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Alicia Amador Hernández
Formación Plástica
2014
Seminario arte y ciencia: terapia y pathos en el arte. Centro Nacional de
las Artes. México D.F.
2013
Curso de Alebrijes. Pintura y talla en madera impartido por el maestro
Jacobo Ángeles.
2013
Curso de Collage. Segundo módulo. Impartido por la maestra Lorena
Mata.
2013
Taller de Yoga y creatividad. Impartido por la maestra Maribel Avilés.
2012
Curso de pintura impartido por el Maestro Tomás Gómez Robledo.
2012
Seminario de Arte Contemporáneo impartido por el Maestro Jorge
Juanes.
2012
Curso de pintura impartido por el Maestro Germán Venegas (Cuarta
parte).
2011
Curso de pintura impartido por el Maestro Germán Venegas (Tercera
parte).
2011
Curso de fotomontaje y collage impartido por la maestra Lorena Mata.
2011
Curso de encáustica impartido por la maestra Luz García Ordoñez.
2011
Curso de pintura personalizado con el maestro Gilberto Aceves Navarro.
2011
Curso de encáustica impartido por Rae Miller. La Aurora. San Miguel de
Allende, Gto.
2011
Curso de pintura impartido por el Maestro Germán Venegas (Segunda
parte).
2011
Curso de pintura impartido por el Maestro Germán Venegas.
2010
Transfer y Siligrafía impartido por el Maestro Alejandro Pérez Cruz y la
Maestra Lorena Mata.
2010
Curso “Tránsito por los clásicos” impartido por el Maestro Oscar Ojeda
Amador y Maestro Tomás Gómez-Robledo. Catálogo.
2009
Clínica “Asesoría en prácticas de arte contemporáneo” impartida por
Raymundas Malasauskas. Colección Jumex.
2009
Clínica “Pintura Conceptual” impartida por Blanca González Rosas.
1999 – 2011
Taller de Dibujo Maestro Gilberto Aceves Navarro.
2006 – 2011
Taller de Pintura al Temple Maestro Oscar Ojeda Amador.
2007 – 2009
Taller de Dibujo ENEP Acatlán Maestro Jaime Cardeña.
Exposiciones Individuales
2016
"Los bichos de mi familia". Universidad Autónoma Metropolitana. Plantel
Iztapalapa. Ciudad de México.
2014
Cuentos con plumas. Galería Oscar Román. México, D.F.
Exposiciones Colectivas
2015
Arte en movimiento. Galería Oscar Román. México, D.F.
2015
Mujeres. Colectiva de invierno. La bodega 19. Tepoztlán, Morelos.
2013
Paráfrasis. Colectiva de Invierno. Galería Óscar Román. México, D.F.
2013
Los artistas dialogan con Posada. Centro de las Artes de San Agustín.
Oaxaca, México.
2012
Quinta muestra de Arte. Grupo Reforma. Patio Central Reforma y
posteriormente en el Polyforum Cultural Siqueiros. México, D.F.
2012
El oficio de pintar. Casa de la cultura Jesús Reyes Heroles. México, D.F.
2012
Tejiendo Redes. ISSSTE Puebla. Puebla, Pue.
2011
Sentimientos expresados. Televisa Guadalajara. Guadalajara, Jal.
2011
El arte nos revela. Centro Asturiano de México. México, D.F.
2011
Sueños y Fantasías. Galería Aguafuerte. México, D.F.
2010
Anamnesis De Gallery San Salvador, El Salvador Taller Artifex.
2010
Trazos en el tiempo. Galería de Arte Ixtapalapa. UAM Ixtapalapa.
2010
Anamnesis. First Street Gallery. N.Y. Taller Artifex.
2010
Sentón y Bicentón. Ni Revolución ni Independencia. Peces, Centro
Histórico.
2010
Mujeres contemporáneas en el arte. Galería Matty Roca. Cancún,
Quintana Roo.
2010
El color con el que miramos. Museo de San Pedro. Puebla, Pue.
2010
Galería interactiva de Lyra. Lumen del Valle. México, D.F.
2010
Un día en el llano en llamas. Intervención de dibujo en el pasaje
Reforma, México, D.F.
2009
Atizapán, encuentro de culturas. Centro Cultural Luis Nishizawa. Instituto
Tecnológico y de Estudios Superiores de Monterrey, campus Esmeralda.
2009
Circuito de Arte Puebla 2009. Museo de San Pedro.
2009
Circuito de Arte Puebla 2009. Casa de la Cultura de Puebla (Recinto de
la Biblioteca Palafoxiana).
2009
Those varnishing days. Blue Mountain Gallery. N.Y. Taller Artifex.
2009
Circuito de Arte Monterrey NL. Museo Industrial El Blanqueo y Galería
Cárcamo “La Caja”.
2009
Enigmas del Alma. Cuando el arte cobra vida. Instituto Tecnológico de
Estudios Superiores de Monterrey, campus Puebla.
2009
Cruzando Fronteras. IX encuentro iberoamericano de mujeres en el Arte.
Vestíbulo principal de la Cámara de Diputados.
2009
Centrándonos en casa. Casa Frissac, Tlalpan. Taller Artifex.
2008
México 68. Casa Frissac. Tlalpan.
2008
Mi Casa es tu Casa. INFONAVIT. Taller Artifex.
2008
Retratos del Centro. Casino Español. Taller Artifex.
2007
Pintando Cuentos. Casino Español.
2007
Arte y Violencia Sexual. ADIVAC. Centro Histórico.
2002
Colectiva del Taller del Maestro Aceves Navarro. Casa de la Cultura
Jesús Reyes Heroles.
Enlaces y reseñas
http://fernanda-familiar.com/colaboradores/oscar-roman-2/cuentos-con-plumas-de-aliciaamador/
http://www.oem.com.mx/elsoldemexico/notas/n3543035.htm
http://www.artezine.com/issues/17/artezine17.html#cut
https://youtu.be/tjOmjoh0jF8
Those Vanishing Days
Taller Artifex at Blue Mountain
by Robert Sievert
Tempera is the oldest known type of painting known. It was used in early Egypt and Greece and
remained the reigning art technique until the development of oil painting in the Renaissance.
Not being that familiar with tempera myself, I will give you what I know. One works on a panel or
canvas with pigment that is mixed with egg yolk. The process has always seemed difficult to me
as one has to amass dry pigments and mix them on demand. Also one can only mix small
batches at a time and this medium is fast drying. But I have seen some remarkable work in
tempera. New York artist Tomar Levine painted an unforgettable still life using tempera. To this
day, years later, I remember the clarity and brilliance of the painting, especially notable, a
robin's egg placed on a saucer. What is most memorable is the radiant blue of the bird's egg.
Tempera can have some dazzling effects So when a show of beautiful paintings with a spirited
glow and done in tempera arrives it seems like a special event. THOSE VA(R)NISHING DAYS
was the title of an exhibition of a group of artists from Mexico City who all work in tempera. (The
play on vanishing/varnishing is elaborated in their catalog). The group seem to be a studio,
Taller Artifex, who produced a beautiful exhibition seen this summer at the BLUE MOUNTAIN
GALLERY. This is a most compelling group of artists. They work in a variety of styles but there
was a remarkable consistency to the work.
There was a wonderful warmth to all the work in this show. Was this the quality of tempera that
we are unused to seeing, or was this just a special group of artist? Whether it was one or the
other or perhaps both, the show had a special radiance to it.
Alicia Amador: MI PROPIA VERDAD, Egg tempera/canvas, 35.4" x 35.4", 2009
Alicia Amador (see above, and first page) has a beautiful loose style of working in which figures
seem to amass themselves in an atmosphere created with color and deep tonalities. Without
linear definition, there is a floating formlessness to this work. It is brought into focus with
overlaying colors, rich and intense. Figures intertwined with darkness. I have no idea what
makes this painting so smashing but it was the highlight of the show for me.
All of the artists in the group seem to be talented and dedicated.
Taller Artifex is to be congratulated on presenting an exhibit that was consistent, elegant and
illuminating. They have given tempera painting a new face in the contemporary art scene.
2009-2010 © Contemporary art center
http://www.cac.lt/en/calendar/10/3753
Meetings with Maria Fusco and Raimundas
Malašauskas
The CAC continues the series of events called “3 Uses of the Knife” (co-organised in 2009 with
artnews.lt and the National Gallery of Art) and invites you to the meetings with Maria Fusco and
Raimundas Malašauskas at the CAC Reading Room.
Friday 15 January at 6pm
Maria Fusco: What Am I? Notes on Art Writing
Maria Fusco, a writer, editor and academic based in London, will present a three-part lecture
which will debate what contemporary art writing might be, and how best it may be located. She
will present examples of her own writing as well as discuss “The Happy Hypocrite”, her journal
for and about experimental writing.
About Maria Fusco: Born in Belfast, she contributes to a broad range of international
publications, is Director of Art Writing at Goldsmiths, University of London, and is the
founder/editor of “The Happy Hypocrite”, a journal for and about experimental art writing. In
2009 she was the Critic-in-Residence at Kadist Art Foundation, Paris and is currently the
inaugural Writer-in-Residence at Whitechapel Gallery, London.
Saturday 16 January at 6pm
Raimundas Malašauskas: Doodling, Scripting and Life-Writing at Large
A tour to three events happening at different times: “Paper Exhibition” (an exhibition in New
York that was an adaptation of the book that will be released in future), “Hypnotic Show” (a
temporary social structure of engaging into cognitive acts through shared practices of art and
hypnosis, already presented in San Francisco, Paris and Los Angeles) and “Clifford Irving
Show” (a variety show inspired by at least two fake biographies and intended as a meeting of
authors and characters). With participation of some of the authors and characters.
The writer Raimundas Malašauskas worked as a curator at the CAC from 1995 to 2006, his
projects including the weekly CAC TV television programe (produced under the slogan “Every
program is a pilot, every program is the final episode” for three years). From 2007 to 2008 he
was a Visiting Curator at California College of Arts, San Francisco, and, until recently, a curator-
at-large of Artists Space, New York. In 2007- co-wrote the libretto of Cellador, the opera in
Paris. His works evolve around contemporary phenomena, persons, biographies and stories,
addressing the parallel worlds of science, media, film, literature and mass culture. www.rye.tw
“Three Uses of the Knife” is a series of meetings with experienced writers, editors, critics and
thinkers. It is intended for everyone interested in art criticism and writing on (and as) art. The
issues addressed during these events include the genres, forms, functions and strategies of
contemporary art writing and criticism. The title of the series is borrowed from David Mamet’s
book “Three Uses of the Knife: On the Nature and Purpose of Drama”. Please find more
information about the previous events of the series here.
Illustration: Alicia Amador, 2007 02 19
Premios y Reconocimientos
Conagua 2011 El Agua en Arte. Seleccionado para anuncio espectacular en la estación del
metro Tacubaya. México, D.F.
Datos personales
México, 1964. Estudia la licenciatura en Ciencias y Técnicas de Información y muy pronto se
vuelve editora del suplemento de arte “El Coleccionista” de Casas & Gente. Después de este
acercamiento con el arte, entra al taller del maestro Gilberto Aceves Navarro en 1999 y desde
entonces, no ha dejado de trabajar con distintos maestros como Tomás Gómez Robledo,
Germán Venegas y Oscar Ojeda y recientemente, Luz María García. Se ha avocado a
aprender distintas técnicas antiguas como el manejo del temple y la encáustica y al dibujo.
Entre sus exposiciones temporales en el extranjero cuenta con dos en Nueva York, USA y una
en El Salvador, San Salvador. Varias exposiciones colectivas en México, destacando el Museo
de San Pedro de Puebla y diversos centros culturales, universidades como la UAM Ixtapalapa
y galerías en la ciudad de México. Seleccionada por Conagua para la campaña publicitaria del
2011 El Agua en Arte. Elegida como parte de los 25 ganadores de la 5ta Muestra de Arte del
grupo Reforma en el Polyforum Cultural Siqueiros. Participa de manera activa en el colectivo
TSArte, especializado en gráfica, dibujo y técnicas diversas de impresión.
Alicia Amador Hernández
Castillo de Belfast no. 38
Atizapán, Estado de México
52938 México
Tel. 55 5808 0092
Cel. 55 2955 8834
Correo electrónico:[email protected]
Página web: www.aliciaamador.com