Document

Piza, Antoni, William J. Summers, Craig H. Russell, & Antoni Gili Ferrer. J B. Sancho:
Compositor pioner California (J B. Sancho: Compositor Pionero de California / J B.
Sancho: Pioneer Composer ofCalifornia). Ed. by and coordinated by Antoni Piza.
Photographs by William J. Summers, Craig H. Russell, & Rosa de Aguilar. Trans. into
Catalan and Castilian by Javier Mir. Translation of Gili's article into English by David
Bloom. Palma de Mallorca, Spain: Universitat de les Illes Balears, Servei de Publicaeions
i Intercanvi Cientific, 2007. Recipient of the Norman Neuerburg Award, given by the
Historical Society of Southern California (HSSC) for outstanding writing in early
California history (2007).
"Serra and Sacred Song at the Founding of California's First Missions." The Musical
Quarterly (2009). The Musical Quarterly, doi:10.1093/musqtl/gdp020.
http://mq.oxfordjournals.org/cgi/content/full/gdp020?ijkey=YzoxPHG3qgU4vPT&keyty
pe=ref
"The Splendor of Mexican Matins: Sonority & Architectural Structure in Jerusalem's
Matins/or the Virgin o/Guadalupe," in Colloquium: Music, Worship, Arts (publ. by the
Yale Institute of Sacred Music), vol. 4 (Autumn 2007), 31-44.
http://www .yale .edu/ism/colloqjournal/vo14/russell1.html.
"El esplendor de los Maitines mexicanos: Sonoridad y estructura arquitectonica en los
Maitines para la Virgen de Guadalupe (1764) de Ignacio de Jerusalem." In La musica y
el Atlantico: Relaci6nes musicales entre Espana y Latinoamerica. Ed. by Maria Gembero
Ustarroz & Emilio Ros-Fabregas. Pp. 359-95. Granada, Spain: Editorial Universidad de
Granada, 2007.
"Musical Style and Performance in California Mission Life." Proceedings of the
conference Encuentros (Encounters) 2009 Symposium "Music and Musicians ofthe
California Missions. Coordinated by Walter Clark. Sponsored by the Center for Iberian
and Latin American Music, University of California, Riverside. 30 January 2009.
(Forthcoming).
Musical Journeys in a New World (The Music 0/ Handel, Sumaya, Corelli, and Sancho).
I organized and reconstructed various pieces for this concert with Musica Angelica
(Beverly Hills, California, 29 August, 2009).
"Juan Bautista Sancho:" Pioneer Composer of California." Lecture presented at the 49th
annual conference of the Western History Association, Denver, 10 October 2009.
"Canciones para el festival de Corpus Christi en las Misiones de California: una
procesi6n 'galant.''' In La Fiesta en la Epoca Colonial Iberoamericana: VII Encuentro
Cientifico Simposio Internacional de Musicologfa [proceedings] that was part of the VII
Festival de la Musica Renacentista y Barroca Americana "Misiones de Chiquitos in Santa
Cruz de la Sierra, Bolivia, 22-23 April, 2008. Ed. by Aurelio Tello. Pp.415-44. Santa
Cruz: Asociaci6n Pro Arte y Cultura (APAC), 2008.
"Fray Juan Bautista Sancho-Tracing the Origins of California's First Composer & the
Early Mission Style." Boletfn: Journal ofthe California Mission Studies Association. Part
1 in Vol. 21, No.1 (2004),68-102; Part 2 in Vol. 21, No.2 (2004), 4-35.
"Sonata Form in Eighteenth-Century Mexico: Pioneers in Classical Structure," in
Concordis Modulationis Ordo, Ismael Fernandez de la Cuesta in Honorem: Festschrift in
Honor ofRoyal Academician Don Ismael Fernandez de la Cuesta, published in two
volumes as volume 17, numbers 1-2 (2007) of the Inter-American Music Review. Edited
by Robert M. Stevenson. Vol. 1, pp. 169-94.
"Treasure: Mexican Baroque Masterpieces." A choral concert with the Los Angeles
Master Chorale & Musica Angelica, dir. by Grant Gershon. Disney Hall, April 30,2006.
Three Mexican Baroque arrangements for the film Nacho Libre, starring Jack Black.
Paramount Pictures, 2006.
"Western Music" in the New World in Mozart's Time: Mexico and California" for the
Internationaler Kongress, "A Global View ofMozart." Part of the Mozartwoche
celebrations for the 250th anniversary of Mozart's birth. Salzburg, Austria, 6-8 February
2006.
"Sumayas's Rodrigo (1708) and Partenope (1711): Mexican Theatricality and European
Inspiration," delivered at the conference Musical Theater and Identity in Eighteenth­
Century Spain and America, UCLA and the Clarke Center, Los Angeles, California, 27­
28 October, 2006.
"Majos, santos, y pescadores: Teatralidad y expresi6n del texto en los villancicos de
Sumaya," for the 5to Festival "La Musica del Pasado de America," Caracas, Venezuela,
25-29 September, 2006.
"Machos, Saints, and Sailors: Theatricality and Text Expression in Sumaya's
Villancicos," for the III Coloquio Internacional Investigaci6n Musical en Mexico,
Instituto Superior de Musica del Estado de Veracruz
Xalapa, Mexico, 13-15 July, 2006.
"Manuel de Sumaya: America's "Handel"-jcon salsa!" a lecture for Yale's Institute of
Sacred Music, 19 October, 2005.
"Digging, Gluing, Printing, Playing: Making the Music of Colonial Mexico Come to
Life." Keynote address for the International Symposium on Latin American Choral
Music: Contemporary Performance and the Colonial Legacy, he University of Arizona,
19-20 January, 2007. A variant of this talk was also presented at the University of New
Mexico, 23 March 2009.
Disney Hall Concert, 9 June 2008.
Reviewed by Truman C. Wang, "San Luis Obispo Symphony plays Craig Russell I San
Luis Obispo Symphony debuts at Disney Hall," in Classical Voice: Notable Notes (online
journal) (9 June, 2008). Web site:
http://www.classicalvoice.org/reviews/nnotes062008.htm#sl0060.
Reviewed by J. Robert Bragonier, "Fishing in the 3rd Stream I Craig Russell's 'Rhapsody
for Horn and Orchestra" in the Los Angeles Chamber Orchestra (blog). (June 2008). Web
site: http://www .laco.org/blog/234/.
Reviewed by Antonio Mejia-Rentas, "Un debut entre amigos: La Sinf6nica de San Luis
Obispo dedica una tarde a su compositor residente," in La Opinion (June 2008). Web
site: http://www.impre.com/laopinion/entretenimiento/espectaculos/2008/6/7lun-debut­
entre-amigos-59721-1.html.
Reviewed by Mark Swed, "Live: Chanticleer on 'Mission Road' in San Luis Obispo: The
mission music of two centuries ago sounds fresh and pure California," The Los Angeles
Times (17 May, 2008). Web site: http://www.latimes.com/entertainment/news/arts/la-et­
chanticleer17-2008may17 ,0,1582255.story.
Reviewed by Joshua Kosman, "Music Review: Chanticleer at the Missions," The San
Francisco Chronicle (22 May, 2008). Web site: http://www.sfgate.com/cgi­
bin/article.cgi?f=/c/a/2008/05/22/DDEJ10PJRP.DTL&hw=chanticleer+craig+russell&sn
=00 l&sc=1000.
Reviewed by Chloe Veltman, "Chanticleer Tours California's mission era music," The
Los Angeles Times (11 May 2008). Web site:
http://www.latimes.com/features/religion/la-ca-chanticleer11­
2008may11,0,7011331.story .
Spanish Government Grant: invitation from the Ministerio de Cultura to deliver a paper at the
Congreso Internacional "Espana en la Musica de Occidente" (1985).
National Endowment for the Humanities Grant, summer 1983, to attend the summer institute
''The Teaching of Medieval Civilization" at Mount Holyoke College.
Fulbright-Hays Grant and Spanish Government Grant, 1979-80, for diss. research in Spain.
Edmund Cabot Memorial Scholarship for classical guitar, 1971-72, Univ. of New Mexico.
(1lu6{ications:
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From Serra to Sancho: Music and Pageantry in the California Missions. Part of the series
Currents in Latin-American and Iberian Music, ed. by Walter A. Clark. Oxford and New
York: Oxford University Press, 2009.
F. J Bautista Sancho: Pioneer Composer ofCalifornia. Coauthored with William J. Summers,
Antoni Piza, and Antoni Gili. Trilingual edition (English, Castilian, Catalan). Palma de
Mallorca: Universitat Illes Balears, May 2007. Recipient of the Norman Neuerburg Award
for outstanding writing in history of the American Southwest (2009).
Santiago de Murcia's "C6dice Saldivar N°4": A Treasury of Secular Guitar Music From
Baroque Mexico. 2 vols. Urbana, Illinois: University of Illinois Press, 1995. Subventions
for publication awarded by the National Endowment for the Humanities and the Program
for Cultural Cooperation Between Spain's Ministry of Culture and U.S. Universities.
Favorable reviews have been authored by Monica Hall, The Journal ofthe Lute Society,
Vol. 36 (1996) and John Henken, Inter-American Music Review, vol. 16, no. 1 (Summer­
Fall 1997).
Twenty-six articles for The New Grove Dictionary ofMusic and Musicians (London: Macmillan,
2001) including entries: "Jose Agurto y Loaysa,""Juan Carlos Amat," "Juan de Baeza,"
"Francisco de Castro," "Bartolome Ferriol y Boxeraus," "Juan Garcia de Cespedes,"
"Joseph de Herrando (Sf. & Jr.)," "Ignacio de Jerusalem," "Antonio de Juanas," "Juan de
Lienas," "Malaguenas," "Juan Mathias de los Reyes," "Marizapalos," "Pablo Minguet y
Yrol," "Mojiganga," "Antonio de Murcia," "Gabriel de Murcia," "Santiago de Murcia,"
"Miguel Perez de Zavala," "Antonio de Santa Cruz," "Jose de Torres," "Francisco Valls,"
"Juan Antonio de Vargas y Guzman," "Francisco Vidales," & "Manuel de Zumaya."
Over thirty articles for the Diccionario de la Musica Espanola e Hispanoamericana (Madrid:
Sociedad General de Autores Espanoles, 2000), including entries: "Amable," "Juan
Carlos Amat," "Amor," "Caballero," "Cotill6n," "Cumbe," "Espanoleta,"
"Fustamberg," "Gallarda," "Gran Duque," "Guineo," "Los Imposibles," "La
Marie," "Marionas," "Marizapalos," "Marsellas," "Pan de jarabe," "Paspied nuevo,"
"Paspied viejo," "Pavana des saisons," "Paysanos," "Las Penas," "Sarao 0 Bailete del
Retiro," "Sombras," "Tarantela," "La Tia y la Sobrina," "Triste de Jorge," "Vacas,"
"AI Verde Retamar," "Villano," "Zangarilleja," and "Zarambeque."
Five articles for the Encyclopedia ofMexico: History, Society & Culture (Chicago: Fitzroy
Dearborn Publishers, 1998) including entries: "16th-17th Centuries," "18th Century,"
"Hernando Franco," "Francisco L6pez Capillas," "Manuel de Sumaya."
Res musicae: Essays in Honor ofJames Pruett (a collection of ten essays by many of the
world's foremost musicologists, including three past presidents of the American
Musicological Society). Co-edited with Paul Laird. New York: Harmonie Park Press, 2001.
* Discovery,
reconstruction, and editing of the Matinsfor the Virgin of Guadalupe (1764) by
Ignacio de Jerusalem, which was recorded at George Lucas's Skywalker Ranch for Teldec
Classics by Chanticleer & Chanticleer Sinfonia in July, 1997. Published by Russell
Editions, 1997.
"Digging, Gluing, Printing, Playing: Making the Music of Colonial Mexico Come to Life."
Keynote address for the International Symposium on Latin American Choral Music:
Contemporary Performance and the Colonial Legacy. University of Arizona, 19-20
January, 2007. Proceedings ed. by Janet Sturman. Tucson: University of Arizona Center
for Latin American Music, 2008. Web site:
http://web.cfa.arizona.edu/sturman/CLAM/Publ/Russell.htrnl.
"The Splendor of Mexican Matins: Sonority & Architectural Structure in Jerusalem's Matins
for the Virgin of Guadalupe," in Colloquium: Music, Worship, Arts (publ. by the Yale
Institute oJ Sacred Music), vol. 4 (Autumn 2007), 31-44. Web site:
http://www.yale.edu/ism/colloqjournal/vol4/russelll.html.
"EI esplendor de los Maitines mexicanos: Sonoridad y estructura arquitectonica en los
Maitines para la Virgen de Guadalupe (1764) de Ignacio de Jerusalem." In La musica y
el Atlantico: Relaci6nes musicales entre Espana y Latinoamerica. Ed. by Marfa Gembero
Ustarroz & Emilio Ros-Fabregas. pp. 359-95. Granada, Spain: Editorial Universidad de
Granada, 2007.
"Musical Style and Performance in California Mission Life." Proceedings ofthe conference
"Encuentros (Encounters) 2009 Symposium 'Music and Musicians o/the California
Missions, '" sponsored by the Center for Iberian and Latin American Music, University
of California, Riverside. 30 January 2009. (Forthcoming).
"Canciones para el festival de Corp-us Christi en las Misiones de California: una procesion
'galant. '" In La Fiesta en la Epoca Colonial Iberoamericana: VII Encuentro Cient(fico
Simposio Internacional de Musicologfa [proceedings] that was part of the VII Festival de
la Musica Renacentista y Barroca Americana "Misiones de Chiquitos in Santa Cruz de la
Sierra, Bolivia, 22-23 April, 2008. Ed. by Aurelio Tello. pp.415-44. Santa Cruz:
Asociacion Pro Arte y Cultura (APAC), 2008.
"Sonata Form in Eighteenth-Century Mexico: Pioneers in Classical Structure," in Concordis
Modulationis Ordo, Ismael Fernandez de la Cuesta in Honorem: Festschrift in Honor of
Royal Academician Don Ismael Fernandez de la Cuesta, published in two volumes as
volume 17, numbers 1-2 (2007) of the Inter-American Music Review. Edited by Robert
M. Stevenson. Vol. 1, pp. 169-94.
"Fray Juan Bautista Sancho-Tracing the Origins of California's First Composer & the Early
Mission Style." Boletfn: Journal of the California Mission Studies Association. Part 1 in
Vol. 21, No.1 (2004), pp. 68-102; Part 2 in Vol. 21, No.2 (2004), pp. 4-35.
"Radical Innovations, Social Revolution and the Baroque Guitar" in The Cambridge
Companion to the Guitar. Cambridge, England: Cambridge University Press, 2003.
Juan de Lienas's "Credidi," in Chanticleer: The Silver Jubilee Anthology ofChoral Music,
ed. by Matthew D. Oltman & Joseph H. Jennings. Chapel Hill, NC: Hinshaw, 2002.
"Manuel de Sumaya: Reexamining the a cappella Choral Music of a Mexican Master" in
Encomium Musicae: Essays in Honor ofRobert J. Snow, ed. by David Crawford.
Hillsdale, New York: Pendragon Press, 2002.
"EI manuscrito Eleanor Hague: una muestra de la vida musical en el Mexico del siglo
XVIII" in La Danza en Mexico. 2 vols., rpnt of Heterofonfa, vol. 116-117 (1997).
Mexico City: CONACULTA & INBA, 2002.
"Hidden Structures and Sonorous Symmetries: Ignacio de Jerusalem's Concerted Masses in
18-Century Mexico" in Res musicae: Essays in Honor ofJames Pruett. New York:
Harmonie Park Press, 2001.
"EI manuscrito Eleanor Hague: una muestra de la vida musical en el Mexico del siglo XVIII,"
Heterofonfa, vol. 116-117 (1997).
"Mexican Baroque: Matins for Our Lady of Guadalupe." Program notes for the Chanticleer
tour of California, June 19-29, 1997.
"The Idiom of Simon and Image of Dylan: When Do Stars Cast Shadows?" in Music in
Performance and Society: Essays in Honor ofRoland Jackson. New York: Harmonie
Park Press, 1998.
"The American Baroque: Recovering the Lost Musical Treasures of the New World,"
Creative Journeys (Eugene, Oregon: Oregon Bach Festival, 1996).
"Journey to a New World," program for the Chanticleer and Janus Ensemble concert in the
Tisch Center for the Arts, 92nd Street Y, New York, October 26, 1996.
"New Jewels in Old Boxes: Retrieving the Lost Musical Heritages of Colonial Mexico," Ars
Musica Denver, Vol. 5, No.2 (Spring 1995).
"Review of Ex Machina's production of Torrej6n y Velasco's La purpura de la rosa,"
Newsletter ofthe International Hispanic Music Study Group, Spring 1995.
"Iberia," program notes for the Da Camera Society's concerts in Houston and in Lincoln
Center in New York, October 1995.
Co-Edited-with Paul Laird-the volumes After Columbus: The Musical Journey: A
Collection ofEssays on Musical Interchange in 18th-Century Imperial Spain. Issued by
Ars Musica Denver, vol. 7, nos. 1 & 2 (Fall 1994 & Spring 1995).
"The Eleanor Hague Manuscript: a Sampler of Musical Life in Eighteenth-Century Mexico,"
Inter-American Music Review, vol. 14, no. 2 (Winter-Spring, 1995).
Reviews of Clinton Heylin's Bob Dylan: Behind the Shades, Michael Krogsgaard's Positively
Bob Dylan, Richard Williams's Dylan: A Man Called Alias, and Bob Dylan-An
American Poet and Singer edited by Richard David Wissolik. Notes (Spring, 1994).
"The Mexican Cathedral Music of Ignacio de Jerusalem: Lost Treasures, Royal Roads, and
New Worlds," Revista de Musicologfa, vol. 16, no. 1 (1993), Actas del XV Congreso
Internacional de Musicologfa.
"Newly-Discovered Treasures from Colonial California: The Masses at the San Fernando
Mission," Inter-American Music Review, vol. 13, no. 1 (Fall-Winter 1992).
"Musical Life in Baroque Mexico: Rowdy Musicians, Cofraternities and the Holy Office,"
Inter-American Music Review, vol. 13, no. 1 (Fall-Winter 1992).
"Rowdy Musicians, Cofraternities and the Inquisition: Newly Discovered Documents
Concerning Musical Life in Baroque Mexico," Revista de Musicologfa, vol. 16, no. 5
(1993), Actas del XV Congreso Internacional de Musicologfa.
"Ludovico Roncalli: Sonata Ottavo Tuono (Suite in G-major)," Soundboard, vol. 18, no. 2
(Summer, 1991).
"Nicolas Derosier: Two Intermediate Pieces for Baroque Guitar," Soundboard, vol. 17, no. 4
(Winter 1991).
"Lully & French Dance in Imperial Spain: The Long Road From Versailles to Veracruz,"
Proceedings Society ofDance History Scholars (University of California, Riverside,
1991).
"The Eight Modes as Tonal Forces in the Music of Luis Mih'in," in De Musica Hispana et
Aliis: Misceldnea en honor al Prof. Dr. Jose LOpez-Calo, S.J., en su 65° cumpleanos, ed.
by Emilio Casares and Carlos Villanueva (Santiago de Compostela: Universidade de
Santiago de Compostela and the Ministerio de Cultura, February, 1990).
Program notes for Chanticleer's February, 1990 tour of the United States.
"Spain in the Enlightenment," in The Classical Era: From the 1740s to the end ofthe 18th
century," ed. by Neal Zaslaw, vol. 5 of Man and Music, gen. ed. Stanley Sadie (London:
Macmillan, 1989).
Review of Meredith Alice McCutcheon's Guitar and Vihuela: an Annotated Bibliography,
RILM Retrospectives No.3 (New York: Pendragon Press, 1985) in the Journal ofthe Lute
Society ofAmerica, vol. 18 (1987, [1989]).
Review of David P. Szatmary's Rockin' in Time: A Social History ofRock and Roll
(Englewood Cliffs: Prentice-Hall, 1987) in American Music (Journal of the Sonneck
Society), vol. 7, no. 4 (Winter 1989).
"Giovanni Battista Granata: Baroque Guitar Master from Bologna," Soundboard, vol. 16, no.
1 (Spring 1989).
"Fran~ois
Le Cocq: Belgian Master of the Baroque Guitar," Soundboard, vol. 15, no. 4
(Winter 1988-89).
"Dissertation and Monograph Topics: The Baroque Guitar," Journal ofthe Lute Society of
America, vol. 17, 1987.
"Le Cocq and de Murcia: an Update," correspondence section of the Journal ofthe Lute
Society ofAmerica, vol. 17, 1987.
"Imported Influences in 17th and 18th Century Guitar Music in Spain," a greatly expanded
version of the paper delivered at the Congreso Internacional "Espana en la Musica de
Occidente," Actas del Congreso Internacional "Espana en la Musica de Occidente, vol. 1
(Madrid: Ministerio de Cultura, 1987).
"Baroque Guitar Data Base," Wheels for the Mind, vol. 5, no. 1 (Winter 1986).
"Fran~ois
Le Cocq's Influence on Santiago de Murcia: Problems With Dates, Sources, and
Recomposition," Journal ofthe Lute Society ofAmerica, vol. 16 (1983 [1985]).
Program Notes for the Fourteenth Annual Mozart Festival in San Luis Obispo, California,
summer of 1984.
"Medieval Dance and Its Presentation in the University Classroom," coauthored with James
Klausman, included in NEH Resource Book: the Teaching of Medieval Civilization, ed. by
Howell Chickering (Amherst: the National Endowment for the Humanities and Amherst
College, 1984).
Review of Robert Dearling's The Music of Wolfgang Amadeus Mozart: the Symphonies
(Cranbury, NJ: Farleigh Dickinson University Press and Associated University Presses,
1982) published in The Eighteenth Century: a Current Bibliography, ed. by Leslie Ellen
Brown (Baton Rouge: Louisiana State University Press, 1984).
"An Investigation Into Arcangelo Carelli's Influence on Eighteenth-Century Spain," Current
Musicology, vol. 34 (1982 [1984]).
"Santiago de Murcia: the French Connection in Baroque Spain," Journal ofthe Lute Society
ofAmerica, vol. 15 (1982 [1983]).
"Santiago de Murcia," Early Music, vol. 10, no. 4 (October, 1982).
"El arte de recomposici6n en la musica espanola para la guitarra barroca," coauthored with
Astrid K. T. Russell, Revista de Musicolog[a, vol. 5, no. 1 (1982).
"Santiago de Murcia: Spanish Theorist and Guitarist of the Early Eighteenth Century," 2 vols.
(PhD. Diss., University of North Carolina at Chapel Hill, 1981).
Ponna{(['apers andInvited"Lectures:
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Pre-concert lectures before each performance of the San Luis Obispo County Symphony
Orchestra, 1988- . This constitutes over 100 lectures.
Pre-concert lectures before most performances of the San Luis Obispo Mozart Festival, 19952002. This constitutes about 30 lectures.
Pre-concert lectures before performances sponsored by Cal Poly Arts, 1995-2002. (ca. 18
lectures)
"Canciones para el festival de Corpus Christi en las Misiones de California: una procesi6n
'galant'" delivered at the international conference "VII Encuentro Cientffico Simposio
Internacional de Musicologia,"La fiesta en la epoca colonial iberoamericana" that was
part of VII Festival de la Musica Renacentista y Barroca Americana "Misiones de
Chiquitos," Santa Cruz de la Sierra, Bolivia, 22-23 April, 2008.
"Juan Bautista Sancho:" Pioneer Composer of California." Lecture presented at the 49th
annual conference of the Western History Association, Denver, 10 October 2009
"Musical Style and Perfonnance in California Mission Life," at the conference Encuentros
(Encounters) 2009 Symposium "Music and Musicians ofthe California Missions,
sponsored by the Center for Iberian and Latin American Music, University of
California, Riverside. 30 January 2009.
"Music and Pageantry in the missions of California and the American Southwest," invited
speaker for All-Church Camp at Ghost Ranch, New Mexico (sponsored by the United
Church of Los Alamos, 4-5 September, 2009).
"From Chant to Classicism: Exploring the Music Styles of the California Missions." The
Maynard Geiger Lecture at the Santa Barbara Mission, 1 June 2008.
"'Oh, How Gentle! Oh, Bread ofLife! , Communion Processions in the California
Missions," part of the plenary session at the annual convention of the Society for
American Music, San Antonio, Texas, 27 February-2 March, 2008.