Sistemas de notación musical alternativos (II)

MUSICOLOGÍA

[email protected]
Sistemas de notación
musical alternativos (II)
Una aproximación a la grafía del ritmo duracional
| Alternative systems of musical notation (II):
An approach to the spelling of rhythm durational
Resumen
    
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
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
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      
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        




núm. 3 | 2012
L
< 48
MUSICOLOGÍA
Palabras clave
      

Abstract


      
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      

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     

     

      


      
       
    
     



Keywords
      

Introducción
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sumario
núm. 3 | 2012
Dr. José María Peñalver Vilar
49 >
Notación alternativa
del ritmo musical
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núm. 3 | 2012
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MUSICOLOGÍA

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sumario
núm. 3 | 2012

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51 >
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núm. 3 | 2012
núm. 3 | 2012
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MUSICOLOGÍA
sumario
53 >
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núm. 3 | 2012
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MUSICOLOGÍA
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núm. 3 | 2012
Las figuras de nota y silencio
sumario
55 >
Actividades
(VSRQGHR
Conclusiones

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Bibliografía
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< 56
núm. 3 | 2012
núm. 3 | 2012
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MUSICOLOGÍA
sumario
57 >