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Instituto Cervantes
Ayuntamiento de Sassuolo Comune di Sassuolo
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Paloma Navares
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1. TOURNIER, Michel: El espejo de las ideas, El Acantilado, BarceloQDSS±7KLVREVHUYDWLRQLVWREHIRXQGLQWKH¿UVW
chapter of Tournier’s brilliant essay in which the French writer em-
ODSHUFHSFLyQDQXHVWUDSURSLDQDWXUDOH]D\FRQHFWDU
6217$*6XVDQ$QWHHOGRORUGHORVGHPiV3XQWRGHOHFWXUD
ORV VHQWLGRV FRQ QXHVWUR PXQGR LQWHULRU DOOt GRQGH
%DUFHORQDS
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ploys the metaphor of the mirror to distinguish between a series of
PiVUHFyQGLWDVGHQXHVWURVHU
categories of thought by using the binary system so that each concept has its opposing but complimentary counterpart, sometimes
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10. An alienation to be understood as an internal exclusion of the
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subject, which leaves us without the capacity to react or, in accor-
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dance with the Dictionary of the Real Academia Española, as a men-
intentaba franquear la frontera hispano-francesa en su huída de
tal state characterised by a loss of the sense of our own identity.
los nazis.
,WLVLQWHUHVWLQJWRQRWHWKDW³DQDHVWKHVLDZDVDWHFKQLTXHGHYH-
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12. SONTAG, Susan: Op. Cit., p.132.
6217$1*6XVDQ$QWHHOGRORUGHORVGHPiV3XQWRGHOHFWXUD
(being/nothingness).
2. Simone de Beauvoir was one of those female thinkers who
1. TOURNIER, Michel: El espejo de las ideas, El Acantilado, Barcelo-
KLJKOLJKWHGWKHLVVXHZKHQVKHZURWHWKHVHPLQDOIHPLQLVWWH[W³7KH
na, 2000, pp. 13-15. Este enunciado es parte del primer capítulo de
6HFRQG 6H[´ LQ %($892,5 6LPRQH GH (O VHJXQGR VH[R
este original ensayo en el que el escritor francés utiliza la metáfora
Cátedra, Madrid, 2005.
del espejo para distinguir una serie de categorías de pensamiento,
un contrario con el cual se complementa, desde lo más particular (el
ORQD
10.
hombre y la mujer) hasta lo más universal (el ser y la nada).
'HODOPDKHULGDLVDFROOHFWLRQRIPXOWLGLVFLSOLQDU\ZRUNVSURGX-
como un estado mental caracterizado por una pérdida de sentimiento de la propia identidad.
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7UDQVSDUHQFLD´³&XQDVGHDJXD&DVDVGHFULVWDO´³&DQWRVURGDGRV
obra clave del pensamiento feminista. BEAUVOIR, Simone de: El
9LDMHDODPHPRULD´DQG³3HQVDPLHQWRV)ORUHVGHPLMDUGtQ´7KH
&XULRVDPHQWH³ODDQHVWpVLFDVHFRQYLUWLyHQXQDWpFQLFDHODER-
segundo sexo, Cátedra, Madrid, 2005.
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Zamora and then travelled to Toulouse (Instituto Cervantes, Uni-
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GHODPRGHUQLGDG%8&.025666XVDQ2S&LWSS
3. CIRLOT, Juan Eduardo: Diccionario de símbolos, Siruela, Barce-
versité de Toulouse – Le Mirail and Château Musée de Cayla), to
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digitalised version of the catalogue is available on: www.navares.
12. SONTANG, Susan: Op. Cit., pág. 132.
'HO DOPD KHULGD VH HQFXHQWUD LQWHJUDGD GH XQD VHOHFFLyQ PXO-
com/delalmaherida.pdf
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³3DODEUDVFDXWLYDV7UDQVSDUHQFLDV´³&XQDVGHDJXD&DVDV
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Biblioteca Pública del Estado en Zamora para viajar posteriormen-
SS±
te a Toulouse (Instituto Cervantes, Université de Toulouse-Le Mirail y Château Musée du Cayla), Madrid (Galería Estiarte) y Roma
6. Walter Benjamín described how our sense of perception is con-
(Instituto Cervantes). El catálogo se encuentra digitalizado en:
ditioned not just by the world around us but also by history. Thus
www.navares.com/delalmaherida.pdf
the aestheticisation of politics could lead to the manipulation of the
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discipline itself enables it to live its own destruction as an aesthetic
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Publicado originalmente en Revue française de Psychanalyse, Vol.
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QžSS
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6. Walter Benjamin explicaba que nuestra percepción sensorial se
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encuentra condicionada no sólo natural, sino también históricamen-
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te. Así, la estetización de la política favorece el adoctrinamiento de
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ODVPDVDV³/DKXPDQLGDGVHKDFRQYHUWLGRDKRUDHQHVSHFWiFXORGH
from the Nazis by crossing from France into Spain.
sí misma. Su autoalineación ha alcanzado un grado que le permite
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Entendiendo ésta como una exclusión interna del sujeto que
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2. Simone de Beauvoir fue una de las pensadoras que puso de ma-
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Madrid (Galería Estiarte), and to Rome (Instituto Cervantes).
%DUFHORQDSiJ
siguiendo un procedimiento binario en el que cada concepto posee
3. CIRLOT, Juan Eduardo; Diccionario de símbolos, Siruela, Barce-
Exposiciones / Bibliografía
Exposiciones / Bibliografía
Exposiciones / Bibliografía
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