Miguel de Fuenllana. Fantasía XXVII

Fantasía XXVII
Libro cuarto del "libro de música para vihuela, intitulado Orphenica lyra"
(Sevilla, 1554)
Miguel de Fuenllana
Transcripción: Luis Vidueira Ávila

 

1

(Navalcarnero, Madrid, ?; después de 1578)


4
0
      



sol
Original: Vihuela en SOL

6

 
3
4
11

 
4
2

3

    
 
    


      


3


 


 
  
   
 

21
4
0
2
3
2



 

2

   


3
2
 
 
4
1





2


1
4
4
4
2
3
1
3
 


  
 

3
2
2

  






0
3
3
4
3


1
 *)  
   

3
3
16
1
2
C.III
0


  










                    


 


26
4
1
1
3


 


 

31
4
4
2
1
3



  
3
2


4
2
 

*) Digitación del transcriptor que destaca el comienzo del motivo en la voz grave.
3




3
  


3



   


36


    
41
46

 

4
1
3

1
3
2



 

2

  
61
4
1

3
4
2
4
1
1

0

4
1

   
1
1
4
3
4

4
0
3

   



   
2
2
2
3
C.I
  
 










  


2
4
4

1



1
2



0
4


2
3


1
2



4





3
0
4
3

 
   
1




   
2
3
0
0
3
2
4
 
1


2
3
4
2


1

   


  




2
4
3
1




    
   




3
3

 
2
3
1

  
3
66
2
4
3
56
3
1
4
2
1
 
2
2
 
  
4

  


            


51
2




4
2
                   
    






 
71
4
3
2
4
4
3
3
C.I

    


76
2
81
 

3
3

 

   
  


4
3

 


 




  
 
  
  




  
0

  

3
4
2
3
4


3
4


0
 
4
1
2
3




