Cine en casa 27 de mayo de 2013 The apartment Lectura Inferno Billy Wilder Entrevistas Revistas American magazines Música I will survive Gloria Gaynor Documental Jack Lemmon Cine en casa The apartment Billy Wilder (1960) De nuevo planteamos la revisión de una película en habla inglesa, suficientemente conocida para, en su caso, encontrarla en nuestro propio domicilio. Si no es así, proponemos también un lugar donde comprarla. En esta ocasión recomendamos un famoso título que consiguió seis premios Óscar de Hollywood, y que se considera por la crítica como una de las mejores películas de todos los tiempos. Acompañamos, por último, un link donde poder leer completo el guión original en inglés. Director: Billy Wilder. Stars: Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, Jack Kruschen, David Lewis. Script. Price: 7,45 € (DVD) In: FNAC. Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for “The Apartment” stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person’s apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical “Promises, Promises”. A lo largo de la vida de nuestras Newsletters, hemos insistido en los beneficios de escuchar una entrevista en inglés, debido a los giros y recursos específicos de este género, sumamente ágiles, y su clara vinculación con las exigencias de las pruebas de capacitación de lengua inglesa (que obligan a mantener una conversación). Nos centraremos en varias entrevistas, en este caso al director de cine de otra de las actividades de la presente quincena. Tendremos la posibilidad, en los dos primeros casos, de escuchar al entrevistado (con un acento muy peculiar y un envidiable sentido del humor), y posteriormente acceder mediante un tercer archivo a la transcripción por escrito de otra entrevista, para mejorar así nuestra capacidad lectora. Interview (complete transcription). Paris Review. “The Art of Screenwriting” “…INTERVIEWER Was that one of the reasons you became a director, the difficulty of protecting the writing? WILDER That was certainly one of the reasons. I don’t come from the theater or any dramatic school like the Strasberg school, and I didn’t particularly have ambitions to be a director, to be a despot of the soundstage. I just wanted to protect the script. It’s not that I had a vision or theory I wanted to express as a director; I had no signature or style, except for what I learned from when I was working with Lubitsch and from analyzing his pictures—to do things as elegantly and as simply as possible. INTERVIEWER If you’d always had more respectful directors, such as Lubitsch, would you have become a director? WILDER Absolutely not. Lubitsch would have directed my scripts considerably better and more clearly than I. Lubitsch or Ford or Cukor. They were very good directors, but one wasn’t always assured of working with directors like that. INTERVIEWER I see Federico Fellini on your wall of photos. WILDER He also was a writer who became a director. I like La Strada, the first one with his wife, a lot. And I loved La Dolce Vita. Up above that picture is a photo of myself, Mr. Akira Kurosawa, and Mr. John Huston. Like Mr. Fellini and me, they too were writers who became directors. That picture was taken at the presentation of the Academy Award for best picture some years back (…).” The Paris review Billy Wilder Billy Wilder talks about Marlene Dietrich Duration: 5:27 minutes 1980’s interview with Director Billy Wilder. In this segment Wilder talks somewhat candidly about his professional and personal relationship with screen legend Marlene Dietrich. Wilder: “I genuinely like her very much and I’m going to miss her. Or if I go first she will miss me, god forbid.” Marlene Dietrich Billy Wilder Interview (parts 1 to 3). Duration: 23:42 minutes Excerpts from a 1986 appearance by Wilder at the American Film Institute. Part 1 Part 2 Part 3 Billy Wilder (22 June 1906 – 27 March 2002) was an Austrian-born American filmmaker, screenwriter, producer, artist, and journalist, whose career spanned more than 50 years and 60 films. He is regarded as one of the most brilliant and versatile filmmakers of Hollywood’s golden age. Wilder is one of only five people to have won Academy Awards as producer, director, and writer for the same film (The Apartment). Wilder became a screenwriter in the late 1920s while living in Berlin. After the rise of the Nazi Party, Wilder, who was Jewish, left for Paris, where he made his directorial debut. He relocated to Hollywood in 1933, and in 1939 he had a hit when he co-wrote the screenplay to the screwball comedy Ninotchka. Wilder established his directorial reputation with Double Indemnity (1944), a film noir he co-wrote with mystery novelist Raymond Chandler. Wilder earned the Best Director and Best Screenplay Academy Awards for the adaptation of a Charles R. Jackson story The Lost Weekend (1945), about alcoholism. In 1950, Wilder co-wrote and directed the critically acclaimed Sunset Boulevard. From the mid-1950s on, Wilder made mostly comedies. Among the classics Wilder created in this period are the farces The Seven Year Itch (1955) and Some Like It Hot (1959), satires such as The Apartment (1960), and the drama comedy Sabrina (1954). He directed fourteen different actors in Oscar-nominated performances. Wilder was recognized with the American Film Institute (AFI) Life Achievement Award in 1986. In 1988, Wilder was awarded the Irving G. Thalberg Memorial Award. In 1993, he was awarded the National Medal of Arts. Wilder has attained a significant place in the history of Hollywood censorship for his role in expanding the range of acceptable subject matter. Book Dan Brown(2013) Description Inferno is a 2013 mystery thriller novel by American writer Dan Brown and the fourth book in his Robert Langdon series, following Angels & Demons, The Da Vinci Code and The Lost Symbol. The book was released on May 14, 2013 by Doubleday. Harvard art history professor Robert Langdon wakes up in a hospital room with a head wound and no memory of the last few days. His last memory is walking in Harvard, but the hospital is in Florence. Sienna Brooks, a doctor, tells him he suffered a concussion from being grazed by a bullet, and had stumbled into the emergency ward. Suddenly, a woman dressed like a punk named Vayentha breaks in, shoots another doctor, and approaches the room. Sienna grabs Robert and they flee to her apartment… The Author Dan Brown (born June 22, 1964) is an American author of thriller fiction, best known for the 2003 bestselling novel, The Da Vinci Code. Brown’s novels are treasure hunts set in a 24-hour period, and feature the recurring themes of cryptography, keys, symbols, codes, and conspiracy theories. His books have been translated into 52 languages, and as of 2012, sold over 200 million copies. Two of them, The Da Vinci Code and Angels & Demons, have been adapted into films. Brown’s novels that feature the lead character Robert Langdon also include historical themes and Christianity as motifs, and as a result, have generated controversy. Brown states on his website that his books are not anti-Christian, though he is on a ‘constant spiritual journey’ himself, and says that his book The Da Vinci Code is simply “an entertaining story that promotes spiritual discussion and debate” and suggests that the book may be used “as a positive catalyst for introspection and exploration of our faith.” Official site: http://www.danbrown.com American magazines Los medios de comunicación social son canales específicos a través de los cuales se difunde todo tipo de informaciones sobre hechos de interés para una colectividad. La comunicación periodística busca satisfacer la necesidad de información sobre asuntos de interés general. Así, los medios de comunicación social cumplen, en general, tres funciones: información, formación y entretenimiento. De ellas, analizaremos cómo se utiliza la lengua inglesa adaptada al formato de varias revistas. Proponemos los siguientes enlaces estadounidenses, en los que navegaremos a través de sus diferentes secciones o apartados: Life: de sus interesantes recursos, destacamos los dedicados a historia y cultura. http://life.time.com/ Time Magazine: noticias sobre política, negocios, salud, ciencia, entretenimiento, opinión… http://www.time.com/time/ People: de carácter más informal, con secciones de estilo, televisión, mascotas, niños, famosos, vídeos, etc. http://www.people.com/people/ National Geographic: con reputados artículos sobre viajes, aventuras, animales, naturaleza, fotografía y un largo etcétera. http://www.nationalgeographic.com/ Forbes: su fuerte es la información económica, donde revisaremos terminología de este ámbito. http://www.forbes.com/ Business Week: con información completa sobre el mundo de la economía, finanzas, tecnología o política, entre otros sectores. http://www.businessweek.com/ Sports Illustrated: una de las publicaciones sobre deportes más conocidas. http://sportsillustrated.cnn.com/ In Style Revistas dirigidas al público femenino http://www.instyle.com/instyle/ Cosmopolitan http://www.cosmopolitan.com/ Marie Claire http://www.marieclaire.com/ Gloria Gaynor (real name Gloria Fowles, born September 7, 1949) is a U.S. singer best-known for the disco hit songs “I Will Survive” (1979) and “Never Can Say Goodbye” (1973). I will survive Gloria Gaynor (1979) Born in New Jersey, Gaynor was a singer with the Soul Satisfiers, a jazz/pop band, in the 1960s. Her first solo single was “She’ll Be Sorry”/“Let Me Go Baby” (1965). The lyrics of “I Will Survive” are written from the point of view of a woman, recently dumped, telling her ex-lover that she can cope without him and doesn’t want anything more to do with him. The song has become something of an anthem of female emancipation, and is still a staple of office parties and karaoke nights, not to mention an anthem in North American gay culture. She also sang on lesser-known disco songs like “Honey Bee” (1973), “Casanova Brown” (1975), and “I Am What I Am” (1983). She continued recording for many years, releasing “Last Night” in 2000, “Just Keep Thinking About You” in 2001, and “I Never Knew” in 2002. I will survive (English lyrics) La razón (traducción al castellano) At first, I was afraid, I was petrified. I kept thinking I could never live without you by my side. But then I spent so many nights Just thinking how you did me wrong. And I grew strong. I learned how to get along. Al principio, tenía miedo, Estaba petrificada. Seguía pensando Que nunca podría vivir sin ti a mi lado. Pero, luego, pasé tantas noches Solamente pensando en cómo me heriste. Y me volví fuerte. Aprendí a sobrellevarlo. So, now you’re back From outer space. I just walked in to find you here Without that look upon your face. I should have changed that stupid lock. I should have made you leave your key, If I had known for just one second You’d be back to bother me. Y ahora vuelves Del espacio exterior. Simplemente entré y te encontré aquí Sin esa mirada en tu cara. Debería haber cambiado esa estúpida cerradura. Debería haberte obligado a devolverme la llave, Si hubiera sabido, por sólo un segundo, Que volverías para molestarme. Oh, now go, Walk out the door. Just turn around now. You’re not welcome anymore. Weren’t you the one Who tried to break me with desire? Did you think I’d crumble? Did you think I’d lay down and die? Oh, no, not I. I will survive. As long as I know how to love, I know I’ll be alive. I’ve got all my life to live. I’ve got all my love to give. I will survive. I will survive. Yeah, yeah. Oh, ahora vete, Sal por la puerta. Sólo da la vuelta ahora. Ya no eres bienvenido. ¿No eras tú El que intentó dejarme? ¿Pensaste que me desvanecería? ¿Pensaste que abandonaría y moriría? Pues no, yo no. Sobreviviré. Mientras sepa cómo amar, sé que estaré viva. Tengo toda mi vida para vivir. Tengo todo mi amor para dar. Sobreviviré. Sobreviviré. Sí, sí. It took all the strength I had Just not to fall apart. I’m trying hard to mend the pieces Of my broken heart. And I spent so many nights Just feeling sorry for myself. I used to cry. But now, I hold my head up high. Me llevó todas las fuerzas que tenía No deshacerme en pedazos. Estoy intentando arreglar las piezas De mi corazón partido. Y pasé tantas noches Compadeciéndome de mí misma. Solía llorar. Pero ahora, no me avergüenzo. And you see me With somebody new. I’m not that stupid little person Still in love with you. And so, you thought you’d just drop by And you expect me to be free. But now I’m saving all my love For someone who’s loving me. Y ya me ves Con una nueva persona. No soy esa estúpida personita Aún enamorada de ti. Y pensabas que simplemente pasarías de visita Y esperabas encontrarme libre. Pero ahora estoy guardando todo el amor Para alguien que me ama. Official website: www.gloriagaynor.com Jack Lemmon (Newton, Massachusetts, 8 de febrero de 1925 - Los Ángeles, California, 27 de junio de 2001) fue un actor estadounidense, cuyo nombre real fue John Uhler Lemmon III. Ganó dos Premios Óscar: el primero en 1955, por la película Escala en Hawaii como mejor actor de reparto; y el segundo, en 1974, por Salvad al tigre como mejor actor. Practicaremos inglés accediendo a varios documentales sobre esta figura. Vida y obra Jack Lemmon John Uhler “Jack” Lemmon III (February 8, 1925 – June 27, 2001) was an American actor and musician. He starred in more than 60 films, including Some Like It Hot, The Apartment, Mister Roberts (for which he won the 1955 Best Supporting Actor Academy Award), Days of Wine and Roses, The Great Race, Irma la Douce, The Odd Couple, Save the Tiger (for which he won the 1973 Best Actor Academy Award), The Out-of-Towners, The China Syndrome, Missing (for which he won ‘Best Actor’ at the 1982 Cannes Film Festival), Glengarry Glen Ross, Grumpy Old Men and Grumpier Old Men. Inside the Actors Studio Duration: 45:43 Jack Lemmon, one of the greatest american actors, on this program: “Inside the Actors Studio” is an American television show on the Bravo cable television channel, hosted by James Lipton. It is produced and directed by Jeff Wurtz; the executive producer is James Lipton. The program, which premiered in 1994, is distributed internationally by Cableready and is broadcast in 125 countries around the world reaching 89 million homes. It is currently taped at the Michael Schimmel Center for the Arts at Pace University’s New York City campus. Documentary Otros documentales en ingles sobre el actor, para practicar la escucha: • Jack Lemmon on Billy Wilder (5:17 minutes). • Jack Lemmon on Marilyn Monroe and Stardom (2:50 minutes) • Funniest joke I ever Heard 1984. Jack Lemmon (2:27 minutes)