Cultura popular i societat de masses Cristina Sánchez Carretero (Universitat d'Alcala-CSIC) Qualsevol recopilació bibliogdfica mai no és completa i resta limitada per factors que tenen a veure amb I'access~b~l~tat a les fonts per part de les persones que la fan, amb la seva preparació -en termes de llengües que usen I d'orientació discipliniria- i, per tant, amb la forma d'entendre el tema que s'ha escollit. En el cas de la cultura popular i la societat de consum o de masses la bibliografia que es pot recopilar és doblement limitada per I'ambigijitatdel terme "cultura populai'. Aquí presento una llista de les fonts que em semblen més rellevants per a I'estudi de la cultura expressiva popular; prenent com a centre els processos comunicatius que a hores d'ara es donen en la nostra societat. Així, s'ha donat una importancia especial als nous m~tjansque s'usen com a canals de comun~cacióen que s'escoita ;a veu "folk" de I'actual~tat, com, per exemple, lnternet i els mitjans de comunicació de masses, t o t Incloent també temes transversals que tenen a veure amb la re:nvenció de les tradicions, la comercialització de la cultura, les relaclons de podel; qüestions de genere i la g~obalitzaciÓ.Totsaquests temes resten acotats per I'aspecte que aquí he anomenat com "cukura expressiva", seguint, en part, la class~cadefinició de Dan Ben-Amos de folldore com aHcomunicació artística en el si de petits grups". I. 2. 3. 4. 5. ABRAHAMS, Roger D. 1964: Deep Down in thelungle. Hatboro, Pa.: Folklore Associates. ABRAHAMS, Roger D., 1968: "A Rhetoric of Everyday Life:Traditional Conversational Genres". Southern Folklore Quorterly 32: 44-59. ABRAHAMS,Roger D., I98 1 :"Shoutlng Match at the Border:The Folklore of D~splayEvents". A: 'And Other Neighborly Nomes ...': Sociol Pracess ond Culturol lmoge in Texos Folklore. Ed. R~chardBauman y Roger Abrahams. Austin: University of Texas Press. 303-2 l . ADAMS, Robert McC., i996 Poths of Fire:An Anthropologist's lnquiry into Western Technology. Princeton: Princeton Univers~tyPress. ALEGR~Ade la COLINA, Margarita, Carlos G ~ M E ZCARRO y Elsa MUÑIZ GARC~A(ed.), 1995: Nuevas ideos; viejos creencios: Lo culturo mexicano hacia el siglo XXI. Azcapotzalco, México: Universidad Autónoma Metropolitana. ALLEN, Ray y Lois WILCKEN (ed.), 1998:lsland Sounds in the Global City: Coribbean Popular Music ond ldentity in New York. New York : New York Folklore Sociev lnstitute for Studies In American Music, Brooklyn College. ALTER, J.S., 1994:"Somatic Nationalism: lndian Wrestling and Militant Hinduism". Modern Asion Studies 28: 557-88. ANTTONEN, Pertti J. y Reimund KVIDELAND (ed.), 1993: Nordic Frontiers:Recent lssues in the Study of Modern Troditional Culture in the Nordic Countries.Turku:Nordic Institute of Folklore. APPADURAI,Arjun, 1996: Modernity ot Lorge: Culturol Dimensions of Globalization. Minneapolis:University of Minnesota Press. APPADURAI, A qun, 2000: "Grassroots Globalization and the Research Imagination". Public Cuhure 12.1: 1 19. APPADURAI, Aqun, 1986 (ed.): The Sociol Life of Things: Cornmodities in Cultural Perspeaive. Cambr~dge: Cambridge University Press. APPADURAI, Arjun, E J. KOROM y M. MILLS (ed.), 199 1 : Gender, Genre and Power in South Asion Expressive Troditions. Philadelphia: University of Pennsylvania Press. APTE, Mahadev L., 1978:Moss Culture, Longuoge, ond Arts in Indio. Bombay: Popular Prakashan. ARAKI, Hiroyuko, 1978: "The Wandering Infant-Noble Theme In Japanese Legends and Mass Media". A: Folklore in the Modern World. Ed. Richard Dorson.The Hague: Mouton. 147-54. A U G ~Marc, , 1993: Los ((no lugores)) espocios del ononimoto: una ontropalogio de 10 modernidod. Barcelona: Gedisa. 16. AUGE, Marc. 1998: Hocio una ontrcpologia de 10s mundos contemporaneos. Barcelona: Ged~sa. 17. AYATS, Jaume, 1998:"Como modelar la imagen sonora del grupo: 10s eslóganes de manifestación". Antrapologio 16: 243-267. 18. BAER, Florence E., 1982: "'Give me... Your Huddled Masses': AntiVietnamese Refugee Lore and the 'Image of Limited Good"', Western Folklore 4 1.4: 275-29 I. 19. BAKER Ronald L., 1976: "The Influence of Mass Culture on Modern Legends", Southern Folklore Quorterly 40: 367-376. 20. BARON, Robert y Nicholas R. SPITZER (ed.), 1992: Public Folklore. Washington, D.C.:Smithsonian Institution Press. 21. BAUMAN, Richard. 1984 [1977]: Verbal Art as Performance. Prospect Heights, 111.:Waveland Press. 22. BAUMAN. Richard, 1986: Story, Performance, ond Evenr Contextuol Studies in Oro1 Norrotive. Cambridge: Cambridge University Press. 23. BAUMAN, kchard (ed.), 1992: FOC klore, Cuhural Performonces, ond Papular Entertainments.NewYork Oxford University Press. 24. BAUMAN, Richard y Joel SHERZER, 1989:Explorations in the Ethnogrophy of Speoking. New York Cambridge University Press. 25. BAUMAN, Richard y Roger D. ABRAHAMS (ed.), 198 I : 'And Other Neighborly Nomes . . .': Sociol Process and Cultural lmoge in Texos Folklore. Austin: University ofTexas Press. 26. BAUSINGER Hermann, 1966: "Zur Krit~kder Folklorismuskritik". A: Papulus Revisus. Ed. Hermann Bausinger 6 1-72, 27. BAUSINGER, Hermann, 1990 [1961]: Folk Culture in o World of Technology.Trad.Elke Dettmer Bloomington: lndiana University Press, 28. BAUSINGER, Hermann, 1999 [ I 97 I]: Volkskunde: von der Altertumsforschung zur Kuhuronolyse.Tüb~ngen:Tübinger Vereinigung fur Volkkunde. 29. BAUSINGER, Hermann y Elfriede MOSER-RATH, 1976: Direkte Kommunikotion und Mossenkornmunikotion. Scholss:Tübingen. 30. BEARDSLEY Richard K, y Rosalie HANKEY 1942: "The Vanishing Hitchhikei'. Colifornio Folklore Quorterly 1 : 303-3s. 3 1 . BEARDSLEY Richard K. y Rosalie HANKEY 1943: ' A Hstory of the Vanishing H~tchhikei'.Colifornio FOC klore Quorterly 2: 13-35. BECK, Ulrich, 1998: ¿Que es 10 globalizoción? Folocios del glabolismo, respuestos o la globolizoción. Barcelona: Paidós. BECKER Jane S. y Barbara FRANCO, 1988:Folk Roots, New Roots: FOC klore in Americon Life. Lexington, Mass.:Museum of Our Natlonal Heritage. BELL, David y Barbara M. KENNEDY (ed.), 2000: The Cybercuhures Reoder. London: Routledge. BELLVER AMARE, Fernando. 1999: Lo cep0 mediterranea: Del Mediterráneo al Pacifico, del Neolitico a 10 globolizoción.Madrid: Noesis. BEN-AMOS, Dan, 1984:"The Seven Strands of Tradition: Varieties in Its Meaning In American Folklore Studies",]ournol of Folklore Reseorch 2 1 : 97.131 BEN-AMOS, Dan, 1990: "Foreword". A: Folk Culture in o World of Technology. Hermann Baus~ngerBloomingon: Indiana Univers'ity Press. vii-xv. BENDIX, Regina, 1993: "Of Mohrenkopfe and loponesen: Swiss Images of the Foreign". journol of Folklare Reseorch 30.1: 15-28. BENDIX, Regina, 1997: In Search of Authenticity.The Formotion of Folklore Studies. Madison: The University of Wisconsin Press. BENDIZ, Regina y Barbro KLElN (ed.), 1993:"foreigners and Foreignness in Europe:Express~veCulture in Transcukural Encounters"]ournol of Folklore Reseorch (número monografico). 30. l BENDIX, Regina y Gisela WELZ, 1999:"Cuitural Brokerage: Forms of lnteilectual Practice in Society",]ourno1 of Folklore Reseorch 362-3. BENJAMIN,Waker; 1973: "La obra de arte en la época de su reproductibilidad técn~ca".A: Discursos Interrumpidos. Trad. Jesús Aguirre. Madrid:Taurus.[1968:"TheWork ofArt In the Age of Mechan~calReproduction". A: Illuminotions. New York Schocken.219-2531, BENNEn, G~llian,1884:"The Phantom Hitchhiker: Neither Modem, Urban, nor Legend". A: Perspectives on Contemporory Legend: Proceedings of the Conference on Contemporory Legend, Sheffield, july 1982. Ed. Paul Sm~th.Shefield:CECTAL. BENNETT, Gillian, 1985: "What's 'Modern' about the Modern Legend?', Fobulo 26: 2 19-229. B E N N U L Giilian, 1987.Troditions of 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. Belief:Wornen ond the Supernatural. Harmondsworth: Pelican. BENNET, Gillian, 1995: "'lf I knew You Were Comlng I'd Have Baked a Cake': The Folklore of the Foreknowledge in a Neighborhood Group". A: Out of the Ordinary: FOC klore and the Supernatural. Ed. Bahara Walket: Logan: Utah State University Press. BENNElT, Gillian, 1999: "Alas, Poor Ghost!" Traditions of Belief in Stary ond Discourse. Logan: Utah State University Pwss. BENNETT, Gillian y Paul SMITH (ed.), 1988: Monsters with lron Teeth: Perspectives on Contemporary Legend. Vol. I . Shefield: Shefield Academic Press. B E N N m , Gillian y Paul SMITH, 1993: Conternporary 1egend.A Folklore Bibliagraphy.NewYork Garland. BENNET, Gillian y Paul SMITH (ed.), 1996: Contemporary Legend. A Reoder. New York Garland. BERLAND, jody, 1996: "Mapping Space: ImagingTechnologiesand the Planetary Body. A: Technoscience ond Cyberculture. Ed. S. Aronowitz. New York Routledge. 123-37. BERMANI, Cesare, 199 1 : 11 barnbino e servito. Leggende rnetropalitane in Itolia. Barl: Edizioni Dedalo. BERNIER Bemard, 1990: "Le Japon. Culture de I'économie,économiede la culture". Anthropologie et Sacietés 14.3:5-9. BERTHELEU, Hélene, 2000: "Cohésion sociale, ethniclté et hiérarchies: fgtes et rituels lao en France". Revue Européennedes Migrations Internationoles 16.2: 153- 170. BEST,Joel, 199 I :"Bad Guys and Random Violence: Folklore and Media Constructions o f Contemporary Deviants", Conternporary Legend: the journal of the lnternatianal Society for Conternporary Legend Research I : 107-21. BIBEAU,G., 1999:"Comment Mourir a I'ére technologique?D u droit la mortU.A:Anthropologie et 10 MorSActes du Colloque S: 9- 18. Montreal: Dept.Anthropologie Univ. Montreal. BIRD, Donald Allport. 1976: "ATheory for Folklore in Mass Media:Traditional Pattems in the Mass Media". Southern Folklore Quorterly 40: 285305. BIRD, S. Elizabeth, 1996:"CJ's Revenge: Media, Folklore,and the Cultural Construction of AIDS', Critical Studies in Moss Cornrnunication 13.1: 4458. BLACHE, Martha (ed.), 1994: Narrativa Folklorica. Vol. I. Buenos Aires: Centro Editor de America Latina. BLACHE, Martha (ed.), 1995: Narrativa Folklorica.Vol.ll.Buenos Aires: FADA. BLACHE, Martha (ed.), 1999: Folklcre urbono.Vigencia de 10 leyendo y 10s relatos tradicionales. Buenos Aires: Ediclones Collhue. BLANCH, Antonio, 2000: Luces y sornbras de la globalizaci6n. Madrid : Universldad Pontlficia Comillas. BOOTH, Gregory D., 1990: "Brass Bands: Tradit~on, Change, and the Mass Media in lndlan Wedding Music", Ethnornusicology 34.2: 245-262. BORLAND, Katherlne, 199 I :"'That's Not What I Said': lnterpretive Conflict in Oral Narrative Re8earch.A : Women's Words:The Ferninist Practice af Oral Histary. Ed. S. B. Gluck and D. Patai. NewYork Routledge. 63-75. BORN, Glorgina. "La materialitat precaria del programari:slstemes VIsuals i relacions socials en la tecnologia digital". Revista d'€tnologia de Catalunya ( I 999), 14,46-67. BOTTOMLEY; Gillian, 2000: "Negociaation, polyphonie et différence dans les pratiques créatives des Grecs-Australiens". Revue Europeenne des Migratians Internotianoles 16.2: 1 19- 129. BRANCH, Roger G. y Richard PERSIC0 JK, 1990: "Catface Country: A Case Study ~n Cultural Conservat~on".A: Cultural Heritage Conservotion in the Arnerican Sauth. Ed. Benita J. Howell. Athens: Universty of Georgia Press. BRIGGS, Charles, 1988: Cornpetence in Perfarrnance:The Creativity ofTrodition in MexicanaVerbalArt. Philadelphia: University of Pennsylvanla Press. BRIGGS, Charles y Amy SHUMAN (ed.), 1993: "Theorizing Folklife: Toward New Perspectives on the Politics of Culture". Western Folklore (número monogtáfico) 52:2,3 y 4. BRIGGS, Charles y R~chardBauman, 1992:"Genre, Intertextuality and Socia1 Powei'.jaurnal of LinguisticAnthrapalogy 2: 13 1 - 172. BRUNVAND, Jan Harold, 198 1: The Vanishing Hitchhiker. Arnericon Urban Legends and Their Meanings. New York, London: Norton. BRUNVAND. Jan Harold, 1984: The Choking Daberrnan and Other ccNew)) Urban Legends. New York: Norton. BRUNVAND, Jan Harold, 1986: The Mexicon Per Mare " N e g Urban L e gends and Same Old Favorites. New York W W Norton. BRUNVAND,jan Hamld, 1989: Curses! BroiledAgain. The Honest Urban Legends Going. NewYork Norton. BRUNVAND, Jan Harold, 1993: The Baby Train.And Other Lusty Urbon Legends: NewYork, London. BRUNVAND, Jan Harold, 1986: The Mexicon Pet. New York, London: Norton. BUELL, Frederick. 1998: "Nationallst Postnationalism:Globallst Discourse in Contemporary American Culture". Arnerican Quorterly 50.3: 548-9 I. BURNS,Tom, 1969: "Folklore in the Mass Medla:Television", Folklore Fcrurn 2: 90- 106. BUXÓ, Maria Jesús, I999a:"Cultures en el clberespa!: envers una sociedat digitalitzada", Revista d'Etnologio de Catalunya 14: 5-7. BUXÓ, Man'a Jesús, I999b:"Tecnologies intel-lectuals:suports interactius, extensius i vlrtuals de la cognició i la cultura", Revista &Etnologia de Cotolunya 14: 8- 17. CAMPION-VINCENT; Véronique, 1993:"Demonologies in Contemporary Legends and Panics. Satanism and Baby Parts Storles". Fabula 34: 238-25 1. CAMPION-VINCENT; Véronique, 1999:"La meprise tragique:Transformations d'un récit traditionnel". Cahiers de littérature arole 45: 1 1-36. CAMPION-VINCENT, Véronlque y Jean-Bruno RENARD, 1992: Légendes urboines. Rumeurs á'aujaurd'hui. Paris: Payot. CANTWELL, Robert, 1993: Ethncmimesis: Folklore and the Representation of Culture. Chapel H~ll:Un~verslty of North Carolina Press. CASTELLS, Manuel, 1976: La cuestion urbana. México: Siglo XXI. CASTELLS, Manuel, 1986: La ciudad y las masos: sociologia de 10s rnovirnientos sacioles urbanos.Version Española de Rosendo Gallego.Madrid: Allanza. CASTELLS. Manuel, 199 I: The Inforrnational City: Infarrnon'on,Technology, Economic Restructuring, and the Urban-Regional Process. Oxford: Bas11 Blackwell [La ciudad inforrnocionol: Tecnolagías de la infarmacion, reestructuración econornica y el proceso urbono-regional. Madrld: Alianza, 19951. CASTELLS, Manuel, 2000: La era de la inforrnocion. Madrid:Alianza. CHRISTENSEN, Robert Zola, 1999: "Vandrehistor~en:Et modeme folkesagn og dets beslaegede genrer", Nord Nyn 74: 17-37. 90. COLEMAN, Loren, 1979: "Alligators-in-the-Sewers: A Journalistic Origin". Journa1 af American Folklore 92: 335-38. 9 1. CONDRY; lan, 1999: "Japanese Rap Mus1c:An Ethnography of Globalization in Popular Culture".Tes~sDoctoral.Yale University 92. CONTRERAS, Pau, 1999:"Internet i la societat de la informacio. Revista d'Etnologia de Catdunya 14: 76-83. 93. COOMBE. Rosemary J., 1997: "The Demonic Place of the 'Not There': Trademark Rumors ~n the Postindustrial Imaginary".A: Culture, Power, Ploce: Explorations in Critical Anthmpology. Ed. AWlil Gupta y James Ferguson. Durham: Duke University Press. 249-74. 94. CORD, Xenia, 1969: "Department Store Snakes". Indiana Foíklore 2: 110-15. 95. CORDEIRO, Albano y Marie-Antoinette HILY,2000:"La fGte des Portugais: hefitage et invention".Revue Europeenne des Migrations Internationales 16.2: 59-75. 96. CORN, JosephJ., 1996:"Object Lessons/Object Myths?What Historians ofTechnology Learn fromThings8'.A: Learning from Things: Method and Theory af Material Culture Studies. Ed. W Davld Kingery Washington: Smithsonian. 35-54. 97. COUSILLAS,Ana M., 1996: "Medios de comunicación y folklore", Revisto de lnvestigaciones Fokloricas I 1 :2528. 98, CRUCES VILLALOBOS, Franclsco, 1992: "Cómo hacer cosas con programas. El proceso de producción de fiestas en Madrid". Diologos de 10 Carnunicación 34: 14-25. 99. CRUCES VILLALOBOS, Francisco, 1995: "Flestas en la ciudad de Madnd. Un estudio antropológico".Tesis Doctoral. UNED. 100. CRUCES VILLALOBOS, Francisco y Ángel D~AZDE RADA, 199 1:"El intruso en su ciudad. Lugar social del antropólogo urbano". A: Malestar cultural y conflicte en la sociedad rnodrileña. ll~ornadasde Antropologia en Madrid. Madrid: Comunidad de Madrid. 10 1. D'ALISERA, JoAnn, 1998: "Born ~n the USA: Naming Ceremonies of Infants among S~erraLeoneans in the American Capital". Anthrapalagy Tcday 14.1: 16-8. 102. D'ALISERA,JoAnn, 200 I : "I ( Islam: Popular Religious Commodities, Sites o f Inscription, and Transnational Sierra Leona Identity".journol ofMoteri01 Culture 6.1: 9 1 - 1 l O. 103. 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DEI, George J. Sefa, Budd L. HALL y Dorothy Goldin ROSENBERG (ed.), 2000: Indigenous Knowledges in Glabol Contexts:Multiple Reodings of Our World.Toronto, Ruffalo: OISEIUT. 1 12. DENBY, Priscilla, I97 1 : "Folklore in the Mass Medla", Folklore Forum 4: I 13-25, 1 1 3. D~AZG. VIANA, Luis, 1997: De 10 propio extroio. Oiartzun: Sendoa. 1 14. D~AZG. VIANA. Luis, 1998: "Visiones nativas y foráneas o el verdadero objeto de la etnografia: reflexiones en torno al conocimiento del 'patrimonio etnogkfico' de Castilla y León". Politico y Sociedod 27: 2 1-32. 1 1 5. D~AZG.VIANA, Luls, 1999:Los guordianes de 10 trodición. Ensayos sobre 10 "invención" de la cultura popular. Oiartzun: Sendoa. 1 16. DIMITRIJEVIC,Dejan, 2000: "Le rituel de la slovo et I'imagina~recommunautaire de I'unité. Les Roumains de Homolje et les Sebes en France". Revue Europeenne des Migrotions lnternotionoles 16.2: 9 1 - 1 15. 1 17. DJUPEDAL, Knut, 1993: "Mass Media, Esoteric Groups and Folkloristics",journol of Popular Culture 26.4: 69-78. 1 18. DOMOWITZ, Susan, 1979:"Foreign Matter In Food: A Legend Type". Indiono Folklore 12: 86-95. 1 19. DORSON, Richard M., 197 1:"lsThere a Folk in the City?'.A: Jhe Urbon Ewperience and Folk Trodition. Ed. Américo Paredes y Ellen J. Steker Austln: Universty ofTexzs Press. 2 1 52. 120. DORSON, Rlchard M., 1976: Folklore and Fokelore: Essays Toword o Discipline of Folk Studies. Cambridge: Harvard University Press. I 2 I . DORSON, R~chardM. (ed.), 1978: Folklore in the Modern World. The Hague: Mouton. 122. DREYFUS,H. L., 1986:Mind over Machine. NewYork Free Press. 123. DUMERCHAT, Frederic, 1990: "Les auto-stoppeurs fantdmes: Des récits legendaires contemporains". Communicotions 52: 249-8 l 124. DUNDES, Alan. 1969:"The Devolutionary Premise in FolkloreTheory", Journal of the Folklore Institure 6: 519. 125. DUNDES, Alan: 1978 [I 9771: "Who Are the Folk?'.A: Anolytic Essoys in Folklore.Ed.Alan Dundes. Meerut, Ind~a:Folklore Institute. 1-2 1. 126. DUNDES, Alan: 1985: "Natlonalistic lnferiorlty Complexes and the Fabrication of Folklore".Journol of Folklore Reseorch 22: 5 - 18. 127. DUNDES, Alan, 1998:"Bloody Mary in the Mirror: A Ritual Reflection OC Pre-Pubescent Anxiety". Western Folklore 57: 1 19-35. 128. DUNDES. Alan y Carl R PAGTER, 1975: Urbon Folklore From the Poperwork Empire, Austin: American Folklore Society 129. ELLIS, Bill, 2000: Roising h e Devil: Sotonism, New Religions, ond the Medio. Lexington: University Press of Kentucky. 130. ESCOBAR,Arturo, 1994:"Welcome t o Cyberia: Notes on the Anthropology of Cybercukure". Current Antrhopology 35.3: 2 l 1-3 I . 13 1. ERICKSON,T (ed.), 1999:"Persistent Conversation". journol of ComputerMediated Communicotion (número monogtáfico) 4.4. 132. ERLMANN,Veit, 1998:"How Beautiful is Small? Music, Globalization and the Aesthetics of the Local". 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Noves tradicions i invenció de la tradició 6.7,8,33,34,36,37,39,45,47, 124, 125, 153, 19 1. 193, 194, 241, 242. 252, 277, 278,295,329,336,348,349 Llegendes urbanes 14. 18, 19,30,31,43,44,48,49,50,52,55. 61, 71-76, 81, 82, 83, 89, 90, 93, 94, 108, 109, 110, 113, 118, 123, 127, 145-149, 152. 1 69, 170, 229, 230, 244, 245, 273, 276, 284, 300, 302, 304, 3 13, 321, 327, 330,33 1,333,337,345,351,353,357 Festes, rituals i societat de consum La pol;tica de la cultura 67,69,84,95, 134, 142, 162, 164, 168, 176, 181, 183, 184, 185, 191, 198, 218, 223, 225, 242, 248, 249, 27 1 , 274, 275, 288, 306,335,336,339,354,355 Música 6, 17,63,9 1 , 1 32, 144, 159,226,268,282 Cultura expressiva en ciutats 1, 8, 27, 33, 37, 119, 125, 128. 141, 150, 151, 172, '73, 187, 208, 209, 210, 217, 22 1,222,238,259,278,292,296,297 Dones i cultura expressiva 1 2,45,64, 195,21 3,2 14,280, 30 1 , 347 Mitjans de comunicació de masses i fol358. klore 13, 14, 19,29,50,51,55,57,58,63,97, 112, 115, 117, 120, 121, 129, 163, 174, 182, 186, 193, 21 6, 228, 232, 235, 239, 243, 246, 250, 253, 254, 258, 269, 276, 277, 302, 308, 311, 312, 314, 316, 317, 322,323,328,332,334,341 Tecnologia i cultura expressiva 4,27,29. 34. 37,42,5 1,56,65,78,79,80, 92, 103, 104, 122, 130, 131, 133, 136, 139, 177- 180, 197, 234, 261, 266, 272, 280, 283,294,3 19,324,340,344,346,352 Globalització i cultura 10, 15, 16,32,38,40,62,77,87, 1 11, 136138, 156, 158, 17 1, 188, 190, 204. 207, 219. 220, 240, 247, 257, 270, 285-287, 305,325,340,343,356 Cultura com a bé de consum I I, 20, 26, 35, 41, 53. 67, 154-158, 162, 168, 223, 224, 225. 255, 265, 3 15, 326, 335,336,342 Poder i cuitura expressiva 7, 12. 18,25,28,41, 69,70, 84, 126, 134. 1 35, 140, 142, 154, 206, 2 1 5, 267, 274,