#9 nd th This scale can be obtained by adding the 2 and 6 degrees to the classic 6-note Blues scale. 53 Blues Enneatonic Alternate names: Major-Dorian Mixed, Raga Malgunji, Raga Ramdasi Malhar Modes: Chromatic Diatonic Dorian (II), Lydian Mixolydian (V), Houseini (VI) Intervals: 2 1 1 1 2 2 1 1 1 Chords: C7, C7/b5 rd th This scale can be thought of as a Major scale plus a flattened 3 and 7 . This scale is rarely played in its entirety; rd th instead, the major and minor versions of the 3 and 7 degrees can be alternated to provide the blues inflection. 54 Blues Enneatonic 2 Modes: Bebop Chromatic (V), Full Minor All Flats (VII) Intervals: 2 1 1 1 1 1 2 1 2 Chords: C7, C7/b5, C7/#9 rd th This variation of the Blues scale can be thought of as a Mixolydian scale plus a flattened 3 and 7 . This scale is rarely rd th played in its entirety; instead, the major and minor versions of the 3 and 5 degrees can be alternated to provide the blues inflection. 55 Blues Dorian Hexatonic Modes: Takemitzu Tree 1 (II), Prometheus Neapolitan (III) Intervals: 1 2 1 3 2 3 Chords: C7, C7/b9, C7/#9 56 Blues Phrygian Modes: Ionian b5 (II), Bebop Minor (III), Mela Ratnangi (IV), Raga Marwa Thaat (V) Intervals: 1 2 2 1 1 3 2 Chords: C7, C7/b9, C7/#9 This scale can be obtained by adding a minor 2nd note to the classic 6-note Blues scale. 57 Blues Minor Maj7 Modes: Raga Dhavalangam (VI) Intervals: 3 2 1 1 4 1 Chords: Cmaj7/Cmaj7/#9 This scale is obtained by raising the 7th degree of the classic 6-note Blues scale. 58 Blues Modified Modes: Mela Vanaspati (IV), Bebop Major Heptatonic (VII) Intervals: 2 1 2 1 1 3 2 Chords: C7, C7/b5, C7/#9 This scale is obtained by adding a 2nd note to the classic 6-note Blues scale. 59 Blues Leading Tone Modes: Chromatic Hypodorian (II), Chromatic Mixolydian (III), Chromatic Lydian (IV), Chromatic Phrygian (V), Chromatic Dorian (VI), Chromatic Hypolydian (VII) Intervals: 3 2 1 1 3 1 1 Chords: C7, C7/b5, C7/#9 This scale is obtained by adding a major 7th note to the classic 6-note Blues scale. 60 Rock ‘n Roll Alternate names: Mela Vagadhisvari, Raga Bhogachayanata, Raga Ganavaridhi, Raga Chayanata, Raga Nandkauns Modes: Locrian Maj7 (III), Mela Naganandini (IV), Mela Bhavapriya (VI) Intervals: 3 1 1 2 2 1 2 Chords: C7, C7/b9 The Rock ‘n Roll scale is a variation of the Blues scale. 61 Bebop Alternate names: Bebop Dominant, Bebop Mixolydian, Major Mixolydian, Gregorian 6, Genus Diatonicum, Chinese Eight-Tone, Rast (Greece), Maqam Shawq Awir (Iraq), Raga Khamaj, Raga Desh Malhar, Raga Alhaiya Bilaval, Raga Bihagara, Raga Devagandhari Modes: Dorian Aeolian (II), Bebop Locrian (III), Ichihotsucho (IV), Bebop Dorian (V), Phrygian Aeolian b4 (VI), Prokofiev (VIII) Intervals: 2 2 1 2 2 1 1 1 Chords: C7, C7/b5 The Bebop scale is similar to the Mixolydian scale, except it has an extra note between the b7 and the tonic note, which should be used as passing note that resolves up to the tonic or down to the b7. rd th th The addition of an eight note permits to play this scale so that chord notes (tonic, 3 , 5 and 7 degrees) are always played on downbeats and therefore be correctly accented and emphasized. As its name implies, the Bebop scale and its variants (Bebop Major, Bebop Dorian, Bebop Melodic Minor, and Bebop Harmonic Minor) were introduced by bebop artists such as Charlie Parker, Dizzy Gillespie, Charlie Christian, and Lester Young. 62 Bebop Major Mode: mode VIII of Blues Octatonic scale (C Bebop Major = D Blues Octatonic) Intervals: 2 2 1 2 1 1 2 1 Chords: Cmaj7, Cmaj6 th th The Bebop Major scale is similar to the Major scale, except it has an extra note between the 5 and the 6 degree; this extra note which should be used as passing note. rd th th The addition of an eight note permits to play this scale so that chord notes (tonic, 3 , 5 and 7 degrees) are always played on downbeats and therefore be correctly accented and emphasized. 63 Bebop Major Hexatonic Intervals: 2 2 3 1 1 3 Chords: Cmaj7, Cmaj6, C7 th th The Bebop Major Hexatonic scale is obtained from the Bebop Major by omitting the 4 and 7 notes or, alternatively, th by adding a raised 5 note to a Major Pentatonic scale. 64 Bebop Major Heptatonic Alternate names: Mela Mararanjani, Raga Keseri Mode: mode VII of Blues Modified scale (C Bebop Major Heptatonic = D Blues Modified) Intervals: 2 2 1 2 1 1 3 Chords: Cmaj7, Cmaj6, C7 th The Bebop Major Heptatonic scale is obtained from the Bebop Major by omitting the 7 note, which makes this scale usable on both major and dominant chords. 65 Bebop Minor Alternate names: Banshikicho (Japan) Mode: mode III of Blues Phrygian scale (C Bebop Minor = A Blues Phrygian) Intervals: 2 1 1 3 2 1 2 Chords: Cm7, C7, C7/#9 In spite of its name, this scale should not be used over minor chords. Rather, it fits nicely dominant chords, where the th raised 9 note should be used as a passing note, or a chordal note over 7/#9 chords. Please notice that some textbooks use the name “Bebop Minor” for the scale that here is called Bebop Dorian. 66 Bebop Dorian Alternate names: Mixolydian Dorian, Raga Zilla Mode: mode V of the Bebop scale (C Bebop Dorian = F Bebop) Intervals: 2 1 1 1 2 2 1 2 Chords: Cm7, C7 rd th The Bebop Dorian scale is similar to the Dorian scale, except it has an extra note between the 3 and the 4 degree; this extra note which should be used as passing note. However, when used over a dominant chord, the passing note should be the b3 degree. Notice that some textbook call this scale Bebop Minor, which the current document uses for a different scale. 67 Bebop Melodic Minor Alternate names: Zirafkend (Arabia) Modes: Shostakovich (VI) Intervals: 2 1 2 2 1 1 2 1 Chords: Cm6, Cmin/maj7 th The Bebop Melodic Minor scale is similar to the Melodic Minor scale, except it has an extra note between the 5 and th the 6 degree; this extra note which should be used as passing note. rd th th The addition of an eight note permits to play this scale so that chord notes (tonic, 3 , 5 and 6 degrees) are always played on downbeats and therefore be correctly accented and emphasized. 68 Bebop Harmonic Minor Alternate names: Bebop Natural Minor, Utility Minor, Gregorian 4, Maqam Nahawand (Iraq), Maqam Farahfaza (Iraq), Raga Suha Kanada Mode: mode VI of Blues Octatonic scale (C Bebop Harmonic Minor = F Blues Octatonic) Intervals: 2 1 2 2 1 2 1 1 Chords: Cm7, Cmin/maj7 th The Bebop Harmonic Minor scale is similar to the Harmonic Minor scale, except it has an extra note between the 6 th th and the 7 degree; this extra note which should be used as passing note when playing over a minor 7 chord. th th However, when playing over a minor/major 7 chord, the extra b7 note is a chord note, and the major 7 note should be the passing note. 69 Bebop Half-diminished Modes: Enigmatic Mixed (VI) Intervals: 1 2 2 1 1 1 3 1 Chords: Cmaj7/b9/#9 70 Bebop Locrian Alternate name: Phrygian Locrian Mode: mode III of Bebop scale (C Bebop Locrian = Ab Bebop) Intervals: 1 2 2 1 1 1 2 2 Chords: Cm7, Cm7/b5 th th This scale can be derived from the Phrygian scale by adding a passing note between the 4 and 5 note. Alternatively, it can be considered as the merge between Phrygian and Locrian scales, hence the name. It can be therefore used whenever a Phrygian or Locrian scale fits the chord. 71 Bebop Chromatic Mode: mode V of Blues Enneatonic 2 scale (C Bebop Chromatic = G Blues Enneatonic 2) Intervals: 1 1 2 1 2 2 1 1 1 Chords: Cmaj7, C7 nd Bebop Chromatic scale is a 9-note scale that can be derived from the Mixolydian mode by adding a flattened 2 and th major 7 note. If these two extra notes are used as passing notes, this scale can be used on any chord that fits the th th Mixolydian scale; if you consider the major 7 as a chord note and the lowered 7 as a passing note, the Bebop Chromatic fits any chord where the Major scale can be used. 72 Pentatonic Scales Major Pentatonic Alternate names: Ryosen (Japan), Yona Nuki Major (Japan), Man Jue (China), Gong (China), Peruvian Major Pentatonic, Ghana Pentatonic 2, Tezeta Major (Ethiopia), Raga Bilahari ascending, Raga Mohanam, Raga Bhopali, Raga Deskar, Raga Kokila, Raga Jait Kalyan, Raga Bhup Modes: Suspended Pentatonic (II), Man Gong (III), Ritusen (IV), Minor Pentatonic (V) Intervals: 2 2 3 2 3 Chords: Cmaj7, Cmaj6, Cmaj9, Cmaj13, C7, C9, C13 The Major Pentatonic (or just Pentatonic) scale and its four modes are by far the most common 5-note scales in Western music, including jazz and rock music. The absence of semitones in the scale encourages playing every note without having to resolve to a chord tone. John Coltrane, Art Tatum, Chick Corea, and Herbie Hancock are just a few of the jazz musicians who have massively used pentatonic scales in their compositions and improvisations. 73 Suspended Pentatonic Alternate names: Egyptian, Shang-Diao (China), Jin-Yu or Quin-Yu (China), Rui Bin (China), Raga Madhmat Sarang, Raga Madhyamavati Mode: mode II of Major Pentatonic scale (C Suspended Pentatonic = Bb Major Pentatonic) Intervals: 2 3 2 3 2 Chords: Csus7, Csus7/9 74 Man Gong Alternate names: Blues Minor, Minyo (Japan), Jiao (China), Quan Ming (China), Yi Ze (China), Raga Hindolam Mode: mode III of Major Pentatonic scale (C Man Gong = Ab Major Pentatonic) Intervals: 3 2 3 2 2 Chords: Cm7 Origin: China 75 Ritusen Alternate names: Blues Major, Scottish Pentatonic, Yo (Japan), Ritsu Gagaku (Japan), Ujo (Korea), Zhi (China), Zheng (China), Bac (Vietnam), Lai Soutsanaen (Laos), Lai Po Sai (Laos), Lai Soi (Laos), Raga Arabhi ascending, Raga Devakriya, Raga Shree ascending, Raga Yadukua Kambodhi ascending, Raga Suddha Saveri Mode: mode IV of Major Pentatonic scale (C Ritusen = F Major Pentatonic) Intervals: 2 3 2 2 3 Chords: Csus7/9 This mode of the Major Pentatonic scale, under the name of Yo scale, is used in much Japanese music. 76 Minor Pentatonic Alternate names: Blues Minor Pentatonic, Peruvian Minor Pentatonic, Bati (Ethiopia), Qing Shang (China), Gu Xian (China), Jia Zhong (China), Yu 2 (China), P'yongjo-kyemyonjo (Korea), Lai Yai (Laos), Lai Noi (Laos) Raga Dhani, Raga Abheri, Raga Dhaanyasi ascending, Raga Udhayaravi Mode: mode V of Major Pentatonic scale (C Minor Pentatonic = Eb Major Pentatonic) Intervals: 3 2 2 3 2 Chords: Cm7 77 Dorian Pentatonic Alternate names: Kumoi (Japan) Modes: Kokin-Choshi (II), Raga Hindol (III), Han-Kumoi (IV), Minor Pentatonic 7 b5 (V) Intervals: 2 1 4 2 3 Chords: Cmin6, Cmin/maj7, Cmin9 This scale is sometimes (and inappropriately) called Minor Pentatonic. In current document, Minor Pentatonic is the name used for mode V of Major Pentatonic. 78 Kokin-Choshi Alternate names: Ian Iwato (Japan), Miyakobushi (Japan), Insen Pentatonic (Japan), Soft Ascend (Japan), Raga Bairagi (or Baira), Raga Lasaki, Raga Ribhavari (or Revati) Mode: mode II of Dorian Pentatonic scale (C Kokin-Choshi = Bb Dorian Pentatonic) Intervals: 1 4 2 3 2 Chords: Csus7, C7/b9 This Japanese scale can be considered as the Western derivation of the koto tuning with the same name; it has been extensively used by rock and jazz musicians. 79 Raga Hindol Alternate names: Raga Sunada Vinodini, Raga Sanjk Ka Hindol Mode: mode III of Dorian Pentatonic scale (C Raga Hindol = A Dorian Pentatonic) Intervals: 4 2 3 2 1 Chords: Cmaj7/b5 80 Han-Kumoi Alternative name: Raga Shobhavari, Raga Sutradhari Mode: mode IV of Dorian Pentatonic scale (C Han Kumoi = F Dorian Pentatonic) Intervals: 2 3 2 1 4 Chords: Csus, Csus7, Csus7/#5 This Japanese scale can be considered as the Western derivation of the koto tuning with the same name; it has been extensively used by rock and jazz musicians. 81 Minor Pentatonic 7 b5 Alternate names: Raga Jayakauns Mode: mode V of Dorian Pentatonic scale (C Minor Pentatonic 7 b5 = Eb Dorian Pentatonic) Intervals: 3 2 1 4 2 Chords: Cm7/b5 82 Ionian Pentatonic Alternate names: Ryukyu (Japan), Pelog Degung Modern (Bali), Melog Selisir, Raga Jaganmohini ascending, Raga Kedaram ascending, Raga Gambhiranata Modes: Pelog Pentatonic (II), Raga Hamsanada (III), Raga Khamaji Durga (IV) Intervals: 4 1 2 4 1 Chords: Cmaj7 nd th The Ionian Pentatonic scale is obtained by dropping the 2 and 6 note of the Major (or Ionian) scale. 83 Pelog Pentatonic Alternate names: Belinese, Phrygian Pentatonic, Madenda Modern, Tezeta Minor (Ethiopia), Raga Bhupalam, Raga Ramkali 2 Mode: mode II of the Ionian Pentatonic scale (C Pelog Pentatonic = Ab Ionian Pentatonic) Intervals: 1 2 4 1 4 Chords: Cm7/b5 Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia, the other one being the Slendro scale. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful". The Pelog scale has seven notes, but many gamelan ensembles only have keys for five of the pitches. Even in ensembles that have all seven notes, many pieces only use the 5-note subset reported in this page. 84 Raga Hamsanada Alternate names: Raga Vaijayanti Mode: mode III of Ionian Pentatonic scale (C Raga Hamsanada = G Ionian Pentatonic) Intervals: 2 4 1 4 1 Chords: Cmaj7/#11 85 Raga Khamaji Durga Mode: mode IV of Ionian Pentatonic scale (C Raga Khamaji Durga = F Ionian Pentatonic) Intervals: 4 1 4 1 2 Chords: Csus7 86 Dominant Pentatonic Modes: Chaio (II), Chin (III), Kyemyonjo (IV), Kung (V) Intervals: 2 2 3 3 2 Chords: C7, C7/9 nd The Dominant Pentatonic scale is obtained by adding the 2 degree to the dominant chord. 87 Chaio Mode: mode II of Dominant Pentatonic scale (C Chaio = Bb Dominant Pentatonic) Intervals: 2 3 3 2 2 Chords: Csus7, Csus7/#5 Origin: China 88 Chin Alternate names: Raga Harikauns Mode: mode III of Dominant Pentatonic scale (C Chin = Ab Dominant Pentatonic) Intervals: 3 3 2 2 2 Chords: Cm7/b5 Origin: China 89 Kyemyonjo th Alternate name: Minor 6 Added Mode: mode IV of Dominant Pentatonic scale (C Kyemionjo = F Dominant Pentatonic) Intervals: 3 2 2 2 3 Chords: Cm6 Origin: Korea 90 Kung Mode: mode V of Dominant Pentatonic scale (C Kung = D Dominant Pentatonic) Intervals: 2 2 2 3 3 Chords: C7/b5, C7/#11 th This Chinese scale can be obtained from the Major Pentatonic scale by lowering the 5 note. 91 In Alternate names: Sakura (Japan), Naka Zora (Japan), Soft Descend (Japan), Ambassel (Ethiopia), Olympos Enharmonic (Greece), Raga Malahari ascending, Raga Saveri ascending, Raga Gunkali, Raga Kunakri, Raga Latantapryia, Raga Salanganata Modes: Hirajoshi (II), Ake-Bono (III), Iwato (IV), Raga Vasanta ascending (V) Intervals: 1 4 2 1 4 Chords: Cm7 rd th The In scale is similar to the Phrygian mode, except it lacks the 3 and 7 note. It is one of two most used pentatonic scale in Japanese traditional music, the other one being the Yo scale. The In scale is especially common in music for koto and shemisen, and differs from the Yo scale because it contains semitones. The In scale is sometimes known as Sakura, from the well-known Sakura Sakura folk song. The In scale can be also found in ancient genres of Andean music, as in the Machulas Kantu tune by the Bolivia Manta folk group. 92 Hirajoshi Alternate names: Lydian Pentatonic, Chinese, Ching (China), Raga Amrtavarshini, Raga Malashri, Raga Shilangi Mode: mode II of the In scale (C Hirajoshi = B In) Intervals: 4 2 1 4 1 Chords: Cmaj7/#11 nd th The Hirajoshi scale is similar to the Lydian mode, except the 2 and 6 notes are omitted. It is often used in Japanese music as a tuning scale for the koto. A few theory books consider the Hirajoshi scale as a mode of the In scale; however, a few authors (most notably, Slonimsky) consider the Hirajoshi as a first-class scale whose modes generate other pentatonic scales. Moreover, synonymous scales often have different names in different regions of Japan, which can lead to further confusion. 93 Ake-Bono Alternate names: Aeolian Pentatonic, Kata-Kumoi (Japan), Yona Nuki Minor (Japan) Mode: mode III of the In scale (C Ake-Bono = G In) Intervals: 2 1 4 1 4 Chords: Cm7 th th This Japanese scale is similar to the Locrian mode, except it has no 4 or 6 note, thus making it a pentatonic scale. 94 Iwato Alternate names: Aeolian Harmonic, Zokuso Pentatonic (Japan), Hon-Kumoi-Joshi (Japan) Mode: mode IV of the In scale (C Iwato = F In) Intervals: 1 4 1 4 2 Chords: Cm7/b5 rd th The Iwato scale is similar to the Locrian mode, except it has no 3 or 6 note, thus making it a pentatonic scale. It is used in traditional Japanese music for the koto. 95 Major Pentatonic b2 Alternate names: Scriabin, Raga Bibhas, Raga Rasika Ranjani Modes: Major Pentatonic b7 #9 (V) Intervals: 1 3 3 2 3 Chords: C6, C6/b9, C7/b9 This pentatonic scale was used by Scriabin in his Sonata n. 7. 96 Major Pentatonic b2 b5 Modes: Raga Chandrakauns Kiravani (II), Raga Samudhra Priya (IV), Raga Mohanangi (V) Intervals: 1 3 2 3 3 Chords: C7/b5, C7/b6/b9 97 Major Pentatonic b3 Modes: Raga Priyadharshini (II) Intervals: 1 2 3 3 3 Chords: Cdim7, Cdim7/b9 98 Major Pentatonic b6 Alternate names: Raga Bhupeshwari, Raga Janasammodini Mode: mode III of Altered Pentatonic scale (C Major Pentatonic b6 = G Altered Pentatonic) Intervals: 2 2 3 1 4 Chords: Caug, C7/b13 99 Major Pentatonic b7 #9 Mode: mode V of Major Pentatonic b2 scale (C Major Pentatonic b7 #9 = Bb Major Pentatonic b2) Intervals: 3 1 3 3 2 Chords: C7/#9 100 Mixolydian Pentatonic Alternate names: Raga Savethri Modes: Raga Chaya Todi (II), Tcherepnin Major Pentatonic (III), Raga Chandrakauns Kafi (IV), Raga Shri Kalyan (V) Intervals: 4 1 2 3 2 Chords: Cm7, C7 The Mixolydian Pentatonic can be obtained from the Mixolydian by omitting the 3rd and 6th degrees; because of the missing 3rd it can be used both on minor and dominant chords. 101 Tcherepnin Major Pentatonic Alternate name: Raga Desh Mode: mode III of Mixolydian Pentatonic scale (C Tcherepnin Major Pentatoni = G Mixolydian Pentatonic) Intervals: 2 3 2 4 1 Chords: Csus/maj7 The name of this scale derives from the fact that it can be obtained by dropping four notes from Tcherepnin’s 9-note scale. 102 Altered Pentatonic Alternate names: Raga Manaranjani 2 Modes: Major Pentatonic b6 (III) Intervals: 1 4 2 2 3 Chords: Csus, Csus7 103 Locrian Pentatonic Intervals: 3 1 2 4 2 Chords: Cm7/b5, C7/b5 104 Pentatonic Whole-Tone Intervals: 4 2 2 2 2 Chords: C7/b5, C7/#5 105 Center-Cluster PentaMirror Intervals: 3 1 1 3 4 Chords: Caug, Caug7 106 Raga Nagaswaravali Alternate names: Raga Mand Modes: Raga Chitthakarshini (II), Raga Hamsadhvani 2 (III), Pyeong Jo (IV), Raga Shailaja (V) Intervals: 4 1 2 2 3 Chords: Csus 107 Raga Chitthakarshini Mode: mode II of Raga Nagaswaravali scale (C Raga Chitthakarshini = Ab Raga Nagaswaravali) Intervals: 1 2 2 3 4 Chords: Cmin 108 Raga Hamsadhvani 2 Mode: mode III of Raga Nagaswaravali scale (C Raga Hasadhvani = G Raga Nagaswaravali) Intervals: 2 2 3 4 1 Chords: Cmaj7 109 Pyeong Jo Alternate names: Raga Guhamanohari Mode: mode IV of Raga Nagaswaravali scale (C Pyeong Jo = F Raga Nagaswaravali) Intervals: 2 3 4 1 2 Chords: Csus7 Origin: Korea 110 Raga Shailaja Alternate names: Raga Varini Mode: mode V of Raga Nagaswaravali scale (C Shailaja = Eb Raga Nagaswaravali) Intervals: 3 4 1 2 2 Chords: Cm7 111 Pygmy Modes: Raga Mamata (III), Raga Kokil Pancham (IV) Intervals: 2 1 4 3 2 Chords: Cm7 This scale is part of Sub-Saharian African music tradition, especially in Congo, Central African Republic, and Cameroon. The Pygmy scale has grown in popularity since the invention of the Hang instrument in the year 2000, handpan's such as the Halo and also steel tongue drums, all of which have been made using sound models based on the Pygmy scale. 112 Raga Mamata Mode: mode III of Pygmy scale (C Mamata = A Pygmy) Intervals: 4 3 2 2 1 Chords: C6, Cmaj7 113 Raga Kokil Pancham Mode: mode IV of Pygmy scale (C Kokil Pancham = F Pygmy) Intervals: 3 2 2 1 4 Chords: Cmin 114 Romanian Bacovia Alternate names: Raga Girija Modes: Raga Bowli ascending (II), Raga Multani 2 (III) Intervals: 4 1 3 3 1 Chords: Cmaj7/#5 115 Syrian Pentatonic Alternate names: Raga Megharanjani Intervals: 1 3 1 3 4 Chords: Caug 116 Modal Scales Ionian b5 Mode: mode II of Blues Phrygian scale (C Ionian b5 = B Blues Phrygian) Intervals: 2 2 1 1 3 2 1 Chords: Cmaj7/b5 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 117 Ionian #5 Intervals: 2 2 1 3 1 2 1 Chords: Cmaj7/#5 118 Ionian Augmented #2 Mode: mode VI of Double Harmonic scale (C Ionian Augmented #2 = E Double Harmonic) Intervals: 3 1 1 3 1 2 1 Chords: Cmaj7/#5 119 Ionian Augmented b9 Mode: mode VI of Gypsy Hexatonic scale (C Ionian Augmented b9 = E Gypsy Hexatonic) Intervals: 1 3 1 3 1 2 1 Chords: Cmaj7/#5 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 120 Minor Hexatonic Alternate names: Raga Manirangu, Raga Nayaki, Raga Palasi, Raga Pushpalithika, Raga Suha Sughrai Mode: mode V of Mixolydian Hexatonic scale (C Minor Hexatonic = F Mixolydian Hexatonic) Intervals: 2 1 2 2 3 2 Chords: Cm7 121 Major Locrian Mode: mode V of Neapolitan Major scale (C Major Locrian = F Neapolitan Major) Intervals: 2 2 1 1 2 2 2 Chords: C7/#5 The Major Locrian scale can be obtained from the Whole-Tone scale by adding a passing note between the major 3 th and the augmented 4 degree. 122 rd Jazz Minor #5 Mode: mode V of Hungarian Major scale (C Jazz Minor #5 = F Hungarian Major) Intervals: 2 1 2 3 1 2 1 Chords: Cmin/maj7/#5 123 Full Minor All Flats Alternate names: Raga Pilu Mode: mode VII of Blues Enneatonic 2 scale (C Full Minor All Flats = F Blues Enneatonic 2) Intervals: 2 1 2 2 1 1 1 1 1 Chords: Cm7, Cmin/maj7 124 Dorian Aeolian Alternate names: Gregorian 1, Raga Anandabhairavi, Raga Deshi, Raga Mukhari, Raga Manji Mode: mode II of the Bebop scale (C Dorian Aeolian = Bb Bebop) Intervals: 2 1 2 2 1 1 1 2 Chords: Cm7 As its name suggests, the Dorian Aeolian scale is obtained by merging the Dorian and Aeolian scales, that is, it is a th Dorian scale with an added raised 6 note. It can be used on IIm7 and Vim7 chords (that is, Dm7 and Am7 chords in C major key). 125 Dorian b2 b4 Mode: mode II of Romanian Major scale (C Dorian b2 b4 = Eb Romanian Major) Intervals: 1 2 1 3 2 1 2 Chords: C7/b9/#9 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 126 Dorian b2 Maj7 Mode: mode IV of Blues Heptatonic 2 scale (C Dorian b2 Maj7 = F# Blues Heptatonic 2) Intervals: 1 2 1 2 3 2 1 Chords: Cmin/maj7/b5 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 127 Dorian b9 #11 Alternate names: Todi b7, Hindi b2 b3, b7, Raga Sthavarajam, Raga Tivravahini, Mela Sadvidhmargini Mode: mode VI of Hungarian Major scale (C Dorian b9 #11 = Eb Hungarian Major) Intervals: 1 2 3 1 2 1 2 Chords: Cmin7/b5, Cdim7 128 Phrygian Hexatonic Alternate names: Raga Desya Todi, Raga Gopikavasantam Mode: mode II of Mixolydian Hexatonic scale (C Phrygian Hexatonic = Bb Mixolydian Hexatonic) Intervals: 3 2 2 1 2 2 Chords: Cm7 nd This scale can be obtained by dropping the 2 degree of the Phrygian scale or the Aeolian scale. th Given the resemblance with Phrygian and Aeolian scales, this scale can be used over a minor 7 chord when it works as IIIm7 or Vim7 chords (i.e. Em7 or Am7 in C major key). 129 Phrygian Aeolian b4 Alternate name: Phrygian Aeolian Mixed Mode: mode VI of Bebop scale (C Phrygian Aeolian b4 = Eb Bebop) Intervals: 1 1 1 2 2 1 2 2 Chords: Cm7 nd The name of this scale derives from the fact that it can be obtained by adding a passing note between the 2 and 3 st nd note of the Phrygian scale or, equivalently, between the 1 and 2 note of the Aeolian scale. th rd Given the resemblance with Phrygian and Aeolian scales, this scale can be used over a minor 7 chord when it works as IIIm7 or Vim7 chords (i.e. Em7 or Am7 in C major key). 130 Phrygian b4 Alternate names: Maqam Huzzam (Iraq), Maqam Saba Zamzam (Iraq) Mode: mode III of the Harmonic Major scale (C Phrygian b4 = Ab Harmonic Major) Intervals: 1 2 1 3 1 2 2 Chords: C7, C7/#5, C7/#9/b9 131 Phrygian b4 Maj7 Mode: mode VI of Mixolydian Augmented Maj9 scale (C Phrygian b4 Maj7 = Eb Mixolydian Augmented Maj9) Intervals: 1 2 1 3 1 3 1 Chords: Cmin/maj7 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 132 Double Phrygian Modes: Raga Sarasanana (II) Intervals: 1 2 2 1 3 3 Chords: Cdim7 133 Ultraphrygian Mode: mode III of Double Harmonic scale (C Ultraphrygian = G# Double Harmonic) Intervals: 1 2 1 3 1 1 3 Chords: C6, C6/b9 134 Lydian Hexatonic Alternate names: Raga Kumud, Raga Sankara or Shankara, Raga Prabhati Mode: mode VI of Mixolydian Hexatonic scale (C Lydian Hexatonic = D Mixolydian Hexatonic) Intervals: 2 2 3 2 2 1 Chords: Cmaj7, Cmaj6 th The Lydian Hexatonic scale can be obtained by dropping the 4 degree of a Lydian scale or, alternatively, by adding th the major 7 note to a Major Pentatonic scale. 135 Lydian #2 Hexatonic Modes: Raga Hejjajji (II), Raga Takka (III), Raga Gopikatilaka (V), Raga Lalit Bhairav (VI) Intervals: 3 1 3 2 2 1 Chords: Cmaj7, Cmaj7/#9 136 Lydian #2 #6 Alternate names: Mela Rasikapriya, Raga Hamsagiri, Raga Rasamanjari Mode: mode II of Double Harmonic scale (C Mela Rasikapriya = B Double Harmonic) Intervals: 3 1 2 1 3 1 1 Chords: Cmaj7, C7/#9 137 Lydian Dominant b6 Alternate names: Lydian Minor, Raga Rishabapriya, Raga Ratipriya Mode: mode IV of the Neapolitan Major scale (C Lydian Dominant b6 = G Neapolitan Major) Intervals: 2 2 2 1 1 2 2 Chords: C7, C7/#5, C7/#5/#11 th The Lydian Dominant b6 scale can be obtained by lowering the 6 degree of the Lydian scale. 138 Lydian Mixolydian Alternate names: Taishikicho (Japan), Ryo (Japan) Mode: mode V of Blues Enneatonic scale (C Lydian Mixolydian = G Blues Enneatonic) Intervals: 2 2 1 1 1 2 1 1 1 Chords: Cmaj7, Cmaj7/#11, C7, C7/b5, C7/#11 The Lydian Mixolydian scale is a 9-note scale obtained by merging the Lydian and Mixolydian scales. Depending on the th th current chord, either the minor 7 or the major 7 note should be treated as a passing note. 139 Lydian Diminished Alternate names: Lydian b3, Melodic Minor #4, Mela Dharmavati, Raga Ambika, Raga Arunajualita, Raga Dumyaraga, Raga Madhuvanti Mode: mode IV of Harmonic Major scale (C Lydian Diminished = G Harmonic Major) Intervals: 2 1 3 1 2 2 1 Chords: Cdim7 140 Lydian #6 Alternate names: Mela Citrambari, Raga Chaturangini Mode: mode II of Neapolitan Minor scale (C Mela Citrambari = B Neapolitan Minor) Intervals: 2 2 2 1 3 1 1 Chords: C7/#11 141 Lydian Augmented Dominant Alternate names: Synthetic Mixture #5 Mode: mode III of Neapolitan Major scale (C Synthetic Mixture #5 = A Neapolitan Major) Intervals: 2 2 2 2 1 1 2 Chords: C7/b5, C7/#5, C7/#5/#11 142 Mixolydian Hexatonic Alternate names: P’Yongjo (Korea), Yosen (Japan), Raga Devamanohari, Raga Andolika, Raga Darbar, Raga Gorakh, Raga Narayani, Raga Suposhini Modes: Phrygian Hexatonic (II), Scottish Hexatonic (III), Minor Hexatonic (IV), Ritzu (V), Lydian Hexatonic (VI) Intervals: 2 3 2 2 1 2 Chords: Cm7, C7 The Mixolydian Hexatonic can be obtained from the Mixolydian scale by omitting the 3rd degree; because of the missing 3rd it can be used both on minor and dominant chords. 143 Mixolydian b5 Modes: Sabach (II), Gypsy Inverse (IV), Raga Malini (VI), Pelog (VII) Intervals: 2 2 1 1 3 1 2 Chords: C7/b5 As its name suggests, the Mixolydian b5 scale can be derived from the Mixolydian scale by lowering the 5th degree. 144 Mixolydian Augmented Mode: mode III of Neapolitan Minor scale (C Mixolydian Augmented = A Neapolitan Minor) Intervals: 2 2 1 3 1 1 2 Chords: C7/#5 As its name suggests, the Mixolydian Augmented scale can be derived from the Mixolydian scale by raising the 5th degree. 145 Mixolydian Augmented Maj9 Modes: Sengiach (IV), Phrygian b4 Maj7 (VI), Mela Nitimati (VII) Intervals: 1 3 1 3 1 1 2 Chords: C7/#5 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 146 Aeolian b1 Alternate names: Lydian Augmented #2 Mode: mode VI of Harmonic Major scale (C Aeolian b1 = E Harmonic Major) Intervals: 3 1 2 2 1 2 1 Chords: Cmaj7/#5 147 Locrian Dominant Mode: mode V of Neapolitan Minor scale (C Locrian Dominant = F Neapolitan Minor) Intervals: 1 3 1 1 2 2 2 Chords: C7/b5, C7/#5 148 Locrian bb7 Mode: mode VII of the Harmonic Major scale (C Locrian bb7 = Db Harmonic Major) Intervals: 1 2 2 1 2 1 3 Chords: Cdim7 th As its names suggests, the Locrian bb7 scale is obtained by lowering the 7 note of a Locrian scale. 149 Locrian bb3 bb7 Mode: mode VII of Double Harmonic scale (C Locrian bb3 bb7 = C# Double Harmonic) Intervals: 1 1 3 1 2 1 3 Chords: Csus, Caug 150 Locrian Maj7 Mode: mode III of Rock ‘n Roll scale (C Locrian Maj7 = Ab Rock ‘n Roll) Intervals: 1 2 2 1 2 3 1 Chords: Cmaj7/b5, Cdim/maj7 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 151 Semilocrian b4 Mode: mode VI of Neapolitan Major scale (C Semilocrian b4 = Eb Neapolitan Major) Intervals: 2 1 1 2 2 2 2 Chords: C7/#5 152 Superlocrian bb3 Alternate name: Leading Whole-Tone Inverse Mode: mode VII of Neapolitan Major scale (C Superlocrian bb3 = C# Neapolitan Major) Intervals: 1 1 2 2 2 2 2 Chords: C7/#5 153 Superlocrian Maj7 Intervals: 1 2 1 2 2 3 1 Chords: Cmaj7/b5, Cdim/maj7 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 154 Superlocrian bb6 bb7 Mode: mode II of Hungarian Major scale (C Superlocrian bb6 bb7 = A Hungarian Major) Intervals: 1 2 1 2 1 2 3 Chords: C6 155 Superlocrian #6 Mode: mode IV of Hungarian Major scale (C Superlocrian #6 = F# Hungarian Major) Intervals: 1 2 1 2 3 1 2 Chords: Cm7/b6, Cdim7 156 Ultralocrian bb3 Mode: mode VII of Neapolitan Minor scale (C Ultralocrian bb3 = C# Neapolitan Minor) Intervals: 1 1 2 2 2 1 3 Chords: Caug 157 Harmonic Major Alternate names: Segiah, Tabahaniotiko (Greece), Mischung 2 (Germany), Mela Sarasangi, Raga Haripriya Modes: Blues Heptatonic (II), Phrygian b4 (III), Lydian Diminished (IV), Harmonic Minor Inverse (V), Aeolian b1 (VI), Locrian bb7 (VII) Intervals: 2 2 1 2 1 3 1 Chords: Cmaj7, Cmaj7/#5 th The Harmonic Major scale can be obtained by lowering the 6 degree of the Major scale or, equivalently, by raising rd the 3 degree of an Harmonic Minor scale. 158 Harmonic Major 2 Intervals: 2 2 1 3 1 2 1 Chords: Cmaj7/#5 th The Harmonic Major 2 scale can be obtained by raising the 5 degree of the Major scale. 159 Harmonic Minor b5 Mode: mode III of Hungarian Major scale (C Harmonic Minor b5 = Ab Hungarian Major) Intervals: 2 1 2 1 2 3 1 Chords: Cmin/maj7 th As its names suggests, the Harmonic Minor b5 scale is obtained by lowering the 5 degree of the Harmonic Minor scale. 160 Harmonic Minor Inverse Alternate names: Mixolydian b2, Mixolydian b9, Maqam Hicaz (Iraq), Maqam Zanjaran (Iraq), Mela Cakravka, Raga Ahir Bhairav, Raga Bindumalini, Raga Chakravakam, Raga Vagadeeshwari, Raga Vegavahini descending Mode: mode V of Harmonic Major scale (C Harmonic Minor Inverse = F Harmonic Major) Intervals: 1 3 1 2 2 1 2 Chords: Cmin/maj7 161 Double Harmonic Alternate names: Double Harmonic Major, Major Phrygian, Byzantine or Byzantine Liturgical Chromatic, Major Gipsy, Hungarian Folk, Hitzazkiar or Hijazskiar (Greece), Maqam Hijaz Kar (Iraq), Maqam Suzidil (Iraq), Hijaz Kar (Saudi Arabian), Arabic, Mela Mayamalavagowla, Raga Saveri descending, Raga Kalingada, Raga Paraj, Raga Bhairav That, Raga Gaulipantu, Raga Lalita Panchami Modes: Lydian #2 #6 (II), Ultraphrygian (III), Gypsy Minor (IV), Oriental (V), Ionian Augmented #2 (VI), Locrian bb3 bb7 (VII) Intervals: 1 3 1 2 1 3 1 Chords: Cmaj7 rd nd The Double Harmonic scale is similar to the Harmonic Minor scale, except it has a major 3 and a lowered 2 . This rd scale can be used as a temporary substitution of the Major scale. The double minor 3 interval provides a vague North Africa, Middle East or Eastern Europe flavor. 162 Chromatic Dorian Alternate names: Mela Kanakangi, Raga Kanakambari Mode: mode VI of Blues Leading Tone scale (C Chromatic Dorian = D Blues Leading Tone) Intervals: 1 1 3 2 1 1 3 Chords: C6, Cm6 163 Chromatic Dorian Inverse Alternate names: Raga None Mode: mode II of Persian scale (C Chromatic Dorian Inverse = B Persian) Intervals: 3 1 1 2 3 1 1 Chords: C7, C7/#9 th When used on a dominant chord, the major 7 note in the scale should be used as a passing note. 164 Chromatic Diatonic Dorian Mode: mode II of Blues Enneatonic scale (C Chromatic Diatonic Dorian = Bb Blues Enneatonic) Intervals: 1 1 1 2 2 1 1 1 2 Chords: Cm7, Cm6 165 Chromatic Phrygian Mode: mode V of Blues Leading Tone scale (C Chromatic Phrygian = F Blues Leading Tone) Intervals: 3 1 1 3 2 1 1 Chords: Cmaj7/#5 th When used on a major chord, the 7 note should be used as a passing note. 166 Chromatic Phrygian Inverse Mode: mode III of the Persian scale (C Chromatic Phrygian Inverse = Ab Persian) Intervals: 1 1 2 3 1 1 3 Chords: Cmaj6, Cmaj7, Cmaj7/b9 nd The Chromatic Phrygian Inverse scale can be obtained from the Pentatonic Major scale by adding a raised 2 and th raised 5 note. 167 Chromatic Lydian Alternate names: Raga Lalit, Raga Bhankar Mode: mode IV of Blues Leading Tone scale (C Chromatic Lydian = F# Blues Leading Tone) Intervals: 1 3 1 1 3 2 1 Chords: Cmaj7/b5 168 Chromatic Lydian Inverse Alternate names: Maqam Athar Kurd (Iraq), Mela Shubhapanturavali, Raga Gamakasamantam, Raga Multani Mode: mode IV of Persian scale (C Chromatic Lydian Inverse = G Persian) Intervals: 1 2 3 1 1 3 1 Chords: Cmin/maj7 169 Chromatic Mixolydian Mode: mode III of Blues Leading Tone scale (C Chromatic Mixolydian = G Blues Leading Tone) Intervals: 1 1 3 1 1 3 2 Chords: Cm7, C7, C7/#11 170 Chromatic Mixolydian 2 Intervals: 1 1 2 2 1 3 2 Modes: Neapolitan Major b5 (II), Mela Namanarayani (V) Chords: C7, C7/b9, C7/#11 rd The Chromatic Mixolydian 2 scale is similar to the Chromatic Mixolydian scale, except it contains a major 3 note th instead of perfect 4 . 171 Chromatic Mixolydian Inverse Mode: mode V of the Persian scale (C Chromatic Mixolydian Inverse = F# Persian) Intervals: 2 3 1 1 3 1 1 Chords: Cm7, C7, C7/#11 th th When used on a minor 7 or dominant chord, the 7 degree of this scale should be used as a passing note. 172 Chromatic Hypodorian Alternate names: Relative Blues, Raga Dvigandharabushini Mode: mode II of Blues Leading Tone scale (C Chromatic Hypodorian = A Blues Leading Tone) Intervals: 2 1 1 3 1 1 3 Chords: C6, Cmaj7/#5 173 Chromatic Hypodorian Inverse Intervals: 3 1 1 3 1 1 2 Chords: C7/#5, C7/#5/#9 174 Chromatic Hypolydian Alternate names: Puravi b6, Pireotikos (Greece), Raga Pantuvarali, Raga Purvi, Mela Kamavardhani, Raga Basant, Raga Dhipaka, Raga Kasiramakryia, Raga Puriya Dhanashri, Raga Shri, Raga Suddha Ramakriya Mode: mode VII of Blues Leading Tone scale (C Chromatic Hypolydian = Db Blues Leading Tone) Intervals: 1 3 2 1 1 3 1 Chords: Cmaj7, Cmaj7/#5, Cmaj7/#5/b9 175 Chromatic Hypophrygian Inverse Mode: mode VII of Persian scale (C Chromatic Hypophrygian Inverse = Db Persian) Intervals: 1 1 3 1 1 2 3 Chords: Csus, Csus6/9 176 Chromatic Permutated Diatonic Dorian Mode: mode V of Youlan scale (C Chromatic Permutated Diatonic Dorian = G Youlan) Intervals: 1 1 2 1 2 1 1 2 1 Chords: Cmaj7, Cmaj7/#5, Cmaj7/#5/b9 177 Major Minor Mixed Modes: Minor Pentatonic with Leading Tones (V) Intervals: 2 1 1 1 2 1 1 1 1 1 Chords: Cmaj7, Cmaj7/#5, C7, C7/#5, C7/#9 178 Minor Pentatonic with Leading Tones Mode: mode V of Major Minor Mixed (C Minor Pentatonic with Leading Tones = G Major Minor Mixed) Intervals: 2 1 1 1 2 1 1 1 1 1 Chords: Cmaj7, Cmaj7/#11, C7, C7/#11, C7/#9/#11 179 Leading Whole-Tone Mode: mode II of Neapolitan Major scale (C Leading Whole-Tone = B Neapolitan Major) Intervals: 2 2 2 2 2 1 1 Chords: C7/b5, C7/#5, Cmaj7/#5 th The Leading Whole-Tone scale is obtained by adding a major 7 note to the Whole-Tone scale. 180 European Scales Adonai Malakh Mode: mode III of Spanish Octatonic scale (C Adonai Malakh = A Spanish Octatonic) Intervals: 1 1 1 2 2 2 1 2 Chords: Cm7 Adonai Malakh scale is a Jewish scale that can be obtained from the Dorian mode by adding a passing note between nd the root and the 2 degree. 181 Enigmatic Modes: Mela Kantamani (III ascending), Mela Dhavalambari (III, descending), Mela Manavati (VII ascending) Intervals: 1 3 2 2 2 1 1 (ascending), 1 3 1 3 2 1 1 (descending) Chords: Cmin/maj7 The Enigmatic scale is a very unusual scale with elements from major, minor and whole-tone scales. Also, its th th descending version has a perfect 4 instead of a raised 4 . It was invented by Italian composer Giuseppe Verdi, who used it in his Ave Maria. It was also used by guitarist Joe Satriani in his piece The Enigmatic. 182 Enigmatic Minor Modes: Raga Sorati (II) Intervals: 1 2 3 2 2 1 1 Chords: Cm7/b5 183 Enigmatic Mixed Mode: mode VI of Bebop Half-diminished scale (C Enigmatic Mixed = F Bebop Half-diminished) Intervals: 1 3 1 1 2 2 1 1 Chords: Cmaj7/#5 This scale is obtained by combining the ascending and descending versions of the Enigmatic scale. 184 Flamenco Alternate name: Spanish Phrygian Mode: mode II of the Blues Octatonic scale (C Flamenco = Bb Blues Octatonic) Intervals: 1 2 1 1 2 1 2 2 Chords: Cm7, Cm7/b5 Origin: Spain 185 Gypsy Alternate names: Hungarian Gypsy, Damian Emmanuel, Mela Sanmukhapriya, Raga Simmendramadhyamam, Raga Camara Mode: mode IV of Neapolitan Minor scale (C Hungarian Gypsy = G Neapolitan Minor) Intervals: 2 1 3 1 1 2 2 Chords: Cm7 th This scale can be obtained by raising the 4 degree of the Aeolian scale. 186 Gypsy Hexatonic Alternate names: Raga Kalakanthi Modes: Mela Dhatuvardhani (II), Sabach Maj7 (IV), Ionian Augmented b9 (VI) Intervals: 1 3 1 2 1 1 3 Chords: Cmaj7/#5, C7/#5 187 Gypsy Inverse Alternate names: Mela Suryakanta, Raga Bhairubahar, Raga Sowrashtram, Raga Supradhipam Mode: mode IV of Mixolydian b5 scale (C Gypsy Inverse = G Mixolydian b5) Intervals: 1 3 1 2 2 2 1 Chords: Cmaj7/b9 188 Gypsy Minor Alternate names: Double Harmonic Minor, Harmonic Minor #4, Hungarian Minor, Niavent (Egypt), Maqam Hisar (Iraq), Maqam Nawa Athar (Iraq), Niaventi Minor (Greece), Mela Simhendramadhyama, Raga Madhava Manohari Mode: mode IV of Double Harmonic scale (C Gypsy Minor = G Double Harmonic) Intervals: 2 1 3 1 1 3 1 Chords: Cmin/maj7 th This scale is similar to the Harmonic Minor scale, except it has a raised 4 . It is used prominently in Romani music, Hungarian dance Verbunkos, and more in general in Eastern Europe music. 189 Hijaz Major Alternate names: Gypsy 2 Intervals: 1 4 1 2 1 1 2 Chords: C7/#5 Origin: Greece 190 Houseini Mode: mode VI of Blues Enneatonic scale (C Houseini = F Blues Enneatonic) Intervals: 2 1 1 1 2 1 1 1 2 Chords: Cmaj7/#5, C7/#5 Origin: Greece 191 Houzam Alternate names: Huzam, Ionian #2, Mela Sulini, Raga Sailadesakshi, Raga Trishuli Mode: mode VI of Neapolitan Minor scale (C Houzam = E Neapolitan Minor) Intervals: 3 1 1 2 2 2 1 Chords: Cmaj7, Cmaj7/#9 Origin: Greece 192 Hungarian Major Alternate names: Mela Nasikabhusani, Raga Nasamani Modes: Superlocrian bb6 bb7 (II), Harmonic Minor b5 (III), Superlocrian #6 (IV), Jazz Minor #5 (V), Dorian b9 #11 (VI), Nohkan (VII) Intervals: 3 1 2 1 2 1 2 Chords: C7, C7/#9, C7/#9/#11 193 Hungarian Major Inverse Mode: mode III of Romanian Major scale (C Hungarian Major Inverse = G# Romanian Major) Intervals: 2 1 2 1 2 1 3 Chords: Cdim7 194 Hungarian Minor b2 Modes: Oriental 2 (III), Raga Ramkali (VI) Intervals: 1 1 1 3 1 1 3 1 Chords: Cmin/maj7, Cmin/maj7/#11 195 Istrian Intervals: 1 2 1 2 1 5 Chords: C7/b9/#9 Origin: Croatia 196 Jeths Mode: mode V of Romanian Major scale (C Jeths = F Romanian Major) Intervals: 2 1 2 1 3 2 1 Chords: Cm6 This scale is named after contemporary composer Willem Jeths. 197 Kiourdi Modes: Raga Pahadi (IX) Intervals: 2 1 2 1 1 1 1 1 2 Chords: Cm7, Cm7/#11 Origin: Greece 198 Magen Abot Mode: mode V of Blues Octatonic scale (C Magen Abot = F# Blues Octatonic) Intervals: 1 2 1 2 2 1 2 1 Chords: Cmaj7/#5, Cmaj7/#9 Origin: Jewish 199 Moorish Phrygian Intervals: 1 2 1 1 2 1 2 1 1 Chords: C7, C7/b9/#9, C7/#5 Origin: Spain th When used on a dominant chord, the major 7 note in the scale should be used as a passing note. 200 Neapolitan Major Alternate names: Neapolitan, Mela Kokilapriya, Raga Kokilaravam Modes: Leading Whole-Tone (II), Lydian Augmented Dominant (III), Lydian Dominant b6 (IV), Major Locrian (V), Semilocrian b4 (VI), Superlocrian bb3 (VII) Intervals: 1 2 2 2 2 2 1 Chords: Cmin/maj7 nd The Neapolitan Major scale is similar to the Melodic Minor scale, except it has a flattened 2 degree. 201 Neapolitan Major b4 Intervals: 1 2 1 3 2 2 1 Chords: Cmaj7/b9/#9 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 202 Neapolitan Major b5 Mode: mode II of Chromatic Mixolydian 2 scale (C Neapolitan Major b5 = B Chromatic Mixolydian 2) Intervals: 1 2 2 1 3 2 1 Chords: Cmin/maj7/b5 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 203 Neapolitan Minor Alternate names: Hungarian Gipsy, Maqam Shahnaz or Maqam Shahnaz Kurdi (Iraq), Mela Dhenuka, Mela Senavati, Raga Dhunibinnashadjam, Raga Bhinnasadjam Modes: Lydian #6 (II), Mixolydian Augmented (III), Gypsy (IV), Locrian Dominant (V), Houzam (VI), Ultralocrian bb3 (VII) Intervals: 1 2 2 2 1 3 1 Chords: Cmin/maj7 nd The Neapolitan Minor scale is similar to the Harmonic Minor scale, except it has a flattened 2 degree. 204 Harmonic Neapolitan Minor Modes: Raga Chinthamani (V) Intervals: 1 1 1 2 2 1 3 1 Chords: Cmin/maj7 205 Neveseri Intervals: 1 2 3 1 1 2 1 1 Chords: Cm7, Cmin/maj7 Origin: Greece 206 Prokofiev Mode: mode VIII of Bebop scale (C Prokofiev = Db Bebop) Intervals: 1 2 2 1 2 2 1 1 Chords: Cm7/b5, Cm7/b5/#5 207 Prometheus Alternate names: Raga Barbara Intervals: 2 2 2 3 1 2 Chords: Cmaj7/#11, Cmaj7/b9/#11 208 Prometheus Neapolitan Mode: mode III of Blues Dorian Hexatonic scale (C Prometheus Neapolitan = A Blues Dorian Hexatonic) Intervals: 1 3 2 3 1 2 Chords: C7/b5 209 Romanian Major Alternate names: Mela Ramapriya, Raga Nasikabhushani, Raga Ramamahohari Modes: Hungarian Major Inverse (III), Dorian b2 b4 (IV), Jeths (V) Intervals: 1 3 2 1 2 1 2 Chords: C7, C7/#9, C7/#9/#11 210 Sabach Mode: mode II of Mixolydian b5 scale (C Sabach = Bb Mixolydian b5) Intervals: 2 1 1 3 1 2 2 Chords: C7, C7/#9 Origin: Greece 211 Sabach Maj7 Mode: mode IV of Gypsy Hexatonic scale (C Sabach Maj7 = G Gypsy Hexatonic) Intervals: 2 1 1 3 1 3 1 Chords: Cmaj7, Cmaj7/#9 Origin: Nicolas Slonimsky’s Thesaurus of Scales and Melodic Patterns textbook. 212 Scottish Hexatonic Alternate names: Arezzo Major Diatonic Hexachord, Raga Kambodhi ascending, Raga Yadukua Kambodhi descending, Raga Devarangini 2, Raga Kambhoji Mode: mode III of Mixolydian Hexatonic scale (C Scottish Hexatonic = G Mixolydian Hexatonic) Intervals: 2 2 1 2 2 3 Chords: Cmaj6, Cmaj7 th The Scottish Hexatonic scale can be obtained from the Major scale by omitting the 7 degree or, equivalently, from th the Major Pentatonic scale by adding the 4 degree. 213 Sengiach Alternate names: Sengah (Greece), Gypsy Hexatonic Inverse, Mela Gangeyabhusani Mode: mode IV of Mixolydian Augmented Maj9 scale (C Sengiach = G Mixolydian Augmented Maj9) Intervals: 3 1 1 2 1 3 1 Chords: Cmaj7, Cmaj7/#9 Origin: Greece 214 Shostakovich Mode: mode VI of Bebop Melodic Minor scale (C Shostakovich = E Bebop Melodic Minor) Intervals: 1 2 1 2 1 2 2 1 Chords: Cmaj7, Cmaj7/#11, Cmaj7/#9/#11 215 Spanish Heptatonic Modes: Mela Rupavati (IV) Intervals: 3 1 1 1 2 2 2 Chords: C7/b5, C7/#5, C7/#9, C7/#9/b13 216 Spanish Octatonic Alternate names: Esplá, Ahava Rabba (Jewish) Modes: Adonai Malakh (III) Intervals: 1 2 1 1 1 2 2 2 Chords: C7/#5, C7/#5/b9, C7/b9/#11 th This scale is sometimes called Esplá scale, after 19 -century Spanish composer Oscar Esplá. 217 Asian Scales Honkoshi Modes: Raga Hamsa Vinodini (II), Raga Manavi (III), Insen (IV) Intervals: 1 2 2 1 4 2 Chords: Cm7/b5 Origin: Japan 218 Ichikotsucho Alternate names: Major-Lydian Mixed, Gregorian 5, Genus Diatonicum Veterum Correctum, Kubilai (Mongolia), Ishikotsucho (Japan), Raga Bihag, Raga Gaud Sarang, Raga Hamir Kalyani, Raga Kedar, Raga Yaman Kalyan, Raga Chayanat Mode: mode IV of Bebop scale (C Ichikotsucho = G Bebop) Intervals: 2 2 1 1 1 2 2 1 Chords: Cmaj7, Cmaj7/#11 This Japanese scale can be obtained by merging the Major and Lydian scales. 219 Insen Alternate names: Niagari (Japan), Raga Phenadyuti 2 Mode: mode IV of Honkoshi scale (C Insen = G Honkoshi) Intervals: 1 4 2 1 2 2 Chords: Csus7 Origin: Japan 220 Maqam Shadd’araban Mode: mode II of Algerian Octatonic scale (C Maqam Shadd’araban = Bb Algerian Octatonic) Intervals: 1 2 1 1 1 3 1 2 Chords: C7/#5, C7/#5/#9 Origin: Iraq 221 Maqam Hijaz Mode: mode VI of Algerian Octatonic scale (C Maqam Hijaz = F Algerian Octatonic) Intervals: 1 3 1 2 1 2 1 1 Chords: Cmaj7/#5, C7/#5, C7/#5/#9 Origin: Iraq 222 Maqam Shawq Afza Modes: Raga Sindhi-Bhairavi (IV), Maqam Tarzanuyn (X) Intervals: 2 1 1 1 1 1 1 1 2 1 Chords: Cmaj7, Cmaj7/#5 Origin: Iraq 223 Maqam Tarzanuyn Mode: mode X of Maqam Shawq Afza scale (C Maqam Tarzanuyn = C# Maqam Shawq Afza) Intervals: 1 2 1 1 1 1 1 1 1 2 Chords: C7/#11/b9/#9, Caug7/#11/b9/#9 Origin: Iraq 224 Nando-Kyemyonjo Alternate names: Ghana Pentatonic, Chad Gadyo (Jewish), Raga Purnanalita Modes: Raga Neroshta (III), Raga Matha Kokila (IV) Intervals: 2 1 2 2 5 Chords: Cm7, Cmin/maj7 Origin: Korea 225 Noh Mode: mode VII of the Blues Heptatonic 2 scale (C Noh = D Blues Heptatonic 2) Intervals: 2 3 2 1 1 2 1 Chords: Cmaj7, Cmaj6, Cmin6, Cmin/maj7 rd Noh is a Japanese scale that can be obtained from the Bebop Major scale by omitting the 3 note. The absence of the rd 3 implies that this scale can be used on both major and minor chords. 226 Nohkan Alternate names: Lydian Augmented #3 Mode: mode VII of the Hungarian Major scale (C Nohkan = D Hungarian Major) Intervals: 2 3 1 2 1 2 1 Chords: Cmaj7/#5 Origin: Japan 227 Oriental Alternate names: Minor Gypsy Inverse, Hungarian Minor Inverse, Tsinganikos (Greece), Raga Ahira Lalita Mode: mode V of Double Harmonic scale (C Oriental = F Double Harmonic) Intervals: 1 3 1 1 3 1 2 Chords: C7/b5 Origin: China 228 Oriental 2 Mode: mode III of Hungarian Minor b2 scale (C Oriental 2 = Bb Hungarian Minor b2) Intervals: 1 3 1 1 3 1 1 1 Chords: C7/b5, C7/b5/b9 Origin: China 229 Pelog Alternate names: Mela Latangi, Raga Gitapriya, Raga Hamsalata Mode: mode VII of the Mixolydian b5 scale (C Pelog = D Mixolydian b5) Intervals: 2 2 2 1 1 3 1 Chords: Cmaj7, Cmaj7/b13 Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia, the other one being the Slendro scale. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful". The complete Pelog scale has seven notes (as reported in this page), even though many pieces only use five notes (see Pelog Pentatonic scale). 230 Persian Alternate names: Chromatic Hypolydian Inverse, Raga Suddha Pancama Modes: Chromatic Dorian Inverse (II), Chromatic Phrygian Inverse (III), Chromatic Lydian Inverse (IV), Chromatic Mixolydian Inverse (V), Chromatic Hypodorian Inverse (VI), Chromatic Hypophrygian Inverse (VII) Intervals: 1 3 1 1 2 3 1 Chords: Cmaj7/b5 As it name suggests, the Persian scale is frequently found in Persian music and, to a lesser extent, in Arab and nonth Persian Middle Eastern music. It can be obtained by flattening the 5 degree of the Double Harmonic scale. 231 Ritzu Alternate names: Raga Suddha Todi Mode: mode V of the Mixolydian Hexatonic scale (C Ritzu = Eb Mixolydian Hexatonic) Intervals: 1 2 2 3 2 2 Chords: Cm7/#5 Origin: Japan 232 Sho Alternate names: Raga Gauri Velavali, Raga Suddha Bangala Modes: Raga Gandharavam (II), Raga Mruganandana (III), Raga Navamanohari (V) Intervals: 2 1 2 2 2 3 Chords: Cmin6, Cmin/maj7 Sho is a Japanese six-note scale that can be obtained from the Dorian or the Melodic Minor scale by omitting the 7 note. It can therefore be used in all cases when either the Dorian or the Melodic Minor scale can be used. 233 th Sho #2 Modes: Raga Salagavarali (III), Raga Vutari (V) Intervals: 1 2 1 2 4 2 Chords: C7/#5/#11 th Sho #2 is the (arbitrary) name for a six-note Japanese scale that obtained by dropping the 6 note of an Altered Dominant scale, which in turn is a mode of the Melodic Minor scale. For example, the C Sho #2 scale contains the th same notes as the C# Melodic Minor scale, but without the 5 note (G# in this case). 234 Takemitzu Tree 1 Mode: mode II of the Blues Dorian Hexatonic scale (C Takemitzu Tree 1 = B Blues Dorian Hexatonic) Intervals: 2 1 3 2 3 1 Chords: Cmin/maj7, Cmin/maj7/b5 Origin: Japan 235 Takemitzu Tree 2 Modes: Eskimo Hexatonic (IV) Intervals: 2 1 3 2 2 2 Chords: Cm7, Cm7/b5 Origin: Japan 236 Youlan Modes: Chromatic Permutated Diatonic Dorian (V) Intervals: 1 1 2 1 1 1 2 1 2 Chords: C7, C7/b9, C7/b9/#11 Origin: China 237 Indian Scales Mela Bhavapriya Alternate names: Raga Bhavani, Raga Kalamurti Mode: mode VI of Rock ‘n Roll scale (C Mela Bhavapriya = Eb Rock ‘n Roll) Intervals: 1 2 3 1 1 2 2 Chords: Cm7/b5 238 Mela Calanata Alternate names: Raga Bhanumanjari, Raga Jog Modes: Raga Gurjari Todi (III), Raga Brindabani (IV) Intervals: 3 1 1 2 3 2 Chords: C7/b9 239 Mela Dhavalambari Alternate names: John Fould’s Mantra of Will Mode: mode III of the Enigmatic descending scale (C Mela Dhavalambari = G Enigmatic descending) Intervals: 1 3 2 1 1 1 3 Chords: Cmaj7, Cmaj7/#11, Cmaj7/#5/#11 This is a South India scale. It may also appear under the name John Fould’s Mantra of Will, after Of Will and Wisdom…of Cosmic Avatars (from Three Mantras), an English classical music composer. 240 Mela Dhatuvardhani Alternate names: Raga Devarashtra, Raga Dhauta Pancama Mode: mode II of Gypsy Hexatonic scale (C Mela Dhatuvardhani = B Gypsy Hexatonic) Intervals: 3 1 2 1 1 3 1 Chords: C7/#11 241 Mela Divyamani Alternate names: Raga Vamsavathi Intervals: 1 2 3 1 3 1 1 Chords: Cm7/b5 242 Mela Ganamurti Alternate names: Raga Ganasamavarali Modes: Mela Visvambhari (II), Mela Syamalangi (IV) Intervals: 1 1 3 2 1 3 1 Chords: Csus, Csus/maj7 243 Mela Gavambodhi Alternate names: Raga Girvani Modes: Mela Hatakambari (VI) Intervals: 1 2 3 1 1 1 3 Chords: Cdim7 244 Mela Gayakapriya Intervals: 1 3 1 2 2 1 1 Chords: C6 245 Mela Hatakambari Alternate names: Raga Jeyasuddhamalavi Mode: mode VI of Mela Gavambodhi scale (C Mela Hatakambari = E Mela Gavambodhi) Intervals: 1 3 1 2 3 1 1 Chords: Cmaj7, C7, C7/b9 246 Mela Jalarnava Intervals: 1 1 4 1 1 2 2 Chords: C7/b9/#11 247 Mela Jhalavarli Alternate names: Raga Jinavali, Raga Varali Intervals: 1 1 4 1 1 3 1 Chords: C7/b9/#11 248 Mela Jhankaradhvani Alternate names: Raga Jhankara Bhramavi Intervals: 2 1 2 2 1 1 3 Chords: Cm6 249 Mela Jyotisvarupini Alternate names: Raga Jotismatti Intervals: 3 1 2 1 1 2 2 Chords: C7/#9, C7/#9/#11 250 Mela Kantamani Alternate names: Raga Kuntala, Raga Srutiranjani Mode: mode III of Enigmatic ascending scale (C Mela Kantamani = Ab Enigmatic ascending) Intervals: 2 2 2 1 1 1 3 Chords: C6, C6/#9 251 Mela Manavati Alternate names: Raga Manoranjani Mode: mode VII of Enigmatic ascending scale (C Mela Manavati = Db Enigmatic ascending) Intervals: 1 1 3 2 2 2 1 Chords: Csus/maj7 252 Mela Naganandini Alternate names: Raga Nagabharanam, Raga Samanta Mode: mode IV of Rock ‘n Roll scale (C Mela Naganandini = G Rock ‘n Roll) Intervals: 2 2 1 2 3 1 1 Chords: Cmaj7, C7 253 Mela Namanarayani Alternate names: Raga Purvi Thaat, Raga Narmada, Raga Pratapa Mode: mode V of Chromatic Mixolydian 2 scale (C Mela Namanarayani = F# Chromatic Mixolydian 2) Intervals: 1 3 2 1 1 2 2 Chords: C7/b9 254 Mela Navanitam Intervals: 1 1 4 1 2 1 2 Chords: C7/#11, C7/b9/#11 255 Mela Nitimati Alternate names: Raga Kaikavasi, Raga Nisada Mode: mode VII of Mixolydian Augmented Maj9 scale (C Mela Nitimati = D Mixolydian Augmented Maj9) Intervals: 2 1 3 1 3 1 1 Chords: Cm7, Cmin/maj7 256 Mela Pavani Alternate names: Raga Kunbhini Mode: mode VI of Raga Khamach ascending scale (C Mela Pavani = D Raga Khamach ascending) Intervals: 1 1 4 1 2 2 1 Chords: Cmaj7/#11 257 Mela Ragavardhani Alternate names: Raga Cudamani Mode: mode VI of Superlocrian Maj7 scale (C Mela Ragavardani = E Superlocrian Maj7) Intervals: 3 1 1 2 1 2 2 Chords: C7, C7/#9 258 Mela Raghupriya Alternate names: Raga Ghandarva, Raga Ravikriya Intervals: 1 1 4 1 3 1 1 Chords: C7, C7/#11 259 Mela Ratnangi Alternate names: Raga Phenadyuti Mode: mode IV of Blues Phrygian scale (C Mela Ratnangi = G Blues Phrygian) Intervals: 1 1 3 2 1 2 2 Chords: Csus7, Csus7/#9 260 Mela Rupavati Mode: mode IV of Spanish Heptatonic scale (C Mela Rupavati = G Spanish Heptatonic) Intervals: 1 2 2 2 3 1 1 Chords: Csus7, Csus7/#9 261 Mela Salaga Intervals: 1 1 4 1 1 1 3 Chords: Csus6 262 Mela Syamalangi Alternate names: Raga Shyamalam Mode: mode IV of Mela Ganamurti (C Mela Syamalangi = G Mela Ganamurti) Intervals: 2 1 3 1 1 1 3 Chords: Cdim7, Cm6 263 Mela Suvarnangi Alternate names: Raga Sauviram Intervals: 1 2 3 1 2 2 1 Chords: Cdim7, Cmin/maj7 264 Mela Tenarupi Alternate names: Raga Tanukirti Intervals: 1 1 3 2 3 1 1 Chords: Csus7 265 Mela Venaspati Alternate names: Raga Bhanumati Mode: mode IV of Blues Modified scale (C Mela Venaspati = G Blues Modified) Intervals: 1 1 3 2 2 1 2 Chords: Csus7, Csus7/b9 266 Mela Varunapriya Alternate names: Raga Viravasantham Mode: mode II of Superlocrian Maj7 scale (C Mela Varunapriya = B Superlocrian Maj7) Intervals: 2 1 2 2 3 1 1 Chords: Cmin/maj7 267 Mela Visvambhari Mode: mode IV of Mela Ganamurti scale (C Mela Visvambhari = B Mela Ganamurti) Intervals: 1 3 2 1 3 1 1 Chords: Cmaj7, C7/b9 268 Mela Yagapriya Alternate names: Raga Kalahamsa Intervals: 3 1 1 2 1 1 3 Chords: C6, C6/#9 269 Raga Abhogi Modes: Raga Rukmangi (II), Raga Valaji (IV) Intervals: 2 1 2 4 3 Chords: Cm6 270 Raga Airavati Alternate names: Ancient Chinese, Raga Kalyani, Raga Yamuna Kalyani, Raga Kalyani Keseri Modes: Raga Siva Kambhoji (II), Raga Gurjari Todi (IV), Raga Nagagandhari (V), Raga Manohari (VI) Intervals: 2 2 2 1 2 3 Chords: Cmaj7/#11 th This scale is obtained by dropping the 7 degree from a Lydian scale. 271 Raga Amarasenapriya Intervals: 2 1 3 1 4 1 Chords: Cmin/maj7 272 Raga Audav Tukhari Modes: Raga Rasranjani (III), Raga Dhavalashri (V) Intervals: 2 1 2 3 4 Chords: Cmin7, Cmin/b6 273 Raga Bhatiyar Intervals: 1 3 1 1 1 2 2 1 Chords: Cmaj7/#11, Cmaj7/b9/#11 274 Raga Bhinna Pancama Modes: Raga Vijayanagari (III), Raga Gaula (IV) Intervals: 2 3 2 1 3 1 Chords: Csus, Csus/maj7 275 Raga Brindabani Alternate names: Raga Brindabani Sarang, Raga Megh or Megh Malhar Mode: mode IV of Mela Calanata scale (C Raga Brindabani = G Mela Calanata) Intervals: 2 3 2 3 1 1 Chords: Csus, Csus/maj7, Csus7 276 Raga Bowli Alternate names: Raga Reva, Raga Revagupti, Raga Vibhas (same as Bowli ascending), Raga Bauli (same as Bowli descending) Mode: ascending version is mode II of Romanian Bacovia scale (C Raga Bowli ascending = Ab Romanian Bacovia) Modes: Raga Gaurikryia (III descending), Raga Suddha Mukhari (VI descending) Intervals: 1 3 3 1 4 (ascending) 1 3 3 1 3 1 (descending) Chords: Cmaj7, Cmaj9 277 Raga Budhamanohari Modes: Raga Kuntvarali (V) Intervals: 2 2 1 2 5 Chords: Cmaj7, C7 278 Raga Chandrajyoti Mode: mode V of Raga Tilang scale (C Raga Chandrajyoti = D Raga Tilang) Intervals: 1 1 4 1 2 3 Chords: C6/#11, C6/b9/#11 279 Raga Chandrakauns Kafi Alternate names: Raga Surya, Raga Varamu Mode: mode IV of Mixolydian Pentatonic scale (C Raga Chandrakauns Kafi = F Mixolydian Pentatonic) Intervals: 3 2 4 1 2 Chords: Cm7 280 Raga Chandrakauns Kiravani Mode: mode II of Major Pentatonic b2 b5 scale (C Raga Chandrakauns Kiravani = B Major Pentatonic b2 b5) Intervals: 3 2 3 3 1 Chords: Cmin/maj7 281 Raga Chandrakauns Modern Alternate names: Raga Marga Hindola, Raga Rajeshwari Intervals: 3 2 4 2 1 Chords: Cmin/maj7 282 Raga Chaya Todi Mode: mode II of Mixolydian Pentatonic scale (C Raga Chaya Todi = Ab Mixolydian Pentatonic) Intervals: 1 2 3 2 4 Chords: Cdim 283 Raga Chinthamani Mode: mode V of Harmonic Neapolitan Minor scale (C Raga Chinthamani = G Harmonic Neapolitan Minor) Intervals: 2 1 3 1 1 1 1 2 Chords: Cm7, Cdim7 284 Raga Deshgaur Intervals: 1 6 1 3 1 Chords: Cmaj7/#5/b9 285 Raga Devaranjani Alternate names: Raga Devaranji Intervals: 5 2 1 3 1 Chords: Csus/maj7 286 Raga Dhavalangam Alternate names: Raga Indupriya Intervals: 1 3 2 1 1 4 Chords: Cmaj, Caug 287 Raga Dhavalashri Mode: mode II of Raga Audav Tukhari scale (C Raga Dhavalashri = E Raga Audav Tukhari) Intervals: 4 2 1 2 3 Chords: C6, C6/#11 288 Raga Dipak Intervals: 2 2 1 1 1 5 Chords: Cmaj7/#11, C7/#11 289 Raga Gamakakriya Alternate names: Raga Hamsanarayami, Raga Mandari Intervals: 1 3 2 1 4 1 Chords: Cmaj7/#11, Cmaj7/b9/#11 290 Raga Gandharavam Intervals: 1 2 2 2 3 2 Chords: Cm7, Cm7/b9 291 Raga Gangatarangini Intervals: 4 1 1 2 3 1 Chords: Cmaj7/b5, Csus/maj7 292 Raga Gaula Mode: mode IV of Raga Bhinni Pancama scale (C Raga Gaula = F Raga Bhinna Pancama) Intervals: 1 3 1 2 3 2 Chords: C7/b9 293 Raga Gaurikriya Alternate names: Raga Jivantini Mode: mode II of Raga Bowli descending scale (C Raga Gaurikriya = B Raga Bowli descending) Intervals: 3 3 1 3 1 1 Chords: Cm7/b5, Cdim/maj7 294 Raga Ghantana Alternate names: Raga Kaishikiranjani or Kaushiranjani Modes: Raga Madhukauns (IV) Intervals: 2 1 2 3 3 1 Chords: Cmin/maj7 295 Raga Gopikatilaka Alternate names: Raga Simharava Mode: mode V of Lydian #2 Hexatonic scale (C Raga Gopikatilaka = Eb Lydian #2 Hexatonic) Intervals: 2 1 3 1 3 2 Chords: Cm7 296 Raga Gowla Alternate names: Raga Gauri (same as Gowla ascending) Intervals: 1 4 2 4 1 (ascending), 1 3 1 2 4 1 (descending) Chords: Csus/maj7 This Indian scale has two different versions, ascending and descending. The descending version is the same as the descending version of the Raga Jaganmohini scale. 297 Raga Gurjari Todi Mode: mode IV of Raga Airavati scale (C Raga Gurjari Todi = Gb Raga Airavati) Intervals: 1 2 3 2 2 2 Chords: Cm7/b5 298 Raga Hamsadhvani Modes: Raga Zilaf (IV) Intervals: 2 1 4 4 1 Chords: Cmin/maj7 299 Raga Hamsanandi Alternate names: Raga Pancama, Raga Puriya 2, Raga Marva, Raga Sohni Mode: mode IV of Blues scale (C Raga Hamsanandi = Gb Blues) Intervals: 1 3 2 3 2 1 Chords: Cmaj7/b9/#11 300 Raga Hamsa Vinodini Mode: mode II of Honkoshi scale (C Raga Hamsa Vinodini = B Honkoshi) Intervals: 2 2 1 4 2 1 Chords: Cmaj7 th This scale can be obtained by removing the 5 degree of the Major scale. 301 Raga Hari Nata Alternate name: Genus Secundum Mode: mode V of Raga Ratnakanthi scale (C Raga Hari Nata = F Raga Ratnakanthi) Intervals: 4 1 2 2 2 1 Chords: Cmaj7 nd This scale can be obtained by removing the 2 degree of the Major scale. 302 Raga Hejjajji Mode: mode II of Lydian #2 Hexatonic scale (C Raga Hejjajji = A Lydian #2 Hexatonic) Intervals: 1 3 2 2 1 3 Chords: Caug 303 Raga Jaganmohanam Intervals: 2 4 1 1 2 2 Chords: C7/#11 304 Raga Jivantika Intervals: 1 4 2 2 2 1 Chords: Csus/maj7 305 Raga Jyoti Intervals: 4 2 1 1 2 2 Chords: C7/#11 306 Raga Kalagada Modes: Raga Lalita (V) Intervals: 1 3 3 1 1 3 Chords: Caug 307 Raga Kalakanthi 2 Mode: mode III of Raga Vasanta descending scale (C Raga Kalakanthi 2 = Ab Raga Vasanta descending) Intervals: 1 4 2 1 1 3 Chords: Csus 308 Raga Kalavati Alternate names: Raga Ragamalini Modes: Raga Latika (IV) Intervals: 1 3 1 2 2 3 Chords: C6, C6/b9 309 Raga Kamalamanohari 2 Mode: mode II of Raga Sarasvati scale (C Raga Kamalamanohari 2 = Bb Raga Sarasvati) Intervals: 4 1 2 1 2 2 Chords: Csus7 310 Raga Kashyapi Mode: mode II of Raga Shreeranjani scale (C Raga Kashyapi = Bb Raga Shreeranjani) Intervals: 1 2 4 1 2 2 Chords: Cm7 311 Raga Kedaram Alternate names: Raga Neelambari, Raga Nalinakanti, Raga Vilasini (same as Kedaram descending) Mode: descending version is mode VI of Raga Shreeranjani scale (C Raga Kedaram = D Raga Shreeranjani) Intervals: 4 1 2 4 1 (ascending), 2 2 1 2 4 1 (descending) Chords: Cmaj7 This Indian scale has two versions, ascending and descending. The ascending version contains the same notes as the Ionian Pentatonic scale, the descending version is equivalent to mode VI of the Raga Shreeranjiani scale and has the same notes as the Raga Neelambari scale. 312 Raga Khamach Alternate names: Raga Madhuri Modes: Mela Pavani (VI ascending) Intervals: 4 1 2 2 1 1 1 (ascending), 2 2 1 2 2 1 2 (descending) Chords: Cmaj7 This Indian scale has two versions, ascending and descending. The descending version contains the same notes as the Mixolydian scale. 313 Raga Kshanika Intervals: 1 4 3 3 1 Chords: Cmaj7/#5 314 Raga Kumarapriya Intervals: 1 1 6 3 1 Chords: Cmaj7/#5 315 Raga Kumurdaki Alternate names: Raga Kumudki Intervals: 2 2 2 5 1 Chords: Cmaj7/#11 316 Raga Kuntvarali Alternate names: Raga Kuntalavarali Mode: mode V of Raga Budhamanohari scale (C Raga Kuntvarali = F Raga Budhamanohari) Intervals: 5 2 2 1 2 Chords: Csus7 317 Raga Lalita Alternate names: Raga Sohini Mode: mode V of Raga Kalagada scale (C Raga Lalita = E Raga Kalagada) Intervals: 1 3 1 3 3 1 Chords: Cmaj7/#5 318 Raga Lalita Bhairav Alternate names: Raga Vasantha Mode: mode VI of Lydian #2 Hexatonic scale (C Raga Lalita Bhairav = Db Lydian #2 Hexatonic) Intervals: 1 3 1 3 2 2 Chords: C7/#5 319 Raga Latika Mode: mode IV of Raga Kalavati scale (C Raga Latika = G Raga Kalavati) Intervals: 2 2 3 1 3 1 Chords: Cmaj7 320 Raga Madhukauns Mode: mode IV of Raga Ghantana scale (C Raga Madhukauns = G Raga Ghantana) Intervals: 3 3 1 2 1 2 Chords: Cdim7 321 Raga Malarani Intervals: 2 4 1 3 1 1 Chords: Cmaj7/#11 322 Raga Malayamarutam Mode: mode IV of Pyramid Hexatonic scale (C Raga Malayamarutam = G Pyramid Hexatonic) Intervals: 1 3 3 2 1 2 Chords: C7/b9 323 Raga Malahari Alternate names: In (Japan, same as Malahari ascending), Raga Geyahejjajji, Raga Kannadabangala, Raga Purna Pancama (same as Malahari descending) Intervals: 1 4 2 1 4 (ascending), 1 3 1 2 1 4 (descending) Chords: Csus This Indian scale has two versions, ascending and descending. The ascending version contains the same notes as the In Japanese scale. 324 Raga Malkauns Mode: mode V of Blues scale (C Raga Malkaus = F Blues) Intervals: 3 2 3 2 1 1 Chords: Cm7, Csus7 325 Raga Malini Alternate names: Raga Senagrani Mode: mode VI of Mixolydian b5 scale (C Raga Malini = Eb Mixolydian b5) Intervals: 1 2 2 2 1 1 3 Chords: Cm6 326 Raga Manaranjani Intervals: 1 3 3 3 2 Chords: C7/b9 327 Raga Manavi Mode: mode III of Honkoshi scale (C Raga Manavi = A Honkoshi) Intervals: 2 1 4 2 1 2 Chords: Cm7 328 Raga Manohari Alternate names: Raga Malavasri Mode: mode VI of Raga Airavati scale (C Raga Manohari = Eb Raga Airavati) Intervals: 3 2 2 2 1 2 Chords: Cm7 329 Raga Marwa Thaat Alternate names: Peiraiotikos (Greece), Mela Gamanasrama, Raga Partiravan, Raga Puriya, Raga Puriya Kalyan, Raga Purvikalyani, Raga Sohani, Raga Bairari Mode: mode V of Blues Phrygian scale (C Raga Marwa Thaat = F# Blues Phrygian) Intervals: 1 3 2 1 2 2 1 Chords: C7/b9, C7/b9/#11 330 Raga Matha Kokila Alternate names: Raga Matkokil Mode: mode IV of Nando-Kyemuonjo scale (C Raga Matha Kokila = G Nando-Kyemuonjo) Intervals: 2 5 2 1 2 Chords: Csus7, C9 331 Raga Megharanji Intervals: 1 3 1 6 1 Chords: Cmaj7/b9 332 Raga Mian Ki Malhar Alternate names: Raga Bahar, Raga Sindhura Intervals: 2 1 2 2 2 1 1 1 Chords: Cm7, Cmin/maj7 333 Raga Mohanangi Mode: mode V of Major Pentatonic b2 b5 scale (C Raga Mahonangi = Eb Major Pentatonic b2 b5) Intervals: 3 1 3 2 3 Chords: C6 334 Raga Mruganandana Mode: mode III of Sho scale (C Raga Mruganandana = A Sho) Intervals: 2 2 2 3 2 1 Chords: Cmaj7/#11 th This scale can be obtained by removing the 5 degree of the Lydian scale. 335 Raga Multani 2 Mode: mode III of Romanian Bacovia scale (C Raga Multani 2 = G Romanian Bacovia) Intervals: 3 3 1 4 1 Chords: Cmin/maj7/#11 336 Raga Nabhomani Intervals: 1 1 4 1 5 Chords: Cmaj7/#11, C7/#11 337 Raga Nagagandhari Mode: mode V of Raga Airavati scale (C Raga Nagagandhari = F Raga Airavati) Intervals: 2 3 2 2 2 1 Chords: Cmaj7, Cmin/maj7 338 Raga Nattai Alternate names: Raga Madhuranjani, Raga Nata, Raga Udayaravicandrika (same as Nattai descending) Intervals: 3 1 1 2 3 1 1 (ascending), 3 2 2 4 1 (descending) Chords: C7, Csus7 This Indian scale has two versions, ascending and descending. The ascending version contains the same notes as the Chromatic Dorian Inverse scale. 339 Raga Nattaikurinji Alternate names: Raga Rageshri or Rageshwari Mode: mode II of Raga Ratnakanthi scale (C Raga Nattaikurinji = Bb Raga Ratnakanthi) Intervals: 2 2 1 4 1 2 Chords: C7 340 Raga Navamanohari Mode: mode V of Sho scale (C Raga Navamanohari = F Sho) Intervals: 2 3 2 1 2 2 Chords: Cm7, Csus7, C7/b13 341 Raga Neroshta Mode: mode III of Nando-Kyemuonjo scale (C Raga Neroshta = A Nando-Kyemuonjo) Intervals: 2 2 5 2 1 Chords: Cmaj7 342 Raga Nishadi Mode: mode III of Raga Shreeranjani scale (C Raga Nishadi = A Raga Shreeranjani) Intervals: 2 4 1 2 2 1 Chords: Cmaj7/#11 343 Raga Padi Modes: Raga Vijayavasanta (II), Raga Syamalam (III) Intervals: 1 4 2 1 3 1 Chords: Csus/maj7 344 Raga Pahadi Mode: mode IX of Kiourdi scale (C Raga Pahadi = D Kiourdi) Intervals: 2 2 1 2 1 1 1 1 1 Chords: Cmaj7, C7 345 Raga Paras Alternate names: Raga Pharas or Paraju, Raga Kamalamanohari, Raga Ramamanohari 2, Raga Simhavahini (same as Paras ascending), Raga Sindhu Ramakriya Modes: Raga Amarasenapriya (III ascending), Raga Rudra Pancama (IV ascending) Intervals: 4 1 2 1 3 1 (ascending), 1 3 1 2 1 3 1 (descending, same as Double Harmonic) Chords: Cmaj7 This Indian scale has two versions, ascending and descending. The descending version contains the same notes as the Double Harmonic scale. 346 Raga Priyadharshini Mode: mode II of Major Pentatonic b3 scale (C Raga Priyadharshini = B Major Pentatonic b3) Intervals: 2 3 3 3 1 Chords: Cmaj7/#5 347 Raga Puruhutika Alternate names: Raga Purvaholica Intervals: 5 2 2 2 1 Chords: Csus/maj7 348 Raga Putrika Mode: mode V of Raga Deshgaur scale (C Raga Putrika = C# Raga Deshgaur) Intervals: 1 1 6 1 3 Chords: Cmaj7/#5 349 Raga Rageshri Intervals: 2 2 1 4 1 1 1 Chords: Cmaj7, C7 350 Raga Ramkali Alternate names: Raga Ramakri Mode: mode VI of Hungarian Minor b2 scale (C Raga Ramkali = F Hungarian Minor b2) Intervals: 1 3 1 1 1 1 3 1 Chords: Cmaj7/b9 351 Raga Rangini Alternate names: Raga Ranjani Mode: mode III of Pyramid Hexatonic scale (C Raga Rangini = A Pyramid Hexatonic) Intervals: 2 1 3 3 2 1 Chords: Cmin/maj7/b5 352 Raga Rasamanjari 2 Mode: mode II of Raga Malahari desceding scale (C Raga Rasamanjari = B Raga Malahari descending) Intervals: 3 1 2 1 4 1 Chords: Cmin/maj7 353 Raga Rasavali Mode: mode III of Hawaiian scale (C Raga Rasavali = Bb Hawaiian) Intervals: 1 4 2 2 1 2 Chords: Csus7, Csus7/b9 354 Raga Rasranjani Mode: mode III of Raga Audav Tukhari scale (C Raga Rasranjani = A Raga Audav Tukhari) Intervals: 2 3 4 2 1 Chords: Csus/maj7 355 Raga Ratnakanthi Alternate names: Raga Chaturangini 2 Modes: Raga Nattaikurinji (II), Raga Trimurti (III), Raga Hari Nata (V), Raga Suddha Simantini (V) Intervals: 2 2 2 1 4 1 Chords: Cmaj7/#11 356 Raga Rudra Pancama Mode: mode IV of Raga Paras ascending scale (C Raga Rudra Pancama = F Raga Paras ascending) Intervals: 1 3 1 4 1 2 Chords: C7/b9 357 Raga Rukmangi Mode: mode II of Raga Abhogi scale (C Raga Rukmangi = Bb Raga Abhogi) Intervals: 1 2 4 3 2 Chords: Cm7 358 Raga Salagavarali Mode: mode III of Sho #2 scale (C Raga Salagavarali = A Sho #2) Intervals: 1 2 4 2 1 2 Chords: Cm7 359 Raga Samudhra Priya Mode: mode IV of Major Pentatonic b2 b5 scale (C Raga Samudhra Priya = Gb Major Pentatonic b2 b5) Intervals: 3 3 1 3 2 Chords: Cm7/b5 360 Raga Santanamanjari Alternate name: Mela Sucaritra Intervals: 3 1 2 1 1 1 3 Chords: C6 361 Raga Sarasanana Mode: mode II of Double Phrygian scale (C Raga Sarasanana = B Double Phrygian) Intervals: 2 2 1 3 3 1 Chords: Cmaj7/#5 362 Raga Sarasvati Modes: Raga Kamalamanohari 2 (II), Raga Sindhura Kafi (IV) Intervals: 2 4 1 2 1 2 Chords: C7/#11 363 Raga Saravati Intervals: 4 1 2 1 1 3 Chords: Cmaj7, Cmaj7/#5 364 Raga Saugandhini Alternate name: Raga Yashranjani Mode: mode IV of Raga Nabhomani scale (C Raga Saugandhini = F# Raga Nabhomani) Intervals: 1 5 1 1 4 Chords: C7/b9/#11/b13 365 Raga Saurashtra Intervals: 1 3 1 2 1 1 2 1 Chords: Cmaj7, Cmaj7/#5, Cmaj7/b9 366 Raga Shreeranjani Alternate names: Raga Shee Ranjani or Sriranjiani, Raga Kapijingla, Raga Bageshri 2, Raga Jayamanohari Modes: Raga Kashyapi (II), Raga Nishadi (III), Raga Vegavahini ascending (IV), Raga Kedaram descending (VI) Intervals: 2 1 2 4 1 2 Chords: Cm7 367 Raga Shri Kalyan Mode: mode V of Mixolydian Pentatonic scale (C Raga Shri Kalyan = D Mixolydian Pentatonic) Intervals: 2 4 1 2 3 Chords: C6, Cmaj7/#11 368 Raga Shubravarni Intervals: 2 4 3 1 2 Chords: C7/#11 369 Raga Sindhura Kafi Mode: mode IV of Raga Sarasvati scale (C Raga Sindhura Kafi = F Raga Sarasvati) Intervals: 2 1 2 2 4 1 Chords: Cmin/maj7 370 Raga Sindhi-Bhairavi Mode: mode IV of Maqam Shawq Afza (C Raga Sindhi-Bhairavi = G# Maqam Shawq Afza) Intervals: 1 1 1 1 1 2 1 2 1 1 Chords: Cmaj7, Cmaj7/#5, C7, C7/#5, C7/b9 371 Raga Siva Kambhoji Alternate names: Raga Vivardhini, Raga Andhali Mode: mode II of Raga Airavati scale (C Raga Siva Kambhoji = Bb Raga Airavati) Intervals: 2 2 1 2 3 2 Chords: C7 372 Raga Sorati Alternate names: Raga Sur Malhar Mode: mode II of Enigmatic Minor scale (C Raga Sorati = B Enigmatic Minor) Intervals: 2 3 2 2 1 1 1 Chords: Csus7 373 Raga Suddha Mukhari Mode: mode VI of Raga Bowli descending scale (C Raga Suddha Mukhari = C# Raga Bowli descending) Intervals: 1 1 3 3 1 3 Chords: Csus 374 Raga Suddha Simantini Mode: mode VI of Raga Ratnakanthi scale (C Raga Suddha Simantini = Db Raga Ratnakanthi) Intervals: 1 2 2 2 1 4 Chords: Cmin7/b9 375 Raga Syamalam Mode: mode III of Raga Padi scale (C Raga Syamalam = G Raga Padi) Intervals: 2 1 3 1 1 4 Chords: Cmin 376 Raga Takka Mode: mode III of Lydian #2 Hexatonic scale (C Raga Takka = Ab Lydian #2 Hexatonic) Intervals: 3 2 2 1 3 1 Chords: Cmin/maj7 377 Raga Tilang Alternate names: Raga Bridabani Tilang, Raga Savitri Modes: Raga Chandrajyoti (V) Intervals: 4 1 2 3 1 1 Chords: Cmaj7, C7, Csus7 378 Raga Trimurti Mode: mode III of Raga Ratnakanthi scale (C Raga Trimurti = Ab Raga Ratnakanti) Intervals: 2 1 4 1 2 2 Chords: Cm7 379 Raga Valaji Mode: mode IV of Raga Abhogi scale (C Raga Valaji = G Raga Abhogi) Intervals: 4 3 2 1 2 Chords: C7 380 Raga Vasanta Alternate names: Raga Bhinna Shadj, Raga Hindolita, Raga Kaushikdhvani (same as Vasanta ascending), Raga Chaya Vati (same as Vasanta descending) Modes: Raga Kalakanthi 2 (III descending) Intervals: 4 1 4 2 1 (ascending), 1 3 1 4 2 1 (descending) Chords: Cmaj7/b9 This Indian scale has two versions, ascending and descending. The ascending version is equivalent to mode V of the In scale. 381 Raga Vegavahini Alternate names: Raga Khamas, Raga Desya Khamas, Raga Bahudari (same as Vehavahini ascending) Mode: ascending version is mode IV of Raga Shreeranjani scale (C Raga Vegavahini = G Raga Shreeranjani) Intervals: 4 1 2 2 1 2 (ascending), 1 3 1 2 2 1 2 (descending) Chords: C7/b9 This Indian scale has two versions, ascending and descending. The ascending version is equivalent to mode IV of the Raga Sheeranjani scale, the descending version contains the same notes as the Harmonic Minor Inverse scale. 382 Raga Vijayanagari Mode: mode III of Raga Bhinna Pancama scale (C Raga Vijayanagari = G Raga Bhinna Pancama) Intervals: 2 1 3 1 2 3 Chords: Cm6 383 Raga Vijayasri Intervals: 1 1 4 1 4 1 Chords: Cmaj7/#11 384 Raga Vijayavasanta Mode: mode II of Raga Padi scale (C Raga Vijayavasanta = B Raga Padi) Intervals: 4 2 1 3 1 1 Chords: Cmaj7/#11 385 Raga Viyogavarali Intervals: 1 2 2 3 3 1 Chords: Cmin/maj7 386 Raga Vutari Mode: mode V of Sho #2 scale (C Raga Vutari = F# Sho #2) Intervals: 4 2 1 2 1 2 Chords: C7/#11 387 Raga Zilaf Mode: mode IV of Raga Hamsadhvani scale (C Raga Zilaf = F Raga Hamsadhvani) Intervals: 4 2 1 2 1 2 Chords: Csus 388 Miscellaneous scales Algerian Octatonic Modes: Maqam Shadd'araban (II), Maqam Hijaz (VI) Intervals: 2 1 2 1 1 1 3 1 Chords: Cm7, Cm7/b13 389 Algerian Intervals: 2 1 3 1 1 3 1 2 1 2 Chords: Cmin/maj7 th The 11-note Algerian scale is peculiar is that it subdivides an 11 interval, instead of an octave. As its name suggests, this scale is often used in Algerian, Berber, and North African music. The presence of two 3-semitones intervals creates a sound that is often associated with Middle Eastern music. This scale was used by Jacques Ibert in his Escales composition. 390 Eskimo Hexatonic Mode: mode IV of Takemitzu Tree 2 scale (C Eskimo Hexatonic = Gb Takemitzu Tree 2) Intervals: 2 2 2 2 1 3 Chords: Caug Origin: Alaska 391 Eskimo Hexatonic 2 Modes: Prometheus (II) Intervals: 2 2 2 2 3 1 Chords: Cmaj7/#5 Origin: Alaska 392 Hamel Alternate names: Gregorian 3 Mode: mode V of Spanish Octatonic scale (C Hamel = G Spanish Octatonic) Intervals: 1 2 2 2 1 2 1 1 Chords: Cm7, Cmin/maj7 393 Hawaiian Modes: Raga Rasavali (II) Intervals: 2 1 4 2 2 1 Chords: Cmaj7, Cmaj7/#5, Cmaj7/#9 394 LG Octatonic Intervals: 1 2 1 1 2 2 1 2 Chords: C7, C7/b9, C7/#9 395 Pyramid Hexatonic Modes: Raga Rangini (III), Raga Malayamarutam (IV) Intervals: 2 1 2 1 3 3 Chords: Cdim7 396 Nonatonic 2 Intervals: 1 2 1 1 1 1 2 1 2 Chords: C7, C7/b9, C7/b9/#9, C7/b9/#9/#11 397 Symmetrical Nonatonic Intervals: 1 1 2 2 1 1 2 1 1 Chords: Cmaj7, Cmaj7/#5, C7, C7/#5, C7/b9 398 Appendix A. Scale Index Major and Minor Scales Scale Major Dorian Phrygian Lydian Mixolydian Aeolian Locrian Melodic Minor Dorian b2 Lydian Augmented Lydian Dominant Melodic Major Half Diminished Altered Dominant Harmonic Minor Locrian #6 Ioanian Augmented Romanian Minor Phrygian Dominant Lydian #2 Ultralocrian Intervals 2212221 2122212 1222122 2221221 2122212 2122122 1221222 2122221 1222212 2222121 2221212 2212122 2121222 1212222 2122131 1221312 2213121 2131212 1312122 3121221 1212213 Notes CDEFGAB C D Eb F G A Bb C Db Eb F G Ab Bb C D E F# G A B C D E F G A Bb C D Eb F G Ab Bb C Db Eb F Gb Ab Bb C D Eb F G A B C Db Eb F G A Bb C D E F# G# A B C D E F# G A Bb C D E F G Ab Bb C D Eb F Gb Ab Bb C Eb Eb E F# G# Bb C D Eb F G Ab B C Db Eb F Gb A Bb C D E F G# A B C D Eb F# G A B C Db E F G Ab Bb C D# E F# G A B C Db Eb E F# G# A Mode Intervals 222222 313131 131313 21212121 12121212 111111111111 132132 213213 123123 211211211 11311131 31113111 141141 411411 22112211 11221122 1112111121 2111121111 121121121 114114 1121111211 12211221 Notes C D E F# G# Bb C D# E G Ab B C Db E F G# A C D Eb F F# G# A B C C# D# E F# G A Bb C C# D D# E F F# G G# A Bb B C Db E F# G Bb C D Eb F# G# A C Eb Eb F# G A C D D# E F# G G# Bb B C C# D F F# G Ab B C D# E F Gb A Bb B C Db F F# G B C E F Gb Bb B C D E F F# G# A# B C C# D F F# G Ab Bb C C# D Eb F F# G G# A B C D D# E F F# G# A Bb B C C# D# E F G G# A B C C# D F# G Ab C C# D E F F# G G# A# B C Db Eb F F# G A B Mode Bb Major (II) Ab Major (III) G Major (IV) F Major (V) Eb Major (VI) Db Major (VII) Bb Melodic Minor (II) A Melodic Minor (III) G Melodic Minor (IV) F Melodic Minor (V) Eb Melodic Minor (VI) Db Melodic Minor (VII) Bb Harmonic Minor (II) A Harmonic Minor (III) G Harmonic Minor (IV) F Harmonic Minor (V) E Harmonic Minor (VI) Db Harmonic Minor (VII) Page 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Symmetrical Scales Scale Whole-Tone Augmented Inverted Augmented Diminished Diminished Half-tone Chromatic Tritone Raga Neelangi Messiaen 2nd Mode Truncated Messiaen 3rd Mode Messiaen 4th Mode Messiaen 4th Mode Inverse Messiaen 5th Mode Messiaen 5th Mode Inverse Messiaen 6th Mode Messiaen 6th Mode Inverse Messiaen 7th Mode Messiaen 7th Mode Inverse Genus Chromaticum Two-semitone Tritone Symmetrical Decatonic Van Der Host 399 B Augmented (II) Bb Diminished (II) G# Tritone (III) Bb Messiaen 4th Mode (III) B Messiaen 5th Mode (II) Ab Messiaen 6th Mode (III) A Messiaen 7th Mode (IV) A Messiaen 3rd Mode (III) B Messiaen 7th Mode (II) G Messiaen 6th Mode (IV) Page 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 Jazz Scales Scale Blues Blues Heptatonic Blues Heptatonic 2 Blues Octatonic Blues Enneatonic Blues Enneatonic 2 Blues Dorian Hexatonic Blues Phrygian Blues Minor Maj7 Blues Modified Blues Leading Tone Rock ‘n Roll Bebop Bebop Major Bebop Major Hexatonic Bebop Major Heptatonic Bebop Minor Bebop Dorian Bebop Melodic Minor Bebop Harmonic Minor Bebop Half-diminished Bebop Locrian Bebop Chromatic Intervals 321132 2121312 3211212 21211212 211122111 211111212 121323 1221132 321141 2121132 3211311 3112212 22122111 22121121 223113 2212113 2113212 21112212 21221121 21221211 12211131 12211122 112122111 Notes C Eb F F# G Bb C D Eb F Gb A Bb C Eb F F# G A Bb C D Eb F F# G A Bb C D D# E F G A Bb B C D D# E F F# G A Bb C C# D# E G A C Db Eb F F# G Bb C Eb F F# G B C D Eb F F# G Bb C Eb F F# G A# B C D# E F G A Bb C D E F G A Bb B C D E F G G# A B C D E G G# A C D E F G G# A C D D# E G A Bb C D D# E F G A Bb C D Eb F G G# A B C D Eb F G Ab Bb B C Db Eb F F# G Ab B C Db Eb F F# G Ab Bb C C# D E F G A Bb B Mode Intervals 22323 23232 32322 23223 32232 21423 14232 42321 23214 32142 41241 12414 24141 41412 22332 23322 33222 32223 22233 13214 42141 21414 14142 13323 13233 12333 22314 31332 41232 23241 14223 31242 42222 31134 41223 12234 22341 23412 Notes CDEGA C D G G Bb C Eb F Ab Bb CDFGA C Eb F G Bb C D Eb G A C Db F G Bb C E Gb A B C D F G Ab C Bb F Gb Bb CEFGB C Db Eb G Ab C D F# G B C E F A Bb C D E G Bb C D F G# Bb C Eb Gb Ab Bb C Eb F G A C D E Gb A C Db F G Ab C E F# G B C D Eb G Ab C Db F Gb Bb C Eb E G A C Db E Gb A C Db Eb F# A C D E G Ab C D# E G Bb C E F G Bb CDFGB C Db F G A C D# E Gb Bb C E F# G# Bb C D# E F Ab CEFGA C Db Eb F Ab CDEGB C D F A Bb Mode Bb Harmonic Major (II) D Blues Octatonic (VIII) D Blues Modified (VII) A Blues Phrygian (III) F Bebop (V) F Blues Octatonic (VI) Ab Bebop (III) G Blues Enneatonic 2 (V) Page 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 Pentatonic Scales Scale Major Pentatonic Suspended Pentatonic Man Gong Ritusen Minor Pentatonic Dorian Pentatonic Kokin-Choshi Raga Hindol Han-Kumoi Minor Pentatonic 7 b5 Ionian Pentatonic Pelog Pentatonic Raga Hamsanada Raga Khamaji Durga Dominant Pentatonic Chaio Chin Kyemyonjo Kung In Hirajoshi Ake-Bono Iwato Major Pentatonic b2 Major Pentatonic b2 b5 Major Pentatonic b3 Major Pentatonic b6 Major Pentatonic b7 #9 Mixolydian Pentatonic Tcherepnin Major Pentatonic Altered Pentatonic Locrian Pentatonic Pentatonic Whole-Tone Center-Cluster PentaMirror Raga Nagaswaravali Raga Chitthakarshini Raga Hamsadhvani 2 Pyeong Jo 400 Bb Major Pentatonic (II) Ab Major Pentatonic (III) F Major Pentatonic (IV) Eb Major Pentatonic (V) Bb Dorian Pentatonic (II) A Dorian Pentatonic (III) F Dorian Pentatonic (IV) Eb Dorian Pentatonic (V) Ab Ionian Pentatonic (II) G Ionian Pentatonic (III) F Ionian Pentatonic (II) Bb Dominant Pentatonic (II) Ab Dominant Pentatonic (III) F Dominant Pentatonic (IV) D Dominant Pentatonic (V) B In (II) G In (III) F In (IV) G Altered Pentatonic (III) G Mixolydian Pentatonic (III) Ab Raga Nagaswaravali (II) G Raga Nagaswaravali (III) F Raga Nagaswaravali (IV) Page 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 Raga Shailaja Pygmy Raga Mamata Raga Kokil Pancham Romanian Bacovia Syrian Pentatonic 34122 21432 43221 32214 41331 13134 C Eb G Ab Bb C D Eb G Bb CEGAB C Eb F G Ab C E F G# B C Db E F Ab Eb Raga Nagaswaravali (V) Intervals 2211321 2213121 3113121 1313121 212232 2211222 2123121 212211111 21221112 1213212 1212321 1231212 322122 11122122 1213122 1213131 122133 1213113 223221 313221 3121311 2221122 221112111 2131221 2221311 2222112 232212 2211312 2213112 1313112 3122121 1311222 1221213 1131213 1221231 2112222 1122222 1212231 1212123 1212312 1122213 2212131 2213121 2121231 1312212 1312131 1132113 3112311 111221112 3113211 1123113 1311321 1231131 1131132 1122132 2311311 2113113 3113112 Notes C D E F Gb A B C D E F G# A B C D# E F G# A B C Db E F G# A B C D Eb F G Bb C D E F Gb Ab Bb C D Eb F G# A B C D Eb F G G# A Bb B C D Eb F G G# A Bb C Db Eb E G A Bb C Db Eb E Gb A B C Db Eb F# G A Bb C Eb F G Ab Bb C C# D Eb F G Ab Bb C C# D# E G Ab Bb C D Eb F# G Ab B C Db Eb F Gb A C C# D# E G G# A CDEGAB C D# E G A B C D# E F# G A# B C D E F# G Ab Bb C D E F F# G A Bb B C D Eb F# G A B C D E F# G A# B C D E F# G# A Bb C D F G A Bb C D E F Gb A Bb C D E F G# A Bb C Db E F G# A Bb C D# E F# G# A B C Db E F Gb Ab Bb C Db Eb F F# G# A C C# D F F# G# A C Db Eb F Gb Ab B C D D# E F# G# Bb C C# D E F# G# Bb C Db Eb E Gb Ab B C C# D# E F# G A C C# D# E F# A Bb C C# D E F# G# A C D E F G Ab B C D E F G# A B C D Eb F Gb Ab B C Db E F G A Bb C Db E F G Ab B C C# D F G G# A C D# E F G Bb B C C# D Eb F G G# A Bb C D# E F G# Bb B C C# D E G G# A C Db E F Gb A B C Db Eb F# G Ab B C C# D F F# G Bb C C# D E F# G Bb C D F F# G Bb B C D D# E G G# A C D# E F G# A Bb Mode B Blues Phrygian (II) A Pygmy (III) F Pygmy (IV) 111 112 113 114 115 116 Modal Scales Scale Ionian b5 Ionian #5 Ionian Augmented #2 Ionian Augmented b9 Minor Hexatonic Major Locrian Jazz Minor #5 Full Minor All Flats Dorian Aeolian Dorian b2 b4 Dorian b2 Maj7 Dorian b9 #11 Phrygian Hexatonic Phrygian Aeolian b4 Phrygian b4 Phrygian b4 Maj7 Double Phrygian Ultraphrygian Lydian Hexatonic Lydian #2 Hexatonic Lydian #2 #6 Lydian Dominant b6 Lydian Mixolydian Lydian Diminished Lydian #6 Lydian Augmented Dominant Mixolydian Hexatonic Mixolydian b5 Mixolydian Augmented Mixolydian Augmented Maj9 Aeolian b1 Locrian Dominant Locrian bb7 Locrian bb3 bb7 Locrian Maj7 Semilocrian b4 Superlocrian bb3 Superlocrian Maj7 Superlocrian bb6 bb7 Superlocrian #6 Ultralocrian bb3 Harmonic Major Harmonic Major 2 Harmonic Minor b5 Harmonic Minor Inverse Double Harmonic Chromatic Dorian Chromatic Dorian Inverse Chromatic Diatonic Dorian Chromatic Phrygian Chromatic Phrygian Inverse Chromatic Lydian Chromatic Lydian Inverse Chromatic Mixolydian Chromatic Mixolydian 2 Chromatic Mixolydian Inverse Chromatic Hypodorian Chromatic Hypodorian Inverse 401 E Double Harmonic (VI) E Gypsy Hexatonic (VI) F Mixolydian Hexatonic (V) F Neapolitan Major (V) F Hungarian Major (V) F Blues Enneatonic 2 (VII) Bb Bebop (II) Eb Romanian Major (II) F# Blues Heptatonic (IV) Eb Hungarian Major (VI) Bb Mixolydian Hexatonic (II) Eb Bebop (VI) Ab Harmonic Major (III) Eb Mixolydian Augm. Maj9 (VI) G# Double Harmonic (III) D Mixolydian Hexatonic (VI) B Double Harmonic (II) G Neapolitan Major (IV) G Blues Enneatonic (V) G Harmonic Major (IV) B Neapolitan Minor (II) A Neapolitan Major (III) A Neapolitan Minor (III) E Harmonic Major (VI) F Neapolitan Minor (V) Db Harmonic Major (VII) C# Double Harmonic (VII) Ab Rock ‘n Roll (III) Eb Neapolitan Major (VI) C# Neapolitan Major (VII) A Hungarian Major (II) F# Hungarian Major (IV) C# Neapolitan Minor (VII) Ab Hungarian Major (III) F Harmonic Major (V) D Blues Leading Tone (VI) B Persian (II) Bb Blues Enneatonic (II) F Blues Leading Tone (V) Ab Persian (III) F# Blues Leading Tone (IV) G Persian (IV) G Blues Leading Tone (III) F# Persian (V) A Blues Leading Tone (II) Page 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 Chromatic Hypolydian Chromatic Hypophrygian Inverse Chromatic Permutated Diatonic Dorian Major Minor Mixed Minor Pentatonic with Leading Tones Leading Whole-Tone 1321131 1131123 112121121 C Db E F# G Ab B C C# D F F# G A C C# D E F G G# A B Db Blues Leading Tone (VII) Db Persian (VII) G Youlan (V) 175 176 177 2111211111 2111112111 2222211 C D D# E F G G# A A# B C D D# E F F# G A A# B C D E F# G# A# B G Major Minor Mixed (V) B Neapolitan Major (II) 178 179 180 Intervals 11122212 1 3 2 2 2 1 1 (asc) 1 3 1 3 2 1 1 (desc) 1232211 13112211 12112122 2131122 1312113 1312221 2131131 1412112 211121112 3112221 3121212 2121213 11131131 121215 2121321 212111112 12122121 121121211 1222221 1213221 1221321 1222131 11122131 12311211 12212211 222312 132312 1321212 2113122 2113131 221223 3112131 12121221 3111222 12111222 Notes C C# D Eb F G A Bb C Db E F# G# Bb B (asc) C B Bb Gb F E Db (desc) C Db Eb F# G# Bb B C Db E F F# G# A# B C C# D# E F G Ab Bb C D Eb F# G Ab Bb C Db E F G G# A C Db E F G A B C D Eb F# G Ab B C Db F F# G# A Bb C D D# E F G G# A Bb C D# E F G A B C D# E F# G A Bb C D Eb F F# G# A C C# D Eb F# G Ab B C C# D# E F# G C D Eb F Gb A B C D Eb F F# G G# A Bb C C# D# E F# G# A B C C# D# E F G G# A# B C Db Eb F G A B C Db Eb E G A B C Db Eb F Gb A B C Db Eb F G Ab B C C# D Eb F G Ab B C Db Eb F# G Ab Bb B C Db Eb F F# G# A# B C D E Gb A Bb C Db E Gb A Bb C Db E F# G A Bb C D D# E G Ab Bb C D D# E G Ab B CDEFGA C D# E F G Ab B C C# D# E F# G A B C D# E F Gb Ab Bb C C# D# E F Gb Ab Bb Mode A Spanish Octatonic (III) Intervals 122142 22111221 142122 12111312 13121211 2111111121 1211111112 21225 2321121 2312121 1311312 13113111 2221131 Notes C Db Db F Gb Bb C D E F F# G A B C Db F G Ab Bb C C# D# E F Gb A Bb C Db E F G G# A# B C D D# E F F# G G# A B C C# D# E F F# G G# A Bb C D Eb F G C D F G G# A B C D F F# G# A B C Db E F Gb A Bb C Db E F Gb A A# B C D E F# G Ab B Mode European Scales Scale Adonai Malakh Enigmatic Enigmatic Minor Enigmatic Mixed Flamenco Gypsy Gypsy Hexatonic Gypsy Inverse Gypsy Minor Hijaz Major Houseini Houzam Hungarian Major Hungarian Major Inverse Hungarian Minor b2 Istrian Jeths Kiourdi Magen Abot Moorish Phrygian Neapolitan Major Neapolitan Major b4 Neapolitan Major b5 Neapolitan Minor Harmonic Neapolitan Minor Neseveri Prokofiev Prometheus Prometheus Neapolitan Romanian Major Sabach Sabach Maj7 Scottish Hexatonic Sengiach Shostakovich Spanish Heptatonic Spanish Octatonic F Bebop Half-diminished (VI) Bb Blues Octatonic (II) G Neapolitan Minor (IV) G Mixolydian b5 (IV) G Double Harmonic (IV) F Blues Enneatonic (VI) E Neapolitan Minor (VI) G# Romanian Major (III) F Romanian Major (V) F# Blues Octatonic (V) B Chromatic Mixolydian 2 (II) Db Bebop (VIII) A Blues Dorian Hexatonic (III) Bb Mixolydian b5 (II) G Gypsy Hexatonic (IV) G Mixolydian Hexatonic (III) G Mixolydian Augmented Maj9 (IV) E Bebop Melodic Minor (VI) Page 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 Asian Scales Scale Honkoshi Ichilkotsucho Insen Maqam Shadd’araban Maqam Hijaz Maqam Shawq Afza Maqam Tarzanuyn Nando-Kyemyonjo Noh Nohkan Oriental Oriental 2 Pelog 402 G Bebop (IV) G Honkoshi (IV) Bb Algerian Octatonic (II) F Algerian Octatonic (VI) C# Maqam Shawq Afza (X) D Blues Heptatonic 2 (VII) D Hungarian Major (VII) F Double Harmonic (V) Bb Hungarian Minor b2 (III) D Mixolydian b5 (VII) Page 218 219 220 221 222 223 224 225 226 227 228 229 230 Persian Ritzu Sho Sho #2 Takemitzu Tree 1 Takemitzu Tree 2 Youlan 1311231 122322 212223 121242 213231 213222 112111212 C Db E F Gb Ab B C Db Eb F G# Bb C D Eb F G A C C# D# E F# Bb C D Eb Gb Ab B C D Eb Gb Ab Bb C C# D E F F# G A Bb Intervals 1231122 311232 1321113 3121131 1231311 1132131 1231113 1312211 1312311 1131122 1131131 2122113 3121122 2221113 1132221 2212311 1321122 1141212 2131311 1141221 3112122 1141311 1132122 1222311 1141113 2131113 1231221 1132311 1132212 2122311 1321311 3112113 21243 222123 213141 21234 13111221 232131 232311 1 3 3 1 5 (asc) 1 3 3 1 3 1 (desc) 22125 114123 32412 32331 32421 12324 21311112 16131 52131 132114 42123 221115 132141 122232 411231 131232 Notes C Db Eb F# G Ab Bb C D# E F G Bb C Db E F# G G# A C D# E F# G Ab B C Db Eb F# G A# B C C# D F G Ab B C Db Eb F# G G# A C Db E F G G# A C Db E F G A# B C C# D F# G Ab Bb C C# D F# G Ab B C D Eb F G G# A C C# E F# G Ab Bb C D E F# G G# A C C# D F G A B C D E F G A# B C Db E F# G Ab Bb C C# D F# G A Bb C D Eb F# G A# B C C# D F# G A B C D# E F G Ab Bb C C# D F# G A# B C C# D F G Ab Bb C Db Eb F G A# B C C# D F# G G# A C D Eb F# G G# A C Db Eb F# G A B C C# D F G A# B C C# D F G A Bb C D Eb F G A# B C Db E F# G A# B C D# E F G G# A C D Eb F A C D E F# G A C D Eb F# G B C D Eb F Ab C Db E F F# G A B C D F G Ab B C D F G A# B C Db E G Ab (asc) C B Ab G E Db (desc) CDEFG C C# D F# G A C Eb F A Bb C Eb F G# B C Eb F A B C Db Eb Gb Ab C D Eb F# G G# A Bb C Db G Ab B C F G Ab B C Db E F# G Ab C E F# G A C D E F F# G C Db E F# G B C Db Eb F G Bb C E F Gb Ab B C Db E F G Bb Eb Mixolydian Hexatonic (V) B Blues Dorian Hexatonic (II) 231 232 233 234 235 236 237 Indian Scales Scale Mela Bhavapriya Mela Calanata Mela Dhavalambari Mela Dhatuvardhani Mela Divyamani Mela Ganamurti Mela Gavambodhi Mela Gayakapriya Mela Hatakambari Mela Jalarnava Mela Jhalavarli Mela Jhankaradhvani Mela Jyotisvarupini Mela Kantamani Mela Manavati Mela Naganandini Mela Namanarayani Mela Navanitam Mela Nitimati Mela Pavani Mela Ragavardhani Mela Raghupriya Mela Ratnangi Mela Rupavati Mela Salaga Mela Syamalangi Mela Suvarnangi Mela Tenarupi Mela Venaspati Mela Varunapriya Mela Visvambhari Mela Yagapriya Raga Abhogi Raga Aivarati Raga Amarasenapriya Raga Audav Tukhari Raga Bhatiyar Raga Bhinna Pancama Raga Brindabani Raga Bowli Raga Budhamanohari Raga Chandrajyoti Raga Chandrakauns Kafi Raga Chandrakauns Kiravani Raga Chandrakauns Modern Raga Chaya Todi Raga Chinthamani Raga Deshgaur Raga Devaranjani Raga Dhavalangam Raga Dhavalashri Raga Dipak Raga Gamakakriya Raga Gandharavam Raga Gangatarangini Raga Gaula 403 Mode Eb Rock ‘n Roll (VI) G Enigmatic descending (III) B Gypsy Hexatonic (II) E Mela Gavambodhi (VI) Ab Enigmatic ascending (III) Db Enigmatic ascending (VII) G Rock ‘n Roll (IV) F# Chromatic Mixolydian 2 (V) D Mixolydian Augmented Maj9 (VII) D Raga Khamach ascending (VI) E Superlocrian Maj7 (VI) G Blues Phrygian (IV) G Spanish Heptatonic (IV) G Mela Ganamurti (IV) G Blues Modified (IV) B Superlocrian Maj7 (II) B Mela Ganamurti (VI) G Mela Calanata (IV) Ab Romanian Bacovia (II asc) D Raga Tilang (V) F Mixolydian Pentatonic (IV) B Major Pentatonic b2 b5 (II) Ab Mixolydian Pentatonic (II) G Harmonic Neapolitan Minor (V) E Raga Audav Tukhari (II) F Raga Phinna Pancama (IV) Page 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 Raga Gaurikriya Raga Ghantana Raga Gopikatilaka Raga Gowla Raga Gurjari Todi Raga Hamsadhvani Raga Hansanandi Raga Hamsa Vinodini Raga Hari Nata Raga Hejjajji Raga Jaganmohanam Raga Jivantika Raga Jyoty Raga Kalagada Raga Kalakanthi 2 Raga Kalavati Raga Kamalamanohari 2 Raga Kashyapi Raga Kedaram Raga Khamach Raga Kshanika Raga Kumarapriya Raga Kumurdaki Raga Kuntvarali Raga Lalita Raga Lalita Bhairav Raga Latika Raga Madhukauns Raga Malarani Raga Malayamarutam Raga Malahari Raga Malkauns Raga Malini Raga Manaranjani Raga Manavi Raga Manohari Raga Marwa Thaat Raga Matha Kokila Raga Megharamji Raga Miam Ki Malhar Raga Mohanangi Raga Mruganandana Raga Multani 2 Raga Nabhomani Raga Nagagandhari Raga Nattai Raga Nattaikurinji Raga Navamanohari Raga Neroshta Raga Nishadi Raga Padi Raga Pahadi Raga Paras Raga Priyadharshini Raga Puruhutika Raga Putrika Raga Rageshri Raga Ramkali Raga Rangini Raga Rasamanjari 2 Raga Rasavali Raga Rasranjani Raga Ratnakanthi 331311 212331 213132 1 4 2 4 1 (asc) 1 3 1 2 4 1 (desc) 123222 21441 132321 221421 412221 132213 241122 142221 421122 133113 142113 131223 412122 124122 4 1 2 4 1 (asc) 2 2 1 2 4 1 (desc) 4 1 2 2 1 1 1 (asc) 2 2 1 2 2 1 2 (desc) 14331 11631 22251 52212 131331 131322 223131 331212 241311 133212 1 4 2 1 4 (asc) 1 3 1 2 1 4 (desc) 323211 1222113 13332 214212 322212 1321221 25212 13161 21222111 31323 222321 33141 11415 232221 3 1 1 2 3 1 1 (asc) 3 2 2 4 1 (desc) 221412 232122 33521 241221 142131 221211111 4 1 2 1 3 1 (asc) 1 3 1 2 1 3 1 (desc) 23331 52221 11613 2214111 13111131 213321 312141 142212 23421 222141 C Eb F# G A# B C D Eb F G# B C D Eb F# G Bb C Db F G B (asc) C B G F E Db (desc) C Db Eb Gb Ab Bb C D Eb G B C Db E F# A B CDEFAB CEFGAB C Db E F# G# A C D F# G Ab Bb C Db F G A B C E F# G Ab Bb C Db E G G# A C Db F G G# A C Db E F G A C E F G Ab Bb C Db Eb G Ab Bb C E F G B (asc) C B G F E D (desc) C E F G A A# B (asc) C Bb A G F E D (desc) C Db F Ab B C C# D G# B C D E F# B C F G A Bb C Db E F Ab B C Db E F Ab Bb C D E G Ab B C Eb F# G A Bb C D F# G A# B C Db E G A Bb C Db F G Ab (asc) C Ab G F E Db (desc) C Eb F G# A# B C Db Eb F G G# A C Db E G Bb C D Eb G A Bb C Eb F G A Bb C Db E F# G A B C D G A Bb C Db E F B C D Eb F G A A# B C D# E G A C D E F# A B C Eb F# G B C C# D F# G CDFGAB C D# E F G A# B (asc) C B G F D# (desc) C D E F A Bb C D F G Ab Bb CDEAB C D F# G A B C Db F G Ab B C D E F G G# A A# B C E F G Ab B (asc) C B Ab G F E Db C D F G# B CFGAB C C# D G# A C D E F A A# B C Db E F F# G Ab B C D Eb Gb A B C D# E F# G B C Db F G A Bb CDFAB C D E F# G B 404 B Raga Bowli (II desc) Eb Lydian #2 Hexatonic (V) Gb Raga Airavati (IV) Gb Blues (IV) B Honkoshi (II) F Raga Ratnakanthi (V) A Lydian #2 Hexatonic (II) Ab Raga Vasanta (III desc) Bb Raga Sarasvati (II) Bb Raga Shreeranjani (II) D Raga Shreeranjani (VI desc) 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 F Raga Budhamanohari (V) E Raga Kalanada (V) Db Lydian #2 Hexatonic (VI) G Raga Kalavati (IV) G Raga Ghantana (IV) G Pyramid Hexatonic (IV) F Blues (V) Eb Mixolydian b5 (VI) A Honkoshi (III) Eb Raga Airavati (VI) F# Blues Phrygian (V) G Nando-Kyemuonjo (IV) Eb Major Pentatonic b2 b5 (V) A Sho (III) G Romanian Bacovia (III) F Raga Aivarati (V) Bb Raga Ratnakanthi (II) F Sho (V) A Nando-Kyemuonjo (III) A Raga Shreeranjani (III) D Kiourdi (IX) B Major Pentatonic b3 (II) C# Raga Deshgaur (V) F Hungarian Minor b2 (VI) A Pyramid Hexatonic (III) B Raga Malahari (II desc) Bb Hawaiian (III) A Raga Audav Tukhari (III) 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 Raga Rudra Pancama Raga Rukmangi Raga Salagavarali Raga Samudhra Priya Raga Santanamanjari Raga Sarasanana Raga Sarasvati Raga Saravati Raga Saugandhini Raga Saurashtra Raga Shreeranjani Raga Shri Kalyan Raga Shubravarni Raga Sindhura Kafi Raga Sindhi-Bhairavi Raga Siva Kambhoji Raga Sorati Raga Suddha Mukhari Raga Suddha Simantini Raga Syamalam Raga Takka Raga Tilang Raga Trimurti Raga Valaji Raga Vasanta Raga Vegavahini Raga Vijayanagari Raga Vijayasri Raga Vijayavasanta Raga Viyogavarali Raga Vutari Raga Zilaf 131412 12432 124212 33132 3121113 221331 241212 412113 15114 13121121 212412 24123 24312 212241 1111121211 221232 2322111 113313 122214 213114 322131 412311 214122 43212 4 1 4 2 1 (asc) 1 3 1 4 2 1 (desc) 4 1 2 2 1 2 (asc) 1 3 1 2 2 1 2 (desc) 213123 114141 421311 122331 421212 421212 C Db E F A Bb C Db Eb G Bb C Db Eb G A Bb C Eb F# G Bb C D# E F# G G# A C D E F Ab B C D F# G A Bb C E F G G# A C Db F# G Ab C Db E F G G# A B C D Eb F A Bb C D F# G A C D F# A Bb C D Eb F G B C C# D D# E F G G# A# B C D E F G Bb C D F G A A# B C C# D F G# A C Db Eb F G Ab C D Eb F# G Ab C Eb F G Ab B C E F G A# B C D Eb G Ab Bb C E G A Bb C E F A B (asc) C B A F E Db (desc) C E F G A Bb (asc) C Bb A G F E Db (desc) C D Eb F# G A C C# D F# G B C E F# G A# B C Db Eb F Ab B C E F# G A Bb C E F G Ab F Raga Paras (IV asc) Bb Raga Abhogi (II) A Sho #2 (III) Gb Major Pentatonic b2 b5 (IV) Intervals 21211131 2131131212 222213 222231 12221211 214221 12112212 212133 12111121 112211211 Notes C D Eb F F# G Ab B C D Eb F# G Ab B C D Eb F C D E F# G# A C D E F# G# B C Db Eb F G G# A# B C D Eb G A B C C# D# E F G A Bb C D Eb F Gb A C C# D# E F F# G A Bb C C# D E F# G G# A# B Mode B Double Phrygian (II) F# Raga Nabhomani (IV) D Mixolydian Pentatonic (V) F Raga Sarasvati (IV) G# Maqam Shawq Afza (IV) Bb Raga Airavati (II) B Enigmatic Minor (II) C# Raga Bowli desc (VI) Fb Raga Ratnakanthi (VI) G Raga Padi (III) Ab Lydian #2 Hexatonic (III) Fb Raga Ratnakanthi (III) G Raga Abhogi (IV) 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 G Raga Shreeranjani (IV desc) 382 G Raga Bhinna Pancama (III) 383 384 385 386 387 388 B Raga Padi (II) F# Sho #2 (V) F Raga Hamsadhvani (IV) Miscellaneous scales Scale Algerian Octatonic Algerian Eskimo Hexatonic Eskimo Hexatonic 2 Hamel Hawaiian LG Octatonic Pyramid Hexatonic Nonatonic 2 Symmetrical Nonatonic 405 Gb Takemitzu Tree 2 (IV) G Spanish Octatonic (V) Page 389 390 391 392 393 394 395 396 397 398 B. Scales by Name Scale Acoustic Adonai Malakh Aeolian Aeolian b1 Aeolian Harmonic Aeolian Major Aeolian Pentatonic Ahava Rabba Ajam Shiram Ake-Bono Algerian Algerian Octatonic Alhijaz Altered Diminished Altered Lydian Altered (or Altered Dominant) Altered Pentatonic Ambassel Ancient Chinese Anhemitonic Hexatonic Arabic Ararai Arezzo Major Diatonic Hexachord Ascending Minor Augmented Avaha or Ahava Rabba Bac Banshikicho Bartok Bati Bebop Chromatic Bebop Dorian Bebop Half-diminished Bebop Harmonic Minor Bebop Locrian Bebop Major Bebop Major Heptatonic Bebop Major Hexatonic Bebop Melodic Minor Bebop Minor Bebop Mixolydian Bebop Natural Minor Bebop (or Bebop Dominant) Belinese Blues Dorian Hexatonic Blues Enneatonic Blues Enneatonic 2 Blues Heptatonic Blues Heptatonic 2 Blues Leading Tone Blues Major Blues Minor Blues Minor Maj7 Blues Minor Pentatonic Blues Modified Blues Octatonic Blues (or Blues Hexatonic) Blues Phrygian Byzantine (or Byzantine Liturgical Chromatic) Center-Cluster PentaMirror Chad Gadyo Chaio Chin Origin Jewish Japan Tunisia Tunisia Arabia Ethiopia China Arabia Ethiopia Jewish Vietnam Japan Ethiopia Bali Jewish Intervals 2221212 11122212 2122122 3122121 3121221 2212122 21414 12111222 2212221 21414 2131131212 21211131 1312122 2121222 2222121 1212222 14223 13214 222123 222222 1312131 2212221 221223 2122221 313131 1312122 23223 2113212 2221212 32232 112122111 21112212 12211131 21221211 12211122 22121121 2212113 223113 21221121 2113212 22122111 21221211 22122111 12414 121323 211122111 211111212 2121312 3211212 3211311 23223 32322 321141 32232 2121132 21211212 321132 1221132 1312131 Notes C D E F# G A Bb C C# D Eb F G A Bb C D Eb F G Ab Bb C D# E F# G# A B C D# E F# G A B C D E F G Ab Bb C D Eb G Ab C C# D# E F Gb Ab Bb CDEFGAB C D Eb G Ab C D Eb F# G Ab B C D Eb F C D Eb F F# G Ab B C Db E F G Ab Bb C D Eb F Gb Ab Bb C D E F# G# A B C Eb Eb E F# G# Bb C Db F G A C Db F G Ab C D E F# G A C D E F# G# Bb C Db E F G Ab B CDEFGAB CDEFGA C D Eb F G A B C D# E G Ab B C Db E F G Ab Bb CDFGA C D D# E G A Bb C D E F# G A Bb C Eb F G Bb C C# D E F G A Bb B C D D# E F G A Bb C Db Eb F F# G Ab B C D Eb F G Ab Bb B C Db Eb F F# G Ab Bb C D E F G G# A B C D E F G G# A C D E G G# A C D Eb F G G# A B C D D# E G A Bb C D E F G A Bb B C D Eb F G Ab Bb B C D E F G A Bb B C Db Eb G Ab C C# D# E G A C D D# E F G A Bb B C D D# E F F# G A Bb C D Eb F Gb A Bb C Eb F F# G A Bb C Eb F F# G A# B CDFGA C Eb F Ab Bb C Eb F F# G B C Eb F G Bb C D Eb F F# G Bb C D Eb F F# G A Bb C Eb F F# G Bb C Db Eb F F# G Bb C Db E F G Ab B 31134 21225 23322 33222 C D# E F Ab C D Eb F G C D F G# Bb C Eb Gb Ab Bb 406 Primary Scale Lydian Dominant Lydian #2 Melodic Major Ake-Bono Spanish Octatonic Major Phrygian Dominant Half Diminished Lydian Augmented In Raga Aivarati Whole-Tone Double Harmonic Major Scottish Hexatonic Melodic Minor Phrygian Dominant Ritusen Bebop Minor Lydian Dominant Minor Pentatonic Bebop Bebop Harmonic Min. Pelog Pentatonic Ritusen Man Gong Minor Pentatonic Double Harmonic Nando-Kyemyonjo Page 17 181 12 147 26 18 94 217 7 94 390 389 25 19 16 20 103 92 271 28 162 7 213 14 29 25 76 66 17 77 72 67 70 69 71 63 65 64 68 66 62 69 62 84 56 54 55 51 52 60 76 75 58 77 59 53 50 57 162 106 225 88 89 Chinese Chinese Eight-tone Ching Chromatic Chromatic Diatonic Dorian Chromatic Dorian Chromatic Dorian Inverse Chromatic Hypodorian Chromatic Hypolydian Chromatic Hypolydian Inverse Chromatic Hypophrygian Inverse Chromatic Lydian Chromatic Lydian Inverse Chromatic Mixolydian Chromatic Mixolydian 2 Chromatic Mixolydian Inverse Chromatic Permutated Diatonic Dorian Chromatic Phrygian Chromatic Phrygian Inverse Cushak Damian Emmanuel Dasrgah-e Mahur Dastgah-e Rast Panjgah Diminished Diminished Half-tone Dominant Pentatonic Dorian Dorian #4 Dorian Aeolian Dorian b2 Dorian b2 b4 Dorian b2 Maj7 Dorian b5 Dorian b9 Dorian b9 #11 Dorian Pentatonic Dorico Flamenco Double Harmonic Double Harmonic Minor Double Phrygian Egyptian Enigmatic Enigmatic Minor Enigmatic Mixed Eskimo Hexatonic Eskimo Hexatonic 2 Esplá Ezel Flamenco Freygish or Fraigish Full Minor All Flats Geez Genus Chromaticum Genus Diatonicum Genus Diatonicum Veterum Correctum Genus Secundum Genus Tertium Ghana Heptatonic Ghana Pentatonic Ghana Pentatonic 2 Gnossiennes Gong Gregorian 1 Gregorian 2 Gregorian 3 Gregorian 4 Gregorian 5 China China China Armenia Spain Egypt Alaska Alaska Ethiopia Ethiopia Ghana Ghana Ghana China 42141 22122111 42141 1111111111 11 111221112 1132113 3112311 2113113 1321131 1311231 1131123 1311321 1231131 1131132 1122132 2311311 112121121 3113211 1123113 2122122 2131122 2212221 2212221 21212121 12121212 22332 2122212 2131212 21221112 1222212 1213212 1212321 2121312 1221312 1231212 21423 1312122 1312131 2131131 122133 23232 1 3 2 2 2 1 1 (asc) 1 3 1 3 2 1 1 (desc) 1232211 13112211 222213 222231 12111222 2122122 12112122 1312122 212211111 2122122 121121121 22122111 22111221 412221 313131 2212221 21225 22323 2131212 22323 21221112 2212212 12221211 21221211 22111221 407 C E F# G B C D E F G A Bb B C E F# G B C C# D D# E F F# G G# A Bb B C C# D Eb F G G# A Bb C C# D F G G# A C D# E F G Bb B C D D# E G G# A C Db E F# G Ab B C Db E F Gb Ab B C C# D F F# G A C Db E F Gb A B C Db Eb F# G Ab B C C# D F F# G Bb C C# D E F# G Bb C D F F# G Bb B C C# D E F G G# A B C D# E F G# Bb B C C# D E G G# A C D Eb F G Ab Bb C D Eb F# G Ab Bb CDEFGAB CDEFGAB C D Eb F F# G# A B C C# D# E F# G A Bb C D E G Bb C D Eb F G A Bb C D Eb F# G A B C D Eb F G G# A Bb C Db Eb F G A Bb C Db Eb E G A Bb C Db Eb E Gb A B C D Eb F Gb A Bb C Db Eb F Gb A Bb C Db Eb F# G A Bb C D Eb G A C Db E F G Ab Bb C Db E F G Ab B C D Eb F# G Ab B C Db Eb F Gb A C D G G Bb C Db E F# G# Bb B (asc) C B Bb Gb F E Db (desc) C Db Eb F# G# Bb B C Db E F F# G# A# B C D E F# G# A C D E F# G# B C C# D# E F Gb Ab Bb C D Eb F G Ab Bb C C# D# E F G Ab Bb C Db E F G Ab Bb C D Eb F G G# A Bb B C D Eb F G Ab Bb C C# D# E F G G# A B C D E F G A Bb B C D E F F# G A B CEFGAB C D# E G Ab B CDEFGAB C D Eb F G CDEGA C D Eb F# G A B CDEGA C D Eb F G G# A Bb C D E F G A Bb C Db Eb F G G# A# B C D Eb F G Ab Bb B C D E F F# G A B Hirajoshi Bebop Hirajoshi Persian Aeolian Gypsy Major Major Romanian Minor Blues Heptatonic Locrian #6 Phrygian Dominant Gypsy Minor Suspended Pentatonic Spanish Octatonic Aeolian Phrygian Dominant Aeolian Bebop Ichilkotsucho Raga Hari Nata Augmented Major Nando-Kyemyonjo Major Pentatonic Romanian Minor Major Pentatonic Dorian Aeolian Mixolydian Hamel Bebop Harmonic Minor Ichilkotsucho 93 62 93 33 165 163 164 173 175 231 176 168 169 170 171 172 177 166 167 12 186 7 7 31 32 87 8 24 125 15 126 127 51 22 128 78 25 162 189 133 74 182 183 184 391 392 217 12 185 25 124 12 46 62 219 302 29 7 225 73 24 73 125 11 125 69 219 Gregorian 6 Gregorian 7 Gregorian 8 Gu Gu Xian Gypsy Gypsy 2 Gypsy Hexatonic Gypsy Hexatonic Inverse Gypsy Inverse Gypsy Minor Half Diminished Hamel Han-Kumoi Harmonic Major Harmonic Major 2 Harmonic Major Inverse Harmonic Minor Harmonic Minor #4 Harmonic Minor b5 Harmonic Minor Inverse Harmonic Neapolitan Minor Hawaiian Hexatonic Hijaz Kar Hijaz Major Hindi b2 b3 b7 Hindu Hirajoshi Hitzaz or Hijaz Hitzazkiar (or Hijazskiar) Honkoshi Hon-Kumoi-Joshi Houseini Houzam (or Huzam) Humayun Hungarian Folk Hungarian Gypsy Hungarian Major Hungarian Major Inverse Hungarian Minor Hungarian Minor b2 Hungarian Minor Inverse Hyojo Ian Iwato Ichilkotsucho (or Ishikosucho) In Insen Insen Pentatonic Inverted Augmented Ioanian Augmented Ionian #2 Ionian #5 Ionian Augmented #2 Ionian Augmented b9 Ionian b5 Ionian Pentatonic Istrian Iwato Javanese Jazz Minor #5 Jazz Minor Inverse Jeths Jia Zhong Jiao Jin-Yu (or Quin-Yu) John Found’s Mantra Of Will Kaffa Kartzihiar China China Hungary Hungary Hungarian Hungary Hungary Hungary Italy Hawaii Arabia Greece India Japan Greece Greece Japan Japan Greece Greece Iraq Hungary Hungary Hungary Hungary Hungary Hungary Hungary Japan Japan Japan Japan Japan Croatia Japan Java China China China Ethiopia Greece 22122111 2212212 2122212 2221221 32232 2131122 1412112 1312113 3112131 1312221 2131131 2121222 12221211 23214 2212131 2213121 1312122 2122131 2131131 2121231 1312212 11122131 214221 222222 1312131 1412112 1231212 2212122 42141 1312122 1312131 122142 14142 211121112 3112221 1312122 1312131 2131122 3121212 2121213 2131131 11131131 1311312 2122212 14232 22111221 13214 142122 14232 131313 2213121 3112221 2213121 3113121 1313121 2211321 41241 121215 14142 1222212 2123121 1222212 2121321 32232 32322 23232 1321113 2131212 2121312 408 C D E F G A Bb B C D E F G A Bb C D Eb F G A Bb C D E F# G A B C Eb F G Bb C D Eb F# G Ab Bb C Db F F# G# A Bb C Db E F G G# A C D# E F G Ab B C Db E F G A B C D Eb F# G Ab B C D Eb F Gb Ab Bb C Db Eb F G G# A# B C D F G Ab C D E F G Ab B C D E F G# A B C Db E F G Ab Bb C D Eb F G Ab B C D Eb F# G Ab B C D Eb F Gb Ab B C Db E F G A Bb C C# D Eb F G Ab B C D Eb G A B C D E F# G# Bb C Db E F G Ab B C Db F F# G# A Bb C Db Eb F# G A Bb C D E F G Ab Bb C E F# G B C Db E F G Ab Bb C Db E F G Ab B C Db Db F Gb Bb C Db F Gb Bb C D D# E F G G# A Bb C D# E F G A B C Db E F G Ab Bb C Db E F G Ab B C D Eb F# G Ab Bb C D# E F# G A Bb C D Eb F F# G# A C D Eb F# G Ab B C C# D Eb F# G Ab B C Db E F Gb A Bb C D Eb F G A Bb C Db F G Bb C D E F F# G A B C Db F G Ab C Db F G Ab Bb C Db F G Bb C Db E F G# A C D E F G# A B C D# E F G A B C D E F G# A B C D# E F G# A B C Db E F G# A B C D E F Gb A B CEFGB C C# D# E F# G C Db F Gb Bb C Db Eb F G A Bb C D Eb F G# A B C Db Eb F G A Bb C D Eb F Gb A B C Eb F G Bb C Eb F Ab Bb C D G G Bb C Db E F# G G# A C D Eb F# G A B C D Eb F Gb A Bb Bebop Mixolydian Gregorian 8 Lydian Minor Pentatonic Hijaz Major Sengiach Phrygian Dominant Gypsy Minor Whole-Tone Double Harmonic Dorian b9 #11 Melodic Major Phrygian Dominant Double Harmonic Iwato Phrygian Dominant Double Harmonic Gypsy Gypsy Minor Oriental Dorian Kokin-Choshi Kokin-Choshi Houzam Dorian b2 Dorian b2 Minor Pentatonic Man Gong Suspended Pentatonic Mela Dhavalambari Romanian Minor Blues Heptatonic 62 11 8 10 77 186 190 187 214 188 189 19 393 81 158 159 25 21 189 160 161 205 394 28 162 190 128 18 93 25 162 218 95 191 192 25 162 186 193 194 189 195 228 8 79 219 92 220 79 30 23 192 118 119 120 117 83 196 95 15 123 15 197 77 75 74 240 24 51 Kata-Kumoi Kiourdi Kokin-Choshi Kubilai Kumoi Kung Kyemyonjo Lai Noi Lai Po Sai Lai Soutsanaen Lai Yai Leading Whole-Tone Leading Whole-Tone Inverse LG Octatonic Locrian Locrian #6 Locrian b4 Locrian bb3 bb7 Locrian bb7 Locrian Dominant Locrian Maj7 Locrian Natural 2 Locrian Natural Maj6 Locrian Pentatonic Lydian Lydian #2 Lydian #2 #6 Lydian #2 Hexatonic Lydian #5 Lydian #6 Lydian Augmented Lydian Augmented #2 Lydian Augmented #3 Lydian Augmented Dominant Lydian b3 Lydian b7 Lydian Diminished Lydian Dominant Lydian Dominant b6 Lydian Hexatonic Lydian Minor Lydian Mixolydian Lydian Pentatonic Madenda Modern Magen Abot Major Major Augmented Major Gypsy Major Inverse Major Locrian Major Minor Major Minor Mixed Major Mixolydian Major Pentatonic Major Pentatonic b2 Major Pentatonic b2 b5 Major Pentatonic b3 Major Pentatonic b6 Major Pentatonic b7 #9 Major Phrygian Major-Dorian Mixed Major-Lydian Mixed Makam Lami Man Gong Man Jue Maqam Athar Kurd Maqam Bayat-e-Esfahan Maqam Cargah Maqam Farahfaza Japan Greece Japan Mongolia Japan Laos Laos Laos Laos Jewish Hungary Jewish China Iraq Iraq Iraq 21414 212111112 14232 22111221 21423 22233 32223 32232 23223 23223 32232 2222211 1122222 12112212 1221222 1221312 1212222 1131213 1221213 1311222 1221231 2121222 1221312 31242 2221221 3121221 3121311 313221 2222121 2221311 2222121 3122121 2312121 2222112 2131221 2221212 2131221 2221212 2221122 223221 2221122 221112111 42141 12414 12122121 2212221 313131 1312131 1222122 2211222 2212122 2111211111 22122111 22323 13323 13233 12333 22314 31332 1312131 211122111 22111221 1221222 32322 22323 1231131 2122131 2212221 21221211 409 C D Eb G Ab C D Eb F F# G G# A Bb C Db F G Bb C D E F F# G A B C D Eb G A C D E Gb A C Eb F G A C Eb F G Bb CDFGA CDFGA C Eb F G Bb C D E F# G# A# B C C# D E F# G# Bb C C# D# E F G A Bb C Db Eb F Gb Ab Bb C Db Eb F Gb A Bb C Eb Eb E F# G# Bb C C# D F F# G# A C Db Eb F F# G# A C Db E F Gb Ab Bb C Db Eb F Gb Ab B C D Eb F Gb Ab Bb C Db Eb F Gb A Bb C D# E Gb Bb C D E F# G A B C D# E F# G A B C D# E F# G A# B C D# E G A B C D E F# G# A B C D E F# G A# B C D E F# G# A B C D# E F# G# A B C D F F# G# A B C D E F# G# A Bb C D Eb F# G A B C D E F# G A Bb C D Eb F# G A B C D E F# G A Bb C D E F# G Ab Bb CDEGAB C D E F# G Ab Bb C D E F F# G A Bb B C E F# G B C Db Eb G Ab C C# D# E F# G# A B CDEFGAB C D# E G Ab B C Db E F G Ab B C Db Eb F G Ab Bb C D E F Gb Ab Bb C D E F G Ab Bb C D D# E F G G# A A# B C D E F G A Bb B CDEGA C Eb E G A C Db E Gb A C Db Eb F# A C D E G Ab C D# E G Bb C Db E F G Ab B C D D# E F G A Bb B C D E F F# G A B C Db Eb F Gb Ab Bb C Eb F Ab Bb CDEGA C Db Eb F# G Ab B C D Eb F G Ab B CDEFGAB C D Eb F G Ab Bb B Ake-Bono Ichilkotsucho Dorian Pentatonic Minor Pentatonic Ritusen Ritusen Minor Pentatonic Superlocrian bb3 Altered Dominant Half Diminished Locrian #6 Lydian Augmented Aeolian b1 Nohkan Lydian Diminished Lydian Dominant Lydian Dominant b6 Hirajoshi Pelog Pentatonic Augmented Double Harmonic Phrygian Melodic Major Bebop Double Harmonic Blues Enneatonic Ichilkotsucho Locrian Major Pentatonic Chromatic Lydian Inv. Harmonic Minor Major Bebop Harmonic Minor 94 198 79 219 78 91 90 77 76 76 77 180 153 395 13 22 20 150 149 148 151 19 22 104 10 26 137 136 16 141 16 147 227 142 140 17 140 17 138 135 138 139 93 84 199 7 29 162 9 122 18 178 62 73 96 97 98 99 100 162 54 219 13 75 73 169 21 7 69 Maqam Hedjaz Maqam Hicaz Maqam Hijaz Maqam Hijaz Kar Maqam Hijaz-Nahawand Maqam Hisar Maqam Humayun Maqam Huzzam Maqam Karcigar Maqam Kurd Maqam Nahawand Maqam Nahawand Murassah Maqam Nakriz Maqam Nawa Athar Maqam Saba Zamzam Maqam Shadd’araban Maqam Shahnaz (or Shahnaz Kurdi) Maqam Shawq Afza Maqam Shawq Awir Maqam Sultani Yakah Maqam Suzidil Maqam Tarzanuyn Maqam Ussak Maqam Zanjaran Maqam Zengule Mela Bhairavi That Mela Bhavapriya Mela Cakravka Mela Calanata Mela Carukesi Mela Citrambari Mela Dharmavati Mela Dhatuvardhani Mela Dhavalambari Mela Dhenuka Mela Divyamani Mela Gamanasrama Mela Ganamurti Mela Gangeyabhusani Mela Gaurimanohari Mela Gavambodhi Mela Gayakapriya Mela Hanumatodi Mela Harikamboji Mela Hatakambari Mela Hemavati Mela Jalarnava Mela Jhalavarli Mela Jhankaradhvani Mela Jyotisvarupini Mela Kamavardhani Mela Kanakangi Mela Kantamani Mela Kharaharapriya Mela Kiravani Mela Kokilapriya Mela Kosalam Mela Latangi Mela Manavati Mela Mararanjani Mela Mayamalavagowla Mela Mecakalyani Mela Naganandini Mela Namanarayani Mela Nasikabhusani Mela Natabhairavi Mela Natakapriya Mela Navanitam Mela Nitimati Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq Iraq India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 2131212 1312212 13121211 1312131 1312122 2131131 1312122 1213122 2121312 1222122 21221211 2121312 2131212 2131131 1213122 12111312 1222131 2111111121 22122111 2122131 1312131 1211111112 2212122 1312212 1312122 1222122 1231122 1312212 311232 2212122 2221311 2131221 3121131 1321113 1222131 1231311 1321221 1132131 3112131 2122221 1231113 1312211 1222122 2122212 1312311 2131212 1131122 1131131 2122113 3121122 1321131 1132113 2221113 2122212 2122131 1222221 3121221 2221131 1132221 2212113 1312131 2221221 2212311 1321122 3121212 2122122 1222212 1141212 2131311 410 C D Eb F# G A B C Db E F G A Bb C Db E F G G# A# B C Db E F G Ab B C Db E F G Ab Bb C D Eb F# G Ab B C Db E F G Ab Bb C C# D# E G Ab Bb C D Eb F Gb A Bb C Db Eb F G Ab Bb C D Eb F G Ab Bb B C D Eb F Gb A Bb C D Eb F# G A B C D Eb F# G Ab B C C# D# E G Ab Bb C C# D# E F Gb A Bb C Db Eb F G Ab B C D D# E F F# G G# A B C D E F G A Bb B C D Eb F G Ab B C Db E F G Ab B C C# D# E F F# G G# A Bb C D E F G Ab Bb C Db E F G A Bb C Db E F G Ab Bb C Db Eb F G Ab Bb C Db Eb F# G Ab Bb C Db E F G A Bb C D# E F G Bb C D E F G Ab Bb C D E F# G A# B C D Eb F# G A B C D# E F# G Ab B C Db E F# G G# A C Db Eb F G Ab B C Db Eb F# G A# B C Db E F# G A B C C# D F G Ab B C D# E F G Ab B C D Eb F G A B C Db Eb F# G G# A C Db E F G G# A C Db Eb F G Ab Bb C D E F G A Bb C Db E F G A# B C D Eb F# G A B C C# D F# G Ab Bb C C# D F# G Ab B C D Eb F G G# A C C# E F# G Ab Bb C Db E F# G Ab B C C# D F G G# A C D E F# G G# A C D Eb F G A Bb C D Eb F G Ab B C Db Eb F G A B C D# E F# G A B C D E F# G Ab B C C# D F G A B C D E F G G# A C Db E F G Ab B C D E F# G A B C D E F G A# B C Db E F# G Ab Bb C D# E F# G A Bb C D Eb F G Ab Bb C Db Eb F G A Bb C C# D F# G A Bb C D Eb F# G A# B Romanian Minor Harmonic Minor Inverse Double Harmonic Phrygian Dominant Gypsy Minor Phrygian Dominant Phrygian b4 Blues Heptatonic Phrygian Bebop Harmonic Minor Blues Heptatonic Romanian Minor Gypsy Minor Phrygian b4 Neapolitan Minor Bebop Harmonic Minor Double Harmonic Melodic Major Harmonic Minor Inverse Phrygian Dominant Phrygian Harmonic Minor Inverse Melodic Major Lydian #6 Lydian Diminished Neapolitan Minor Raga Marwa Thaat Sengiach Melodic Minor Phrygian Mixolydian Romanian Minor Chromatic Hypolydian Chromatic Dorian Dorian Harmonic Minor Neapolitan Major Lydian #2 Pelog Double Harmonic Lydian Hungarian Major Aeolian Dorian b2 24 161 222 162 25 189 25 131 51 9 69 51 24 189 131 221 204 223 62 21 162 224 18 161 25 9 238 161 239 18 141 140 241 240 204 242 330 243 214 14 244 245 9 11 246 24 247 248 249 250 175 163 251 8 21 201 26 230 252 65 162 10 253 254 193 12 15 255 256 Mela Pavani Mela Ragavardhani Mela Raghupriya Mela Ramapriya Mela Rasikapriya Mela Ratnangi Mela Rupavati Mela Sadvidhmargini Mela Salaga Mela Sanmukhapriya Mela Sarasangi Mela Senavati Mela Shankarabharanam Mela Shubhapanturavali Mela Sulini Mela Sumhendramadhyama Mela Suryakanta Mela Suvarnangi Mela Syamalangi Mela Tenarupi Mela Vacaspati Mela Vagadhisvari Mela Vakulabharanam Mela Varunapriya Mela Venaspati Mela Visvambhari Mela Yagapriya Melodic Major Melodic Minor Melodic Minor #4 Melog Selisir Messiaen 1st Mode Messiaen 2nd Mode Messiaen 2nd Mode Messiaen 2nd Mode Inverse Messiaen 2nd Mode Truncated Messiaen 3rd Mode Messiaen 3rd Mode Inverse Messiaen 4th Mode Messiaen 4th Mode Inverse Messiaen 5th Mode Messiaen 5th Mode Inverse Messiaen 6th Mode Messiaen 6th Mode Inverse Messiaen 7th Mode Messiaen 7th Mode Inverse Messiaen Truncated 3rd Mode Inv. Minor 6th Added Minor b5 Minor Gypsy Inverse Minor Hexatonic Minor Locrian Minor Pentatonic Minor Pentatonic 7 b5 Minor Pentatonic with Leading Tones Minyo Mischung 1 Mischung 2 Mischung 3 Mischung 4 Mischung 5 Mischung 6 Misheberekh Mixolydian Mixolydian #1 Mixolydian #4 Mixolydian Augmented Mixolydian Augmented Maj9 Mixolydian b2 (or Mixolydian b9) India India India India India India India India India India India India India India India India India India India India India India India India India India India Hungary Japan Germany Germany Germany Germany Germany Germany Jewish 1141221 3112122 1141311 1321212 3121311 1132122 1222311 1231212 1141113 2131122 2212131 1222131 2212221 1231131 3112221 2131131 1312221 1231221 2131113 1132311 2221212 3112212 1312122 2122311 1132212 1321311 3112113 2212122 2122221 2131221 41241 222222 131313 12121212 21212121 123123 211211211 121121121 11311131 31113111 141141 411411 22112211 11221122 1112111121 2111121111 313131 32223 2121222 1311312 212232 2121222 32232 32142 2111112111 32322 2122221 2212131 2122212 2122131 2122212 2212122 2131212 2122212 1212213 2221212 2213112 1313112 1312212 411 C C# D F# G A B C D# E F G Ab Bb C C# D F# G A# B C Db E F# G A Bb C D# E F# G A# B C C# D F G Ab Bb C Db Eb F G A# B C Db Eb F# G A Bb C C# D F# G G# A C D Eb F# G Ab Bb C D E F G Ab B C Db Eb F G Ab B CDEFGAB C Db Eb F# G Ab B C D# E F G A B C D Eb F# G Ab B C Db E F G A B C Db Eb F# G A B C D Eb F# G G# A C C# D F G A# B C D E F# G A Bb C D# E F G A Bb C Db E F G Ab Bb C D Eb F G A# B C C# D F G A Bb C Db E F# G A# B C D# E F G G# A C D E F G Ab Bb C D Eb F G A B C D Eb F# G A B CEFGB C D E F# G# Bb C Db E F G# A C C# D# E F# G A Bb C D Eb F F# G# A B C Eb Eb F# G A C D D# E F# G G# Bb B C C# D# E F G G# A B C C# D F F# G Ab B C D# E F Gb A Bb B C Db F F# G B C E F Gb Bb B C D E F F# G# A# B C C# D F F# G Ab Bb C C# D Eb F F# G G# A B C D D# E F F# G# A Bb B C D# E G Ab B C Eb F G A C D Eb F Gb Ab Bb C Db E F Gb A Bb C D Eb F G Bb C D Eb F Gb Ab Bb C Eb F G Bb C Bb F Gb Bb C D D# E F F# G A A# B C Eb F Ab Bb C D Eb F G A B C D E F G Ab B C D E F G A Bb C D Eb F G Ab B C D Eb F G A Bb C D E F G Ab Bb C D Eb F# G A B C D E F G A Bb C Db Eb E F# G# A C D E F# G A Bb C D E F G# A Bb C Db E F G# A Bb C Db E F G A Bb Romanian Major Lydian #2 #6 Dorian b9 #11 Gypsy Harmonic Major Neapolitan Minor Major Chromatic Lydian Inv. Houzam Gypsy Minor Gypsy Inverse Lydian Dominant Rock ‘n Roll Phrygian Dominant Lydian Diminished Ionian Pentatonic Whole-Tone Inverted Augmented Diminished Half-tone Diminished Genus Chromaticum Augmented Kyemyonjo Half Diminished Oriental Half Diminished Man Gong Melodic Minor Harmonic Major Mixolydian Harmonic Minor Dorian Melodic Major Romanian Minor Ultralocrian Lydian Dominant Harmonic Minor Inverse 257 258 259 210 137 260 261 128 262 186 158 204 7 169 192 189 188 264 263 265 17 61 25 267 266 268 269 18 14 140 83 28 30 32 31 36 37 46 38 39 40 41 42 43 44 45 29 90 19 228 121 19 77 82 179 75 14 158 11 21 8 18 24 11 27 17 145 146 161 Mixolydian b5 Mixolydian b6 (or Mixolydian b13) Mixolydian Dorian Mixolydian Hexatonic Mixolydian Pentatonic Miyakobushi Modus Conjunctus Mohammedan Moorish Phrygian Naka Zora Nam Nando-Kyemyonjo Natural Minor Neapolitan Major (or Neapolitan) Neapolitan Major b4 Neapolitan Major b5 Neapolitan Minor Neseveri Niagari Niavent Niaventi Minor Nigriz Noh Nohkan Nonatonic 2 Octatonic Olympos Enharmonic Oriental Oriental 2 Oshikicho Ousak Overtone P’Yongjo P’yongjo-kyemyonjo Peiraiotikos Pelo Degung Modern Pelog Pelog Pentatonic Pentatonic Whole-Tone Periaiotikos Minor Persian Peruvian Major Peruvian Minor Peruvian Major Pentatonic Peruvian Minor Pentatonic Petrushka chord Phrygian Phrygian Aeolian b4 Phrygian Aeolian Mixed Phrygian b4 Phrygian b4 Maj7 Phrygian Dominant Phrygian Hexatonic Phrygian Locrian Phrygian Major Phrygian Mixolydian Phrygian Natural 6 Phrygian Pentatonic Pien Chih Ping Pireotikos Pomeroy Prokofiev Prometheus Prometheus Liszt Prometheus Neapolitan Puravi b6 Pyeong Jo Pygmy Japan Spain Japan Vietnam Korea Italy Italy Italy Greece Japan Egypt Greece Greece Japan Japan Greece China China Japan Greece Korea Korea Greece Bali Bali Greece Iraq Peru Peru Peru Peru China China Greece Russia Italy Korea 2211312 2212122 21112212 232212 41232 14232 21212121 2122131 121121211 14214 2122212 21225 2122122 1222221 1213221 1221321 1222131 12311211 142122 2131131 2131131 2131212 2321121 2312121 12111121 21212121 13214 1311312 13113111 2122212 1222122 2221212 232212 32232 1321221 41241 2221131 12414 42222 2131212 1311231 2212221 2122122 22323 32232 132132 1222122 11122122 11122122 1213122 1213131 1312122 322122 12211122 1312122 1222212 1222212 12414 1221222 2221221 1321131 1212222 12212211 222312 131313 132312 1321131 23412 21432 412 C D E F Gb A Bb C D E F G Ab Bb C D D# E F G A Bb C D F G A Bb C E F G Bb C Db F G Bb C D Eb F F# G# A B C D Eb F G Ab B C C# D# E F G G# A# B C Db F G Ab C D Eb F G A Bb C D Eb F G C D Eb F G Ab Bb C Db Eb F G A B C Db Eb E G A B C Db Eb F Gb A B C Db Eb F G Ab B C Db Eb F# G Ab Bb B C Db F G Ab Bb C D Eb F# G Ab B C D Eb F# G Ab B C D Eb F# G A B C D F G G# A B C D F F# G# A B C C# D# E F F# G A Bb C D Eb F F# G# A B C Db F G Ab C Db E F Gb A Bb C Db E F Gb A A# B C D Eb F G A Bb C Db Eb F G Ab Bb C D E F# G A Bb C D F G A Bb C Eb F G Bb C Db E F# G A B CEFGB C D E F# G Ab B C Db Eb G Ab C E F# G# Bb C D Eb F# G A B C Db E F Gb Ab B CDEFGAB C D Eb F G Ab Bb CDEGA C Eb F G Bb C Db E F# G Bb C Db Eb F G Ab Bb C C# D Eb F G Ab Bb C C# D Eb F G Ab Bb C C# D# E G Ab Bb C D Eb F# G Ab B C Db E F G Ab Bb C Eb F G Ab Bb C Db Eb F F# G Ab Bb C Db E F G Ab Bb C Db Eb F G A Bb C Db Eb F G A Bb C Db Eb G Ab C Db Eb F Gb Ab Bb C D E F# G A B C Db E F# G Ab B C Eb Eb E F# G# Bb C Db Eb F F# G# A# B C D E Gb A Bb C Db E F G# A C Db E Gb A Bb C Db E F# G Ab B C D F A Bb C D Eb G Bb Melodic Major Bebop Dorian Kokin-Choshi Diminished Harmonic Minor In Dorian Aeolian Insen Gypsy Minor Gypsy Minor Romanian Minor Diminished In Dorian Phrygian Lydian Dominant Mixolydian Hexatonic Minor Pentatonic Raga Marwa Thaat Ionian Pentatonic Romanian Minor Major Aeolian Major Pentatonic Minor Pentatonic Phrygian Aeolian b4 Bebop Locrian Phrygian Dominant Dorian b2 Dorian b2 Pelog Pentatonic Locrian Lydian Chromatic Hypolydian Altered Dominant Inverted Augmented Chromatic Hypolydian 144 18 67 143 101 79 31 21 200 8 8 225 12 201 202 203 204 206 220 189 189 24 226 227 397 31 92 228 229 8 9 17 143 77 330 83 230 84 105 24 231 7 12 73 77 34 9 130 130 131 132 25 129 71 25 15 15 84 13 10 175 20 207 208 30 209 175 110 112 Pyramid Hexatonic Qing Shang Quan Ming Quin-Yu (or Jin-Yu) Raga Abheri Raga Abhogi Raga Adana Raga Ahir Bhairav Raga Ahira Lalita Raga Ahiri Todi Raga Aivarati Raga Alhaiya Bilaval Raga Amarasenapriya Raga Ambika Raga Amrtavarshini Raga Anandabhairavi Raga Andhali Raga Andolika Raga Arabhi ascending Raga Arabhi descending Raga Arunajualita Raga Asavari That Raga Audav Tukhari Raga Bahar Raga Bahudari Raga Bairagi (or Baira) Raga Bairari Raga Balahamsa Raga Barbara Raga Basant Raga Bauli Raga Begeshri Raga Begeshri 2 Raga Bhairav That Raga Bhairavi ascending Raga Bhairavi descending Raga Bhairubahar Raga Bhankar Raga Bhanumati Raga Bhatiyar Raga Bhavani Raga Bhimpalasi Raga Bhinna Pancama Raga Bhinna Shadj Raga Bhinnasadjam Raga Bhogachayanata Raga Bhopali Raga Bhunumanjari Raga Bhup Raga Bhupalam Raga Bhupeshwari Raga Bhusavati (or Bhusavali) Raga Bibhas Raga Bihag Raga Bihagara Raga Bilahari ascending Raga Bilahari descending Raga Bilashkhani Todi Raga Bilaval That Raga Bindumalini Raga Bowli Raga Brindabani (or Brindabani Serang) Raga Budhamanohari Raga Camara Raga Chakravakam Raga Chandrajyoti Raga Chandrakauns Kafi Raga Chandrakauns Kiravani China China China India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 212133 32232 32322 23232 32232 21243 2122122 1312212 1311312 1222212 222123 22122111 213141 2131221 42141 21221112 221232 232212 23223 2212221 2131221 2122122 21234 21222111 412212 14232 1321221 2122212 222312 1321131 133131 2122212 212412 1312131 2122212 2122122 1312221 1311321 1132212 13111221 1231122 2122212 232131 41421 1222131 3112212 22323 311232 22323 12414 22314 2221212 13323 22111221 22122111 22323 2212221 1222122 2212221 1312212 1 3 3 1 5 (asc) 1 3 3 1 3 1 (desc) 232311 22125 2131122 1312212 114123 32412 32331 413 C D Eb F Gb A C Eb F G Bb C Eb F Ab Bb C D G G Bb C Eb F G Bb C D Eb F A C D Eb F G Ab Bb C Db E F G A Bb C Db E F Gb A Bb C Db Eb F G A Bb C D E F# G A C D E F G A Bb B C D Eb F# G B C D Eb F# G A B C E F# G B C D Eb F G G# A Bb C D E F G Bb C D F G A Bb CDFGA CDEFGAB C D Eb F# G A B C D Eb F G Ab Bb C D Eb F Ab C D Eb F G A A# B C E F G A Bb C Db F G Bb C Db E F# G A B C D E F G A Bb C D E Gb A Bb C Db E F# G Ab B C Db E G Ab B C D Eb F G A Bb C D Eb F A Bb C Db E F G Ab B C D Eb F G A Bb C D Eb F G Ab Bb C Db E F G A B C Db E F Gb A B C C# D F G A Bb C Db E F F# G A B C Db Eb F# G Ab Bb C D Eb F G A Bb C D F G Ab B CEFAB C Db Eb F G Ab B C D# E F G A Bb CDEGA C D# E F G Bb CDEGA C Db Eb G Ab C D E G Ab C D E F# G A Bb C Eb E G A C D E F F# G A B C D E F G A Bb B CDEGA CDEFGAB C Db Eb F G Ab Bb CDEFGAB C Db E F G A Bb C Db E G Ab (asc) C B Ab G E Db (desc) C D F G A# B CDEFG C D Eb F# G Ab Bb C Db E F G A Bb C C# D F# G A C Eb F A Bb C Eb F G# B Minor Pentatonic Man Gong Suspended Pentatonic Minor Pentatonic Aeolian Harmonic Minor Inverse Oriental Dorian b2 Bebop Lydian Diminished Hirajoshi Dorian Aeolian Raga Siva Kambhoji Mixolydian Hexatonic Ritusen Major Lydian Diminished Aeolian Raga Miam Ki Malhar Raga Vegavahini asc Kokin-Choshi Raga Marwa Thaat Mixolydian Prometheus Chromatic Hypolydian Raga Bowli desc Dorian Raga Shreeranjani Double Harmonic Dorian Aeolian Gypsy Inverse Chromatic Lydian Mela Venaspati Mela Bhavapriya Dorian Raga Vasanta asc Neapolitan Minor Rock ‘n Roll Major Pentatonic Mela Calanata Major Pentatonic Pelog Pentatonic Major Pentatonic b6 Lydian Dominant Major Pentatonic b2 Ichilkotsucho Bebop Major Pentatonic Major Phrygian Major Harmonic Minor Inverse Gypsy Harmonic Minor Inverse 396 77 75 74 77 270 12 161 228 15 271 62 272 140 93 125 372 143 76 7 140 12 273 333 383 79 330 11 208 175 277 8 367 162 8 12 188 168 266 274 238 8 275 381 204 61 73 239 73 84 99 17 96 219 62 73 7 9 7 161 277 276 278 186 161 279 280 281 Raga Chandrakauns Modern Raga Chaturangini Raga Chaturangini 2 Raga Chaya Todi Raga Chaya Vati Raga Chayanat Raga Chayanata Raga Chinthamani Raga Chitthakarshini Raga Cudamani Raga Darbar Raga Desh Raga Desh Malhar Raga Deshgaur Raga Deshi Raga Deshi 2 Raga Deshi 3 Raga Deskar Raga Desya Khamas Raga Desya Todi Raga Devagandhari Raga Devakriya Raga Devamani Raga Devamanohari Raga Devarangini 2 Raga Devaranjani (or Devaranji) Raga Devarashtra Raga Dhaanyasi ascending Raga Dhani Raga Dhanyasi descending Raga Dhauta Pancama Raga Dhavalangam Raga Dhavalashri Raga Dhipaka Raga Dhunibinnashadjam Raga Dipak Raga Disisimharavam Raga Dumyaraga Raga Dvigandharabushini Raga Gamakakriya Raga Gamakasamantam Raga Gambhiranata Raga Ganasamavarali Raga Ganavaridhi Raga Gandharavam Raga Gangatarangini Raga Gaud Sarang Raga Gaula Raga Gaulipantu Raga Gauri Raga Gauri Velavali Raga Gaurikriya Raga Geyahejjajji Raga Ghandarva Raga Ghanta Raga Ghantana Raga Girija Raga Girvani Raga Gitapriya Raga Gopikacasantam Raga Gopikatilaka Raga Gopriya Raga Gorakh Raga Gowla India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India Raga Guhamanohari Raga Gunkali Raga Gurjari Todi Raga Hamir Kalyani India India India India India India India India 32421 2221311 222141 12324 131421 22111221 3112212 21311112 12234 3112122 232212 23241 22122111 16131 21221112 2122221 2122131 22323 412212 322122 22122111 23223 313131 232212 221223 52131 3121131 32232 32232 1222122 3121131 132114 42123 1321131 1222131 221115 2131212 2131221 3113112 132141 1231131 41241 1132131 3112212 122232 411231 22111221 131232 1312131 14241 212223 331311 14214 1141311 1222122 212331 41331 1231113 2221131 322122 213132 222222 232212 1 4 2 4 1 (asc) 1 3 1 2 4 1 (desc) 23412 13214 123222 22111221 414 C Eb F A B C D E F# G A# B C D E F# G B C Db Eb Gb Ab C Db E F G A B C D E F F# G A B C D# E F G A Bb C D Eb F# G G# A Bb C Db Eb F Ab C D# E F G Ab Bb C D F G A Bb CDFGB C D E F G A Bb B C Db G Ab B C D Eb F G G# A Bb C D Eb F G A B C D Eb F G Ab B CDEGA C E F G A Bb C Eb F G Ab Bb C D E F G A Bb B CDFGA C D# E G Ab B C D F G A Bb CDEFGA C F G Ab B C D# E F# G Ab B C Eb F G Bb C Eb F G Bb C Db Eb F G Ab Bb C D# E F# G Ab B C Db E F# G Ab C E F# G A C Db E F# G Ab B C Db Eb F G Ab B C D E F F# G C D Eb F# G A B C D Eb F# G A B C D# E F G# A Bb C Db E F# G B C Db Eb F# G Ab B CEFGB C C# D F G Ab B C D# E F G A Bb C Db Eb F G Bb C E F Gb Ab B C D E F F# G A B C Db E F G Bb C Db E F G Ab B C Db F G B C D Eb F G A C Eb F# G A# B C Db F G Ab C C# D F# G A# B C Db Eb F G Ab Bb C D Eb F G# B C E F G# B C Db Eb F# G G# A C D E F# G Ab B C Eb F G Ab Bb C D Eb F# G Bb C D E F# G# Bb C D F G A Bb C Db F G B (asc) C B G F E Db (desc) C D F A Bb C Db F G Ab C Db Eb Gb Ab Bb C D E F F# G A B Lydian #6 Raga Ratnakanthi Raga Vasanta desc Ichilkotsucho Rock ‘n Roll Mela Ragavardhani Mixolydian Hexatonic Tcherepnin Major Pent. Bebop Dorian Aeolian Melodic Minor Harmonic Minor Major Pentatonic Raga Vegavahini asc Phrygian Hexatonic Bebop Ritusen Augmented Mixolydian Hexatonic Scottish Hexatonic Mela Dhatuvardhani Minor Pentatonic Minor Pentatonic Phrygian Mela Dhatuvardhani Chromatic Hypolydian Neapolitan Minor Romanian Minor Lydian Diminished Chromatic Lydian Inv. Ionian Pentatonic Mela Ganamurti Rock ‘n Roll Ichilkotsucho Double Harmonic Raga Gowla asc Sho Raga Malahari asc Mela Raghupriya Phrygian Romanian Bacovia Mela Gavambodhi Pelog Phrygian Hexatonic Whole-Tone Mixolydian Hexatonic Pyeong Jo In Ichilkotsucho 282 141 356 283 382 219 61 284 108 258 143 102 62 285 125 14 21 73 383 129 62 76 29 143 213 286 241 77 77 9 241 287 288 175 204 289 24 140 174 290 169 83 243 61 291 292 219 293 162 297 233 294 324 259 9 295 115 244 230 129 296 28 143 297 110 92 298 219 Raga Hamsadhvani Raga Hamsadhvani 2 Raga Hamsagiri Raga Hamsalata Raga Hamsanada Raga Hamsanarayami Raga Hansanandi Raga Hari Nata Raga Harikauns Raga Harini Raga Haripriya Raga Hejjajji Raga Hindol Raga Hindolam Raga Hindolita Raga Huseni Raga Indupriya Raga Jaganmohanam Raga Jaganmohini ascending Raga Jait Kalyan Raga Janasammodini Raga Janjuti Raga Jaunpuri Raga Jayakauns Raga Jayamanohari Raga Jeyasuddhamalavi Raga Jhankara Bhramavi Raga Jinavali Raga Jingla Raga Jivantika Raga Jivantini Raga Jog Raga Jogiya Raga Jotismatti Raga Jyoty Raga Kafi That Raga Kaihavasi Raga Kaishikiranjani (or Kaushiranjani) Raga Kalagada Raga Kalahamsa Raga Kalakanthi Raga Kalakanthi 2 Raga Kalamurti Raga Kalavati Raga Kalingada Raga Kalyan That Raga Kalyana Vasantha Raga Kalyani Raga Kalyani Keseri Raga Kamalamanohari Raga Kamalamanohari 2 Raga Kambhoji Raga Kambodhi ascending Raga Kambodhi descending Raga Kamud Raga Kanakambari Raga Kanara Raga Kannadabangala Raga Kapijangla Raga Kashyapi Raga Kasiramakryia Raga Kaushikdhvani Raga Kedar Raga Kedaram India India India India Raga Keradam ascending Raga Keseri Raga Khamach India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 21441 22341 3121311 2221131 24141 132141 132321 412221 33222 2122212 2212131 132213 42321 32322 41421 2122212 132114 241122 41241 22323 22314 2122212 2122122 32142 212412 1312311 2122113 1131131 2122122 142221 331311 311232 1312122 3121122 421122 2122212 2131311 212331 133113 3112113 1312113 142113 1231122 131223 1312131 2221221 2122131 222123 222123 412131 412122 221223 221223 2122212 223221 1132113 2122212 14214 212412 124122 1321131 41421 22111221 4 1 2 4 1 (asc) 2 2 1 2 4 1 (desc) 41241 2212113 4 1 2 2 1 1 1 (asc) 2 2 1 2 2 1 2 (desc) 415 C D Eb G B CDEGB C D# E F# G A# B C D E F# G Ab B C D F# G B C Db E F# G B C Db E F# A B CEFGAB C Eb Gb Ab Bb C D E F G A Bb C D E F G Ab B C Db E F# G# A C E Gb A B C Eb F Ab Bb CEFAB C D Eb F G A Bb C Db E F# G Ab C D F# G Ab Bb CEFGB CDEGA C D E G Ab C D E F G A Bb C D Eb F G Ab Bb C Bb F Gb Bb C D Eb F A Bb C Db E F G A# B C D Eb F G G# A C C# D F# G Ab B C D Eb F G Ab Bb C Db F G A B C Eb F# G A# B C D# E F G Bb C Db E F G Ab Bb C C# E F# G Ab Bb C E F# G Ab Bb C D Eb F G A Bb C D Eb F# G A# B C D Eb F G# B C Db E G G# A C D# E F G G# A C Db E F G G# A C Db F G G# A C Db Eb F# G Ab Bb C Db E F G A C Db E F G Ab B C D E F# G A B C D Eb F G Ab B C D E F# G A C D E F# G A C E F G Ab B C E F G Ab Bb CDEFGA CDEFGA C D E F G A Bb CDEGAB C C# D F G G# A C D Eb F G A Bb C Db F G Ab C D Eb F A Bb C Db Eb G Ab Bb C Db E F# G Ab B CEFAB C D E F F# G A B C E F G B (asc) C B G F E D (desc) CEFGB C D E F G G# A C E F G A A# B (asc) C Bb A G F E D (desc) Lydian #2 #6 Pelog Raga Gamakakriya Chin Mixolydian Harmonic Major Man Gong Raga Vasanta asc Dorian Raga Dhavalangam Ionian Pentatonic Major Pentatonic Major Pentatonic b6 Mixolydian Aeolian Minor Pentatonic 7 b5 Raga Shreeranjani Mela Hatakambari Mela Jhankaradhvani Mela Jhalavarli Aeolian Raga Gaurikriya Mela Calanata Phrygian Dominant Mela Jyotisvarupini Dorian Mela Nitimati Raga Ghantana Mela Yagapriya Gypsy Hexatonic Mela Bhavapriya Double Harmonic Lydian Harmonic Minor Raga Aivarati Raga Aivarati Raga Paras asc Scottish Hexatonic Scottish Hexatonic Mixolydian Lydian Hexatonic Chromatic Dorian Dorian Raga Malahari asc Raga Shreeranjani Chromatic Hypolydian Raga Vasanta asc Ichilkotsucho Ionian Pentatonic 299 109 137 230 85 290 300 302 89 11 158 303 80 75 381 8 287 304 83 73 99 11 12 82 367 246 249 248 12 305 294 239 25 250 306 8 256 295 307 269 187 308 238 309 162 10 21 271 271 346 310 213 213 11 135 163 8 324 367 311 175 381 219 312 83 65 313 Raga Khamaj Raga Khamaj That Raga Khamaji Durga Raga Khamas Raga Khambhavati Raga Kharapriya Raga Kiranavali Raga Kirvani Raga Kokil Pancham Raga Kokila Raga Kokilaravam Raga Kshanika Raga Kuksumakaram Raga Kumarapriya Raga Kumudki Raga Kumurdaki Raga Kunakri Raga Kunbhini Raga Kuntala Raga Kuntvarali (or Kuntalavarali) Raga Lalit Raga Lalita Raga Lalita Bhairav Raga Lalita Panchami Raga Lasaki Raga Latantapriya Raga Latika Raga Madhava Manohari Raga Madhmat Sarang Raga Madhukauns Raga Madhuranjani Raga Madhuri Raga Madhuvanti Raga Madhyamavati Raga Malahari India India Raga Malahari ascending Raga Malarani Raga Malashri Raga Malavastri Raga Malayamarutam Raga Malgunji Raga Malini Raga Malkauns Raga Mamata Raga Manaranjani Raga Manaranjani 2 Raga Manavi Raga Mand Raga Mandari Raga Manirangu Raga Manji Raga Manohari Raga Manoranjani Raga Marga Hindola Raga Marva Raga Marwa Thaat Raga Matha Kokila Raga Matkokil Raga Megh (or Megh Malhar) Raga Megharamji Raga Megharanjani Raga Miam Ki Malhar Raga Mohanam Raga Mohanangi Raga Mruganandana Raga Mukhari Raga Multani Raga Multani 2 India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 22122111 2122212 41412 412212 2122212 2122212 2122131 2122131 32214 22323 1222221 14331 3121221 11631 22251 22251 13214 1141221 2221113 52212 1311321 131331 131322 1312131 14232 13214 223131 2131131 23232 331212 3112311 4122111 2131221 23232 1 4 2 1 4 (asc) 1 3 1 2 1 4 (desc) 13214 241311 42141 322212 133212 211122111 1222113 323211 43221 13332 14223 214212 41223 132141 212232 21221112 322212 1132221 32421 132321 1321221 25212 25212 232311 13161 13134 21222111 22323 31323 222321 21221112 1231131 33141 416 C D E F G A Bb B C D E F G A Bb C E F A Bb C E F G A Bb C D E F G A Bb C D Eb F G A Bb C D Eb F G Ab B C D Eb F G Ab B C Eb F G Ab CDEGA C Db Eb F G A B C Db F Ab B C D# E F# G A B C C# D G# B C D E F# B C D E F# B C Db F G Ab C C# D F# G A B C D E F# G G# A C F G A Bb C Db E F Gb A B C Db E F Ab B C Db E F Ab Bb C Db E F G Ab B C Db F G Bb C Db F G Ab C D E G Ab B C D Eb F# G Ab B C D G G Bb C Eb F# G A Bb C D# E F G A# B C E F G A A# B C D Eb F# G A B C D G G Bb C Db F G Ab (asc) C Ab G F E Db (desc) C Db F G Ab C D F# G A# B C E F# G B C Eb F G A Bb C Db E G A Bb C D D# E F G A Bb B C Db Eb F G G# A C Eb F G# A# B CEGAB C Db E G Bb C Db F G A C D Eb G A Bb CEFGA C Db E F# G B C D Eb F G Bb C D Eb F G G# A Bb C Eb F G A Bb C C# D F G A B C Eb F A B C Db E F# A B C Db E F# G A B C D G A Bb C D G A Bb C D F G A# B C Db E F B C Db E F Ab C D Eb F G A A# B CDEGA C D# E G A C D E F# A B C D Eb F G G# A Bb C Db Eb F# G Ab B C Eb F# G B Bebop Mixolydian Raga Vegavahini asc Mixolydian Dorian Harmonic Minor Harmonic Minor Major Pentatonic Neapolitan Major Lydian #2 Raga Kumurdaki In Mela Pavani Mela Kantamani Chromatic Lydian Double Harmonic Kokin-Choshi In Gypsy Minor Suspended Pentatonic Raga Nattai asc Raga Khamach asc Lydian Diminished Suspended Pentatonic In Hirajoshi Raga Manohari Blues Enneatonic Altered Pentatonic Raga Nagaswaravali Raga Gamakakriya Minor Hexatonic Dorian Aeolian Mela Manavati Raga Chandrakauns M. Raga Hansanandi Raga Matha Kokila Raga Brindabani Syrian Pentatonic Major Pentatonic Dorian Aeolian Chromatic Lydian Inv. 62 11 86 383 11 8 21 21 114 73 201 314 26 315 316 316 92 257 251 317 168 318 319 162 79 92 320 189 74 321 339 313 140 74 324 92 322 93 329 323 54 326 325 113 327 103 328 107 290 121 125 329 252 282 300 330 331 331 276 332 116 333 73 334 335 125 169 336 Raga Nabhomani Raga Nagabharanam Raga Nagagandhari Raga Nagaswaravali Raga Nalinakanti Raga Nandkauns Raga Narmada Raga Nasamani Raga Nasikabhusani Raga Nata Raga Natabharanam Raga Nattai India India India India India India India India India India India India Raga Nattaikurinji Raga Navamanohari Raga Nayaki Raga Nayaki Kanada Raga Neelangi Raga Neroshta Raga Nileshwari Raga Nisada Raga Nishadi Raga None Raga Padi Raga Pahadi Raga Palasi Raga Pancama Raga Pantuvarali Raga Paraj Raga Paras (or Pharas or Paraju) India India India India Raga Partivaran Raga Patdip Raga Phenadyuti Raga Phenadyuti 2 Raga Pilu Raga Pilu That Raga Prabhati Raga Pratapa Raga Priyadharshini Raga Puriya (or Puriya Kalyan) Raga Puriya 2 Raga Puriya Dhanashri Raga Purna Pancama Raga Purnanalita Raga Puruhutika Raga Purvaholica Raga Purvi Raga Purvi Thaat Raga Purvikalyani Raga Putrika Raga Raga Pushpalithika Raga Ragamalini Raga Rageshri Raga Ramakri Raga Ramamahohari Raga Ramamanohari 2 Raga Ramdasi Malharq Raga Ramkali Raga Ramkali 2 Raga Rangini Raga Ranjiani Raga Rasamanjari Raga Rasamanjari 2 Raga Rasavali Raga Rasika Ranjani Raga Rasranjani Raga Ratipriya Raga Ratnakanthi India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 11415 2212311 232221 41223 41241 3112212 1321122 3121212 1321212 3112311 1222212 3 1 1 2 3 1 1 (asc) 3 2 2 4 1 (desc) 221412 232122 212232 2122212 213213 33521 321132 2131311 241221 3112311 142131 221211111 212232 132321 1321131 1312131 4 1 2 1 3 1 (asc) 1 3 1 2 1 3 1 (desc) 1321221 2122221 1132122 142122 212211111 2122131 223221 1321122 23331 1321221 132321 1321131 131214 21225 52221 52221 1321131 1321122 1321221 11613 212232 131223 2214111 13111131 1321212 412131 211122111 13111131 12414 213321 213321 3121311 312141 142212 13323 23421 2221122 222141 417 C C# D F# G C D E F G A# B CDFGAB CEFGA CEFGB C D# E F G A Bb C Db E F# G Ab Bb C D# E F# G A Bb C Db E F# G A Bb C D# E F G A# B C Db Eb F G A Bb C D# E F G A# B (asc) C B G F D# (desc) C D E F A Bb C D F G Ab Bb C D Eb F G Bb C D Eb F G A Bb C D Eb F# G# A CDEAB C Eb F F# G Bb C D Eb F# G A# B C D F# G A B C D# E F G Bb B C Db F G Ab B C D E F G G# A A# B C D Eb F G Bb C Db E F# A B C Db E F# G Ab B C Db E F G Ab B C E F G Ab B (asc) C B Ab G F E Db (desc) C Db E F# G A B C D Eb F G A B C C# D F G Ab Bb C Db F G Ab Bb C D Eb F G G# A Bb B C D Eb F G Ab B CDEGAB C Db E F# G Ab Bb C D F G# B C Db E F# G A B C Db E F# A B C Db E F# G Ab B C Db E F G Ab C D Eb F G CFGAB CFGAB C Db E F# G Ab B C Db E F# G Ab Bb C Db E F# G A B C C# D G# A C D Eb F G Bb C Db E F G A C D E F A A# B C Db E F F# G Ab B C Db E F# G A Bb C E F G Ab B C D D# E F G A Bb B C Db E F F# G Ab B C Db Eb G Ab C D Eb Gb A B C D Eb Gb A B C D# E F# G A# B C D# E F# G B C Db F G A Bb C Eb E G A CDFAB C D E F# G Ab Bb C D E F# G B Mela Naganandini Raga Kedaram asc Rock ‘n Roll Mela Namanarayani Hungarian Major Romanian Major Raga Nattai asc Dorian b2 Minor Hexatonic Dorian Blues Mela Nitimati Chromatic Dorian Inv. Minor Hexatonic Raga Hansanandi Chromatic Hypolydian Double Harmonic Raga Marwa Thaat Melodic Minor Mela Ratnangi Insen Harmonic Minor Lydian Hexatonic Mela Namanarayani Raga Marwa Thaat Raga Hansanandi Chromatic Hypolydian Raga Malahari desc Nando-Kyemyonjo Raga Puruhutika Chromatic Hypolydian Mela Namanarayani Raga Marwa Thaat Minor Hexatonic Raga Kalavati Raga Ramkali Romanian Major Raga Paras asc Blues Enneatonic Pelog Pentatonic Raga Rangini Lydian #2 #6 Major Pentatonic b2 Lydian Dominant b6 337 253 338 107 312 61 254 193 210 339 15 339 340 341 121 8 35 342 50 256 343 164 344 345 121 300 175 162 346 330 14 260 220 124 21 135 254 347 330 300 175 324 225 348 348 175 254 330 349 121 309 350 351 210 346 54 351 84 352 352 137 353 354 96 355 138 356 Raga Ravikriya Raga Reejeshwari Raga Regeshri (or Rageshwari) Raga Reva (or Revagupti) Raga Ribhavari (or Revati) Raga Rishabapriya Raga Ritigaula Raga Rudra Pancama Raga Rukmangi Raga Sahera Raga Sailadesakshi Raga Salagavarali Raga Salanganata Raga Samanta Raga Samudhra Priya Raga Sanjk Ka Hindol Raga Sankara (or Shankara) Raga Santanamanjari Raga Sarasanana Raga Sarasvati Raga Saravati Raga Saugandhini Raga Saugandhunu Raga Saurashtra Raga Sauviram Raga Saveri ascending Raga Saveri descending Raga Savethri Raga Savitri Raga Senagrani Raga Shailaja Raga Shilangi Raga Shobhavari Raga Shree ascending Raga Shree descending Raga Shreeranjani (or Shee Ranjani or Sriranjani) Raga Shri Raga Shri Kalyan Raga Shubravarni Raga Shuddh Kalyan Raga Shyamalam Raga Simharava Raga Simhavahini Raga Simmendramadhyamam Raga Sindhi-Bhairavi Raga Sindhu Ramakriya Raga Sindhura Raga Sindhura Kafi Raga Siva Kambhoji Raga Sohani Raga Sohini Raga Sohni Raga Sorati Raga Sowrashtram Raga Sri Raga Srutiranjani Raga Sthavarajam Raga Sucaritra Raga Suddha Bangala Raga Suddha Mukhari Raga Suddha Pancama Raga Suddha Ramakriya Raga Suddha Saveri Raga Suddha Simantini Raga Suddha Todi Raga Suha Kanada Raga Suha Sughrai Raga Sunada Vinodini India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 1141311 32421 221412 13315 14232 2221122 2122212 131412 12432 222222 3112221 124212 13214 2212311 33132 42321 223221 3121113 221331 241212 412113 15114 15114 13121121 1231221 13214 1312131 41232 412311 1222113 34122 42141 23214 23223 2122212 212412 C C# D F# G A# B C Eb F A B C D E F A Bb C Db E G Ab C Db F G Bb C D E F# G Ab Bb C D Eb F G A Bb C Db E F A Bb C Db Eb G Bb C D E F# G# Bb C D# E F G A B C Db Eb G A Bb C Db F G Ab C D E F G A# B C Eb F# G Bb C E Gb A B CDEGAB C D# E F# G G# A C D E F Ab B C D F# G A Bb C E F G G# A C Db F# G Ab C Db F# G Ab C Db E F G G# A B C Db Eb F# G A B C Db F G Ab C Db E F G Ab B C E F G Bb C E F G A# B C Db Eb F G G# A C Eb G Ab Bb C E F# G B C D F G Ab CDFGA C D Eb F G A Bb C D Eb F A Bb Mela Raghupriya Raga Chandrakauns M. Raga Nattaikurinji Raga Bowli asc Kokin-Choshi Lydian Dominant b6 Dorian India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India India 1321131 24123 24312 2221221 2131113 213132 412131 2131122 1111121211 412131 21222111 212241 221232 1321221 131331 221421 2322111 1312221 2122212 2221113 1231212 3121113 212223 113313 1311231 1321131 23223 122214 122322 21221211 212232 42321 C Db E F# G Ab B C D F# G A C D F# A Bb C D E F# G A B C D Eb F# G G# A C D Eb F# G Bb C E F G Ab B C D Eb F# G Ab Bb C C# D D# E F G G# A# B C E F G Ab B C D Eb F G A A# B C D Eb F G B C D E F G Bb C Db E F# G A B C Db E F Ab B CDEFAB C D F G A A# B C Db E F G A B C D Eb F G A Bb C D E F# G G# A C Db Eb F# G A Bb C D# E F# G G# A C D Eb F G A C C# D F G# A C Db E F Gb Ab B C Db E F# G Ab B CDFGA C Db Eb F G Ab C Db Eb F G# Bb C D Eb F G Ab Bb B C D Eb F G Bb C E Gb A B Chromatic Hypolydian 418 Whole-Tone Houzam In Mela Naganandini Raga Hindol Lydian Hexatonic Raga Saugandhini Mela Suvarnangi In Double Harmonic Mixolydian Pentatonic Raga Tilang Raga Malini Hirajoshi Han-Kumoi Ritusen Dorian Lydian Mela Syamalangi Raga Gopikatilaka Raga Paras asc Gypsy Raga Paras desc Raga Miam Ki Malhar Raga Marwa Thaat Raga Lalita Gypsy Inverse Dorian Mela Kantamani Dorian b9 #11 Raga Santanamanjari Sho Persian Chromatic Hypolydian Ritusen Ritzu Bebop Harmonic Minor Minor Hexatonic Raga Hindol 259 282 340 277 79 138 8 357 358 28 192 359 92 253 360 80 135 361 362 363 364 365 365 366 264 92 162 101 378 326 111 93 81 76 8 367 175 368 369 10 263 296 346 186 371 346 333 370 372 330 318 301 373 188 8 251 128 361 233 374 231 175 76 375 232 69 121 80 Raga Suposhini Raga Supradhipam Raga Sur Malhar Raga Surati Raga Surya Raga Sutradhari Raga Syamalam Raga Takka Raga Tanukirti Raga Tarangini Raga Tilang Raga Tilang (or Bridabani Tilang) Raga Tivravahini Raga Trimurti Raga Trishuli Raga Udayaravicandrika Raga Udhayaravi Raga Vagedeeshwari Raga Vaijayanti Raga Valaji Raga Vamsavathi Raga Varali Raga Varamu Raga Varini Raga Vasanta India India India India India India India India India India India India India India India India India India India India India India India India India Raga Vasantha Raga Vativasanta Raga Vegavahini India India India Raga Vegavahini descending Raga Velavali Raga Vibhas Raga Vijayanagari Raga Vijayasri Raga Vijayavasanta Raga Vilasini Raga Viravasantham Raga Vivardhini Raga Viyogavarali Raga Vutari Raga Yaduka Kambodi descending Raga Yadukua Kambodhi ascending Raga Yaman Kalyan Raga Yamuna Kalyani Raga Zilaf Raga Zilla Ragta Narayani Rast Ravel Relative Blues Ritusen Ritzu Ritzu Gagaku Rock ‘n Roll Romanian Bacovia Romanian Major Romanian Minor Rui Bin Ryo Ryosen Ryukyu Sabach Sabach Maj7 Sakura Scottish Hexatonic Scottish Pentatonic Scriabin Segiah India India India India India India India India India India India India India India India India India India Greece Japan Japan Romania Romania China Japan Japan Japan Greece Greece Japan Scotland Scotland 232212 1312221 2322111 2122212 32412 23214 213114 322131 1132311 2212122 412311 412311 1231212 214122 3112221 32241 32232 1312212 24141 43212 1231311 1131131 32412 34122 4 1 4 2 1 (asc) 1 3 1 4 2 1 (desc) 131322 1312122 4 1 2 2 1 2 (asc) 1 3 1 2 2 1 2 (desc) 1312212 2122221 13315 213123 114141 421311 221241 2122311 221232 122331 421212 221223 23223 22111221 222123 421212 21112212 232212 22122111 1212222 2113113 23223 122322 23223 3112212 41331 1321212 2131212 23232 221112111 22323 41241 2113122 2113131 13214 221223 23223 13323 2212131 419 C D F G A Bb C Db E F G A B C D F G A A# B C D E F G A Bb C Eb F A Bb C D F G Ab C D Eb F# G Ab C Eb F G Ab B C C# D F G A# B C D E F G Ab Bb C E F G A# B C E F G A# B C Db Eb F# G A Bb C D Eb G Ab Bb C D# E F G A B C D# F G B C Eb F G Bb C Db E F G A Bb C D F# G B C E G A Bb C Db Eb F# G A# B C C# D F# G Ab B C Eb F A Bb C Eb G Ab Bb C E F A B (asc) C B A F E Db (desc) C Db E F Ab Bb C Db E F G Ab Bb C E F G A Bb (asc) C Bb A G F E Db (desc) C Db E F G A Bb C D Eb F G A B C Db E G Ab C D Eb F# G A C C# D F# G B C E F# G A# B CDEFGB C D Eb F G A# B C D E F G Bb C Db Eb F Ab B C E F# G A Bb CDEFGA CDFGA C D E F F# G A B C D E F# G A C E F G Ab C D D# E F G A Bb C D F G A Bb C D E F G A Bb B C Eb Eb E F# G# Bb C D D# E G G# A CDFGA C Db Eb F G# Bb CDFGA C D# E F G A Bb C E F G# B C Db E F# G A Bb C D Eb F# G A B C D G G Bb C D E F F# G A Bb B CDEGA CEFGB C D D# E G Ab Bb C D D# E G Ab B C Db F G Ab CDEFGA CDFGA C Eb E G A C D E F G Ab B Mixolydian Hexatonic Gypsy Inverse Raga Sorati Mixolydian Raga Chandrakauns Kafi Han-Kumoi Mela Tenarupi Melodic Major Raga Tilang Dorian b9 #11 Houzam Raga Nattai desc Minor Pentatonic Harmonic Minor Inverse Raga Hamsanada Mela Divyamani Mela Jhalavarli Raga Chandrakauns Kafi Raga Shailaja 143 188 373 11 280 81 376 377 265 18 378 378 128 379 192 339 77 161 85 380 242 248 280 111 381 Raga Lalita Bhairav Phrygian Dominant 319 25 383 Harmonic Minor Inverse Melodic Minor Raga Bowli asc 161 14 277 383 384 385 312 267 372 386 387 213 76 219 271 388 67 143 62 20 173 76 232 76 61 115 210 24 74 139 73 83 211 212 92 213 76 96 158 Raga Kedaram desc Mela Varunapriya Raga Siva Kambhoji Scottish Hexatonic Ritusen Ichilkotsucho Raga Aivarati Bebop Dorian Mixolydian Hexatonic Bebop Altered Dominant Chromatic Hypodorian Ritusen Suspended Pentatonic Lydian Mixolydian Major Pentatonic Ionian Pentatonic In Ritusen Major Pentatonic b2 Harmonic Major Se Semilocrian Semilocrian b4 Sengiach (or Sengah) Shang Shang-Diao Sho Sho #2 Shostakovich Soft Ascend Soft Descend Souzinak Spanish Heptatonic Spanish Octatonic Spanish (or Spanish Gypsy) Spanish Phrygian Sultani Yakah Superlocrian Superlocrian #6 Superlocrian bb3 Superlocrian bb6 bb7 Superlocrian Maj7 Suspended Pentatonic Symmetrical Decatonic Symmetrical Nonatonic Synthetic Mixture #5 Syrian Pentatonic Tabahaniotiko Taishikicho Takemitzu Tree 1 Takemitzu Tree 2 Tcherepnin Tcherepnin Major Pentatonic Tezeta Major Tezeta Minor Todi b7 Tritone Tsinganikos Tunisian Two-semitone Tritone Ujo Ukrainian Minor Ukranian Dorian Ultralocrian Ultralocrian bb3 Ultraphrygian Utility Minor Van Der Host Whole-Tone Whole-Tone Diminished Xin Yi Ze Yishtabach Yo Yona Nuki Major Yona Nuki Minor Yosen Youlan Yu Yu 2 Zhalibny Minor Zheng Zhi Zilof Zirafkend Zokuso Zokuso Pentatonic Japan Greece China China Japan Japan Russia Japan Japan Greece Spain Spain Spain Syria Greece Japan Japan Japan Russia Russia Ethiopia Ethiopia Greece Tunisia Korea Ukraina Ukraina China China Jewish Japan Japan Japan Japan China China China China China Spain Arabia Japan Japan 2122122 2121222 2112222 3112131 2122212 23232 212223 121242 12121221 14232 13214 2131212 3111222 12111222 1312122 12112122 2122131 1212222 1212312 1122222 1212123 1212231 23232 1121111211 112211211 2222112 13134 2212131 221112111 213231 213222 121121121 23241 22323 12414 1231212 132132 1311312 2131212 114114 23223 2131212 2131212 1212213 1122213 1213113 21221211 12211221 222222 21212121 2212221 32322 1221222 23223 22323 21414 232212 112111212 2122212 32232 2122131 23223 23223 1312122 21221121 1222122 14142 420 C D Eb F G Ab Bb C D Eb F Gb Ab Bb C D D# E F# G# Bb C D# E F G Ab B C D E F G A Bb C D G G Bb C D Eb F G A C C# D# E F# Bb C C# D# E F# G A B C Db F G Bb C Db F G Ab C D Eb F# G A B C D# E F Gb Ab Bb C C# D# E F Gb Ab Bb C Db E F G Ab Bb C C# D# E F G Ab Bb C D Eb F G Ab B C Eb Eb E F# G# Bb C C# D# E F# A Bb C C# D E F# G# Bb C C# D# E F# G A C Db Eb E Gb Ab B C D G G Bb C C# D E F F# G G# A# B C C# D E F# G G# A# B C D E F# G# A Bb C Db E F Ab C D E F G Ab B C D E F F# G A Bb B C D Eb Gb Ab B C D Eb Gb Ab Bb C C# D# E F G G# A B CDFGB CDEGA C Db Eb G Ab C Db Eb F# G A Bb C Db E F# G Bb C Db E F Gb A Bb C D Eb F# G A B C C# D F# G Ab CDFGA C D Eb F# G A B C D Eb F# G A B C Db Eb E F# G# A C C# D E F# G# A C C# D# E G G# A C D Eb F G Ab Bb B C Db Eb F F# G A B C D E F# G# Bb C D Eb F F# G# A B CDEFGAB C Eb F Ab Bb C Db Eb F Gb Ab Bb CDFGA CDEGA C D Eb G Ab C D F G A Bb C C# D E F F# G A Bb C D Eb F G A Bb C Eb F G Bb C D Eb F G Ab B CDFGA CDFGA C Db E F G Ab Bb C D Eb F G G# A B C Db Eb F G Ab Bb C Db F Gb Bb SAeolian Half Diminished Mixolydian Suspended Pentatonic Kokin-Choshi In Romanian Minor Phrygian Dominant Flamenco Harmonic Minor Altered Dominant Lydian Aug. Dominant Harmonic Major Lydian Mixolydian Genus Chromaticum Major Pentatonic Pelog Pentatonic Dorian b9 #11 Tritone Oriental Romanian Minor Ritusen Romanian Minor Romanian Minor Bebop Harmonic Minor Diminished Major Man Gong Locrian Ritusen Major Pentatonic Ake-Bono Mixolydian Hexatonic Dorian Minor Pentatonic Harmonic Minor Ritusen Ritusen Phrygian Dominant Bebop Melodic Minor Phrygian Iwato 12 19 152 214 11 74 233 234 215 79 92 24 216 217 25 185 21 20 156 153 155 154 74 48 398 142 116 158 139 235 236 46 102 73 84 128 34 228 24 47 76 24 24 27 157 134 69 49 28 31 7 75 13 76 73 94 143 237 8 77 21 76 76 25 68 9 95 C. Scales by Interval 5-Note Scales Scale Raga Nabhomani Raga Putrika Raga Kumarapriya Raga Chitthakarshini Raga Chaya Todi Major Pentatonic b3 Pelog Pentatonic Raga Rukmangi Syrian Pentatonic Raga Megharamji In Major Pentatonic b2 b5 Major Pentatonic b2 Raga Manaranjani Altered Pentatonic Kokin-Choshi Iwato Raga Kshanika Raga Saugandhini Raga Deshgaur Nando-Kyemyonjo Raga Audav Tukhari Raga Abhogi Ake-Bono Dorian Pentatonic Pygmy Raga Hamsadhvani Raga Budhamanohari Kung Raga Kumurdaki Major Pentatonic b6 Major Pentatonic Dominant Pentatonic Raga Hamsadhvani 2 Han-Kumoi Ritusen Suspended Pentatonic Tcherepnin Major Pentatonic Chaio Raga Priyadharshini Pyeong Jo Raga Rasranjani Raga Shri Kalyan Raga Hamsanada Raga Shubravarni Raga Matha Kokila Center-Cluster PentaMirror Locrian Pentatonic Raga Mohanangi Major Pentatonic b7 #9 Minor Pentatonic 7 b5 Raga Kokil Pancham Kyemyonjo Minor Pentatonic Man Gong Raga Chandrakauns Kiravani Raga Chandrakauns Kafi Raga Chandrakauns Modern Raga Samudhra Priya Raga Multani 2 Chin Raga Neroshta Intervals 11415 11613 11631 12234 12324 12333 12414 12432 13134 13161 13214 13233 13323 13332 14223 14232 14142 14331 15114 16131 21225 21234 21243 21414 21423 21432 21441 22125 22233 22251 22314 22323 22332 22341 23214 23223 23232 23241 23322 23331 23412 23421 24123 24141 24312 25212 31134 31242 31323 31332 32142 32214 32223 32232 32322 32331 32412 32421 33132 33141 33222 33521 Notes C C# D F# G C C# D G# A C C# D G# B C Db Eb F Ab C Db Eb Gb Ab C Db Eb F# A C Db Eb G Ab C Db Eb G Bb C Db E F Ab C Db E F B C Db F G Ab C Db E Gb A C Eb E G A C Db E G Bb C Db F G A C Db F G Bb C Db F Gb Bb C Db F Ab B C Db F# G Ab C Db G Ab B C D Eb F G C D Eb F Ab C D Eb F A C D Eb G Ab C D Eb G A C D Eb G Bb C D Eb G B CDEFG C D E Gb A C D E F# B C D E G Ab CDEGA C D E G Bb CDEGB C D F G Ab CDFGA C D G G Bb CDFGB C D F G# Bb C D F G# B C D F A Bb CDFAB C D F# G A C D F# G B C D F# A Bb C D G A Bb C D# E F Ab C D# E Gb Bb C D# E G A C D# E G Bb C Bb F Gb Bb C Eb F G Ab C Eb F G A C Eb F G Bb C Eb F Ab Bb C Eb F G# B C Eb F A Bb C Eb F A B C Eb F# G Bb C Eb F# G B C Eb Gb Ab Bb CDEAB 421 Mode C# Raga Deshgaur (V) Ab Raga Nagaswaravali (II) Ab Mixolydian Pentatonic (II) Ab Ionian Pentatonic (II) Bb Raga Abhogi (II) Bb Dorian Pentatonic (II) F In (IV) F# Raga Nabhomani (IV) G In (III) D Dominant Pentatonic (V) G Altered Pentatonic (III) G Raga Nagaswaravali (III) F Dorian Pentatonic (IV) F Major Pentatonic (IV) Bb Major Pentatonic (II) G Mixolydian Pentatonic (III) Bb Dominant Pentatonic (II) B Major Pentatonic b3 (II) F Raga Nagaswaravali (IV) A Raga Audav Tukhari (III) D Mixolydian Pentatonic (V) G Ionian Pentatonic (III) G Nando-Kyemuonjo (IV) Eb Major Pentatonic b2 b5 (V) Eb Dorian Pentatonic (V) F Pygmy (IV) F Dominant Pentatonic (IV) Eb Major Pentatonic (V) Ab Major Pentatonic (III) B Major Pentatonic b2 b5 (II) F Mixolydian Pentatonic (IV) Gb Major Pentatonic b2 b5 (IV) G Romanian Bacovia (III) Ab Dominant Pentatonic (III) A Nando-Kyemuonjo (III) Page 337 349 315 108 283 98 84 358 116 332 92 97 96 327 103 79 95 314 365 285 225 273 270 94 78 112 299 278 91 316 99 73 87 109 81 76 74 102 88 347 110 355 368 85 369 331 106 104 334 100 82 114 90 77 75 281 280 282 360 336 89 342 Raga Shailaja Raga Nagaswaravali Mixolydian Pentatonic Ionian Pentatonic Romanian Bacovia Raga Khamaji Durga Raga Dhavalashri Hirajoshi Pentatonic Whole-Tone Raga Hindol Raga Valaji Raga Mamata Raga Devaranjani Raga Kuntvarali Raga Puruhutika 34122 41223 41232 41241 41331 41412 42123 42141 42222 42321 43212 43221 52131 52212 52221 C Eb G Ab Bb CEFGA C E F G Bb CEFGB C E F G# B C E F A Bb C E F# G A C E F# G B C E F# G# Bb C E Gb A B C E G A Bb CEGAB C F G Ab B C F G A Bb CFGAB Eb Raga Nagaswaravali (V) Intervals 113313 114114 114123 114141 121215 121242 121323 122133 122142 122214 122232 122322 122331 123123 123222 124122 124212 131223 131232 131313 131322 131331 131412 132114 132132 132141 132213 132312 132321 133113 133113 1 3 3 1 5 (asc) 1 3 3 1 3 1 (desc) 133212 141141 142113 142122 142131 1 4 2 1 4 (asc) 1 3 1 2 1 4 (desc) 142212 142221 1 4 2 4 1 (asc) 1 3 1 2 4 1 (desc) 212133 212223 212232 212241 212331 Notes C C# D F G# A C C# D F# G Ab C C# D F# G A C C# D F# G B C C# D# E F# G C C# D# E F# Bb C C# D# E G A C Db Eb F Gb A C Db Db F Gb Bb C Db Eb F G Ab C Db Eb F G Bb C Db Eb F G# Bb C Db Eb F Ab B C Eb Eb F# G A C Db Eb Gb Ab Bb C Db Eb G Ab Bb C Db Eb G A Bb C Db E F G A C Db E F G Bb C Db E F G# A C Db E F Ab Bb C Db E F Ab B C Db E F A Bb C Db E F# G Ab C Db E F# G Bb C Db E F# G B C Db E F# G# A C Db E Gb A Bb C Db E F# A B C Db E G G# A C Db E G G# A C Db E G Ab (asc) C B Ab G E Db (desc) C Db E G A Bb C Db F F# G B C Db F G G# A C Db F G Ab Bb C Db F G Ab B C Db F G Ab (asc) C Ab G F E Db (desc) C Db F G A Bb C Db F G A B C Db F G B (asc) C B G F E Db (desc) C D Eb F Gb A C D Eb F G A C D Eb F G Bb C D Eb F G B C D Eb F G# B Mode C# Raga Bowli desc (VI) F Ionian Pentatonic (II) E Raga Audav Tukhari (II) B In (II) A Dorian Pentatonic (III) G Raga Abhogi (IV) A Pygmy (III) F Raga Budhamanohari (V) 111 107 101 83 115 86 288 93 105 80 380 113 286 317 348 6-Note Scales Scale Raga Suddha Mukhari Two-semitone Tritone Raga Chandrajyoti Raga Vijayasri Istrian Sho #2 Blues Dorian Hexatonic Double Phrygian Honkoshi Raga Suddha Simantini Raga Gandharavam Ritzu Raga Viyogavarali Messiaen 2nd Mode Truncated Raga Gurjari Todi Raga Kashyapi Raga Salagavarali Raga Kalavati Raga Gaula Inverted Augmented Raga Lalita Bhairav Raga Lalita Raga Rudra Pancama Raga Dhavalangam Tritone Raga Gamakakriya Raga Hejjajji Prometheus Neapolitan Raga Hansanandi Raga Kalagada Raga Kalagada Raga Bowli Raga Malayamarutam Messiaen 5th Mode Raga Kalakanthi 2 Insen Raga Padi Raga Malahari Raga Rasavali Raga Jivantika Raga Gowla Pyramid Hexatonic Sho Minor Hexatonic Raga Sindhura Kafi Raga Ghantana 422 D Raga Tilang (V) Fb Raga Ratnakanthi (VI) Eb Mixolydian Hexatonic (V) Gb Raga Airavati (IV) Bb Raga Shreeranjani (II) A Sho #2 (III) F Raga Phinna Pancama (IV) B Augmented (II) Db Lydian #2 Hexatonic (VI) E Raga Kalanada (V) F Raga Paras (IV asc) A Lydian #2 Hexatonic (II) A Blues Dorian Hexatonic (III) Gb Blues (IV) Ab Romanian Bacovia (II asc) G Pyramid Hexatonic (IV) Ab Raga Vasanta (III desc) G Honkoshi (IV) Bb Hawaiian (III) F Mixolydian Hexatonic (V) F Raga Sarasvati (IV) Page 374 47 279 384 196 234 56 133 218 375 291 232 386 36 298 311 359 309 293 30 319 318 357 287 34 290 303 209 300 307 307 277 323 40 308 220 344 324 354 305 297 396 233 121 370 295 Raga Shreeranjani Raga Syamalam Raga Vijayanagari Raga Gopikatilaka Raga Amarasenapriya Raga Neelangi Takemitzu Tree 2 Takemitzu Tree 1 Raga Rangini Raga Trimurti Raga Manavi Hawaiian Raga Dipak Scottish Hexatonic Raga Siva Kambhoji Raga Sarasanana Raga Nattaikurinji Raga Hamsa Vinodini Raga Aivarati Raga Ratnakanthi Eskimo Hexatonic Whole-Tone Eskimo Hexatonic 2 Prometheus Raga Mruganandana Bebop Major Hexatonic Raga Latika Lydian Hexatonic Raga Navamanohari Raga Bhinna Pancama Mixolydian Hexatonic Raga Nagagandhari Raga Brindabani Raga Jaganmohanam Raga Sarasvati Raga Nishadi Raga Malarani Mela Calanata Raga Rasamanjari 2 Augmented Lydian #2 Hexatonic Blues Blues Minor Maj7 Phrygian Hexatonic Raga Takka Raga Manohari Raga Malkauns Raga Madhukauns Raga Gaurikriya Raga Gangatarangini Messiaen 5th Mode Inverse Raga Saravati Raga Kamalamanohari 2 Raga Hari Nata Raga Tilang Raga Kedaram Raga Vasanta Raga Jyoty Raga Vutari Raga Zilaf Raga Vijayavasanta 212412 213114 213123 213132 213141 213213 213222 213231 213321 214122 214212 214221 221115 221223 221232 221331 221412 221421 222123 222141 222213 222222 222231 222312 222321 223113 223131 223221 232122 232131 232212 232221 232311 241122 241212 241221 241311 311232 312141 313131 313221 321132 321141 322122 322131 322212 323211 331212 331311 411231 411411 412113 412122 412221 412311 4 1 2 4 1 (asc) 2 2 1 2 4 1 (desc) 4 1 4 2 1 (asc) 1 3 1 4 2 1 (desc) 421122 421212 421212 421311 C D Eb F A Bb C D Eb F# G Ab C D Eb F# G A C D Eb F# G Bb C D Eb F# G B C D Eb F# G# A C D Eb Gb Ab Bb C D Eb Gb Ab B C D Eb Gb A B C D Eb G Ab Bb C D Eb G A Bb C D Eb G A B C D E F F# G CDEFGA C D E F G Bb C D E F Ab B C D E F A Bb CDEFAB C D E F# G A C D E F# G B C D E F# G# A C D E F# G# Bb C D E F# G# B C D E Gb A Bb C D E F# A B C D E G G# A C D E G Ab B CDEGAB C D F G Ab Bb C D F G Ab B C D F G A Bb CDFGAB C D F G A# B C D F# G Ab Bb C D F# G A Bb C D F# G A B C D F# G A# B C D# E F G Bb C D# E F# G B C D# E G Ab B C D# E G A B C Eb F F# G Bb C Eb F F# G B C Eb F G Ab Bb C Eb F G Ab B C Eb F G A Bb C Eb F G# A# B C Eb F# G A Bb C Eb F# G A# B C E F Gb Ab B C E F Gb Bb B C E F G G# A C E F G Ab Bb CEFGAB C E F G A# B C E F G B (asc) C B G F E D (desc) C E F A B (asc) C B A F E Db (desc) C E F# G Ab Bb C E F# G A Bb C E F G Ab C E F# G A# B 423 G Raga Padi (III) G Raga Bhinna Pancama (III) Eb Lydian #2 Hexatonic (V) G# Tritone (III) B Blues Dorian Hexatonic (II) A Pyramid Hexatonic (III) Fb Raga Ratnakanthi (III) A Honkoshi (III) G Mixolydian Hexatonic (III) Bb Raga Airavati (II) B Double Phrygian (II) Bb Raga Ratnakanthi (II) B Honkoshi (II) Gb Takemitzu Tree 2 (IV) A Sho (III) G Raga Kalavati (IV) D Mixolydian Hexatonic (VI) F Sho (V) F Raga Aivarati (V) G Mela Calanata (IV) A Raga Shreeranjani (III) B Raga Malahari (II desc) Bb Mixolydian Hexatonic (II) Ab Lydian #2 Hexatonic (III) Eb Raga Airavati (VI) F Blues (V) G Raga Ghantana (IV) B Raga Bowli (II desc) B Messiaen 5th Mode (II) Bb Raga Sarasvati (II) F Raga Ratnakanthi (V) D Raga Shreeranjani (VI desc) 367 376 383 296 272 35 236 235 352 379 328 394 289 213 372 362 340 301 271 356 391 28 392 208 335 64 320 135 341 275 143 338 276 304 363 343 322 239 353 29 136 50 58 129 377 329 325 321 294 292 41 364 310 302 378 312 381 F# Sho #2 (V) F Raga Hamsadhvani (IV) B Raga Padi (II) 306 387 388 385 7-Note Scales Scale Chromatic Mixolydian 2 Ultralocrian bb3 Superlocrian bb3 Chromatic Phrygian Inverse Mela Jalarnava Chromatic Hypophrygian Inverse Mela Jhalavarli Chromatic Mixolydian Locrian bb3 bb7 Chromatic Dorian Mela Ratnangi Mela Ganamurti Mela Venaspati Mela Manavati Mela Tenarupi Mela Salaga Mela Navanitam Mela Pavani Mela Raghupriya Superlocrian bb6 bb7 Ultralocrian Altered Dominant Superlocrian Maj7 Superlocrian #6 Dorian b2 Maj7 Ultraphrygian Phrygian b4 Phrygian b4 Maj7 Dorian b2 b4 Neapolitan Major b4 Blues Phrygian Locrian bb7 Locrian Locrian Maj7 Locrian #6 Neapolitan Major b5 Raga Malini Phrygian Neapolitan Minor Dorian b2 Neapolitan Major Mela Rupavati Mela Gavambodhi Mela Bhavapriya Chromatic Lydian Inverse Dorian b9 #11 Mela Suvarnangi Mela Divyamani Enigmatic Minor Locrian Dominant Persian Oriental Chromatic Lydian Gypsy Hexatonic Phrygian Dominant Double Harmonic Mela Gayakapriya Harmonic Minor Inverse Gypsy Inverse Mela Hatakambari Mixolydian Augmented Maj9 Ionian Augmented b9 Mela Dhavalambari Mela Namanarayani Chromatic Hypolydian Romanian Major Intervals 1122132 1122213 1122222 1123113 1131122 1131123 1131131 1131132 1131213 1132113 1132122 1132131 1132212 1132221 1132311 1141113 1141212 1141221 1141311 1212123 1212213 1212222 1212231 1212312 1212321 1213113 1213122 1213131 1213212 1213221 1221132 1221213 1221222 1221231 1221312 1221321 1222113 1222122 1222131 1222212 1222221 1222311 1231113 1231122 1231131 1231212 1231221 1231311 1232211 1311222 1311231 1311312 1311321 1312113 1312122 1312131 1312211 1312212 1312221 1312311 1313112 1313121 1321113 1321122 1321131 1321212 Notes C C# D E F# G Bb C C# D E F# G# A C C# D E F# G# Bb C C# D E G G# A C C# D F# G Ab Bb C C# D F F# G A C C# D F# G Ab B C C# D F F# G Bb C C# D F F# G# A C C# D F G G# A C C# D F G Ab Bb C C# D F G Ab B C C# D F G A Bb C C# D F G A B C C# D F G A# B C C# D F# G G# A C C# D F# G A Bb C C# D F# G A B C C# D F# G A# B C C# D# E F# G A C Db Eb E F# G# A C Eb Eb E F# G# Bb C Db Eb E Gb Ab B C C# D# E F# A Bb C Db Eb E Gb A B C C# D# E G G# A C C# D# E G Ab Bb C D Eb F# G Ab B C Db Eb E G A Bb C Db Eb E G A B C Db Eb F F# G Bb C Db Eb F F# G# A C Db Eb F Gb Ab Bb C Db Eb F Gb Ab B C Db Eb F Gb A Bb C Db Eb F Gb A B C Db Eb F G G# A C Db Eb F G Ab Bb C Db Eb F G Ab B C Db Eb F G A Bb C Db Eb F G A B C Db Eb F G A# B C Db Eb F# G G# A C Db Eb F# G Ab Bb C Db Eb F# G Ab B C Db Eb F# G A Bb C Db Eb F# G A B C Db Eb F# G A# B C Db Eb F# G# Bb B C Db E F Gb Ab Bb C Db E F Gb Ab B C Db E F Gb A Bb C Db E F Gb A B C Db E F G G# A C Db E F G Ab Bb C Db E F G Ab B C Db E F G G# A C Db E F G A Bb C Db E F G A B C Db E F G A# B C Db E F G# A Bb C Db E F G# A B C Db E F# G G# A C Db E F# G Ab Bb C Db E F# G Ab B C Db E F# G A Bb 424 Mode C# Neapolitan Minor (VII) C# Neapolitan Major (VII) Ab Persian (III) Db Persian (VII) G Blues Leading Tone (III) C# Double Harmonic (VII) D Blues Leading Tone (VI) G Blues Phrygian (IV) G Blues Modified (IV) Db Enigmatic ascending (VII) D Raga Khamach ascending (VI) A Hungarian Major (II) Db Harmonic Minor (VII) Db Melodic Minor (VII) F# Hungarian Major (IV) F# Blues Heptatonic (IV) G# Double Harmonic (III) Ab Harmonic Major (III) Eb Mixolydian Augm. Maj9 (VI) Eb Romanian Major (II) Db Harmonic Major (VII) Db Major (VII) Ab Rock ‘n Roll (III) Bb Harmonic Minor (II) B Chromatic Mixolydian 2 (II) Eb Mixolydian b5 (VI) Ab Major (III) Bb Melodic Minor (II) G Spanish Heptatonic (IV) Eb Rock ‘n Roll (VI) G Persian (IV) Eb Hungarian Major (VI) F Neapolitan Minor (V) F Double Harmonic (V) F# Blues Leading Tone (IV) F Harmonic Minor (V) F Harmonic Major (V) G Mixolydian b5 (IV) E Mela Gavambodhi (VI) E Gypsy Hexatonic (VI) G Enigmatic descending (III) F# Chromatic Mixolydian 2 (V) Db Blues Leading Tone (VII) Page 171 157 153 167 247 176 248 170 150 163 260 243 266 252 265 262 255 257 259 155 27 20 154 156 127 134 131 132 126 202 57 149 13 151 22 203 326 9 204 15 201 261 244 238 169 128 264 242 183 148 231 228 168 187 25 162 245 161 188 246 146 120 240 254 175 210 Raga Marwa Thaat Mela Visvambhari Enigmatic Hijaz Major Semilocrian b4 Chromatic Hypodorian Sabach Sabach Maj7 Bebop Minor Blues Modified Hungarian Major Inverse Half Diminished Harmonic Minor b5 Blues Heptatonic Jeths Mela Jhankaradhvani Aeolian Harmonic Minor Dorian Mixolydian Melodic Minor Mela Varunapriya Jazz Minor #5 Mela Syamalangi Gypsy Gypsy Minor Romanian Minor Lydian Diminished Mela Nitimati Major Locrian Mixolydian b5 Ionian b5 Bebop Major Heptatonic Melodic Major Harmonic Major Major Mela Naganandini Mixolydian Augmented Harmonic Major 2 Ioanian Augmented Ionian #5 Raga Rageshri Mela Kantamani Lydian Dominant b6 Pelog Lydian Dominant Lydian Lydian #6 Lydian Augmented Dominant Lydian Augmented Leading Whole-Tone Chromatic Mixolydian Inverse Nohkan Noh Raga Sorati Spanish Heptatonic Mela Yagapriya Mela Ragavardhani Sengiach Rock ‘n Roll Houzam Chromatic Dorian Inverse Raga Nattai Chromatic Hypodorian Inverse Ionian Augmented #2 Chromatic Phrygian Raga Santanamanjari 1321221 1321311 1 3 2 2 2 1 1 (asc) 1 3 1 3 2 1 1 (desc) 1412112 2112222 2113113 2113122 2113131 2113212 2121132 2121213 2121222 2121231 2121312 2121321 2122113 2122122 2122131 2122212 2122212 2122221 2122311 2123121 2131113 2131122 2131131 2131212 2131221 2131311 2211222 2211312 2211321 2212113 2212122 2212131 2212221 2212311 2213112 2213121 2213121 2213121 2214111 2221113 2221122 2221131 2221212 2221221 2221311 2222112 2222121 2222211 2311311 2312121 2321121 2322111 3111222 3112113 3112122 3112131 3112212 3112221 3112311 3 1 1 2 3 1 1 (asc) 3 2 2 4 1 (desc) 3113112 3113121 3113211 3121113 C Db E F# G A B C Db E F# G A# B C Db E F# G# Bb B (asc) C B Bb Gb F E Db (desc) C Db F F# G# A Bb C D D# E F# G# Bb C D D# E G G# A C D D# E G Ab Bb C D D# E G Ab B C D D# E G A Bb C D Eb F F# G Bb C D Eb F F# G# A C D Eb F Gb Ab Bb C D Eb F Gb Ab B C D Eb F Gb A Bb C D Eb F Gb A B C D Eb F G G# A C D Eb F G Ab Bb C D Eb F G Ab B C D Eb F G A Bb C D E F G A Bb C D Eb F G A B C D Eb F G A# B C D Eb F G# A B C D Eb F# G G# A C D Eb F# G Ab Bb C D Eb F# G Ab B C D Eb F# G A B C D Eb F# G A B C D Eb F# G A# B C D E F Gb Ab Bb C D E F Gb A Bb C D E F Gb A B C D E F G G# A C D E F G Ab Bb C D E F G Ab B CDEFGAB C D E F G A# B C D E F G# A Bb C D E F G# A B C D E F G# A B C D E F G# A B C D E F A A# B C D E F# G G# A C D E F# G Ab Bb C D E F# G Ab B C D E F# G A Bb C D E F# G A B C D E F# G A# B C D E F# G# A Bb C D E F# G# A B C D E F# G# A# B C D F F# G Bb B C D F F# G# A B C D F G G# A B C D F G A A# B C D# E F Gb Ab Bb C D# E F G G# A C D# E F G Ab Bb C D# E F G Ab B C D# E F G A Bb C D# E F G A B C D# E F G Bb B C D# E F G A# B (asc) C B G F D# (desc) C D# E F G# A Bb C D# E F G# A B C D# E F G# Bb B C D# E F# G G# A 425 F# Blues Phrygian (V) B Mela Ganamurti (VI) Eb Neapolitan Major (VI) A Blues Leading Tone (II) Bb Mixolydian b5 (II) G Gypsy Hexatonic (IV) A Blues Phrygian (III) G# Romanian Major (III) Eb Melodic Minor (VI) Ab Hungarian Major (III) Bb Harmonic Major (II) F Romanian Major (V) Eb Major (VI) Bb Major (II) F Major (V) B Superlocrian Maj7 (II) F Hungarian Major (V) G Mela Ganamurti (IV) G Neapolitan Minor (IV) G Double Harmonic (IV) G Harmonic Minor (IV) G Harmonic Major (IV) D Mixolydian Augmented Maj9 (VII) F Neapolitan Major (V) B Blues Phrygian (II) D Blues Modified (VII) F Melodic Minor (V) G Rock ‘n Roll (IV) A Neapolitan Minor (III) A Harmonic Minor (III) Ab Enigmatic ascending (III) G Neapolitan Major (IV) D Mixolydian b5 (VII) G Melodic Minor (IV) G Major (IV) B Neapolitan Minor (II) A Neapolitan Major (III) A Melodic Minor (III) B Neapolitan Major (II) F# Persian (V) D Hungarian Major (VII) D Blues Heptatonic 2 (VII) B Enigmatic Minor (II) E Superlocrian Maj7 (VI) G Mixolydian Augmented Maj9 (IV) E Neapolitan Minor (VI) B Persian (II) E Double Harmonic (VI) F Blues Leading Tone (V) 330 268 182 190 152 173 211 212 66 59 194 19 160 51 197 249 12 21 8 11 14 267 123 263 186 189 24 140 256 122 144 117 65 18 158 7 253 145 159 23 118 350 251 138 230 17 10 141 142 16 180 172 227 226 373 216 269 258 214 61 192 164 339 174 119 166 361 Mela Jyotisvarupini Mela Dhatuvardhani Hungarian Major Lydian #2 Lydian #2 #6 Aeolian b1 Blues Heptatonic 2 Blues Leading Tone Raga Paras Raga Khamach Raga Vegavahini 3121122 3121131 3121212 3121221 3121311 3122121 3211212 3211311 4 1 2 1 3 1 (asc) 1 3 1 2 1 3 1 (desc) 4 1 2 2 1 1 1 (asc) 2 2 1 2 2 1 2 (desc) 4 1 2 2 1 2 (asc) 1 3 1 2 2 1 2 (desc) C C# E F# G Ab Bb C D# E F# G Ab B C D# E F# G A Bb C D# E F# G A B C D# E F# G A# B C D# E F# G# A B C Eb F F# G A Bb C Eb F F# G A# B C E F G Ab B (asc) C B Ab G F E Db C E F G A A# B (asc) C Bb A G F E D (desc) C E F G A Bb (asc) C Bb A G F E Db (desc) Intervals 11122122 11122131 11122212 11131131 11221122 11311131 12111222 12111312 12112122 12112212 12121212 12121221 12122121 12211122 12211131 12211221 12212211 12221211 12311211 13111131 13111221 13112211 13113111 13121121 13121211 21112212 21211131 21211212 21212121 21221112 21221121 21221211 21222111 21311112 22111221 22112211 22121121 22122111 31113111 Notes C C# D Eb F G Ab Bb C C# D Eb F G Ab B C C# D Eb F G A Bb C C# D Eb F# G Ab B C C# D F F# G Ab Bb C C# D F F# G Ab B C C# D# E F Gb Ab Bb C C# D# E F Gb A Bb C C# D# E F G Ab Bb C C# D# E F G A Bb C C# D# E F# G A Bb C C# D# E F# G A B C C# D# E F# G# A B C Db Eb F F# G Ab Bb C Db Eb F F# G Ab B C Db Eb F F# G A B C Db Eb F F# G# A# B C Db Eb F G G# A# B C Db Eb F# G Ab Bb B C Db E F F# G Ab B C Db E F F# G A B C Db E F F# G# A# B C Db E F Gb A A# B C Db E F G G# A B C Db E F G G# A# B C D D# E F G A Bb C D Eb F F# G Ab B C D Eb F F# G A Bb C D Eb F F# G# A B C D Eb F G G# A Bb C D Eb F G G# A B C D Eb F G Ab Bb B C D Eb F G A A# B C D Eb F# G G# A Bb C D E F F# G A B C D E F F# G# A# B C D E F G G# A B C D E F G A Bb B C D# E F Gb A Bb B B Gypsy Hexatonic (II) E Harmonic Minor (VI) B Double Harmonic (II) E Harmonic Major (VI) 250 241 193 26 137 147 52 60 346 313 G Raga Shreeranjani (IV desc) 382 8-Note Scales Scale Phrygian Aeolian b4 Harmonic Neapolitan Minor Adonai Malakh Hungarian Minor b2 Messiaen 6th Mode Inverse Messiaen 4th Mode Spanish Octatonic Maqam Shadd’araban Flamenco LG Octatonic Diminished Half-tone Shostakovich Magen Abot Bebop Locrian Bebop Half-diminished Van Der Host Prokofiev Hamel Neseveri Raga Ramkali Raga Bhatiyar Enigmatic Mixed Oriental 2 Raga Saurashtra Maqam Hijaz Bebop Dorian Algerian Octatonic Blues Octatonic Diminished Dorian Aeolian Bebop Melodic Minor Bebop Harmonic Minor Raga Miam Ki Malhar Raga Chinthamani Ichilkotsucho Messiaen 6th Mode Bebop Major Bebop Messiaen 4th Mode Inverse 426 Mode Eb Bebop (VI) A Spanish Octatonic (III) Ab Messiaen 6th Mode (III) Bb Algerian Octatonic (II) Bb Blues Octatonic (II) Bb Diminished (II) E Bebop Melodic Minor (VI) F# Blues Octatonic (V) Ab Bebop (III) G Messiaen 6th Mode (IV) Db Bebop (VIII) G Spanish Octatonic (V) F Hungarian Minor b2 (VI) F Bebop Half-diminished (VI) Bb Hungarian Minor b2 (III) F Algerian Octatonic (VI) F Bebop (V) Bb Bebop (II) F Blues Octatonic (VI) G Harmonic Neapolitan Minor (V) G Bebop (IV) D Blues Octatonic (VIII) Bb Messiaen 4th Mode (III) Page 130 205 181 195 43 38 217 221 185 395 32 215 199 71 70 49 207 393 206 351 274 184 229 366 222 67 395 53 31 125 68 69 333 284 219 42 63 62 39 9-Note Scales Scale Youlan Chromatic Diatonic Dorian Chromatic Permutated Diatonic Dorian Bebop Chromatic Symmetrical Nonatonic Nonatonic 2 Genus Chromaticum Moorish Phrygian Blues Enneatonic 2 Houseini Blues Enneatonic Messiaen 3rd Mode Kiourdi Full Minor All Flats Lydian Mixolydian Raga Pahadi Intervals 112111212 111221112 112121121 Notes C C# D E F F# G A Bb C C# D Eb F G G# A Bb C C# D E F G G# A B Mode 112122111 112211211 121111212 121121121 121121211 211111212 211121112 211122111 211211211 212111112 212211111 221112111 221211111 C C# D E F G A Bb B C C# D E F# G G# A# B C C# D# E F F# G A Bb C C# D# E F G G# A B C C# D# E F G G# A# B C D D# E F F# G A Bb C D D# E F G G# A Bb C D D# E F G A Bb B C D D# E F# G G# Bb B C D Eb F F# G G# A Bb C D Eb F G G# A Bb B C D E F F# G A Bb B C D E F G G# A A# B G Blues Enneatonic 2 (V) Intervals 1111121211 1112111121 1121111211 1211111112 2111111121 2111112111 2111121111 2111211111 2131131212 Notes C C# D D# E F G G# A# B C C# D Eb F F# G G# A B C C# D E F F# G G# A# B C C# D# E F F# G G# A Bb C D D# E F F# G G# A B C D D# E F F# G A A# B C D D# E F F# G# A Bb B C D D# E F G G# A A# B C D Eb F# G Ab B C D Eb F Mode G# Maqam Shawq Afza (IV) Intervals 111111111111 Notes C C# D D# E F F# G G# A Bb B Mode Bb Blues Enneatonic (II) G Youlan (V) A Messiaen 3rd Mode (III) F Blues Enneatonic (VI) F Blues Enneatonic 2 (VII) G Blues Enneatonic (V) D Kiourdi (IX) Page 237 165 177 72 398 397 46 200 55 191 54 37 198 124 139 345 10-Note Scales Scale Raga Sindhi-Bhairavi Messiaen 7th Mode Symmetrical Decatonic Maqam Tarzanuyn Maqam Shawq Afza Minor Pentatonic with Leading Tones Messiaen 7th Mode Inverse Major Minor Mixed Algerian B Messiaen 7th Mode (II) C# Maqam Shawq Afza (X) G Major Minor Mixed (V) A Messiaen 7th Mode (IV) Page 371 44 48 224 223 179 45 178 390 12-Note Scales Scale Chromatic 427 Page 33 D. Scales by Chord Major Chords Cmaj7 Cmaj7/#11 Cmaj7/#5 Major Major Pentatonic Bebop Major Harmonic Major Augmented Ionian Pentatonic Lydian Major Pentatonic (built on 2nd) Lydian #2 Lydian Augmented Augmented Ionian Augmented Double Harmonic 2212221 22323 22121121 2212131 313131 41241 2221221 (2) 2 2 3 2 3 3121221 2222121 313131 2213121 1312131 CDEFGAB CDEGA C D E F G G# A B C D E F G Ab B C D# E G Ab B CEFGB C D E F# G A B D E F# A B C D# E F# G A B C D E F# G# A B C D# E G Ab B C D E F G# A B C Db E F G Ab B Dorian Aeolian Phrygian Minor Pentatonic Bebop Dorian Bebop Minor Blues Romanian Minor Gypsy Melodic Minor Harmonic Minor Kumoi (Dorian Pentatonic) 2122212 2122122 1222122 32232 21112212 2113212 321132 2131212 2131122 2122221 2122131 21423 C D Eb F G A Bb C D Eb F G Ab Bb C Db Eb F G Ab Bb C Eb F G Bb C D Eb (E) F G A Bb (don’t emphasize 3rd) C D Eb (E) G A Bb (don’t emphasize 3rd) C Eb F F# G Bb C D Eb F# G A Bb C D Eb F# G Ab Bb C D Eb F G A B C D Eb F G Ab B C D Eb G A Bebop Melodic Minor Diminished Gypsy Minor Melodic Minor 21221121 21212121 2131131 2122221 C D Eb F G G# A B C D Eb F F# G# A B C D Eb F# G Ab B C D Eb F G A B 2212212 22122111 321132 22323 32 1 2 1 1 2 1 2 2221212 2212122 1312122 12121212 132132 1212222 (1) 2 3 2 2 3 3112212 222222 12121212 2121312 222222 131313 C D E F G A Bb C D E F G A Bb (B) (don’t emphasize 7th) C Eb F F# G Bb CDEGA C D Eb F F# G A Bb C D E F# G A Bb C D E F G Ab Bb C Db E F G Ab Bb C Db Eb E F# G A Bb C Db E F# G Bb C Db Eb E F# G# Bb Db Eb Gb Ab Bb C D# E F G A Bb C D E F# G# Ab C Db Eb E F# (G) A Bb (don’t emphasize 5th) C D Eb F Gb A Bb C D E F# G# Ab C Db E F G# A page 7 73 63 158 29 83 10 73 26 16 29 23 162 Minor Chords Cm7 Cmin/maj7 Cm6 page 8 12 9 77 67 66 50 24 186 14 21 Error! Bookmark not defined. 68 31 189 14 Dominant Chords C7 C7/#11 C7/b13 C7/b9/b13 C7/b9/#9 C7/b9/#11 C7/b9/#9/b13 C7/#9 C7/b5 C7/#5 Mixolydian Bebop Blues Major Pentatonic Blues Octatonic Lydian Dominant Melodic Major (Hindu) Phrygian Dominant (Jewish) Diminished Half-tone Tritone Altered Dominant Major Pentatonic (built on raised 4th) Rock ‘n Roll Whole-tone Diminished Half-tone Blues Heptatonic Whole-tone Inverted Augmented 428 page 11 62 50 73 53 17 18 25 32 34 20 73 61 28 32 51 28 30 Suspended Chords Csus7 Csus7/b9 Mixolydian Bebop Suspended Pentatonic Ritusen Dorian b2 2212212 22122111 23232 23223 1222212 C D (E) F G A Bb (don’t emphasize 3rd) C D (E) F G A Bb (B) (don’t emphasize 3rd and 7th) C D F G Bb CDFDA C Db Eb F G A Bb page 11 62 74 76 15 1221222 2121222 12211122 32142 C Db Eb F Gb Ab Bb C D Eb F Gb Ab Bb C Db Eb F F# G Ab Bb C Eb F Gb Bb page 13 19 71 82 21212121 12121212 2131212 1212213 2121312 C D Eb F F# G# A B C Db Eb E F# G A Bb C D Eb F# G A Bb C Db Eb E F# G# A C D Eb F Gb A Bb page 31 32 24 27 51 Half-diminished Chords Cm7/b5 Locrian Half Diminished Bebop Locrian Minor Pentatonic 7 b5 Diminished Chords Cdim7 Diminished Diminished Half-tone Romanian Minor Ultralocrian Blues Heptatonic 429