reviews - Kaylor Management Inc.

Eduardo Fernández
www.eduardo-fernandez.com
www.youtube.com/eduardofdez
REVIEWS
‘Grand pianist (…) Fernández is a dignified pianist (…) The technical execution turned out to be impeccable.
Eduardo Fernandez is an interpreter that shows promise (…)’
[J. García, SCHERZO]
‘Eduardo Fernandez: More than a promise. (…) Gradually, with tenacity and intelligence, Eduardo Fernandez is
building a secure and rigorous career. (…) some interpretive interests equally relevant to virtuosity and the feelings,
as well as an impeccable taste (…)’
[SCHERZO]
‘(…) enviable technique and musicality (…) Excellent rigor and
interpretative fidelity (...) the irreproachable technique of Eduardo
Fernandez and his mastery of the keyboard transmitted speed and
clarity (…) With no doubt his technical skill, his good work and delicate
sense of music have made him one of the most talented pianists of our
country.’
[A. J. López Domínguez, OpusMusica.com]
‘Some of us started out thinking that the youth of the pianist
was incompatible with his perfect and powerful way of playing, but our
thinking was cut short by his magic. It caught us and wiped away our
thoughts. The flood of expression that he threw at us, this boy, with his
hands, completely out of the ordinary, made us, his public, watch in
amazement. And we experienced one of these moments of magic that
may surprise you when you least expect it. There we were, small
human beings, in front of somebody playing by the grace of the gods,
and we were incapable of escaping from this cloud of amazement,
marvel and astonishment…’
[E. Cedena, ABC]
‘(…) He played everything with accuracy, loyalty and a perfect technique (…) an electrifying version, forceful
and at the same time extremely delicate - unforgettable the slowest and elegiacally sung waltz of the third
movement! - of Prokofiev's Sixth sonata. (…) Petrushka's accomplishment loaded with imagination, good pianism
and dancing references (…) a hyper virtuous pianistic transcription of the popular flight of the bumble-bee that
fluttered and was imposed by gleaming virtuosity.’
[J. Romero, EL MUNDO]
‘Eduardo Fernandez embroiders Petrouchka. (…) he is an excellent pianist, a complete musician who not only
dominates the skill in an irreproachable way, but also is provided with an enviable musicality. (…) the version that
Fernandez offered has been excellent, exploiting to the maximum the exceptional timbric richness of the work,
uniting the technical difficulties of the work with the intense lyricism that underlies the whole piece’
[J. A. Lacárcel, IDEAL]
‘Eduardo Fernandez is undoubtedly one of the most talented Spanish pianists. In spite of his youth he is in the
enviable situation to be able to take on the most important challenges of his profession with a guarantee of success.’
[P. J. Vayón, FESTIVAL INTERNACIONAL DE MUSICA Y DANZA DE GRANADA]
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‘…good music prolongs life … the sensations provoced by an interpretation of the dimensions and depth given
to us by Eduardo Fernández are difficult to explain … In Rachmaninov’s 3rd Piano Concert Eduardo Fernández
combines tension, harmony, dialogue with the orchestra, and emotional solos, underscored by melodic expression …
breathtaking, fluid, magic, growing, bellisimo, memorable … to remember.’
[M. A. de la Ossa, LA TRIBUNA DE CUENCA]
‘Youth, balance and class. (…) Eduardo Fernandez is a young pianist who undoubtedly has a huge future
ahead of himself. But he does not fall into a box: his mind is simply overwhelming. (…) Continuing the trend,
magnificent was his interpretation of the Sonata in A major, D.959 by Schubert. He simply astonished in the second
movement, imbued with great drama, depth and melancholy.’
[M. A. de la Ossa, LA TRIBUNA DE CUENCA]
‘The pianist Eduardo Fernandez succeeded with the Iberia Suite. (…) Has emerged not only successful but
triumphant in his efforts. (…) A challenge far exceeded’
[J. A. Lacárcel, IDEAL]
‘Talent and courage. (…) Eduardo Fernandez can brag about his talent, because he simply possesses it, to that
it is necessary to add selective audacity in the preparation of a difficult program that he executes with challenging
courage. (…)’
[Aguiló de Cáceres, DIARIO DE MALLORCA]
‘Eduardo Fernandez’s concert was brilliant. He possesses an impeccable skill and his musicality and expressive
force are admirable. He plays Russian music with great energy and provides it with all its character. Next to his
forceful interpretation he also possesses an exquisite sensitivity when needed.’
[www.jmspain.org]
‘A world of high-level sensations. (…) it has been a sample of great interpretive virtuosity. With a program of
undoubted technical complication, Eduardo Fernandez realized a proud version. The interpreter demonstrated
vehemence in the forte movements and the crescendos, and a great sensitivity and smoothness in the slow and
pianissimo sections. The public was surprised by the world of sensations that woke the performance up. (…)’
[A. Gomila, DIARIO DE MENORCA]
‘(…) a superb interpretation of the Suite Iberia by Albéniz (…)’
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[D. Casillas, DIARIO DE AVILA]
REPERTOIRE
Piano & Orchestra
J. S. Bach
W. A. Mozart
L. v. Beethoven
F. Chopin
J. Brahms
C. Schumann
P. I. Tchaikovsky
S. Rachmaninov
S. Prokofiev
M. Ravel
A. Beach
G. Gershwin
I. Albéniz
M. de Falla
J. Rodrigo
J. Adams
Concierto en Re menor, BWV 1052
Concierto para piano y orquesta en Do mayor, KV 415
Concierto para piano y orquesta en Sol mayor, KV 453
Concierto para piano y orquesta nº 4 en Sol mayor, Op. 58
Concierto para piano y orquesta nº 5 en Mi b mayor, Op. 73
Concierto para piano y orquesta nº 1 en Mi menor, Op. 11
Concierto para piano y orquesta nº 2 en Fa menor, Op. 21
Concierto para piano y orquesta nº 1 en Re menor, Op. 15
Concierto para piano y orquesta nº 2 en Si b mayor, Op. 83
Concierto para piano y orquesta en La menor, Op. 7
Concierto para piano y orquesta nº 1 en Si b menor, Op. 23
Concierto para piano y orquesta nº 2 en Sol mayor, Op. 44
Concierto para piano y orquesta nº 1 en Fa # menor, Op. 1
Concierto para piano y orquesta nº 2 en Do menor, Op. 18
Concierto para piano y orquesta nº 3 en Re menor, Op. 30
Concierto para piano y orquesta nº 4 en Sol menor, Op. 40
Rapsodia sobre un tema de Paganini, Op. 43
Concierto para piano y orquesta nº 1 en Re b mayor, Op. 10
Concierto para piano y orquesta nº 2 en Sol menor, Op. 16
Concierto para piano y orquesta nº 3 en Do mayor, Op. 26
Concierto para piano y orquesta nº 5 en Sol mayor, Op. 55
Concierto para piano y orquesta en Sol mayor
Concierto para piano y orquesta en Do # menor, Op. 45
Rhapsody in blue
Concierto para piano y orquesta
Concierto fantástico, Op. 78
Rapsodia española, Op. 70
Noches en los Jardines de España
Concierto heroico para piano y orquesta
Century Rolls
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Recital
J. S. Bach
D. Scarlatti
P. A. Soler
W. A. Mozart
L. v. Beethoven
F. Schubert
R. Schumann
F. Liszt
F. Chopin
J. Brahms
S. Thalberg
M. Mussorgsky
S. Rachmaninov
Partita nº 4 en Re mayor, BWV 828
Preludios y fugas varios
Fantasía cromática y fuga en Re menor, BWV 903
Aria variata en La menor, alla manera italiana, BWV 989
Sonatas varias
Sonatas varias
Sonata en La mayor, KV 300i (331)
Sonata en Fa mayor, KV 300k (332)
Sonata en Si b mayor, KV 315c (333)
Sonata en Do mayor, KV 545
Sonata en Re mayor, KV 576
Fantasía en Re menor, KV 397
Sonata nº 8 en Do menor, Op. 13 “Patética”
Sonata nº 11 en Si b mayor, Op. 22
Sonata nº 17 en Re menor, Op. 31 nº 2 “Tempestad”
Sonata nº 23 en Fa menor, Op. 57 “Appassionata”
Sonata en La menor, D. 537
Sonata en Mi b mayor, D. 568
Sonata en Si mayor, D. 575
Sonata en La mayor, D. 664
Sonata en La menor, D. 784
Sonata en La menor, D. 845
Sonata en Re mayor, D. 850
Sonata en Sol mayor, D. 894
Sonata en Do menor, D. 958
Sonata en La mayor, D. 959
Sonata en Si b mayor, D. 960
Toccata en Do mayor, Op. 7
Estudios Sinfónicos, Op. 13
Noveleta en Re mayor, Op. 21 nº 2
Harmonies poétiques et religieuses, S.173 (completo)
Sarabanda y chacona sobre la ópera “Almira” de Haendel, S.181
Grand Galop Chromatique
Grandes Estudios de Paganini
4 Baladas (completo)
Sonata nº 1 en Do menor, Op. 4
Sonata nº 2 en Si b menor, Op. 35
Sonata nº 3 en Si menor, Op. 58
12 Estudios Op. 10 (completo)
12 Estudios Op. 25 (completo)
os
os
Nocturnos Op. 9 n 1 y 2, Op. 27 nº 1, Op. 55 nº 2, Op. 62 n 1 y 2
os
Polonesas n 1, 2, 3 y 4, Op. 26 y Op. 40
Polonesa-Fantasía en La b mayor, Op. 61
Scherzo nº 2 en Si b menor, Op. 31
Sonata nº 1 en Do mayor, Op. 1
7 Fantasías, Op. 116
3 Intermezzi, Op. 117
6 Piezas, Op. 118
4 Piezas, Op. 119
Fantasía sobre temas de “La Straniera” de Bellini, Op. 9
Cuadros de una exposición
Études-Tableaux, Op. 39 (completo)
Études-Tableaux, Op. 33 (completo)
Sonata nº 2 en Si b menor, Op. 36
Vocalise, Op. 34 nº 14 (transcripción de Z. Kocsis)
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L. Godowsky
G. Cziffra
A. Schulz-Evler
C. Debussy
M. Ravel
S. Prokofiev
B. Bartók
I. Stravinsky
A. Schoenberg
A. Webern
F. Valen
H. Dutilleux
G. Kurtág
G. Ligeti
G. Antheil
F. Rzewski
T. Madsen
J. Adams
Estudios sobre los estudios de Chopin (varios)
Le Vol du bourdon (Etude de concert)
Danse du sabre
Arabescas sobre “An der schönen blauen Donau” de J. Strauss
L’Isle Joyeuse
Etude pour les huit doigts
Sonatina
Estudios Op. 2
Sonata nº 6 en La mayor, Op. 82
Dos Danzas Rumanas, Op. 8a
Sonata
Tres movimientos de Petrouchka
Seis pequeñas piezas, Op. 19
Variaciones, Op. 27
Intermezzo, Op. 36
Sonata
Ocho piezas, Op. 3
L’escalier du diable
Jazz Sonata
North American Ballads 3 & 4
24 Preludios, Op. 20
American Berserk
Spanish Music
I. Albéniz
E. Granados
M. de Falla
J. Rodrigo
R. Paus
E. Fernández
Suite “Iberia” (obra integral)
Suite Española, Op. 47
Azulejos
La Vega
Recuerdos de viaje, Op. 71
España, Op. 165
Sonata nº 3 en La b mayor, Op. 68
Sonata nº 4 en La mayor, Op. 72
Sonata nº 5 en Sol b mayor, Op. 82
El Pelele
El Sombrero de Tres Picos
Danza ritual del fuego
Preludio al gallo mañanero
Tocata a modo de pregón
Sonata de Castilla nº 3
Suite para piano
Samambaia (2009)
Piano en Arlès (2009) -dedicada a Eduardo FernándezTranscripciones varias sobre temas de Zarzuela
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