Concertante en estilo porteño opus 125

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“A DOS BANDONEONES”
Concertante en estilo porteño
opus 125
Pag.
I
- Allegretto espressivo
1
II - Andante e serenamente
18
III - Moderato lucido
24
Rodolfo Daluisio
A.D. 2002
1
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125
Rodolfo Daluisio
2002
I
Allegretto espressivo


Bandoneón I




p
 



con garbo brillante de tango
2
3

 
f

 

 
   
f   
  

Allegretto espressivo

 
Bandoneón II
p
 






5
Band.I
     
 

    

 
     
  

Band.II
 
     

      
 




  




6
    
 
       



  

 









 
 

     
 





4






 
    
7

   


   
   


   


A dos bandoneones-opus 125 - R. Daluisio
2
Band.I
Band.II
 
 

 

 


 
8

 

 




  
 

  
    







11
         

 
Band.I



 
Band.II



 


Band.II



    
       
 
 
 
   

 
 

 

 

 
 

12
13




        
    

 

f
  
       
f

14
Band.I

mf



10



 

  
 
 


    

 
9

 

p

 
 
 

15

16




 
     



f
         

A dos bandoneones-opus 125 - R. Daluisio








  


     


f





  
   
  
    




     


17


Band.I
Band.II
 
 
  
   
  

Band.I
Band.II
Band.II




     
 
 
 




    

    
f
 



  

  

   
          
  

 
mf

   
 
 
  
20
21


  
 
 
 
19
24



3



     


 mf

 


22




  
 
  

 

    

        


    

  

mf


 






  
 





    
             



f
  
mf 

 

 


  


23
Band.I
18
   
    





 

25

 


       

  







         

f


     
 





A dos bandoneones-opus 125 - R. Daluisio
4
Band.I
Band.II
Band.I
26

 
mf

         





 
 


  mf
   
 
  


f
 
 

28

 

f

 

   

 
Band.II
27
serenamente
 
   
 







 
sf



 
29





  



   




sf



Band.I


p

cedendo
Band.II





 

           

p
 
A dos bandoneones-opus 125 - R. Daluisio


30
      



  
sf 






32
31 cedendo



          


 
  


 
 







a Tpo.

 

f

 

    
33







a Tpo.


   
 

mf


    

34
Band.I
Band.II
 
 



 

        
 


 
 

 


 


37
Band.I
Band.II
Band.II


 

 
38
  

 



39








41






42







 

   
 


 


40
  

     

   
             



        

  
 



5
36
 
 

    

 f    


  
  


              


 
  
   3 
    
 







 

 

Band.I
 




35

 

  
43

   



  

      

         

   



A dos bandoneones-opus 125 - R. Daluisio
6
Band.I
Band.II
44
    



 





  

pp



   
 










 
 
pp
  
    


Band.II
48

   








      


   


     

 


Band.II







 
f 


49

      
 


 

 

 
 
              



  

     
  

50
Band.I
      

p


f

 

 
mf


 
     
 
 
p

47
Band.I
46
45
51
52

             

     



mf





 
 







 




     


 



         
   
    

 

mf 



  
 
 


A dos bandoneones-opus 125 - R. Daluisio
53
Band.I
Band.II
decresc.

 
Band.II
 




  
  


   

f
 
decresc.

 

f
    


 
 
Band.I
54
56


  

mf


     

      



 



 




     
Band.II



   

 

57
58
         
  
  
       
f

             

         

mf




               
59
Band.I
 

     

    
  

 

  


 
    
    

7
55
f
 

 






non stringere, ma brillante
60

   
 




61
62

  

 
  
   

 
 

 
f

  


   






sfz


  


 



  

sfz


  


A dos bandoneones-opus 125 - R. Daluisio
8
63
Lo stesso tempo
Band.I






Band.II
mf




     


mf



  

  
67
Band.I
Band.II
66

 




 

 

 






69






 






  








72



f

 


 
 
 
  
 
 
73




 
 
   





 
mf
 



   






  

p





  
A dos bandoneones-opus 125 - R. Daluisio
 

 
70

  














      
 
f 
      

          
 


    

   
Band.II




68
71
Band.I
65
ben cantato
Lo stesso tempo



   



       
   

 

                



64
mf
   
    





74
Band.I
   
    




 

 
Band.II
75


Band.II

        


  
mf
 




 

Band.I
 



Band.II







     


  
intenso

mf



legatiss.


 
                
 


 

78
80
 

9

79

   
    

 






        



 


77
serenamente
Band.I
76
 



  










 
 
 

 




 
 

   
  


81
 
 
 
p
   
  
 
 

 



 
 





82


 
  
f

  



   
    
    

    
A dos bandoneones-opus 125 - R. Daluisio
10
Band.I
Band.II
83
 

   

           
 


 





  
 



   
 













85

    
Band.I
  

 
Band.II
  



  
 



87


       
Band.I
Band.II


  
 







              
  




   


86

    


semi staccato

       
semi staccato


  SOLO




88
89
       
  
       


f


 





     

 
sfz
A dos bandoneones-opus 125 - R. Daluisio


   
     




 
  

   

      
   






84
sonoro e marcatiss.




90
Band.I
Band.II
 
  


 
 
    

  



   


 








 
 
11
91

  
 

f



  
  


93
 












    
        
92

 
Band.I
Band.II
Band.I
Band.II

   

 
   




    


 
   
 
 

  
 
 
p






94
95

   

 
mf
   
  




     
 

f
 
 
  
 









rit.


   
 

   
 




A dos bandoneones-opus 125 - R. Daluisio
12
Band.I

  
 
 
96
97
98






a Tpo.
ampio ed emotivo
Band.II
Band.I
Band.II




 





 
101






103








   
 
100

 




       





    
     

f
         
 
  


Band.II

 
99
102
Band.I
   
       
   
cresc.

 

              
    
  p
f
      

        
 
 
SOLO
     
       
p
sùb.  mf


      



A dos bandoneones-opus 125 - R. Daluisio
      



 
104
105

     
mf


    









p


p










106
  

     





 

 

Band.I
Band.II
 
f
 



  

 

f
  


Band.I

  
 
    


Band.II

  


 








 
 

     
 
 
112
Band.II



    


 
 
     


     
 

 
   
   
110
111

 






  







 

   

113
 
 
     

   
 

 




           


    

 
Band.I

 


 

    

13
108
 
109


107






 


 
 
 
  








             
114
mf

 
   
  

     






A dos bandoneones-opus 125 - R. Daluisio
14
Band.I


f
 
115
116


     
     
 
 



Band.II
Band.I
 
   
 



p

  

 
  
 


 
f
     

Band.I
Band.II
mf


 


    
f






 
 
  



p

    


  
 





  
 


120


123
 


 

  
 



    
   
     














     


 
 
 

A dos bandoneones-opus 125 - R. Daluisio

 
    

     
   

 
 
 
122
    

  



119
121
 
 

 







  

118
     


Band.II

f

  

117
124

  
f



 



125

 
Band.I

Band.II



  

mf
 
126


 


 






           
 
    











15
127


  
 









130
Band.I
  
  
 
 

  
Band.II


128




 




129
  
  

  
  
 




  














 



     




133



 

 





  


 


 
   




  






 


Band.II



132

    





131
Band.I

 










        
A dos bandoneones-opus 125 - R. Daluisio
134
16
Band.I
135

 



 



 
136

   
   
   
138

Band.I
Band.II

 



    

 
 

141
Band.I
Band.II





 


 





140
   
 
  




        
  

    


142
    

        
        



 
143
     


        

       
             

A dos bandoneones-opus 125 - R. Daluisio


   
      
 


  
 








  

139
    



    



     



 

        
   

Band.II
137

 

  


 

       







 
 
Band.I

   
146


 
f
147



       

    

 
f 


  
   

  
   
 
148


Band.I



Band.II

Appena più mosso




 










   
    
152
      

        


 
Band.II

Appena più mosso
  
 

 



     
  

    
 
 

f



  
  




 

     

 
f
150

 

  





f


149
151
Band.I
17
     






    




145

 



    
   


 
 


mf
f








   

 


 
 









Band.II
144

 
sfz

 

pesante

  
sfz 

  
 
pesante





6-11-02
A dos bandoneones-opus 125 - R. Daluisio
18
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125
Rodolfo Daluisio
2002
II
Andante e serenamente
2
intenso e ben cantato
Band.I

   
p
   


  
mf  





 

 
 

 

        

              
Andante e serenamente
p
Band.II
 

  
4









Band.I



Band.II










      






 
A dos bandoneones-opus 125 - R. Daluisio

p








  

  
  





p
6
 
p

p

 
  

5


mf
più calmo
grave e profondo
 
3

7




 


   

  
8
9

 
Band.I
mf
 


   


  
Band.II
Band.I
Band.II
    





mf

  




Band.II
 
 
 

 
 

 


 

  

 


   

p 
 
    


  

  

13
 
 
 


 

f
 








       
 
 
       
12
 
 
19

 
 

 






 
 
            











 
 
 
 
 
mf
  


     
 

                     

Band.I
11
p

 

10
 
  
14
 
 




 


15





p
 sùb.

 
   




     
  
   
p
     

   
  




16
 
 
 
p sùb.
 

  

 
  
p
    




A dos bandoneones-opus 125 - R. Daluisio
20
17
Adagietto
18
legatiss, e "ad lib."
Band.I




20
Band.I
Band.II
 




 
f
mf
   
 


 
Band.II

f
mf

 


Band.I
cresc.
 
    
   
p



Adagietto
Band.II
19








23


 
      


       


p
 mf



 
 
 

 

  

      
p



    


 
  
p
mf





 
21
p







22
            
  




    ff


     



sonoro assai




   



ff


      
 
24
     
  
f  
     
  


    

sfz
 mf 

    

A dos bandoneones-opus 125 - R. Daluisio
     



25

f
  


26
dim.
     


  

mf
     

 
 

mf
  
  
 



p

   

    
  
Moderato 28
ben espress.
27
assai tratt.

Band.I







assai tratt.
Band.II


       

 
  
 
      
 

mf

  
 


   
Moderato
  


p

    
30


Band.I
 
Band.II
 


Band.II

    
  
p 

      
  
 
31


p







 
 
 
33
Band.I

 

    
 

mf
f   


    




   
 
   
 









  


  

 





mf
f
 


 





    
 



    
  
p







  




  

32


     
p
    

 
 
34


21
29
35


     
p

    


A dos bandoneones-opus 125 - R. Daluisio
22

 
Band.I
 
  


 
mf


 
    










  

p

38


 

   




  

Band.II


     
p
    

 
 
40
39 muy calmado

 
 




 
    

      
 

mf

   
    
       



  

 

      

41
Band.I


 


 

      




mf
     
       
    
 
  




 



 
 

Band.II




   

 



Band.I
f
 

  
Band.II
37
36
   

 

    
 
 


     

 
     
Andante42
43

 

 
mf
  






    

 

 





         
p

A dos bandoneones-opus 125 - R. Daluisio
p


Andante



 




mf 










44
Band.I
Band.II

  
 

p


   


 





 



 



 

 
 
 

p

47
Band.I
Band.II
      
      

  





 
45
48



 
  



p
 
  


pp





50
  


 





pp 

23
  


pp 


49
 
 
46

 
 
12-11-02
A dos bandoneones-opus 125 - R. Daluisio
24
"A DOS BANDONEONES"
Concertante en estilo porteño - opus 125
Rodolfo Daluisio
2002
III
Moderato lucido
Bandoneón I

 

 

2
Bandoneón II

mf
 





 

 

4
Band.I
Band.II

 






 

 

5
     
 

 
 


 




  
f


 


intenso e ben cantato
Moderato lucido

  
3

  


  




p
6
   
 

  





  







mf
 






  
p
 
 

A dos bandoneones-opus 125 - R. Daluisio





 
 

7
Band.I
Band.II
Band.I
 



   


f

  



 

 
 


Band.II
 


 


 



12
13



25

  
 
11

 

p

10

  
  

p

p
 
 
      
 


     


 
 


    
 
mf
14
Band.I


sonoro e sostenuto
  
9
 



         




Band.II
8
p
mf

  



mf
       
 

   
15

  

 
    


 


    
 






  




          
A dos bandoneones-opus 125 - R. Daluisio
26
16
17
Band.I

    
    









   
      
p
mf

 






 
Band.II


   
   









         

  
p
mf
 






 


18
Band.I

    

   

 

     

Band.II

 



   






  

   
Band.I


Band.II
 
 

 





22
Allegro

 
f
 

23 poco pesante
     
     
20

       

f


      

secco
   
secco
     




  


21
Allegro
19




 
 

24

         

         

poco pesante
  

   


A dos bandoneones-opus 125 - R. Daluisio

   
   

  
 
   
  
  
25


Band.I
Band.II

          

              

     

       
Band.II
   
 


 

   

Band.I
 
 
Band.II
 
  

 

 
 
27
28

27
  
   
p 
 





 
       
p
31
  
 
 

32







          
 mf  
 

    




    




33
 


 

30


 

     mf 

 

 



 



    
 
29
Band.I
26
 



    

 

34



 
 

Poco meno mosso
35
      
  

       
  

     
 



 







 

 




ff

36


Poco meno mosso


   
ff





A dos bandoneones-opus 125 - R. Daluisio
28
Band.I
37

  





Band.II






  



38


  




Band.I
Band.II
 


 





Band.II
 

mf



f

41


 
 
p


Larghetto

 




 
 

pp  
 


  
soaviss. e sostenu
45
serenamente



48

p




pp

 
A dos bandoneones-opus 125 - R. Daluisio

Più mosso
47



   



 

mf 
3
  
 
    





Larghetto
44

  


 



43
46
Band.I


     

 
3



      



  


 


40



     



 




42

 


39


      





Più mosso




 
 
49
 
mf




  

mf
 

f
50
Band.I
Band.II
Band.I
   




3
3 
mf
f
    



 3
3

 3  3

  

 
 3  3





  


 







mf

p







57





    
f
 

 
  

Moderato
Band.II



stringendo


 
  


 


mf

   

 


    






p




     
 












Andantino fluente

  

 
56

 

 
  


 
 

58
  

Andantino
fluente
53
29

      
55
stringendo


 


  
     
   
    
Moderato
Band.I
52



 
54
 




Band.II


51




   
 

59
  


  








 


  
p
 
 

mf

A dos bandoneones-opus 125 - R. Daluisio
30


Band.I

   
  
  

 
   
Band.II

 

Band.II


p
 


       


Band.II

mf

  


63
  
 

             

 
f

  
 




 


   




  


62

  

mf
   

67
Band.I
61

64

 

Band.I
sonoro e sostenuto
60

  


 

65





p


p
mf

     

68




     


 
 
p


      
69

 

       
       




 
  
 
 



   
A dos bandoneones-opus 125 - R. Daluisio
66

   




          
70
Band.I
Band.II
71
    




   
mf






    
           
p
 




   
   




















   

 
p
mf
 







 
72


Band.I
Band.II
 
 
  
      

       


 

Band.II
     




  
 




  


    


















 
73














sfz




sfz



76

 
 
 


ff



   
    
ff

75

 


       

74
Band.I
31


 


 
77















14-11-02
A dos bandoneones-opus 125 - R. Daluisio
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