Dossier Powered by: Developed in: Media partners: 2 Index Introdution >< p. 4 > About Solimán López >< p. 5 > Museum >< p. 6 > <resume >< p. 7 > <what can be stored? >< p. 8 > <events >< p. 9 > <artists >< p. 10 > + Info >< p. 11 > <staff>< p. 12 > <documentation >< p. 13 > <intangible manifesto >< p. 14 > Pressbook >< p. 15 > Contact >< p. 30> 3 Un proyecto desarrollado en ESAT LAB www.esat.es 4 introduction When we mention the word museum our mind will automatically connect it to architecture. An architecture that within the social and cultural context, it has survived the complicated economic possibilities, but it has also faced the challenging cultural and structural possibilities of our times. With the high tech bubble and the example of great art centers as keystones of the cities culture where they were built, brick became synonymous with culture. But the concept of art, culture and its significance may find shelter in other environments. It represents an intangible asset that stands and grows within the collective imagination, which might, or might not find shelter in a three-dimensional space. Nowadays, this digital world is transferred into a society where word, expression and all the channels of information are expanded via social networks, blogs, videos, as well through an endless online offer. Art itself is a living image of the society in which it is implemented; being precisely this art the answer to what happens within each particular context. For the times we are living, complicated and confused, new drawings are coming up on the scenery of culture, the economy associated with the same and of course the artist`s work, commissioners and curators within this wide framework. Everything is being redraw and virtuality is making way with no expected ending, which we undoubtedly have to understand, enjoy and organize. The museum seen as an art center, cultural space, or gallery is completely connected to the idea of a three-dimensional space offering an artistic and informative content of interest. But, does a hard disk itself may not be considered architecture? Isn`t the memory and the artists work being represented on hanging walls, either projected or installed? Are there no files in a museum? Does not the artist fingerprint remain printed on those walls? A museum can answer to all these questions, however in its broadest concept, etymologically right; a hard disk can also do it. A hard disk enables the information to be organized into folders, allows this information to be revealed and increased across peripheral devices and above all else, a hard disk is a universe. Harddiskmuseum, does not intend to diverge into a series of alternative proposals, moreover, it tries to join urban art, netart and other fundaments to talk about this art structure and the society, and tries to draw a confused line between the figure of the artist, of the museum, of the culture budgets, of a knowledge-based society, of the memory, of the art starsystem and why not, to combine new exhibition models, co-operative, creative and generators of ideas and reflection. Infoaddictives, today, we are prepared to bear upon our shoulders with one particular concern, information. Images as memory assistants, video records as personal experience and the hard disk as container file and why not, in addition to all above said, of art. Harddiskmuseum, aims to meditate on the idea of transforming a museum into a real work of art, an interactive system and collective work, where each participant and actor belonging to the mentioned art structure performs around an artistic proposal, because the hard disk does not understand about contents, it only makes available its memory to may be filled up with good or bad ideas. 5 sobre Solimán López Solimán López (HDDM founder) BA in Art History and MA in Arts and Communication, is carrying out his artistic activity by continuously crossing the thin line between intangible and tangible, focusing on the idea of non digital identity, the erosion of an overloaded information onto social strata, the instant overexposure of privacy within our social context or the memory behavior in the 21st century. All this connected with the use of new technologies as a way of approach, disguising and a channel of communication with the viewer and with oneself. At present, in addition to his artistic work, Solimán López is director of ESAT LAB (R&D Laboratory – ESAT, Escuela Superior de Arte y Tecnología) and carries out teaching tasks on visual arts and media art. @solimanlopez @solimanlopez solimanlopez + info: www.solimanlopez.com museum 7 resume Project is represented by a hard disk without packaging and hard security system protected. Inside holds several folders organized by artists, events or shows. The hard disk is connected with different devices depending the event, as screens, projectors, videowalls, monitors or tv´s. The hard disk is a plastic icon, functional and digital. It holds all the meanings of an arquitectural space and makes the equal between space-folder, walls-case and store-repository. It is a hard object, basement of our contemporary culture holding the metaphor of our time. 8 what can be stored? Digital files like: - video - photography - interactives - renders - 3 Dimensional - websites - text - audio ... MEDIA ART 9 events Description Live session where Solimán López makes a guided visit through the disk content. This events are unique because includes the new artist repository files and diferent versions of interactions between the artwork, the artist and the spectator. Posibilties In a paralel way it is possible to make exhibitions with the project documentation, complementary materials and the instalation of the disk to be visite in a free way for the public. Events allready done: Live Session V.06. MAC Museo de Arte Contemporáneo, Bahía Blanca, Argentina. Live Session V.05. Museo de BBAA Palacio Evita Ferreyra, Córdoba, Argentina. Live Session V.04. Museo de BBAA y Artistas Contemporáneos Timoteo Navarro, Tucumán, Argentina. Live Session V.03. Desing+ Art, Science and Technology. UFSM. Santa María. Brazil. Live Session V.02. Technarte, Bilbao. Live Session V.01. Las Naves Centro de Creación Contemporánea. 10 artists List of artist who has allready include its unique artworks in the Harddiksmuseum. 11 more info 13 staff The project is made with many international collaborators that are professional of the media art and art in general. This professionals works in their places to make new artist repositions and to manage the local live sessions. The project headquarter is located in ESAT (Escuela Superior de Arte y Tecnología in Valencia) and its I+D+i Laboratory, ESAT LAB guided by Solimán López. The project has also the support of ASUS and PAC (Plataforma de Arte Contemporáneo) and Graffica as Media Partners to communicate the news related to the project. 14 documentation All the material is part of the project for future publications or exhibitions. lo que hace que el proyecto sea algo único en su comunicación y vida digital. The art delivery to the museum is documentaded. Each of that moments are unique and it is comunicated by social media and general media. The events can be transmited by streaming. Artwork delivery by Enrique Radigales 15 Intangible manifesto The project has its own manifesto. A real declaration of intentions declaration that can be read in www.harddiskmuseum.com pressbook 17 July 2016 18 La Razón, Argentina Valencia Plaza Artefacto 19 ABC Especial Cultura ABC Cultura Radio3 20 Las Provincias 20 Minutos Valencia Plaza El Levante 21 Canal Bussi (EMT) Valencia ESAT Los ojos de Hipatia. Blog de arte PAC 22 Disseny GRAFFICA MAKMA Tus Estudios 23 Levante Blog Siete de un Golpe Levante TV The Lighting mind 24 LeCool Europa press Fotolia Internacional 25 2015 26 27 28 29 30 31 @harddiskmuseum @harddiskmuseum harddiskmuseum [email protected]