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Historia y estilo)HYJLSVUH.LKPZH )HY[OLZ9VSHUKLa torre Eiffel)HYJLSVUH7HPK}Z Baudrillard, Jean, El crimen perfecto)HYJLSVUH(UHNYHTH *HYKLUHS,YULZ[VCántico Cósmico4HKYPK;YV[[H *YHY`1VUH[OHULas técnicas de observador4\YJPH*LUKLHJ +LSL\aL.PSSLLa imagen-tiempo)HYJLSVUH7HPK}Z .HYJxH)HJJH1\HU+H]PKIntroducción a la Poética4t_PJVUNAM, 2003 .PYHYK9LUtLa violencia y lo sagrado)HYJLSVUH(UHNYHTH .\ILYU9VTmUMensajes icónicos en la cultura de masas)HYJLSVUH3\TLU 4HUKVR`2H[`HEstética cotidiana y juegos de la cultura,4t_PJV:PNSV??0 4VYPU,KNHYEl cine o el hombre imaginario)HYJLSVUH7HPK}Z 5PJOVSZ)PSSLa representación de la realidad)HYJLSVUH7HPK}Z 8\PYVNH,SPVLa materia de los sueños)HYJLSVUH,KPJPVULZ+L\Z[V :mUJOLa5H]HYYV1VYKPBJVTWDImágenes para la sospecha)HYJLSVUH.StUH[ Virilio, Paul, Estética de la desaparición)HYJLSVUH(UHNYHTH ùPöLR:SH]VQMirando desde el sesgo, Buenos Aires, Paidós, 2000 ùPöLR:SH]VQLacrimae rerum, Madrid, Debate, 2006 ϐÀ 2001: A Space Odyssey, (2001, Odisea del espacio), :[HUSL`2\IYPJR ,Z[HKVZ<UPKVZ Africa Addio, (Adiós África1HJVWL[[P`7YVZWLYP 0[HSPH David Holzman’s Diary, (El diario de David Holzman),1PT4J)YPKL ,Z[HKVZ<UPKVZ Hombres salvajes, bestias salvajes,(U[VUPV*SPTH[P`4HYPV4VYYH 0[HSPH Mondo Cane (Este perro mundo.\HS[PLYV1HJVWL[[P 0[HSPH Offscreen*OYPZ[VMMLY)VL+PUHTHYJH The Matrix, (Matrix(UK``3HUH>HJOV^ZRP ,Z[HKVZ<UPKVZ (Y[xJ\SVYLJPIPKVKLMLIYLYVKL`HWYVIHKVLSKLHIYPSKL NÚMERO 001 JULIO-DICIEMBRE DE 2012, P. 33-49 49