Rufino Tamayo: identidades pictóricas y culturales Rufino Tamayo: Pictorial and Cultural Identities Dina Comisarenco M ir kin En-claves del Pensamiento, vol. VIII, núm. 16, julio-diciembre, 2014, pp. 227-233. Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Ciudad de México Distrito Federal, México En-claves del Pensamiento, ISSN (Versión impresa): 1870-879X [email protected] [email protected] Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Ciudad de México México Ana Torres Arroyo, Rufino Tamayo: identidades pictóricas y culturales, Universidad Iberoamericana, México, 2011. ! 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03.!(2%*"10&'0#!-)%.,6#"!#)0!".%,&")#2(#,A)"#.,&#0!#'01"#/0#!"#.,&7(2%5&#+#/0#!"#.)%2%2#/0#!"#*%/"# 1,/0)&"#0&#!"#/02')(.'%*"#2,.%0/"/#%&/(2')%"!6#!,#(A%."A"#"!#1%21,#'%01$,6#0&#(&#02$".%,#,$(02',# "!#/02")),!!,#/0!#1,*%1%0&',#")'-2'%.,#$,2)0*,!(.%,&")%,6#.,1,#(&#$%&',)#"%2!"/,#+#2,!%'")%,E EN-CLAVES DEL PENSAMIENTO, año VIII, núm. 16, julio-diciembre 2014, pp. 227-233. 230 Ana Torres Arroyo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DEL PENSAMIENTO, año VIII, núm. 16, julio-diciembre 2014, pp. 227-233. 232 Ana Torres Arroyo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año VIII, núm. 16, julio-diciembre 2014, pp. 227-233. Rufino Tamayo: identidades pictóricas y culturales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echa de recepción: 14/11/2012 Fecha de aceptación: 21/10/2013 H$ E.,"!'"=*!0"#'*>(-.)($-"$/($I!*0")#*-(-$J8").(%")*,(!(;$K@3*,.;$-*!(6,.%*#()"!,.L>%(*/6 ,.% EN-CLAVES DEL PENSAMIENTO, año VIII, núm. 16, julio-diciembre 2014, pp. 227-233.