Freezing Effects

XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
Freezing Effects
Ángel J. Gallego (CLT/UAB) & Juan Uriagereka (UMD)
<[email protected]>
<[email protected]>
Goals of the talk
1 - Discuss different cases of so-called “freezing (=island) effects”
2 - Reduce Rizzi’s sub-cases (i.e., Criterial Freezing) to Full Interpretation
1. Ways of ‘Clouding’ Chains
Chomsky’s (to appear) controversial analysis: edges are Probe-proof
- SPEC-v* subcase
(1) a.*[CP Of which cari C did [TP [the driver ti]j T [v*P tj v* cause a scandal] ] ]?
b. [CP Of which cari C was [TP [the driver ti]j T [vP v awarded tj a prize] ] ]?
[from Chomsky to appear]
- SPEC-C subcase
(2) a. ??[CP Whoi C do you wonder [CP [which picture of ti]j C Mary bought tj ] ]?
b. ??[CP Whoi C do you wonder [CP [which picture of ti]j C tj is on sale] ]?
[from Lasnik & Saito 1992:102]
(3) Chomsky’s (to appear)
Phase edges trigger a “freezing” effect
ProbeP
rp
Probe
...
v*P
to
DP
v*’
6 3
v*
...
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
Rizzi (2006) implements the intuition by assuming “Criteria” satisfaction
has a freezing effect
(4) Criterial Freezing (first version)
A phrase meeting a criterion is frozen in place
[from Rizzi 2006:112]
Against ‘too-much’ A-bar checking (see Bošković 2005, Rizzi 2006, inter alii)
(5) a. *[CP Whoi ti thinks [CP that, which problemz, Mary hates tz ] ]?
b. *[CP Which booki C does Bill wonder [CP ti C she read ti ] ]?
(6)
ProbeP
rp
...
ForceP
qy
Force
FocP
qy
XP[F]
Foc’
6 ey
Foc[F]
FinP
wy
...
XP[F]
Torrego’s (1985) data and Rizzi’s (2006) follow-up
(7) [CP De qué autorai C no sabes [CP [qué traducciones ti]j C . . .
of what author not know-2SG what translations
. . . [TP tj han
ganado premios internacionales] ] ]?
(Spanish)
have-3PL won
awards international
‘Which author don’t you know what translated books by have won
international awards?’
[from Torrego 1985:31]
(8) ?[CP Di quale autorez C ti
domandi [CP [quanti
libri tz]i C . . .
of which author CL-you wonder-2SG how-many books
. . . [TP siano stati censurati ti] ] ]
(Italian)
be-3PL been censored
‘Which author do you wonder how many books by have been censored?’
[from Rizzi 2006:114]
Interim summary (1)
In some cases, “Criterial Freezing” effects can be circumvented
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
Against ‘too-much’ A checking (see Lasnik & Boeckx 2006)
(9) *[CP C [TP Johni T seems [TP ti T is ill ] ] ]
Hyper-raising
Illicit Chains
(10) a. A → A (Hyper-raising)
b. A → A-bar (Improper Movement / Chain Uniformity)
c. A-bar → A (Improper Movement / Chain Uniformity)
d. A-bar → A-bar (Criterial Freezing)
Previous unifying accounts
(11) Anti-Locality (Abels 2003, Bošković 1994; Ghromann 2000; 2003)
Movement [for checking purposes] must be not too local (within the same
relevant domain, be it a phrase or a phase)
(12) Principle of Unambiguous Chain
Chains must be defined unambiguously
[from Boeckx 2003:13]
(13) Anti-Overcrowding Law
Chains/Phrases do not tolerate extra/duplicated members
[from Boeckx 2008:40]
2. Sub-Extraction or Aboutness Base-Generation
(14) [CP De qué autorai C no sabes [CP [qué traducciones ti]j C . . .
of what author not know-2SG what translations
. . . [TP tj han
ganado premios internacionales] ] ]?
(Spanish)
have-3PL won
awards international
‘Which author don’t you know what translated books by have won
international awards?’
[from Torrego 1985:31]
(15) Criterial Freezing (final version)
The Criterial Goal is frozen in place
[from Rizzi to appear]
(16) [CP WHi C . . . [DP RP [ ti ]] . . . ]
(Boeckx 2003)
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
(17) Two structural patterns
a. [ [Verb DP] PP]
b. [ [Verb [DP PP]]
(18) a. Juan
Juan
‘Juan
b. Juan
Juan
‘Juan
Aboutness
non-Aboutness
sabe [CP que María fuma]
non-Aboutness
know-3SG that María smoke-3SG
knows that María smokes’
sabe [PP de María] [CP que fuma] Aboutness
know-3SG of María
that smoke-3SG
knows about María that she smokes’
(Spanish)
(Spanish)
(19) a. Juan sabe [de María][CP[qué novelas de Cortázar]i ha leído ti] (Spanish)
Juan know-3SG of María what novels by Cortázar have-3SG read
‘About María, Juan knows which novels by Cortázar she has read’
b. *[CP De qué escritori C sabe
Juan [de María] . . .
of what writer
know-3SG Juan of María
. . . [CP [qué novelas ti]j C ha
leído tj] ] ?
(Spanish)
what novels
have-3SG read
‘Which writer does Ana know about Luis which novels by he has read?’
(20) a. [CP [ De qué hijo suyo]i C sabes
que. . .
of what son his
know-2SG that
(Spanish)
. . . ha
leído [CP todo padre [qué novelas ti] ] ]?
have-3SG read
every father what novels
‘Which son of his do you know which novels by has every father read?’
b. (*)[CP [De qué hijo suyo]i C sabes [CP [qué novelas ti] C . . .
of what son his
know-2SG what novels
. . . ha
leído todo padre] ] ?
(Spanish)
have-3SG read every father
‘Which son of his do you know which novels by has every father read?’
A-bar minimality / A-over-A effect
(21) . . . X . . . [α . . . [γ . . . β . . . ] ]
Two cases to consider
(A) . . . X . . . , [α . . . [γ . . . β . . . ][+TOPIC] ][+TOPIC] , . . .
(B) a.
b.
c.
d.
. . . X . . . , [α . . . [γ . . . β . . . ][+FOCUS] ][+TOPIC] , . . .
. . . X . . . , [α . . . [γ . . . β . . . ][+WH] ][+TOPIC] , . . .
. . . X . . . , [α . . . [γ . . . β . . . ][+RELATIVE] ][+TOPIC] , . . .
etc.
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
- (B) Case
(22) a. *[CP De qué escritori C te
parece [CP C que, [las novelas ti ]j . . .
of what writer
CL-to-you seem-3SG that, the novels,
. . . lo
van
a tj hacer
millonario] ]?
(Spanish)
CL-him go-3PL to
make-INF millionaire
‘Which writer does it seem to you that the novels by are going to make
him rich?’
b. *[CP De qué pintori C te
parece [CP C que, [los cuadros ti ]j, . . .
of what painter CL-to-you seem-3SG that, the paintings,
. . . los
detesto tj ] ]?
(Spanish)
CL-them hate-1SG
‘Which painter does it seem to you that the paintings by I hate?’
[from Gallego 2007:358]
- (A) Case
(23) a. ??[CP De Javier Maríasi, C me
parece [CP C que, [las novelas ti]j . . .
of Javier Marías,
CL-me seem-3SG that the novels
. . . las
han
sobrevalorado tj] ]
(Spanish)
CL-them have-3PL overrated
‘Javier Marías, it seems to me that, the novels by, people have overrated them’
b. *[CP De Scorsesei, C me
parece [CP C que, [muchas películas ti]j . . .
of Scorsese
CL-me seem-3SG that, many movies,
. . . aún no he
visto tj] ]
(Spanish)
yet not have-1SG seen
‘Scorsese, it seems to me that, many movies (by him), I have not seen (any) yet’
(24) a. Ana, a María, el secreto, se
lo
dijo.
Ana to María the secret CL-her CL-it told-3SG
‘Ana, to María, the secret, she already told’
b. A María, Ana, el secreto, se
lo
dijo.
to María Ana the secret CL-her CL-it told-3SG
‘To María, Ana, the secret, she already told’
c. El secreto, Ana, a María, se
lo
dijo.
the secret Ana to María CL-her CL-it told-3SG
‘The secret, Ana, to María, she already told’
(Spanish)
(Spanish)
(Spanish)
In situ sub-extraction
(25) a. ?[CP Whoi C did you buy [what pictures of ti] ] ] ]?
b. [CP Which actressi C did you buy [which pictures of ti] ] ] ]?
Interim summary (2)
a. When the relevant verb is used, “Criterial Freezing” effects cannot be
circumvented, regardless of the featural nature of the displaced
constituents.
b. Leaving the would be island in situ does help circumvent “Criterial
Freezing.”
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
3. “Criterial Freezing” under “Full Interpretation”
“Criterial Freezing” Redux
(26) The EPP position of a phase Ph is assigned INT(erpretation).
[from Chomsky 2001:33]
(27) Principle of Unambiguous Chain
Chains must be defined unambiguously
[from Boeckx 2003:13]
(28) Principle of Full Interpretation
Convergence condition requiring elements to have a uniform
(appropriate) interpretation at the interfaces
[form Chomsky 1986b; 1993]
Full Interpretation at PF and LF
(29) [CP C [TP <John> T was [vP v arrested <John>] ] ]
(see Nunes 2004)
(30) a. Which pictures of himself and herself did John and Mary think I saw ?
b. *Which pictures of himself and herself did John think Mary saw?
A formal or an interpretive effect?
(31) a. Mi
domandavo [CP quale RAGAZZAi C avessero scelto ti] . . .
CL-me wonder-1SG which GIRL
had-3PL chosen
. . . non quale ragazzo.
(Italian)
not which boy
‘I wonder which GIRL they had chosen, not which boy’
domandavo [CP ti avessero suelto ti] . . .
b. *[CP Quale RAGAZZAi C mi
which GIRL
CL-me wonder-1SG
had-3PL chosen
. . . non quale ragazzo.
(Italian)
not which boy
‘Which GIRL do I wonder had chosen, not which boy?
[from Rizzi 2006:113]
(32) *Me
pregunto [CP han
elegido a qué CHICA] . . .
CL-me wonder-1SG have-3PL chosen to what girl
no a qué chico.
not to what boy
‘I wonder what GIRL they have chosen, not what boy’
(Spanish)
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XVIII Colloquium on Generative Grammar
Universidade de Lisboa, Lisboa (Portugal)
17-19 April 2008
4. Conclusions
-
This presentation has argued that the data noted by Lasnik & Saito
(1992), in fact first discussed by Esther Torrego, are ruled out due to
interface constraints (ultimately related to Chomsky’s MST/PFI), not
freezing effects of the A-bar type.
-
The fact that minimalism (can) offer an interface (and not featurechecking) driven way to formulate what Rizzi calls Criterial Freezing is
–we believe– a much welcome result. This is so because it reinforces
the minimalist thesis that descriptive technology associated to the socalled “first factor” (UG) can be recast in “third-factor” terms.
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17-19 April 2008
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