OBRAS COMPLETAS- Edición Crítica

José
Martí
O B R A S
C O M P L E T A S - Edición Crítica
1862-1876
1
CEM | Centro de Estudios Martianos
Ministerio de Cultura
de la República de Cuba
1
© Centro de Estudios Martianos, 2016 | ISBN 978-959-271-119-8 tomo 1 | ISBN 959-7006-08-1 obra completa
Proyecto de edición:Cintio Vitier y Fina García-Marruz.
Dirección general:Pedro Pablo Rodríguez.
Colaboradores:Ana María Álvarez Sintes, Ramón de Armas, Ángel I. Augier, Lucía Faz, Enma Fernández, Araceli
García Carranza, Luis García Pascual, Maydelín González, Elena Graupera, María de los Ángeles Lorigados, Iván Pérez
Carrión, Yaliemny Pérez Sardiñas y María Talavera.
Edición:Aida Matilde Martín Fernández.
Corrección:Fanny Sosa Pérez.
Diseño:Ernesto Joan.
Realización:Beatriz Pérez Rodríguez.
Composición:Marlén Santiesteban Brizuela.
Imagen de cubierta:detalle de José Martí, Eduardo Abela, 1960. Colección Arte de Nuestra América Haydee
Santamaría, Casa de las Américas.
Centro de Estudios Martianos
Ministerio de Cultura
de la República de Cuba
Calzada 807, esquina a 4, El Vedado | 10400
La Habana, Cuba
Tel. [53 7] 836-4966/69 | Fax [53 7] 833-3721
<[email protected]> | <www.josemarti.cu>
Estados Unidos 1168 | C1101AAX
Ciudad de Buenos Aires, Argentina
Tel. [54 11] 4304-9145 | Fax [54 11] 4305-0875
<[email protected]> | <www.clacso.org>
Equipo
Secretario Ejecutivo
Lic. Aida Martín Fernández (directora editorial)
Directora Académica
Dr. Pedro Pablo Rodríguez (director general)
Dra. Carmen Suárez León (investigadora titular)
Dr. Rodolfo Sarracino Magriñat (investigador titular)
Dra. Marta Cruz Valdés (investigadora)
Msc. Marlene Vázquez Pérez (investigadora)
Pablo Gentili
Fernanda Saforcada
Coordinador Editorial
Lucas Sablich
Lic. Yisel Bernardes Martínez (investigadora)
Coordinador de Arte
Lic. Niurka Alfonso Baños (editora)
Arte de Tapa
Lic. Lourdes Ocampo Andina (investigadora)
Marcelo Giardino
Lic. Rubén Javier Pérez Bosquets (investigador)
Jimena Zazas
Lic. Mariana Pérez Ruiz (adiestrada)
Lic. Miladis Cabrera Bess (asistente de dirección)
Revisión Técnica
Desarrollo Libre de Aplicaciones
Gonzalo Mingorance
Marlén Santiesteban (operadora digital)
Luis Alberto Morera Fernández, Dayron Rámida Coll,
Ariel Armas Ramos
de la Presente Edición
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220
Apéndices
Biografía mínima
José Julián Martí Pérez nació en la calle
Paula No. 41, La Habana, el 28 de enero de
1853.
En 1866 matricula en el Instituto de
Segunda Enseñanza de La Habana. Ingresa
también en la clase de Dibujo Elemental en la
Escuela Profesional de Pintura y Escultura de La
Habana, más conocida como San Alejandro.
El 4 de octubre de 1869, al pasar una
escuadra del Primer Batallón de Voluntarios por
la calle Industrias No. 122, donde residían los
Valdés Domínguez, de la vivienda se oyen risas
y los voluntarios toman esto como una
provocación. Regresan en la noche y someten la
casa a un minucioso registro. Entre la
correspondencia encuentran una carta dirigida a
Carlos de Castro y Castro, compañero del colegio que, por haberse
alistado como voluntario en el ejército español para combatir a los
independentistas, calificaban de apóstata.
Por tal razón, el 21 de octubre de 1869
Martí ingresa en la Cárcel Nacional acusado de
infidencia por escribir esa carta, junto a su
entrañable amigo Fermín Valdés Domínguez.
El 4 de marzo de 1870, Martí fue condenado a
seis años de prisión, pena posteriormente
conmutada por el destierro a Isla de Pinos,
lugar al que llega el 13 de octubre. El 18 de
diciembre sale hacia La Habana y el 15 de
enero de 1871, por gestiones realizadas por
sus padres, logró ser deportado a España. Allá
comienza a cursar estudios
en las universidades de
Madrid y Zaragoza, donde
se gradúa de Licenciado en
Derecho Civil y en Filosofía y
Letras.
De España se traslada a París, por breve
tiempo. Pasa por Nueva York y llega a Veracruz el 8
de febrero de 1875, donde se reúne con su familia.
En México entabla relaciones con Manuel Mercado y
conoce a Carmen Zayas Bazán, la cubana que sería
su esposa.
222
Del 2 de enero al 24 de
febrero de 1877 estuvo de
incógnito en La Habana como
Julián Pérez. Al llegar a
Guatemala
trabaja
en
la
Escuela Normal Central como
catedrático de Literatura y de
Historia de la Filosofía. Retorna
a
México,
para
contraer
matrimonio con Carmen el 20
de
diciembre
de
1877,
regresando a inicios de 1878 a
Guatemala.
Concluida la Guerra del 68 vuelve a
Cuba el 31 de agosto de 1878, para
radicarse en La Habana, y el 22 de
noviembre
nace
José
Francisco, su único hijo. Comenzó sus
labores conspirativas figurando entre los
fundadores del Club Central Revolucionario
Cubano,
del
cual
fue
elegido
vicepresidente el 18 de marzo de 1879.
Posteriormente el Comité Revolucionario
Cubano, radicado en Nueva York bajo la
presidencia del Mayor General Calixto
García, lo nombró subdelegado en la Isla.
En el bufete de su amigo Don Nicolás
Azcárate conoce a Juan Gualberto Gómez.
Entre el 24 y el 26 de agosto de 1879 se
produce un nuevo levantamiento en las
cercanías de Santiago de Cuba. El 17 de septiembre Martí es detenido
y deportado nuevamente a España, el 25 de septiembre de 1879, por
sus vínculos en la Guerra Chiquita. Al llegar a Nueva York, se
establece en la casa de huéspedes de Manuel Mantilla y su esposa,
Carmen Miyares.
223
Martí logra traer a su esposa e hijo
el 3 de marzo de 1880. Permanecen
juntos hasta el 21 de octubre, en que
Carmen y José Francisco regresan a
Cuba. Una semana después resultó electo
vocal del Comité Revolucionario Cubano,
del cual asumió la presidencia al sustituir
a Calixto, quien había partido hacia Cuba
para incorporarse a la Guerra Chiquita.
Entre 1880 y 1890 Martí alcanzaría
renombre en la América a través de
artículos y crónicas que enviaba desde
Nueva York a importantes periódicos: La
Opinión Nacional, de Caracas; La Nación,
de Buenos Aires y El Partido Liberal, de
México.
Posteriormente decide buscar mejor
acomodo en Venezuela, a donde llega el 20 de
enero de 1881. Fundó la Revista Venezolana,
de la que pudo editar sólo dos números. Tras
chocar con el caudillismo, tiene que retornar a
Nueva York.
A mediados de 1882 reinició la labor de
reorganizar
a
los
revolucionarios,
comunicándoselo mediante cartas a Máximo
Gómez y Antonio Maceo. El 2 de octubre de
1884 se reúne por vez primera con ambos
líderes y comienza a colaborar en el Plan
Insurreccional Gómez-Maceo; posteriormente
desistió de su empeño por estar en
desacuerdo con los métodos de dirección
empleados.
El 30 de noviembre de 1887 fundó una
Comisión Ejecutiva, de la cual fue elegido
presidente,
encargada
de
dirigir
las
actividades
organizativas
de
los
revolucionarios. En enero de 1892 redactó
las Bases y los Estatutos del Partido
Revolucionario Cubano. El 8 de abril de 1892
resultó electo Delegado de esa organización,
cuya constitución fue proclamada dos días
después, el 10 de abril de 1892. El 14 de ese
mes fundó el periódico Patria, órgano oficial
del Partido.
224
En los años 1893 y 1894 recorrió
varios países de América y ciudades de
Estados Unidos, uniendo a los principales
jefes de la Guerra del 68 y acopiando
recursos para la nueva contienda. Desde
mediados de 1894 aceleró los preparativos
del Plan Fernandina, con el cual pretendía
promover una guerra corta, sin grandes
desgastes y destrucciones para los
cubanos. El 8 de diciembre de 1894
redactó y firmó, conjuntamente con los
coroneles
Mayía
Rodríguez
(en
representación de Máximo Gómez) y
Enrique Collazo (en representación de los
patriotas de la Isla), el plan de alzamiento
en Cuba. El Plan Fernandina fue
descubierto e incautadas las naves con las cuales se iba a ejecutar. A
pesar del gran revés que ello significó, Martí decidió seguir adelante
con los planes de pronunciamientos armados en la Isla, en lo que fue
apoyado por los principales jefes.
El 29 de enero de 1895, junto
con Mayía y Collazo, firmó la orden
de alzamiento y la envió a Juan
Gualberto
Gómez
para
su
ejecución. Partió de inmediato de
Nueva York a Montecristi, en
República Dominicana, donde lo
esperaba Gómez, con quien firmó
el 25 de marzo de 1895 un
documento
conocido
como
"Manifiesto
de
Montecristi",
programa de la nueva guerra.
Ambos líderes llegan a Cuba el 11
de abril de 1895, por Playitas de
Cajobabo, Baracoa.
Tres
días
después
del
desembarco, hicieron contacto con las fuerzas del Comandante Félix
Ruenes. El 15 de abril de 1895 los jefes allí reunidos bajo la dirección
de Gómez, acordaron conferir a Martí el grado de Mayor General por
sus méritos y servicios prestados.
El 28 de abril de 1895, en el campamento de Vuelta Corta, en
Guantánamo, en unión de Gómez firmó la circular "Política de
guerra". Envió mensajes a los jefes indicándoles que debían enviar un
representante a una asamblea de delegados para elegir un gobierno
en breve tiempo. El 5 de mayo de 1895 tuvo lugar su encuentro con
Gómez y Maceo en La Mejorana, donde se discutió la estrategia a
seguir. El 14 de mayo de 1895 firmó la "Circular a los jefes y oficiales
225
del Ejército Libertador", último de los documentos organizativos de la
guerra, la que elaboró conjuntamente con Máximo Gómez.
Siguiendo la marcha hacia
el oeste de la provincia oriental,
llegaron a Dos Ríos, cerca de
Palma Soriano. El 19 de mayo
de 1895 una columna española
se desplegó en la zona y los
cubanos fueron a su encuentro.
Martí marchaba entre Gómez y
el Mayor General Bartolomé
Masó. Al llegar al lugar de la
acción,
Gómez
le
indicó
detenerse y permanecer en el
lugar acordado. No obstante, en el transcurso del combate, se separó
del grueso de las fuerzas cubanas, acompañado solamente por su
ayudante Ángel de la Guardia. Martí cabalgó, sin saberlo, hacia un
grupo de españoles ocultos en la maleza y fue alcanzado por tres
disparos que le provocaron heridas mortales. Cuando se conoció lo
sucedido, resultó imposible rescatar su cadáver, el cual fue conducido
por los españoles y, tras varios enterramientos, fue finalmente
sepultado el día 27, en el nicho número 134 de la galería sur del
Cementerio de Santa Ifigenia, en Santiago de Cuba.
226
Iconografía
Primer retrato conocido de Martí, de su época de
escolar. Se supone que la medallita corresponde a un
premio de Sobresaliente en las clases de inglés en el
colegio "San Anacleto", de Rafael Sixto Casado.
Existe una copia de esta fotografía en la Biblioteca Nacional "José
Martí", en La Habana, entregada el 12 de julio de 1902 a Domingo
Figarola-Caneda, primer director de la Biblioteca, por el peluquero
Enrique Bermúdez. Martí, de muchacho, acompañaba frecuentemente
a Bermúdez cuando éste iba a trabajar a los teatros, para poder asistir
tras bambalinas a las funciones.
Según su hermana Amelia, este retrato de
Martí fue tomado en La Habana en junio de
1869, antes de ser juzgado por infidencia al
régimen colonial español. En una copia a
Paulina Mendive, hija del primer matrimonio
de su maestro Rafael María Mendive, Martí
puso la siguiente dedicatoria
Este retrato parece ser de la misma época que el anterior. Martí
dedicó una copia a Luisa Mendive, esposa de Francisco Nin
227
Retrato de Martí, de pie, y Fermín Valdés Domínguez,
probablemente tomado en La Habana. Fue publicado en la
Cartilla iconográfica de la vida de José Martí, de Max
Tosquella.
Retrato de Martí en traje de presidiario, al ser condenado a
seis años de prisión por infidencia. Dedicó una copia a su
madre, doña Leonor Pérez
Retrato de Martí, seguramente hecho en Madrid durante la
primera deportación. Apareció publicado en una hoja suelta
distribuida por el periódico Cuba, de Tampa, en 1895, al
anunciar la llegada de Martí a tierra cubana, y por el periódico
El Fígaro, de La Habana, el 26 de mayo de 1895, al comunicar
la noticia de la muerte del Apóstol.
228
Este retrato fue también seguramente hecho
en Madrid. Apareció, junto con los dos
anteriores, en las mismas publicaciones
mencionadas
Martí y los hermanos Fermín y Eusebio Valdés Domínguez.
Foto tomada en Madrid. Hay una copia con la siguiente
dedicatoria a Fermín Valdés Domínguez:Hermano, cuando
te he visto a mi lado no he suspirado por mi madre. Madrid,
19 de septiembre de 1872.
Martí y los hermanos Fermín y Eusebio Valdés Domínguez. Foto tomada en
Madrid. Hay una copia con la siguiente dedicatoria a Fermín Valdés
Domínguez
Este retrato fue publicado en el libro Martí familiar, de Raúl
García Martí. Según el sobrino del Apóstol, el retrato
corresponde a la época estudiantil, pero más bien parece
tomado en España durante la primera deportación.
229
Único retrato al óleo, del natural, que existe de
Martí, hecho por el artista sueco Herman
Norrman. El cuadro mide solamente 30 x 43
centímetros, y representa a Martí trabajando en
su despacho de 120 Front Street, en Nueva York.
Tres dibujos de Martí hechos por Bernardo
Figueredo Antúnez en papel español
cuadriculado, en la Academia Abney, Cayo
Hueso, estado de la Florida, a fines de 1892
o principios de 1893…
Dibujo de Martí hecho por Bernardo Figueredo Antúnez
en Cayo Hueso, estado de la Florida, en diciembre de
1893.
230
Dibujo de Martí hecho por Bernardo
Figueredo Antúnez el 23 de diciembre de
1893, en el tren en que viajaban ambos
entre Baldwin y Jacksonville, estado de la
Florida.
Bosquejo de un retrato de Martí, al lápiz, hecho en
Nueva York por el pintor venezolano Cirilo Almeida
Crespo.
Tres autorretratos de Martí, dibujados en el
manuscrito fragmento 357, cuyo texto se
reproduce en el volumen 22, página 241, de
las Obras completas, La Habana, 1963-1973.
Hay dos dibujos más, al parecer de algún
presidente o prohombre norteamericano.
Autorretrato de Martí tomando como
modelo el ídolo Chac-Mol que se conserva
en el Museo Nacional de México. Está
dibujado en el manuscrito-fragmento 363,
cuyo texto se reproduce en el volumen 22,
página 248, de las citadas Obras completas.
231
Autorretrato de Martí. El original sólo mide dos centímetros de
alto. En la misma hoja hay otros dibujos suyos y la frase Por
América, repetida varias veces.
Retrato de Martí tomado en México por Valleto y Cía.,
Primera de San Francisco no. 8
Retrato de Martí tomado en México
Martí con su hijo José Francisco. Esta zincografía fue hecha
seguramente en la ciudad de La Habana
232
Esta zincografía de Martí con su hijo José Francisco fue
hecha probablemente en Nueva York.
Fotografía de Martí con su hijo José Francisco, hecha en
Nueva York, en una de las ocasiones en que la familia
estuvo reunida.
Retrato de Martí tomado por W. F. Bowers, Photo Artista
340 Fulton Street, Head of Court St. Brooklyn, en Nueva
York.
233
Retrato de Martí hecho en Nueva York por M. Caro, 201
6th Ave.
Martí y María Mantilla. Este tin-type fue tomado cerca de
Bath Beach, Long Island, estado de Nueva York.
Grupo en Bath Beach, Long Island, estado de Nueva York.
Delante, María Mantilla, José María Sorzano y Martí.
Detrás, Isabel Mena, Pilar Correa y Práxedes Sorzano,
familiares de María Mantilla.
234
Retrato de Martí hecho en Washington, según el patriota
puertorriqueño Sotero Figueroa, por los días en que
sesionaba la Comisión Monetaria Internacional
Americana, en la que Martí representaba a la República
del Uruguay. Figueroa y Gonzalo de Quesada y Aróstegui
aseguraban que a Martí no le agradaba este retrato, pues
consideraba petulante la posición escogida por el
fotógrafo.
Retrato de Martí tomado en Cayo Hueso, estado de la
Florida, por el fotógrafo Andrés I. Estévez
Grupo tomado en Cayo Hueso, estado de la
Florida, en diciembre de 1891, con los
miembros del Comité Organizador de
patriotas cubanos de esa ciudad.
235
Este retrato, cuya única copia original que se ha podido localizar
está muy deteriorada, parece corresponder también a la primera
visita de Martí a Cayo Hueso, en diciembre de 1891.
Retrato de Martí que también parece hecho durante su
primera visita a Cayo Hueso, en diciembre de 1891.
Martí con un grupo de emigrados
revolucionarios cubanos a la entrada de la
fábrica de tabacos de Vicente Martínez Ybor,
en Ybor City, Tampa, estado de la Florida.
Martí con un grupo de emigrados revolucionarios cubanos a la
entrada de la fábrica de tabacos de Vicente Martínez Ybor, en
Ybor City, Tampa, estado de la Florida.
236
El mejor retrato, solo y de cuerpo entero, de Martí,
tomado al parecer en Temple Hall o Bond Hall, Jamaica,
durante su primer viaje a esa isla en octubre de 1892. El
retrato fue hecho por el patriota y fotógrafo Juan Bautista
Valdés.
Grupo tomado con los miembros del Cuerpo de
Consejo de Kingston, Jamaica, el 10 de octubre de
1892.
Grupo con emigrados cubanos en Kingston, Jamaica,
en octubre de 1892, durante una fiesta de propaganda
revolucionaria. Fotografía hecha por Juan Bautista
Valdés.
237
Martí en Jamaica, rodeado de emigrados cubanos,
durante su viaje de propaganda revolucionaria a la isla
en octubre de 1892. Fotografía tomada
probablemente en Temple Hall, hacienda tabacalera
cerca de Kingston.
Martí en Jamaica, rodeado de emigrados cubanos, durante su viaje de
propaganda revolucionaria a la isla en octubre de 1892. Fotografía tomada
probablemente en Temple Hall, hacienda tabacalera cerca de Kingston.
Otro grupo de emigrados cubanos en Jamaica,
posiblemente también en Temple Hall. Fotografía
tomada durante el viaje de Martí a la isla en octubre
de 1892.
Otro grupo de emigrados cubanos en Jamaica, posiblemente
también en Temple Hall. Fotografía tomada durante el viaje de
Martí a la isla en octubre de 1892.
Martí con los miembros del Cuerpo de Consejo de
Kingston, Jamaica. Fotografía tomada en el local del
Cuerpo de Consejo, en octubre de 1892, durante la
visita de Martí a la isla.
238
Martí con los miembros del Cuerpo de Consejo de Kingston, Jamaica.
Fotografía tomada en el local del Cuerpo de Consejo, en octubre de 1892,
durante la visita de Martí a la isla.
Retrato de Martí tomado el 10 de octubre de 1892 en
Kingston, Jamaica, por el patriota y fotógrafo Juan
Bautista Valdés.
Este retrato de Martí, seguramente tomado en Nueva
York, parece ser del 1892, aunque pudiera corresponder a
1893 ó 1894.
Martí con un grupo de emigrados cubanos que
hacían prácticas de tiro en el antiguo fuerte
Martello Tower, en Cayo Hueso, estado de la
Florida.
239
Martí con la familia del pintor venezolano
Juan Peoli, tío de Carmen Miyares de
Mantilla. La fotografía fue hecha en Sandy
Hill, estado de Nueva York.
Martí con Gonzalo de Quesada y Aróstegui y su esposa
Angelina Miranda y Govín.
Martí y un grupo de patriotas cubanos en la
casa de Teodoro Pérez en Cayo Hueso, estado
de la Florida. La fotografía fue tomada por
Antonio J. Estévez en mayo de 1893.
Este retrato debe haber sido hecho en Nueva York, y parece
corresponder a 1893 ó 1894.
240
Martí y el general Máximo Gómez en Nueva York.
Retrato de Martí con Fermín Valdés Domínguez y
Francisco (Panchito) Gómez Toro, hijo del general
Máximo Gómez, tomado en Cayo Hueso, estado de la
Florida, por el fotógrafo Antonio J. Estévez.
Retrato de Martí con Fermín Valdés Domínguez, tomado en
Cayo Hueso, estado de la Florida, en mayo de 1894, por el
fotógrafo Antonio J. Estévez.
241
Retrato de Martí con Fermín Valdés Domínguez, tomado en Cayo Hueso,
estado de la Florida, en mayo de 1894, por el fotógrafo Antonio J. Estévez.
Retrato de Martí hecho en México, en julio de 1894, por
Manuel Torres, "miembro de la Sociedad Francesa de
Fotografía", en papel "Torres con privilegio exclusivo".
Retrato de Martí con Manuel Mantilla, hijo de Carmen
Miyares de Mantilla, tomado probablemente en Nueva York
en enero de 1895.
242
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314
ÍNDICE GENERAL
PRESENTACIÓN DE LA PRIMERA EDICIÓN
NOTA EDITORIAL
ABREVIATURAS Y SIGLAS
/3
/4
/7
1862. Cuba
A LA MADRE.Hanábana, 23 de octubre de 1862
/9
1869
EL DIABLO COJUELO.La Habana, 19 de enero de 1869
ABDALA. LA PATRIA LIBRE.La Habana, 23 de enero de 1869
A RAFAEL MARÍA DE MENDIVE.[La Habana, enero de 1869]
A RAFAEL MARÍA DE MENDIVE.[La Habana, ¿mayo? De 1869]
A MAITLAND, PHELPS & COMPANY.La Habana, 4 de agosto de 1869
A CARLOS DE CASTRO Y DE CASTRO.[La Habana, 4 de octubre de 1869]
A FELIPE GÁLVEZ FATIO.[La Habana, 1869]
A RAFAEL MARÍA DE MENDIVE.[La Habana,
entre el 4 y el 21 de octubre de 1869]
A PEDRO MENDIVE.Cárcel, 27 de octubre de 1869
A LA MADRE.[Cárcel], 10 de noviembre de [1869]
/ 11
/ 13
/ 23
/ 24
/ 25
/ 26
/ 28
/ 29
/ 30
/ 31
1871. Cuba y España
A RAFAEL MARÍA DE MENDIVE.[La Habana], 15 de enero de 1871
CASTILLO.La Soberanía Nacional, Cádiz, 24 de marzo de 1871
CONTESTACIÓN A LA PRENSA.El Jurado Federal, Madrid, 7 de septiembre
de 1871
AL DIRECTOR DE EL JURADO FEDERAL.Madrid, 17 de septiembre de 1871
AL DIRECTOR DE EL JURADO FEDERAL.Madrid, 22 de septiembre de 1871
EL PRESIDIO POLÍTICO EN CUBA.Madrid, 1871
/ 33
/ 34
/ 37
/ 39
/ 41
/ 43
1872
EL DÍA 27 DE NOVIEMBRE DE 1871
/ 67
1873
LA REPÚBLICA ESPAÑOLA ANTE LA REVOLUCIÓN CUBANA.Madrid, febrero
de 1873
A NÉSTOR PONCE DE LEÓNMadrid, 15 de abril de 1873
LA SOLUCIÓNLa Cuestión Cubana, sevilla, 26 de abril de 1873
LAS REFORMASLa Cuestión Cubana, sevilla, 26 de mayo de 1873
/ 70
/ 77
/ 78
/ 79
1874
A DESTINATARIO DESCONOCIDO.[Zaragoza, octubre o noviembre de 1874]
/ 88
Adúltera
PRIMERA VERSIÓN
SEGUNDA VERSIÓN [INCOMPLETA]
/ 90
/ 139
315
[APUNTES A LA PRIMERA VERSIÓN DE ADÚLTERA]
NOTAS RELACIONADAS CON ADÚLTERA (1879)
/ 163
/ 165
1875-1876. México
EL PARTE DE AYER.Revista Universal, México, 21 de marzo de 1875
INDEPENDENCIA DE CUBA.Revista Universal, México, 11 de mayo de 1875
CUBA.Revista Universal, México, 13 de mayo de 1875
CUBA.Revista Universal, México, 22 de mayo de 1875
A LA COLONIA.Revista Universal, México, 27 de mayo de 1875
A LA IBERIA.Revista Universal, México, 9 de junio de 1875
CASTELAR Y LA IBERIA.Revista Universal, México, 10 de junio de 1875
A LA IBERIA.Revista Universal, México, 13 de junio de 1875
A LA COLONIA.Revista Universal, México, 19 de junio de 1875
LOS CUBANOS EN EL CENTENARIO AMERICANO.Revista Universal, México,
19 de agosto de 1876
A LA COLONIA ESPAÑOLA.Revista Universal, México, 8 de septiembre de 1876
/ 167
/ 169
/ 171
/ 173
/ 175
/ 179
/ 181
/ 183
/ 184
/ 188
/ 190
Notas finales
/ 193
Apéndices
BIOGRAFÍA MÍNIMA
ICONOGRAFÍA
CRONOLOGÍA
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Índices
ÍNDICE DE NOMBRES
ÍNDICE GEOGRÁFICO
ÍNDICE DE MATERIAS
ÍNDICE CRONOLÓGICO
ÍNDICE DE NOTAS FINALES
ÍNDICE GENERAL
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La Edición Crítica de las Obras completas de José
Martí (1853-1895) recoge sus manuscritos e impresos
conocidos hasta hoy: proclamas, discursos, manifiestos, comunicaciones, dedicatorias, cartas, correspondencias periodísticas, crónicas, artículos, ensayos,
narraciones, obras de teatro, poemas, semblanzas
biográficas, traducciones, dibujos, borradores, fragmentos de escritos y cuadernos de apuntes.
El contenido de los tomos se ha ordenado y combinado por fechas, temas y géneros, apreciando tanto
la evolución y línea del pensamiento martiano como
el paralelismo de su accionar político, periodístico y
literario, simultaneidad que empieza a manifestarse a
partir de los años 1875-1876, para intensificarse posteriormente. Organizar cronológicamente los textos
nos permite observar esa evolución del pensamiento
martiano, pero —a su vez— separa en diferentes tomos grupos de textos que habitualmente (y por deseo
expreso del autor en su carta devenida testamento literario) se han presentado juntos, como ocurre con
las Escenas norteamericanas y las Escenas europeas.
La confrontación de los textos con sus originales —o
variantes de estos— ha conllevado a la natural rectificación de erratas, así como la fijación del texto más
permisible. Los escritos de época han suscitado convenciones editoriales, atendiendo a los modernismos
en la ortografía y el lenguaje. La peculiar puntuación
martiana ha sufrido modificaciones imprescindibles,
pero siempre respetando la intencionalidad del autor.
Estas Obras completas son fruto de la colaboración
de investigadores y editores del Centro de Estudios
Martianos, expertos conocedores de la obra y de la
caligrafía de Martí, estudiosos de la obra martiana en
el mundo y numerosas instituciones, que han convertido esta “obra” en reflejo de la sentencia que incluyó
Juan Marinello, en 1963, en su prólogo a la edición de
las Obras completas de la Editorial Nacional de Cuba:
“Una edición crítica es el hombre y su tiempo —todo
el tiempo y todo el hombre—, o es un intento fallido”.