Artistic Dossier Jesús Pineda Arjona

Artistic Dossier
Jesús Pineda Arjona
Currículum Vitae
Soloist and chamber music repertoire
Photos
BIOGRAPHY
Jesús Pineda began his musical education at the conservatories of Jerez, San
Fernando, Cadiz and Seville, where he ended them with the highest qualifications
and obtaining the award “Honours Degree” under the tutelage of the professor
Serafín Arriaza.
He has participated as an active student in graduate courses with Alberto
Ponce, David Russell, José Luis Rodrigo, José María Gallardo, Joaquin Clerch and
Roland Dyens furthermore receiving advice from musicians belonging to other
disciplines and various conductors. Likewise, supplementing his training with studies
of plucked strings of the Renaissance and Baroque, so he expands its musical and
instrumental knowledge of these periods specializing in instrumental performance of
Renaissance Lute and Theorbo. Sometimes he has used the instruments mentioned in
some of his concerts to give them a greater interest and variety of styles and
sonorities.
Mr Pineda has received the following merits:
Honourable Mention for the Intermediate Grade, 1996.
2nd Prize in the I National Competition "América Martínez", 1997
2nd Prize in the IV International Competition Ciudad de Linares "Andres
Segovia", 1997
1st Prize in the II National Competition “América Martínez”, 1998
The Prize “Honours Degree” for the upper grade, 1998
Finalist in the "Young Andalusian Artists Competition”, Cordoba 1999
2nd Prize in the VI International Competition "Andres Segovia", 2000
2nd Prize in the International Competition “Comarca del Condado”, Jaén
2002
2nd Prize in the I International Competition “Villa de l'Ollería” Valencia
2002
1st Prize in the I “Valencia Guitar Competition” 2002
He has given recitals throughout the Spanish geography as well as Italy,
Portugal and Austria, getting very good reviews. In 1993 he made his debut as soloist
with "Manuel de Falla" Orchestra. Later, in 1997, he performed with “Ciudad de
Cadiz” Orchestra. In 1999, he played the "Concierto de Aranjuez" in front of the
Cordoba Symphony Orchestra and conductor Juan Luis Pérez.
He has composed several works for guitar and is also the author of numerous
transcriptions for this instrument and for guitar duo, especially he is very skilled at
adapting Spanish music since getting all the technical and expressive possibilities of
the instrument. Pineda has also participated in various chamber groups with public
and critical success.
Regarding his research work, he has published several articles devoted to the
instrument, primarily in relation to their learning and teaching in Spanish
Conservatories, moreover other articles of historicist theme. He is also Phd student at
the University of Seville, through which he obtained in 2010 the Diploma of
Advanced Studies (DEA) with the highest rating.
He was invited to participate as a judge in the IV National Guitar Competition
in Seville in 2000 as well as the II International Guitar Festival in Ayacucho (Peru).
In 2010 he gave masterclasses at the Third Meeting of guitars "América Martínez" in
Sevilla and he assisted at the Conservatorio "G. B. Pergolesi "of Fermo (Italy) as
performer and teacher. Recently, he has given masterclasses at the Konservatorium
Wien Privatuniversität (Austria), in addition to playing a concert of Spanish music
for guitar.
At present he combines his concerts with his activities of teacher and
researcher. He is currently occupying a place of professor at the Conservatorio
Superior "Manuel Castillo” of Seville.
Soloist and chamber music repertoire
Guitar solo
RENACIMIENTO
Fantasía que Contrahaze la harpa…………………….,,.. A. Mudarra
en la manera de Luduvico
Canción del Emperador
Diferencias sobre el Conde Claros
Diferencias sobre “Guárdame las vacas”……………….. L. De Narváez
Fantasía nº 7………………………………………………..J. Dowland
BARROCO
La obra completa para Laúd de J. S. Bach: BWV 998-996-997-995-1006ª, fuga 1000
Sonata BWV 1001 y 1003 escritas para violín………….. J. S. Bach
Suite Española……………………………………………. G. Sanz
Suite en La menor “L’infidele”
Fantasía………………………………………………….. S. L Weiss
CLÁSICO-ROMÁNTICO
Reverie
Introducción y Capricho……………………………….. G. Regondi
Andante y Rondó……………………………………….. D. Aguado
Variaciones sobre un tema de Mozart, op.9
Gran Solo op.14…………………………………………. F. Sor
Gran Obertura…………………………………………… M. Giuliani
Elegía
Fantasía Húngara………………………………………… J. K. Mertz
Gran parte de la obra de Francisco Tárrega
Obras de I. Albéniz: Cádiz, Sevilla, Cataluña, Córdoba, Asturias, Rumores de la Caleta,
Granada, Pavana-Capricho, Cuba, Capricho Catalán, Tango y Torre Bermeja.
Valses poéticos
La maja de Goya…………………………………………. E. Granados
SIGLO XX
La obra íntegra de Joaquín Turina.
Canciones catalanas
Variaciones sobre un tema de Sor………………………. M. Llobet
Homenaje a la tumba de Debussy
Danza de los vecinos*
Danza del corregidor*
Danza de la molinera*
Danza del molinero*
Canción*
Danza de Gnomos*
Canción del fuego fatuo
Romance del pescador
Serenata Andaluza*
Danza del terror*
Danza final de “La vida breve”∗ …………………………. M. De Falla
Cinco preludios y Doce Estudios………………………… H. Villa-Lobos
Sonatina Meridional……………………………………… M. M. Ponce
Invocación y Danza
En los trigales
Tres piezas españolas…………………………………….. J. Rodrigo
Sonata “Omaggio a Boccherini”
Capricho Diabólico………………………………………. M. Castelnuovo-Tedesco
Sonatina
Madroños………………………………………………… F. Moreno Torroba
∗
Transcripciones para una guitarra realizadas por Jesús Pineda Arjona
Cinco bagattellas…………………………………………. W. Walton
Suite Valenciana
Collectici Intim…………………………………………… V. Asencio
Preludio de Madrid
Música para Noctámbulos
Fantasía Mediterránea…………………………………… A. García Abril
Aquarelle………………………………………………… S. Assad
Dos suggestions…………………………………………… S. Brotons
Tiento………………………………………………………M. Ohana
Libra Sonatina
Songe Capricorne
Dos tangos: “Adios muchachos” y “El Choclo”
Take the A train – (Billy Strayhorn)
Valsa en Skäi
Tango en Skäi…………………………………………….. R. Dyens
Sonata……………………………………………………... A. José
El Decamerón negro
Sonata
Variaciones sobre un tema de D. Reinhardt
Ojos brujos y Canción de cuna……………………………L. Brouwer
Fantasy-divisions…………………………………………. S. Dodgson
Quatre pièces brèves………………………………………F. Martin
Fantasía…………………………………………………….R. Gerhard
Sunburst……………………………………………………A. York
Arabesca en forma de Capricho…………………………...F. Kleynjans
Homenatge a Mistral………………………………………M. Salvador
Dança percusiva……………………………………………A. Kampela
Guitar duo
Souvenir de Rusia………………………………………… F. Sor
Tango suite……………………………………………...... A. Piazzolla
Tocata……………………………………………………... P. Petit
Golliwogg's Cakewalk (transcripción)……………………C. Debussy
Milonga…………………………………………………… J. Cardoso
Suite retratos……………………………………………… R. Gnatalli
Suite Española……………………………………………..F. Ríos
Guitar & flute, violin o cello
Liviana……………………………………………………. A. Miteran
Reflexoes nº 6…………………………………………….. J. Zenamon
Historia del tango………………………………………… A. Piazzolla
Entr´acte…………………………………………………. J. Ibert
Gran dúo concertante……………………………………..M. Giuliani
Sonatina op. 205…………………………………………. M. C. Tedesco
Guitarra & voice
Siete Canciones Populares Españolas………………….... M. De Falla
Seguidillas (selección)…………………………………… F. Sor
Cinco lieder de Schubert………………………………… J. K. Mertz
Canciones Populares Españolas………………………….. G. Tarragó
Guitarra & orchestra
Concierto de Aranjuez
Fantasía para un gentilhombre…………………………... J. Rodrigo
Concierto en Re…………………………………………...M. C. Tedesco
Concierto para pequeña orquesta…………………………H. Villa-Lobos
Concierto en La mayor op.30……………………………..M .Giuliani
Concierto Mudéjar…………………………………………A. García Abril
Concierto Elegiaco…………………………………………L. Brouwer
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