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___________________________________________________________________________________________________________________________ ANTIQUE OLIVE, Roger Excoffon [1962] ABCDEFGHIJKLMNŃOPQRSTUVWXYZÇ abcdefghijklmnńopqrstuvwxyzç 1234567890.,:;-^´¨*+@\Şş %&()=ż? ___________________________________________________________________________________________________________________________ BELL GOTHIC, Mathew Carter [1978] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ KABEL, Rudolf Koch [1927] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ ROTIS SANS SERIF, Otl Aicher [1988] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ META THE SANS, Erik Spiekerman [1986] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ ITC OFFICINA SANS, Erik Spiekerman [1990] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ ITC OFFICINA SERIF, Erik Spiekerman [1990] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ 4 | TIPOGRAFIAS ___________________________________________________________________________________________________________________________ COOPER BLACK, Oz Cooper [1926] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ FRANKLIN GOTHIC, Morris Fuller Benton [1904] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ FUTURA, Paul Renner [1927] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ AVANT GARDE, Herb Lubalin [1970] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ GILL SANS, Eric Gill [1928] A B C D E F G H I J K L M N Ñ O P Q R ST UVW XY Z Ç abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ UNIVERS, Adrian Frutiger [1957] ABCDEFGHIJKLMNŃOPQRSTUVWXYZÇ abcdefghijklmnńopqrstuvwxyzç 1234567890.,:;-^´¨*+@\Şş %&()=ż? ___________________________________________________________________________________________________________________________ FRUTIGER, Adrian Frutiger [1976] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ 3 | TIPOGRAFIAS ___________________________________________________________________________________________________________________________ MELIOR, Herman Zapf [1954] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ OPTIMA, Herman Zapf [1959] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ CENTURY SCHOOLBOOK, Lynn Boyd Benton [1894] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ COPPERPLATE THIRTYONE, Frederic Goudy [1901] A B C D E F G H I J K L M N Ñ O P Q R S T U V W X Y Z Ç a b c d e f g h i j k l m n ñ o p q r s t u v w x y z ç 1 2 3 4 5 6 7 8 9 0 . , : ; - ^ ´ ¨ * + @ \ ª º % & ( ) = ¿ ? ___________________________________________________________________________________________________________________________ ROCKWELL, F.H. Pierpont [1934] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ LUBALIN GRAPH, Herb Lubalin [1971] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ AMERICAN TYPEWRITER, Joel Kaden & Tony Stan [1974] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ 2 | TIPOGRAFIAS ___________________________________________________________________________________________________________________________ FRAKTUR. Digital Typeface Corporation [1991, a partir de un original del s. XV] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ JENSON OLDSTYLE, Nicolas Jenson [s. XVI] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ PALATINO, Herman Zapf [1952, a partir de un original del s. XVI] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ GARAMOND, Claude Garamond [1532] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ BODONI, Giambattista Bodoni [1790] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ ZAPF CHANCERY, Herman Zapf [1957] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ___________________________________________________________________________________________________________________________ TIMES NEW ROMAN, Stanley Morison & Victor Lardent [1931] ABCDEFGHIJKLMNÑOPQRSTUVWXYZÇ abcdefghijklmnñopqrstuvwxyzç 1234567890.,:;-^´¨*+@\ªº %&()=¿? ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ 1 | TIPOGRAFIAS
